Posts tagged with "Venice"

Camille Hannah, Olsen Gruin, art, design, 360 MAGAZINE, Australia

Camille Hannah

Olsen Gruin is pleased to present The Sixteen Pleasures, a solo exhibition by Australian artist Camille HannahThe Sixteen Pleasures will be on view at Olsen Gruin from October 9 – November 9, 2019. The exhibition design leads viewers with subtle intensity through a dynamic installation of variously scaled paintings and mirrors. During this journey, reflected glimpses of the self coalesce with Hannah’s paintings, creating spillage between the territories that define body and artwork. Enveloped and embraced within these abstract landscapes, viewers experience a bodily extension: a potent sensation which exceeds rational grasp.

By traversing this alluring amalgamation of imagery, the viewer becomes both witness and participant in the creation of these compelling ‘virtual’ paintings. These seductive, enigmatic images of desire echo the artist’s ongoing explorations around the expansive, unbounded nature of female desire and of the carnal disruption inherent to perceptual experience in the digital realm.

The Sixteen Pleasures also evokes the sensory experience of film, video and the mesmerizing back-lit screens that saturate our modern world. It is richly infused with the artist’s extensive enquiries into art history, philosophy, poetry, sexuality and contemporary culture, filtered through the personal narrative of each individual viewer. With this exhibition Hannah aims to create a boundless, all-encompassing landscape in which the viewer is captivated by an exhilarating and thought-provoking, physiological experience.

Camille Hannah attained a Masters of Fine Art by Research in 2013 and a Bachelor of Arts (Honours) degree in 2010, at the Victorian College of the Arts, University of Melbourne, Australia where she was the recipient of an Australian Postgraduate Scholarship Award. In 2018 she won the Wyndham Art Prize, and in 2017 was selected as a finalist for the Arte Laguna Prize, Nappa Arsenale, Venice, Italy and as winner of the Special Exhibition Prize of a solo exhibition at Galerie Isabelle Lesmeister, Regensburg, Germany in 2018. In 2015 she was selected by an international jury to win the T.I.N.A. Art Prize, Maurizio Caldirola Arte Contemporanea, Milan, Italy, and was a finalist & winner of the People’s Choice Award in the Gold Coast Art Prize, Qld, Australia. Hannah was shortlisted in 2014 for Contemporary Visions V, Beers Contemporary Gallery, London, and in 2012 she won the Kozica-O’Callaghan Award for Painting. Other awards include the Premio Ora Art Prize, Italy 2013 International Catalogue and being shortlisted for the Arte Laguna Art Prize, Venice Arsenale, Italy and the Wynne Prize, Art Gallery of NSW, 2012.

SAN CLEMENTE PALACE KEMPINSKI × ART

SAN CLEMENTE PALACE KEMPINSKI UNVEILS ART EXHIBITS AROUND VENICE BIENNALE

Betty Boop by Joana Vasconcelos

San Clemente Palace Kempinski Venice, the luxury resort located on its own private island in the Venetian lagoon, just eight minutes away from St. Mark’s Square, has launched two new exhibits in honor of the 58th Venice Biennale. Sculptures by English artist Tony Cragg and Portuguese artist Joana Vasconcelos are both currently on display around the resort’s historic gardens.

Tony Cragg’s four sculptures are currently on display at San Clemente Palace: his works Caught Dreaming, Runner and We are exhibited in the main garden, while his work Pair is on display in the hotel’s lobby. These artworks will be on display until November 17, 2019. Cragg currently lives in Wuppertal, Germany, and is known for creating sculptures that reference nature.

Meanwhile, San Clemente Palace is also exhibiting works by renowned Portuguese artist Joana Vasconcelos in a new exhibit curated by Nina Moaddel titled, What are you hiding? May you find what you are looking for. To create this exhibit, Vasconcelos was inspired by the 58th Venice Biennale’s theme, May you live in interesting times, with artworks referencing Portuguese pop culture, while reinterpreting contemporary art. Vasconcelos’ works play with the viewers’ perception through a sharp sense of humor that shuns dogmatism and at the same time explores issues of identity, migration and the exploitation of women.

On display in San Clemente Palace’s 12th-century church is Vasconcelos’ large-scale sculpture, called Madragoa (2015-2019), inspired by Lisbon’s façades, and exploring the intersections of art and architecture. In the gardens of San Clemente Palace is a piece titled, I’ll be Your Mirror #1 (2019), a giant Venetian carnival mask made of mirrors, which has previously been exhibited in the Guggenheim Museum Bilbao. Viewers can look through the mask from any angle without ever losing sight of their own reflection. Also featured in the gardens is Betty Boop PA (2019), Vasconcelos’ most iconic work and part of the artist’s famous shoes series. The high-heeled shoe is crafted out of saucepans and questions the meaning of the word “feminine” in today’s world. Vasconcelos first became known internationally after her participation in the 51st Venice Biennale in 2005; and in 2012, she became the first woman (and the youngest artist) to exhibit at the Palace of Versailles.

For more information about San Clemente Palace Kempinski Venice, please visit: https://www.kempinski.com/en/venice/san-clemente-palace-kempinski

ABOUT SAN CLEMENTE PALACE KEMPINSKI VENICE:

The resort hotel has an impressive heritage and is uniquely situated on San Clemente Island in the Lagoon of Venice. Set among a centuries-old park, antique courtyards and a 12th-century church, the hotel provides the perfect setting for total relaxation, just minutes from St. Mark’s Square. All 190 rooms and suites provide a stunning view of Venice, the lagoon, the gardens or the inner courtyards. The hotel also offers six convention rooms for up to 450 people, and together with the whole complex and its surrounding grounds, it is the ideal place for weddings and other events, with the historic scenery providing an unforgettable setting.

VENICE’S SAN CLEMENTE PALACE KEMPINSKI REOPENS FOR ITS 2019 SEASON

San Clemente Palace Kempinski, the Venetian luxury resort uniquely located on its own private island eight minutes away from St. Mark’s Square, will open for its fourth season on March 20, 2019.

Just minutes from the bustle of Venice and set among a centuries-old park, antique courtyards and monastery buildings, the 190-room resort has its own pitch & putt golf course, a tennis court, spa, heated outdoor pool and outdoor jogging trails, as well as a kids’ club for younger guests. Last year, the resort unveiled Al Bacaro, an outdoor lounge serving cichetti (Venetian tapas) and cocktails, overlooking the Venetian lagoon and skyline.

Throughout the 2019 season, San Clemente Palace will offer a number of unique offerings for Easter, Spring Break, the Venice Biennale and beyond. During Easter weekend, the resort will offer a special “Kids Stay for Free” package, along with celebratory chocolate egg-decorating workshops and Easter Brunch for the whole family. To commemorate the 58th Venice Biennale, from May 11 through November 4, 2019, San Clemente Palace will also offer a special dedicated package, including exclusive tickets to the Biennale.

San Clemente Palace is also poised to become a true foodie destination this year, as the resort will welcome four top Michelin-starred guest chefs to cook alongside Executive Chef Giorgio Schifferegger for a special event called “Cena a Quattro Mani” (“Four-Hands Dinner”). San Clemente Palace will also be home to a number of other special F&B events, including a Wine & Beer pairing menu with local craft beer and wine, and a pizza-tasting event welcoming Pizza World Champion Gianni Calaon.

In honor of the resort’s opening, San Clemente Palace is offering a discount of up to 40% on all suites for stays between March 20 and April 30, 2019.

For more information about the San Clemente Palace Kempinski, please visit

https://www.kempinski.com/en/venice/san-clemente-palace-kempinski/special-offers/.

Q&A With Todd Schireson, Abell Auction Co.

Vice President of Abell Auction Company, Todd Schireson, gives a one-on-one personal interview regarding his business as well as his family’s legacy.

Q: How does one become a curator for an auction?

A: Although I have a BA Degree in Business/Economics, I grew up surrounded by antiques and fine art through the family business. I started taking an interest in design, and knew that I wanted to work in the art world.

Q: When did you realize that you wanted to continue your family’s legacy?

A: I was working in high-end residential management and was fortunate enough to work closely with some of the most important interior designers of the day. I became increasingly passionate about art and design, and started taking more of an interest in the auction business. My grandfather and father were both co-owners of the family auction house and it was a natural step to take in my mid-twenties.

Q: What type of research have you conducted in order to keep your pulse on the millennial consumer?

A: My research comes from years of experience as an auctioneer watching what different age groups are buying. We have changed our business format to encompass more millennial buyers. We hold specialty auctions, especially featuring more mid-century and luxury goods to accommodate that market.

Q: Do you consider yourself a philanthropist? Does any of your proceeds at your auction go towards any humanitarian efforts?

A: All of the auctioneers at Abell including myself donate our time to doing charitable auction events. I recently served as an auctioneer for the Jane Goodall foundation charity auction, and have done cancer foundation auctions as well.

Q: Describe your most eclectic find for this youthful market segment?

A: Every so often we come across really fun estates in Southern California. One estate that a youthful market responded well to was a single-owner men’s sneaker collection. We sold more than 200 pairs of collectible, new, in-box sneakers.

Q: How do you select a location for your pop-up engagements?

A: We selected a location based off of a diverse, younger, affluent market. We typically use the Venice area for its walkable neighborhood and the educated art community present.

Q: What advice would you give to someone aspiring to be an auctioneer?

A: The main facets of being an auctioneer are obtaining merchandise and selling merchandise. For both you have to know your customer base, know what look is selling, and be educated about any piece that could come across an auction house.

Q: Is there anything you wish us to know about your next endeavors?

A: We are taking a 102-year-old business and bring it into the 21st century by becoming more accessible online, to reach an audience that can’t necessarily be here in person.

Q: Are you tackling other markets besides LA? National? International?

A: We have a solid base in Southern California, but have expanded into Palm Springs, Northern California and Las Vegas. We are an internationally and nationally recognized auction house; our expansion into the international markets has been a result of expanding online.

The Leeu Collection invest in Alajmo S.P.A

Luxury hotel group Leeu Collection (www.leeucollection.com) has taken a 10% stake in Alajmo S.P.A (www.alajmo.it), the Italian family business established by brothers Massimiliano (Max) Alajmo, the world’s youngest three-star Michelin chef, and Raffaele (Raf), the company’s Chief Executive and maître des lieux.

The purchase mirrors previous investments made by Analjit (BAS) Singh, the owner of Leeu Collection, all of which have a family focus; companies such as South African Mullineux & Leeu Family Wines and Indian chef Ritu Dalmia’s Riga Foods and Mamagoto.

Alajmo S.p.A. operates four fine-dining restaurants and six café-bistros, including Le Calandre and La Montecchia restaurants in Padua, Caffè Stern in Paris and Grancaffè & Ristorante Quadri in St. Mark’s Square, Venice, as well as a line of food products and a special events business, all overseen by Max from Le Calandre, his vibrant culinary laboratory, which has held three Michelin stars since 2003.

Leeu Collection currently has three properties (Leeu Estates, Leeu House and Le Quartier Français) in Franschhoek, South Africa, with Linthwaite House in the Lake District due to re-open following a year-long refurbishment in June 2018. Two further hotels are under construction in London and Florence.

Said Raf Alajmo, CEO of Alajmo S.p.A., “Having, last year, bought back the shares once owned by Italian investment firm Palladio Finanziaria, my brother and I decided to open our doors to a foreign shareholder. A chance meeting with BAS in Milan has led to him purchasing a share of Alajmo S.p.A., in what we sincerely hope will be the first step towards a strong alliance between our two companies.”

In response, Analjit Singh said, “I am always attracted to invest in family businesses that share a similar vision to mine and, because there are a lot of synergies between Leeu and Alajmo, I feel sure that the results of this partnership will be seen for years to come.”

WONTAG WATCHES

Q×A w/ Robert Navarro

What is the inspiration behind creating this project?

I sought out to create Wontag Watches because of my passion for timepieces and desire to one day possess my own brand. It’s frustrating when one pays hundreds of dollars for name brand watches, knowing they only cost a fraction of the price to fabricate. I have spent a lot of time (days and nights) preparing for this moment; and finally, I came up with an affordable, stylish looking collection which I know everyone will love.

Why is Wontag better than any other watch on the market?

Because you don’t want to pay for
branding, marketing, logos, designer
names, etc …. you want to pay for high quality material and craftsmanship. You want the value on your watch, you want a watch reflecting the money you spent on it. So when designing this watch collection, I made sure to include the following details:

1. A minimalist look that could be worn in a casual or professional
setting.

2. The highest quality materials.

3. Automatic movement watches at an affordable price.

ABOUT US

Founded in 2017,Wontag Watches was inspired by Venice, the Italian
coastal town from which we borrow a warm spirit and a minimalist
mindset.

We create watches, always driven by our guiding principle: good design for a better living. The key, as we see it, is simplicity—capturing only what’s truly essential in an uncomplicated, great-looking way. Our understated products look right any time of day, anywhere in the world, now or 10 years from now. Simplicity isn’t just beautiful. It’s versatile.

Kickstart Wontag

ONE YEAR OF RESISTANCE

Critically acclaimed exhibition ONE YEAR OF RESISTANCE returns this April with a benefit auction hosted by ARTSY. Celebrate art for activism with works by more than 65 emerging and mid-career artists including Ann Lewis, Grace Graupe-Pillard, Rebecca Leveille, Michelle Pred, Indira Cesarine, Signe Pierce and Parker Day, among many others. Every work sold goes toward supporting the American Civil Liberties Union (ACLU) and its mission to defend and preserve the rights and liberties guaranteed by the constitution of the United States. 

The ARTSY benefit auction features artwork across all mediums addressing the issues our society has been confronted with such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control and more. It will additionally feature many new works by artists of the ONE YEAR OF RESISTANCE exhibition.

Bidding opened today at 12 noon and will close on April 19th at 5pm! Head over now to bid and help raise funds for the ALCU. 

ONE YEAR OF RESISTANCE BENEFIT AUCTION ARTISTS: 

Alexandra Rubinstein, Alyson Provax, Ann Lewis, Anna Rindos, Annika Connor, Anya Rubin, Bradford Scott Stringfield, Cabell Molina, Camilla Marie Dahl, Danielle Siegelbaum, Daryl Daniels, Desdemonda Dallas, Desire Moheb Zandi, Dessie Jackson, Diana Casanova, Dolly Faibyshev, Domenica Bucalo, Eleni Giannopoulou, Elisa Garcia de la Huerta, Elise Vazelakis, Erin Victoria Axtell, Fahren Feingold, Gabriela Handal, Grace Graupe Pillard, Hannah Stahl, Indira Cesarine, James Hsieh, Jamia Weir, Jamie Martinez, Jen Dwyer, Joanne Leah, Joel Tretin,Kate Hush, Katya Kan, Kristin Malin, Kristin O’Connor, Leah Schrager, Leslie Kerby, Leslie Sheryll, Lola Jiblazee, Lola Ogbara, Manju Shandler, Marne Lucas, Mary Tooley Parker, Michael Reece, Michele Pred, Miss Meatface, Nichole Washington, Olga Filippova, Olive Allen, Panteha Abareshi, Parker Day, Rada Yakova, Rebecca Leveille, Rosary Solimanto, Rosemary Meza-DesPlas, Rute Ventura, Sarah Dillon, Signe Pierce, Stephanie Hanes, Tatana Kellner, Tommy Mitchell, Touba Alipour, Valerie Carmet, Valery Estabrook, Vanessa Teran, Yuri Murphy

VIEW AUCTION CATALOGUE

BID NOW ON ARTWORKS

 

 SELECT PRESS ON
“ONE YEAR OF RESISTANCE”

Vogue 
“The Untitled Space Gallery Checks In With Nasty Women, One Year Later

CNN
“Artists mark Trump’s inauguration anniversary with day of protest art”

The Guardian
“One Year of Resistance: the exhibit chronicling the year in anti-Trump art” 

INTERVIEW
“What One Year Of Resistance Looks Like In The Art World”

New York Daily News
“Trump’s America reflected in ‘One Year of Resistance’ art show” 

Good Trouble
“White Lies: One Year of Resistance”

Metro News
“80+ artists commemorate ‘One Year of Resistance’” 

 

 

LION BABE + LEIKELI47 = THE WAVE

Lion Babe’s new single “The Wave” debuted as BBC Radio 1 Annie Mac’s “hottest record in the world.”

“We’re feeling really good about this new music and so excited about it. It’s really just the two of us out here making the records we’ve always wanted to make and the sound is really coming into its full form because we’ve been doing this for a little bit so we know what we want to do and we’re going for it!”

“We’ve been fans of Leikeli47’s music for a while now. She’s so creative and visual like us so it seemed like a great match-up and it’s super exciting for us!” – Lion Babe, interview with BBC Radio 1 

Listen to their interview on BBC Radio 1

Stay Tuned for a television performance of “THE WAVE” airing this Thursday April 5th at 11PM Est on Bet’s The Rundown With Robin Thede !

 

 

STREAM “THE WAVE” HERE NOW !

SEE LION BABE LIVE IN SACRAMENTO, CA | APRIL 9

SEE LION BABE LIVE IN SAN FRANCISCO, CA | APRIL 11

SEE LION BABE LIVE AT COACHELLA APR 15TH & 22ND!

 

 

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GALLANT x GENTLEMAN

GRAMMY Award-nominated critically acclaimed singer, songwriter, and R&B iconoclast GALLANT returns with a preview track entitled “Gentleman” today. Get it HERE via Mind of A Genius/Warner Bros. Records. Watch the video HERE.

 

Representing a palpable and powerful evolution, the track conjures the spirits of late nineties and early two-thousands R&B within a sphere of cinematic production cooked up by frequent collaborator and producer Stint [Banks, Santigold]. Over a minimalist hum, the artist’s seductive and show-stopping falsetto blazes brightly and brilliantly.

 

Additionally, he unveiled a stunning music video awash in dark blue hues for “Gentleman.” Built around tight angles and extreme close-ups, the physicality of the clip evokes the single’s energy and showcases what he calls, “My take on a nineties bedroom jam.”

 

“Gentleman” is Gallant’s first release since 2016’s full-length debut, Ology, which earned a GRAMMY Award nod in the category of “Best Urban Contemporary Album” at the 2017 ceremony. Most importantly, it heralds the arrival of his anxiously awaited sophomore album, coming very soon. Keeping things personal, he even personally shared what’s to come with a fan on Twitter, allowing her to break the news.

 

Tonight, he headlines an intimate sold out performance at Public Arts in New York followed by shows at National Sawdust April 5 and the Masonic Lodge at Hollywood Cemetery April 17. 

 

Within the next weeks, he’ll uncover his first single “Doesn’t Matter,” from his forthcoming album. Stay tuned.

 

Balancing vulnerability and vitality as well as sentimentality and seduction, Gallant proved himself to be an iconoclastic presence for R&B upon emerging in 2014. His breakout debut Ology landed a GRAMMY nomination for “Best Urban Contemporary Album,” bowed in the Top 25 of the BillboardTop 200, placed on Entertainment Weekly’s “25 Best Albums of 2016 (So Far),” garnered a coveted 7.5/10 score courtesy of Pitchfork, and incited applause from The Guardian, Q, and more. Between touring with John Legend and gracing the stage at Coachella, he delivered unforgettable performances on The Tonight Show Starring Jimmy Fallon, Later with Jools Holland, and NBC’s Today, to name a few. Impressively, the single clocked over 33 million Spotify streams and counting. With all of these accolades, he laid the foundation to make a big and bold statement with his forthcoming second offering.

Autonomous Cars

Ready or Not, Autonomous Cars are Coming: We are well past the point of autonomous vehicles being a fad. With several production cars around the world already coming from the factory with partial automation features, manufacturers, ride sharing companies, and rental car companies are in an all-out race to lead innovation in autonomous vehicle technology. That intense competition will also lead many to take risks.

 

Auto Insurers Betting on Autonomous to Decrease Frequency of Accidents: Auto insurers have already begun factoring the growth of autonomous and semi-autonomous technologies, such as forward collision warning with autobrake, adaptive headlights, and blind spot assist into future claims projections. In general, the industry is betting on autonomous technology to ultimately decrease the frequency of accidents, but not the severity of accidents that do occur.

 

You Are Being Recorded: One of the most interesting implications of the autonomous vehicle movement on the P&C insurance industry is the vast amount of data that is being collected by these technologies. According to a new studyconducted by J.D. Power in collaboration with Miller Canfield and Mcity, nearly three fourths (74%) of consumers say they are willing to share autonomous vehicle data after a collision, potentially giving insurers broad access into the details surrounding a crash and the ability to expand the current telematics offerings they currently have in place, which offer discounts to safer drivers. According to J.D. Power data, these telematics-powered offerings have been associated with high levels of insurance customer satisfaction.