Posts tagged with "wired"

Hot Girl Summer, Megan Thee Stallion, Nicki Minaj, Ty Dolla $ign, 360 MAGAZINE

Hot Girl Summer

“Megan Thee Stallion is at the forefront of the ‘Women’s Rap Renaissance!'”360 MAGAZINE

“This is the year of the ‘hot girl summer’ ”  NBC NEWS


“The lifestyle choice of summer 2019: Hot Girl Summer.” –HUFFINGTON POST


“If you’ve logged onto Twitter or swiped through your Instagram at any point this summer, you’ve definitely seen a post declaring it’s a hot girl summer. The now-ubiquitous phrase, a call to live your most confident and unapologetic life, was coined in the early months of the season by Houston rapper Megan Thee Stallion.” – TIME MAGAZINE


“Houston rapper Megan Thee Stallion, and her definitive tweet that this season is made for hot girls, made the phrase the season’s most ubiquitous meme, an internet-wide catchphrase.” – WIRED


“Her power lies directly in her self-confidence, honesty, and unmitigated desire to dominate-and not just when it comes to life itself; these qualities pour through her music.” – COMPLEX


“[Megan Thee Stallion] exudes a confidence of an artist that has been mastering the game for at least a decade.” –BILLBOARD


“Her music is unapologetically Southern, with her thick Houston accent bouncing effortlessly over sensual and bare trap beats, allowing her lyricism and delivery to shine through.” –ROLLING STONE


“If you don’t know the name Megan Thee Stallion, you will soon: she’s one of the fastest rising rappers and finds herself rooted in a pop culture moment that’s all about the yeehaw agenda, country-trap and sex-positive messaging.” – PASTE

If one thing is clear, Megan Thee Stallion owns Summer 2019! The Houston based MC and cultural icon, Megan Thee Stallion, continues her hot girl hot streak today with the release of new single, “Hot Girl Summer” feat. Nicki Minaj and Ty Dolla $ign. The single boasts production from hip-hop icon Juicy J and features a sample from the hit City Girls’ song “Act Up.” The track is named after the biggest cultural phenomenon of 2019, established by Megan, known as #HOTGIRLSUMMER. The phrase and viral meme not only encompasses everything Megan stands for but has also become a rallying cry for men and women around the world and is catapulting Megan into a household name.

When explaining #HOTGIRLSUMMER Megan states, “it’s just about women and men being unapologetically them, just having a good-ass time, hyping up your friends, doing you, not giving a damn about what nobody gotta say about it.”

Megan has had a monumental year that includes this week’s digital cover of PAPER Magazine, a print cover of The FADER’s Summer issue, being named as one of XXL Magazine’s 2019 Freshman, a late-night TV debut on Jimmy Kimmel Live!, and multiple radio hits such as “Cash Shit” and “Big Ole Freak.” Her critically-acclaimed project Fever has been praised by the likes of Rolling Stone, The Fader, XXL, Billboard, Pitchfork, Paper, and more.

Beyond being a successful rapper, Megan is currently a college student, environmental activist, philanthropist, Chance the Rapper’s occasional dietary consultant, and life coach for the world at large. Megan has hosted beauty pageants that award scholarships to “hotties” who also happen to be students, organized the first “Hottie Beach Clean Up” in Los Angeles, and still has time to regularly spread the word of hot girl summer on social media. With each move she makes she continues to set herself apart as the most unique, inspirational, and driven artist out right now, so it’s no wonder she can count Kylie Jenner, Drake, Jada Pinkett Smith, Nicki Minaj, etc. as some of her fans.

Due to climate change, hot girl summer will be continuing well into the Fall when Megan joins Meek Mill and Future for their North American Legendary Nights Tour with YG and Mustard (select tour dates below)., but for now she shows no signs of slowing down. Stay tuned for more news as #HOTGIRLSUMMER is far from over!

READ THE PAPER DIGITAL COVER STORY FEATURING MEGAN THEE STALLION: https://www.papermag.com/megan-thee-stallion-2639723905.html

NEW SINGLE FEATURING NICKI MINAJ AND TY DOLLA $IGN OUT NOW; LISTEN HERE
FALL TOUR WITH FUTURE, MEEK MILL, YG AND MUSTARD; PURCHASE TICKETS HERE 

Julia Koerner and the Future of Design

*Featured image by Ger Ger

2019 Oscars: Austrian Designer Julia Koerner brings 3D-Printing to the Oscars

 

For the first time, 3D-Printing hits the Academy Awards. The winner of the Academy Award for Costume Design Ruth E Carter for the Black Panther brought on Julia Koerner to develop the remarkable 3D-Printed costumes of Queen Ramonda character. These included the Queen’s Crown and Shoulder Mantle. The Black Panther won Academy Awards.

Julia Koerner is an award-winning Austrian Designer and Professor at UCLA’s School of Architecture. She specializes in 3D design for 3D-Printing. Her past works include 3D-printed haute-couture for Iris Van Herpen, and Chanel’s Maison Lesage; both of which were

recently exhibited at the Metropolitan Museum of Art (MET) show entitled Manus x Machina.

The 3D designs are developed and simulated in 3D-space utilizing algorithms and scripts to generate the patterns and three- dimensional effects that are customized to the wearer. The technology allows Koerner to research and develop highly complex and intricate designs, which cannot be fabricated in any other way. The Material used is a strong and exible polymer that is highly durable, the printing process itself takes several days within the laser sintering machine.

The technique used for 3D-Printing Queen Ramonda’s costumes is known as Selective Laser Sintering (SLS), where a bed of powder is fused by a laser beam microscopically, layer by layer to fabricate the intricate 3D designs developed in the computer by Koerner. The costumes were manufactured by Materialise in Belgium, who Koerner has been working with for over a decade.

 

Shortly after receiving the Academy Award, Ruth E Carter joined the Oscars most sought-after Vanity Fair party wearing a 3D-Printed Statement Piece designed by Julia Koerner. Koerner says: “Over the past two months, I developed a customizedstatement piece for Ruth, we found inspiration in African imagery from the photographer Seydou Kaïta, and digitally crafted afro-futuristic patterns to an asymmetrical ensemble that references the 1950’s fashion designs of Balenciaga”. To sublime the piece, Julia Koerner worked with Swarovski to integrate their cutting edge line of crystals onto the garment in a novel technique, which is a rst of its kind. The commission of the piece is combined with Ruth Carter’s dress developed by the renowned B Michael America.

About Julia Koerner

Julia Koerner is an award-winning Austrian designer working at the convergence of architecture, product and fashion design. She is internationally recognized for design innovation in 3D-printing. Julia’s work stands out at the top of these disciplines. Her designs have been featured in the National Geographic Magazine, VICE, WIRED and the New York Times among other publications. Museum and Institutions which have exhibited her work include the Metropolitan Museum of Art in New York (MET), Palais des Beau Arts in Brussels, Museum of Applied Arts MAK Vienna, Ars Electronica, the Art Institute of Chicago and the High Museum of Art in Atlanta among others. The constantly intriguing aspect of Julia’s work is its embodiment of a beautiful organic aesthetic.

Julia is founder of JK Design GmbH, specialising in design for 3D-printing. In 2015 Julia launched an entirely 3D-Printed ready-to-wear collection entitled ‘Sporophyte.’ Her collaborations involved 3D Printed fashion pieces developed with Haute Couture Houses for Paris Fashion week and 3D printed costumes for Hollywood entertainment productions such as Marvel’s Black Panther in collaboration with Ruth Carter. Most recently she collaborated with Swarovski on a showpiece which displays Swarovski’s continued strive for innovation and the early developments of 3D-printing technology with glass.

Follow her here

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RE-ENGINEERING HUMANITY

Everyday new warnings emerge about artificial intelligence rebelling against us. All the while, a more immediate dilemma flies under the radar. Have forces been unleashed that are thrusting humanity down an ill-advised path, one that’s increasingly making us behave like simple machines?

Have a look at the book’s website.

About the Authors

Brett Frischmann is The Charles Widger Endowed University Professor in Law, Business and Economics at Villanova University. He is also an affiliated scholar of the Center for Internet and Society at Stanford Law School, and a trustee for the Nexa Center for Internet & Society, Politecnico di Torino. He has published foundational books on the relationships between infrastructural resources, governance, commons, and spillovers.

Evan Selinger is Professor of Philosophy at the Rochester Institute of Technology, where he is also the Head of Research Communications, Community, and Ethics at the Center for Media, Arts, Games, Interaction, and Creativity. A Senior Fellow at the Future of Privacy Forum, his primary research is on the ethical and privacy dimensions of emerging technology. Selinger is a prolific writer and his next anthology is The Cambridge Handbook of Consumer Privacy, co- edited with JulesPolontesky and OmerTene (Cambridge University Press, forthcoming 2018). A strong advocate of public philosophy, he regularly writes for magazines, newspapers, and blogs, including The Guardian, The Atlantic, Slate, and Wired.

Advance Praise Re-Engineering Humanity

Frischmann and Selinger provide a thoroughgoing and balanced examination of the tradeoffs inherent in offloading tasks and decisions to computers. By illuminating these often intricate and hidden tradeoffs, and providing a practical framework for assessing and negotiating them, the authors give us the power to make wiser choices.

Nicolas Carr, author of The Glass Cage: How Our Computers Are Changing Us, from the Foreword

Re-Engineering Humanity brings a pragmatic if somewhat dystopic perspective to the technological phenomena of our age. Humans are learning machines and we learn from our experiences. This book made me ask myself whether the experiences we are providing to our societies are in fact beneficial in the long run.

Vint Cerf, Co-Inventor of the Internet

Frischmann and Selinger deftly and convincingly show why we should be less scared of robots than of becoming more robotic, ourselves. This book will convince you why it’s so important we embed technologies with human values before they embed us with their own. Douglas Rushkoff, author of Present Shock, Program or Be Programmed, and Throwing Rocks at the Google Bus.

Everybody is suddenly worried about technology. Will social media be the end of democracy? Is automation going to eliminate jobs? Will artificial intelligence make people obsolete? Brett Frischmann and Evan Selinger boldly propose that the problem isn’t the rise of ‘smart’ machines but the dumbing down of humanity. This refreshingly philosophical book asks what’s lost when we outsource our decision-making to algorithmic systems we don’t own and barely understand. Better yet, it proposes conceptual and practical ways to reclaim our autonomy and dignity in the face of new forms of computational control.

Astra Taylor, author of The People’s Platform: Taking Back Power and Control in the Digital Age

A magnificent achievement. Writing in the tradition of Neil Postman, Jacque Ellul and Marshall McLuhan, this book is the decade’s deepest and most powerful portrayal of the challenges to freedom created by our full embrace of comprehensive techno-social engineering. A rewarding and stimulating book that merits repeated readings and may also cause you to reconsider how you live life.

Tim Wu, Isidor and Seville Sulzbacher Professor of Law, Columbia Law School, and author of The Attention Merchants

About Cambridge University Press

Cambridge University Press dates from 1534 and is part of the University of Cambridge. We further the University’s mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence. Playing a leading role in today’s global marketplace, we have over 50 offices around the globe, and we distribute our products to nearly every country in the world. We publish titles written by authors in over 100 different countries.

2018 RANGE ROVER VELAR

LAND ROVER LAUNCHES NEW MARKETING CAMPAIGN TO CELEBRATE THE ARRIVAL OF THE ALL-NEW RANGE ROVER VELAR IN NORTH AMERICA



– Positioned between the Range Rover Evoque and Range Rover Sport, Range Rover Velar delivers new levels of refinement, elegance and technology to its segment
– New 30 second spot ‘Respect’ highlights the vehicle’s compelling design and unrivaled capability and can be viewed here
– Campaign includes a number of strategic lifestyle media partnerships with Condé Nast, Wall Street Journal, Cool Hunting and Robb Report
– Range Rover Velar to be integrated into the 18th annual New Yorker Festival, October 6–8 with a range of digital and on-site activations  
– Range Rover Velar is on sale now in U.S. retailers; priced from $49,900(1)

 
Land Rover North America has today announced its newest marketing campaign to introduce the new 2018 Range Rover Velar in North America. The fourth member of the Range Rover family, the Range Rover Velar is a mid-size luxury SUV that delivers new levels of refinement, elegance and technology to the segment.

 
The marketing campaign features strategic media partnerships with The Wall Street Journal, Cool Hunting and Robb Report, which aligns with the Range Rover Velar vehicle’s target audience’s passion points, such as technology, design, style and business. In addition, Land Rover has partnered with Condé Nast for an integrated partnership that will forge an authentic connection between the Range Rover Velar and the publisher’s audience. Architectural Digest, GQ, WIRED and Vogue will create custom content highlighting the Range Rover Velar and the design trends that influenced the vehicle.

 
As part of the Condé Nast partnership, the Range Rover Velar will also be integrated into the 18th annual New Yorker Festival, October 6–8. The Range Rover Velar will be on display throughout the festival weekend at the Land Rover Theatre at SIR Stage37 and incorporated into video content which will be shared across The New Yorker digital channels.

 
“We’re excited to expand the Range Rover family with the introduction of the new Range Rover Velar,” said Kim McCullough, Vice President of Marketing, Jaguar Land Rover North America. “The Range Rover Velar brings a new dimension of modernity, elegance and technology to the Range Rover line-up and this campaign reflects many of our target buyer’s passion points in unique and compelling ways.”

 
Already live on YouTube, the 30-second Range Rover Velar TVC will broadcast on major networks including Bloomberg, AMC, ESPN, Food Network and NFL Network, from mid-September. Both the 30-second TVC and a 60-second cut will air on Hulu as full episode player advertisements coinciding with fall season premieres.

 
Additional elements aim to bring mass reach to the campaign, including a placement on the CHASE Times Square Digital Board and mobile ad placements through Verve, a technology that uses first party location data to precisely target custom audiences.

 
Available now in the U.S. priced from $49,9001, the new 2018 Range Rover Velar delivers new levels of refinement, elegance and technology to the mid-size SUV segment, filling the white space between the Range Rover Evoque and Range Rover Sport. For more information about the Range Rover Velar, visit http://media.landrover.com/en-us.

 

 

 
(1) All prices shown are Manufacturer’s Suggested Retail Price. Excludes $995 destination/handling charge, tax, title, license, and retailer fees, all due at signing, and optional equipment. Listed $49,990 base MSRP applies to 2018 Range Rover Velar model. Retailer price, terms and vehicle availability may vary. See your local authorized Land Rover Retailer for details.

 
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About Land Rover


Founded in 1948, Land Rover designs, engineers, and manufactures its vehicles in the United Kingdom. For almost 70 years the brand has built a reputation for providing its clientele with some of the most luxurious and capable vehicles in the world; whether driving through the heart of the city or traversing the countryside on- and off-road. Today’s Land Rover lineup includes the Discovery and Discovery Sport; Range Rover, Range Rover Sport, Range Rover Velar and Range Rover Evoque. Land Rover is fully engaged with sustainability initiatives and social concerns with continuous involvement in environmental and community programs. For more information, visit the official Land Rover website at www.landroverusa.com.

 

 
About Jaguar Land Rover
Jaguar Land Rover is the UK’s largest automotive manufacturer, built around two iconic British car brands: Land Rover, the world’s leading manufacturer of premium all-wheel-drive vehicles; and Jaguar, one of the world’s premier luxury sports sedan and sports car marques.


 

The company employs over 40,000 people globally, with 330 in the U.S. and supports around 275,000 more through our dealerships, suppliers and local businesses. Manufacturing is centered in the UK, with additional plants in China, Brazil, India and Slovakia.

 

At Jaguar Land Rover we are driven by a desire to create class-leading products that deliver great customer experiences. The largest investor in R&D in the UK manufacturing sector, we have invested £12 billion (USD$15.7 billion) in the last five years and in the current year alone will spend over £3.5 billion (USD$4.5 billion) on new product creation and capital expenditure. Last year Jaguar Land Rover sold over 583,000 vehicles in 136 countries, with nearly 80 percent of our vehicles produced in the UK being sold abroad.