Posts tagged with "Wall Street journal"

How Big Tech Is Destroying Our Press

Ahead of today’s House Judiciary Hearing, the Save Journalism Project held a press call with Rep. Mark DeSaulnier (CA-11); journalists Laura Bassett, laid off by HuffPost; and John Stanton, laid off by BuzzFeed; and Neil Chase, CEO of CalMatters and former executive editor of The Mercury News and East Bay Times.

The monopolistic power of big tech companies like Google, Facebook, and Apple is destroying the economic model of the entire journalism industry, whether its traditional circulation newspapers or digital news outlet.

 This week’s hearing on how digital platforms affect news organizations marks the much-needed return of congressional antitrust scrutiny to big tech companies, which have gained a monopolistic position that lets them dominate the digital advertising marketplace and distribute massive amounts of content from news publishers on their platforms without paying to produce the content. 

Rep. Mark DeSaulnier (CA-11) said, “I don’t think there’s anything more important right now than this issue. Being from the Bay Area, I have been to every big tech company. After meeting with them, I think it’s time to make it easier for licensing like the music and movie industries have done. We are members of Congress, you are journalists, and we have to keep an appropriate Constitutional distance, but there are policy proposals in our legislation that protect the freedom of the press and are necessary to keep the industry alive. When I was first elected to the Concord City Council there was a reporter who was consistently in the front row keeping officials accountable. His presence made local government work, and it is vital that we protect the journalism industry to make sure leaders are kept accountable and communities are informed.”

Laura Bassett, a reporter who was laid off by HuffPost, commented, “In the first few months of 2019, I was one of about 2,400 journalists and media staffers who lost our jobs. Even though I was aware the cuts were coming, it was still shocking to be laid off after nearly a decade in my newsroom. The reason for the mass layoffs, I found out, was that Big Tech companies like Google and Facebook are dominating the digital ad market, swallowing about 60 percent of all revenue and making it difficult for journalism to survive. News publishers are being forced to give a cut of their ad revenue to these companies- revenue that would otherwise go to hiring journalists. Because a well-funded news media is vital to a healthy democracy, the public needs to be aware of Big Tech’s death grip on publishers. At the House Judiciary Hearing today, lawmakers in Congress need to address this bipartisan issue and find legislative solutions that regulate tech giants and restore fairness to the digital ad market. Journalists are taught not to be the story, but as Big Tech’s digital ad monopoly benefits off of our revenue streams, it’s incumbent upon us to fight for the future of our industry. One or two companies should not have the power to cripple the free press.”

“After 20 years of covering Congress and the White House for BuzzFeed, I found out layoffs were coming in a tweet from the Wall Street Journal,” said John Stanton, former Buzzfeed Washington Bureau Chief before being laid off. “Despite the great work my colleagues and I were doing for the publication, there simply wasn’t enough money. Because stories that lead to changes in state and federal law, jailing of criminals and exposing wrongdoing — cost money. Money that is increasingly gobbled up by Google and Facebook. To try to survive, slashes had to be made. To entire desks. The reason advertising revenue has fallen so steeply is that Google and Facebook dominate the digital ad market, consuming more than 60 percent of all revenue. And their share is growing, because they devour nine out of every ten new dollars that are spent on digital advertising. Big Tech’s monopoly has a death grip on publishers. Congress needs to be discussing how to regulate this imbalance and restore competitive fairness in the digital market.”

Neil Chase, CEO of CalMatters and former executive editor of The Mercury News and East Bay Times, added, “We all believe journalism is central to democracy. Newspapers have experienced a decline not in the past five years, not in the past ten or fifteen years, but in the past seventy-five years. Newspapers have been declining since World War II. The problem is that we are essentially sitting on a 200 year-old product, but are trying to compete with new and changing technologies. Newspapers have maintained a monopoly for over 200 years. This is how people historically gained all their information; how they found where to buy clothing, where to buy their groceries, and where they got their news. With the change in how society works, all we have is the news. In order to solve this problem, we need a multi-pronged approach. We need to engage in philanthropy, which my company is already focused on this aspect. We need newspapers with benevolent leaders, not the leaders that we have at some major news organizations now. We need support from legislators. And, we need people paying for the news. We need a lot of support from a lot of different places in order to make this work.”

Free Philie

“Real 40 Year-Old Virgin “Bachelor” continues search for his one true love in America this Spring, 2019”

In this day and age it seems that romance has become an Instagram ideal; everyone striving to become the illusive “#goals” that are seen in the media. Since the birth of dating app Tinder in 2012, the dating world has been changed forever and social media has taken a strong hold over how we interact with others. Some may think real romance is a thing of the past or something that can only be seen on ABC’s The Bachelor. Shows that have fallen under the large umbrella of the Bachelor Nation have gained notoriety over the years for their strict formula of creating “true love.” Just last week football player Colton Underwood ended his search for love, seemingly as well as his reputation of being a virgin.

Philipp Hebestreit, a German 40 year-old “real-virgin bachelor,” hopes to follow in Colton’s footsteps by taking his search for love to the states. He launched his initial campaign “Free Philie” ten years ago, making headlines in his attempts to enlist the public in his search for the one. To launch his search in America Hebestreit will begin his search in New York City’s Time Square district later this month.

“My parents are my inspiration and the reason I began this campaign to find my one true love,” said Hebestreit. “They have been deeply in love for several decades and it’s the kind of everlasting love you just don’t see anymore.”

“Most Romantic Man in the World…” – Marie Claire

“Free Philie,” one of the largest searches for love in the word, began in 2008 with a lonely plea on Hebestreit’s personal blog. His post garnered the attention of a multitude of women and sparked his curiosity in expanding his search even further. He then took to the streets of several German cities with flyers and large posters. His efforts became even more elaborate with newspaper advertisements, recorded video messages, bulletins and cars equipped with “Free Philie” flags.

He began going even bigger with his attempts and traveling further in order to reach a wider audience. He donned a full body shield in Hamburg, sent out thousands of messages in bottles into the North Sea, advertised on electric boats in the canals of Amsterdam, placed speaking stands in London’s Piccadilly Circus, placed an inflatable Frog at the Eiffel Tower, and even more international exploits for love. Philipp Hebestreit has spread his “love art” as far as Austria, Switzerland, Norway and Italy.

“A phenomenon that is conquering the hearts of women around the world…” – Wall Street Journal

Hebestreit is one of the very few virgin men turning to the public in order to enter his first relationship. This aspect of his sexuality is what drew most of the attention to his search as Philip is amongst just 10% of European men of his age to remain virginal. Those choosing celibacy often keep this fact to themselves to avoid social backlash. As for Philip, he tackles this topic with pride sparking public discussion. It is through his “Free Philie” campaign that Philip has attempted to tackle the belief that male virginity in the Western world should be something to be ashamed of.

By bringing attention to the conversation of virginity, “Free Philie” gained international attention in the form of letters, packages, texts and emails from celebrities and other public figures from over 100 countries. He received gifts such as lingerie and nude photos to a “Medal of Knightliness,” and a 5 foot teddy bear that caused his P.O. box to be terminated.

While stateside, ten years after the campaign’s inception, Philip will begin in New York City and continue his travels with teasers on his whereabouts on his “Free Philie” social media accounts.

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Kandace Springs

“Prince’s protoge spreads her wings on breathtakingly eclectic second album

An accomplished pianist with a sensuous, smoky voice”

MOJO

the soulful pianist and vocalist is self-assured, distinctive and strikingly contemporary.

WALL STREET JOURNAL

Singer and pianist Kandace Springs has released her remarkable second album Indigo (Blue Note), a 13-track LP of originals and choice covers that showcases the full breadth of Kandace’s artistry from smoldering R&B (People Make the World Go Round , 6 8) to gorgeous jazz ballads (Unsophisticated, featuring Roy Hargrove) to the pop songcraft of “Breakdown” and Don’t Need The Real Thing. All but two tracks are produced by drummer/producer Karriem Riggins (Common, Erykah Badu) with additional production by Jamie Hartman (Rag’n’Bone Man), Jimmy Hogarth (Amy Winehouse, Corinne Bailey Rae), Jimmy Harry (Madonna, P!nk), and Evan Rogers and Carl Sturken (Rihanna). Indigo is available on vinyl, CD, download, and streaming services.

For Kandace it boils down to a question that connects past to present: “What would Nina Simone do if she had the technology of today? You could never put Nina in a boxߞshe would do a blues followed a classical piece, a jazz standard and then a Beatles cover. This LP took a lot of inspiration from that it’s a mix of everything that I am.” Indigo offers a fairly plausible answer to that impossible query: songs that swirl classical composition with quiet-storm cool, jazz poise with hip-hop swing, tropical warmth with soulful depth, and earthen groove with airy psych.

Given that diverse palette, Karriem was exactly the right person to work with Kandace to catalyze the best parts of various interests into something new. “I love crossing genres and the direction on Indigo was to marry all the different things to tell her story”, says Karriem, who tracked his drums at various studios while on the road with Diana Krall, and chopped and reassembled his and Kandace’s recordings into what you hear. “It sounds organic because everything was built around the songwriting. She says so much on the piano, and her voice is amazing it’s the focal point of the whole sound.”

* * *

Kandace will embark on a U.S. headline tour beginning September 28 that includes album release shows in Los Angeles (Troubadour, October 1), New York (Sony Hall, October 28), and a hometown Nashville show (City Winery, November 4), followed by performances in Europe and Asia. See below for a full list of tour dates and visit kandacesprings.com for ticket info.

Kandace Springs ߝ Tour Dates:

September 28 Musical Instrument Museum Phoenix, AZ

September 29 Voodoo Room @ House of Blues San Diego, CA

September 30 – The Parish @ House of Blues Anaheim, CA

October 1 The Troubadour Los Angeles, CA

October 2 Swedish American Hall San Francisco, CA

October 4 The Jack London Revue Portland, OR

October 5 Benaroya Hall Seattle, WA

October 7 – Vancouver International Jazz Festival Vancouver, BC

October 24 City Winery Boston, MA

October 25 Daryl’s House Club Pawling, NY

October 27 – Iron Horse Music Hall Northampton, MA

October 28 – Sony Hall New York, NY

October 29 World Cafe Live Philadelphia, PA

October 30 The Hamilton Washington, DC

November 2 Stage Door Theater Charlotte, NC

November 3 City Winery Atlanta, GA

November 4 City Winery Nashville, TN

November 13 Forum Leverkusen Leverkusen, Germany **with WDR Big Band**

November 16 New Morning Paris, France

November 17 Queen Elizabeth Hall London, England

November 19 Paradiso Amsterdam, Netherlands

November 20 Quasimodo Berlin, Germany

November 27 Tokyo International Forum Tokyo, Japan

November 28 Sankei Hall Breeze Osaka, Japan

December 1 Blue Note Beijing Beijing, China

December 2 Blue Note Beijing Beijing, China

* * *

Prince once said that Kandace “has a voice that could melt snow.” The music icon heard her cover of Sam Smith’s “Stay With Me” online in 2014 and invited her to perform with him at Paisley Park for the 30th anniversary of Purple Rain, becoming a mentor to the young singer and pianist. Kandace’s 2014 self-titled EP turned even more heads and led to performances on Letterman, Kimmel and Fallon, as well as the Afropunk and Bonnaroo festivals. Okay player called her as “a vocal force to be reckoned with” and Afropunk dubbed her “a versatile and vital artist”

Kandace draws much of her musical inspiration from her father, Scat Springs, a respected session singer in Nashville. It was due to him that Kandace grew up surrounded by music, and he encouraged her to take piano lessons after he watched her peck out melodies on the instrument when she was 10. Yet as a girl, she was equally interested in other creative outlets, especially visual art and, more unexpectedly, automobiles. “My dad gave me a Matchbox car, and my mom gave me a Barbie,” she says. “I drew a mustache on the Barbie and never played with it again, and I still have the Matchbox car.” (Her obsession with cars, which she collects, rebuilds, and resells, continues to this day.)

Something deeper in the young musician was sparked when she heard Norah Jonesߣ 2002 Blue Note debut, Come Away With Me. “The last song on the record is ߢThe Nearness of Youߣ and that song really inspired me to learn to play piano and sing. It was just so soulful, simple and stripped down. That really moved me and touched me. It’s when I realized, This is what I wanna do.”

Kandace began gigging around Nashville, and eventually an early demo she recorded caught the ears of Evan Rogers and Carl Sturken, the production team who have written hits for Shakira, Christina Aguilera, and Kelly Clarkson, and are best known for discovering Rihanna as a teen and signing her to their production company SRP. Rogers flew to Nashville with an offer to sign Kandace. Still only 17 years old at the time she and her family decided that it wasn’t the right time to pursue a recording career, instead taking a job at a downtown Nashville hotel where she valet parked cars by day and sang and played piano in the lounge at night.

A few years later, Kandace was talking about going to automotive design school, but her mother suggested that she get back in touch with Rogers and Sturken. She instead moved to New York and started working seriously on new songs and demo recordings. She eventually landed an audition with Blue Note President Don Was at the Capitol Records Tower in Los Angeles, winning him over with a stunning performance of Bonnie Raitts “I Can’t Make You Love Me” (the original of which he had coincidentally produced).

If you listen closely to Indigo, you’ll hear a nod to Prince in the lyrics of “Fix Me” but the best tribute she could pay to him, Ms. Simone, and the humble legacy of the man who introduced her to music, her father, is by, as Karriem words it, “creating something that adds to the art form.” With Indigo, an album that couldn’t have been made by anyone but her, Kandace Springs does exactly that.

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BRAVO x SERHANT

BRAVO MEDIA CLOSES THE DEAL IN NEW SERIES “SELL IT LIKE SERHANT” PREMIERING WEDNESDAY, APRIL 11 AT 10PM ET/PT

‘MILLION DOLLAR LISTING’ STAR RYAN SERHANT PUTS HIS SALES SKILLS TO THE ULTIMATE TEST

Bravo Media is stepping up its sales game with top New York City realtor Ryan Serhant in the new docu-series “Sell It Like Serhant,” premiering Wednesday, April 11 at 10pm ET/PT. It doesn’t matter what you’re selling – if you know your client and your product, a good salesperson can sell anything to anyone, and no one exemplifies this better than Ryan Serhant, the leader of one of the top real estate teams in the United States. In this new series, Ryan answers the call of struggling salespeople across multiple industries who are on the brink of losing their jobs and are desperate for his expertise. With some tough love and humor, Ryan will give underperforming employees a head-to-toe business overhaul and turn them into sales machines.

In each episode, Ryan takes a deep dive into each protégé’s world, using every trick in the book to become their bootcamp instructor, friend, teacher and even customer, to help them reach their full potential. Ryan goes all in, often hilariously so, as he learns the ropes of different industries that are somewhat foreign to a “Million Dollar” broker – from learning to sell services in a waxing salon, to learning the world of high stakes hot tub sales, he will push his students, and himself, to the limit. As he tries their products and tests their sales skills, he gets to the root of what’s troubling each salesperson, breaking them down and building them back up with expert knowledge and newfound confidence. Ultimately, employees will be put to the test each week when he or she will showcase their new skills in full view of their bosses and hopefully prove they can “Sell it Like Serhant.”

Meet Ryan Serhant

Ryan Serhant’s first day in the real estate business was on September 15, 2008, the day Lehman Brothers filed for bankruptcy in the wake of the subprime mortgage collapse. While the real estate sector has slowly recovered, Serhant has become one of the most successful brokers in the world, with agents under his leadership in New York City, Los Angeles, Miami and the Hamptons. Ryan is known to audiences all over the world as one of the stars of Bravo’s Million Dollar Listing: New York. Serhant is recognized as a real estate powerhouse. His team at Nest Seekers International sold just under $1B in real estate in 2017 and consistently ranks in the top five real estate teams nationwide in the Wall Street Journal Real Trends annual review, with Serhant consistently the youngest team leader in the top ten. As a real estate expert he is a frequent contributor to CNN, CNBC, The Today Show and Bloomberg TV, and is often quoted in The New York Times, Forbes, and the Wall Street Journal. He is the real estate correspondent for Daily Mail TV, a nationally syndicated television show and he recently launched his own vlog. Serhant is an active supporter of nonprofit organizations including DKMS, Operation Smile, Save the Children, Make a Wish, the Human Rights Campaign, Ronald McDonald House, Habitat for Humanity, Pink Agenda and UNICEF, among others. After graduating Hamilton College in 2006 with twin degrees in English literature and theatre, Serhant headed to New York City to pursue an acting career before becoming a successful real estate broker. He currently lives in New York City with his wife Emilia.

“Sell It Like Serhant” is produced by World of Wonder with Fenton Bailey, Randy Barbato, Tom Campbell and Danielle King serving as Executive Producers along with Ryan Serhant and Rob Bola as Co-Executive Producers.

Beth Ditto x I’m Alive

Beth Ditto‘s compelling version of “I’m Alive” is out today and available for download and streaming HERE. View the static video HERE. Max Factor has licensed the track for an international advertising campaign that will begin airing in the U.K. in February. Written by Tommy James, “I’m Alive” was first recorded in 1968 by R&B legend Johnny Thunder.

“Being alive is radical right now! So let’s live!” said Beth Ditto, who adds she was drawn to the song’s simple, elemental joy, which feels defiant in the darkness of the current social and political landscape.

Ditto will kick off her first tour of 2018 on March 7 in her home state of Arkansas, performing at Revolution Music Room in Little Rock. Tickets are on sale now for the North American run, which includes shows at New York’s Brooklyn Steel (March 14), The Fonda Theatre in Los Angeles, CA (March 23) and Wonder Ballroom in Portland, OR (March 27). See below for itinerary or visit www.bethditto.com.

Hailed by NPR as the “force-of-nature performer best known for fronting the pop-punk group Gossip,” Ditto recently released her debut solo album, Fake Sugar (Virgin Records). The official video for “Fire,” which has over two million views, can be seen HERE. Other clips include “We Could Run” and the animated lyric video for “In And Out.”

In a four-star live review The Guardian said, “Ditto has said this is her southern record, and opener Oh My God kicks in with a funk-rock beat as she channels the mid-80s power vocals of Bonnie Tyler, complete with a front-of-stage electric fan to give her the perfect windswept look. On In and Out and Fake Sugar, she closes her eyes and draws out the tender trill in her voice, giving her the air of a heartbroken Nashville queen. And like Dolly Parton, Ditto alternates between infectiously warm, wisecracking comic and soul-baring torch singer.”

The Wall Street Journal included Fake Sugarin its round-up of “The Best Music of 2017” and observed, “Great pop for grownups is a rare commodity…Beth Ditto delivers.” The New York Times praised Ditto as a”powerhouse singer” and noted that the album’s songs”have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger.” Paperchristened Ditto “rock’s homecoming queen” while People highlighted Fake Sugar as one of its “Picks,” observing, “Whether it’s a glittering stomper (‘Oo La La’) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout…”

In addition to releasing six acclaimed albums with the Gossip, Ditto has recorded with such artists as Blondie and disco legend Cerrone, collaborated with Jean Paul Gaultier on her eponymous plus-sized luxury clothing line, modeled for Marc Jacobs. She appears in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which premieres at the Sundance Film Festival today.

2018 RANGE ROVER VELAR

LAND ROVER LAUNCHES NEW MARKETING CAMPAIGN TO CELEBRATE THE ARRIVAL OF THE ALL-NEW RANGE ROVER VELAR IN NORTH AMERICA



– Positioned between the Range Rover Evoque and Range Rover Sport, Range Rover Velar delivers new levels of refinement, elegance and technology to its segment
– New 30 second spot ‘Respect’ highlights the vehicle’s compelling design and unrivaled capability and can be viewed here
– Campaign includes a number of strategic lifestyle media partnerships with Condé Nast, Wall Street Journal, Cool Hunting and Robb Report
– Range Rover Velar to be integrated into the 18th annual New Yorker Festival, October 6–8 with a range of digital and on-site activations  
– Range Rover Velar is on sale now in U.S. retailers; priced from $49,900(1)

 
Land Rover North America has today announced its newest marketing campaign to introduce the new 2018 Range Rover Velar in North America. The fourth member of the Range Rover family, the Range Rover Velar is a mid-size luxury SUV that delivers new levels of refinement, elegance and technology to the segment.

 
The marketing campaign features strategic media partnerships with The Wall Street Journal, Cool Hunting and Robb Report, which aligns with the Range Rover Velar vehicle’s target audience’s passion points, such as technology, design, style and business. In addition, Land Rover has partnered with Condé Nast for an integrated partnership that will forge an authentic connection between the Range Rover Velar and the publisher’s audience. Architectural Digest, GQ, WIRED and Vogue will create custom content highlighting the Range Rover Velar and the design trends that influenced the vehicle.

 
As part of the Condé Nast partnership, the Range Rover Velar will also be integrated into the 18th annual New Yorker Festival, October 6–8. The Range Rover Velar will be on display throughout the festival weekend at the Land Rover Theatre at SIR Stage37 and incorporated into video content which will be shared across The New Yorker digital channels.

 
“We’re excited to expand the Range Rover family with the introduction of the new Range Rover Velar,” said Kim McCullough, Vice President of Marketing, Jaguar Land Rover North America. “The Range Rover Velar brings a new dimension of modernity, elegance and technology to the Range Rover line-up and this campaign reflects many of our target buyer’s passion points in unique and compelling ways.”

 
Already live on YouTube, the 30-second Range Rover Velar TVC will broadcast on major networks including Bloomberg, AMC, ESPN, Food Network and NFL Network, from mid-September. Both the 30-second TVC and a 60-second cut will air on Hulu as full episode player advertisements coinciding with fall season premieres.

 
Additional elements aim to bring mass reach to the campaign, including a placement on the CHASE Times Square Digital Board and mobile ad placements through Verve, a technology that uses first party location data to precisely target custom audiences.

 
Available now in the U.S. priced from $49,9001, the new 2018 Range Rover Velar delivers new levels of refinement, elegance and technology to the mid-size SUV segment, filling the white space between the Range Rover Evoque and Range Rover Sport. For more information about the Range Rover Velar, visit http://media.landrover.com/en-us.

 

 

 
(1) All prices shown are Manufacturer’s Suggested Retail Price. Excludes $995 destination/handling charge, tax, title, license, and retailer fees, all due at signing, and optional equipment. Listed $49,990 base MSRP applies to 2018 Range Rover Velar model. Retailer price, terms and vehicle availability may vary. See your local authorized Land Rover Retailer for details.

 
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About Land Rover


Founded in 1948, Land Rover designs, engineers, and manufactures its vehicles in the United Kingdom. For almost 70 years the brand has built a reputation for providing its clientele with some of the most luxurious and capable vehicles in the world; whether driving through the heart of the city or traversing the countryside on- and off-road. Today’s Land Rover lineup includes the Discovery and Discovery Sport; Range Rover, Range Rover Sport, Range Rover Velar and Range Rover Evoque. Land Rover is fully engaged with sustainability initiatives and social concerns with continuous involvement in environmental and community programs. For more information, visit the official Land Rover website at www.landroverusa.com.

 

 
About Jaguar Land Rover
Jaguar Land Rover is the UK’s largest automotive manufacturer, built around two iconic British car brands: Land Rover, the world’s leading manufacturer of premium all-wheel-drive vehicles; and Jaguar, one of the world’s premier luxury sports sedan and sports car marques.


 

The company employs over 40,000 people globally, with 330 in the U.S. and supports around 275,000 more through our dealerships, suppliers and local businesses. Manufacturing is centered in the UK, with additional plants in China, Brazil, India and Slovakia.

 

At Jaguar Land Rover we are driven by a desire to create class-leading products that deliver great customer experiences. The largest investor in R&D in the UK manufacturing sector, we have invested £12 billion (USD$15.7 billion) in the last five years and in the current year alone will spend over £3.5 billion (USD$4.5 billion) on new product creation and capital expenditure. Last year Jaguar Land Rover sold over 583,000 vehicles in 136 countries, with nearly 80 percent of our vehicles produced in the UK being sold abroad.