Posts tagged with "tv"

Dante The Poet

Born and raised in Chicago, Dante Brown’s past credits include recurring and guest starring roles on such hit series as NBC’s “Law & Order: Special Victims Unit,” Michael Bay and TNT’s “The Last Ship,” Showtime’s “Shameless,” NBC’s “Community,” NBC’s “Southland,” and CBS’ “NCIS: Naval Criminal Investigative Service,” to name a few. Dante held his first series regular role in 2015, co-starring opposite comedian Craig Robinson on NBC’s “Mr. Robinson.” On the film front, Dante made his feature debut in 2012 appearing alongside Oscar and Emmy Winner Viola Davis and Maggie Gyllenhaal in “Won’t Back Down” for Twentieth Century Fox.  Although acting has been Dante’s bread and butter over the years, his music, a strong second. When not on set you can find Dante in the recording studio, laying down tracks under his moniker “DanteThePoet.” A Grammy Camp alumni and independent artist, Dante takes the blueprint of Childish Gambino, the lyricism of Kendrick Lamar, and the hustle-nomics and genius of Kanye West, to create a sound that is on the forefront of hip hop music, inspiring and uplifting other post-millennial teens, like himself.

Watch You Hear A Sound Here

Instagram: @DanteThePoet

Twitter: @DanteBrown

Dream Car Week Starts

THE PRICE IS RIGHT shifts into high gear for “Dream Car Week”, where host Drew Carey and team are upping the stakes for five consecutive days! Each day, contestants will get the chance to play for some of the most luxurious cars on the market including the Porsche 718 Boxster, Tesla Model 3, Land Rover Range Rover Velar S, and the Maserati Ghibli. Plus, the ultimate car collector himself and host ofJay Leno’s Garage, Jay Leno, stops by to give one lucky contestant the chance to win his hand-selected Dream Car, the Jaguar F-TYPE Convertible!

Forget about pumping the breaks – “Dream Car Week” will also be revving things up at the wheel, offering any contestant that spins $1 two times a “BRAND NEW LUXURY CAR”, turning the Big Wheel into four wheels instantly. The shows will air all week beginning Monday, May 27 – Friday, May 31. 

Tune-in for one wild ride of a week on THE PRICE IS RIGHT.

Monday, May 27

2019 Jaguar F-Type Convertible, personally selected by Jay Leno!

Tuesday, May 28

2019 Porsche 718 Boxster

Wednesday, May 29

Tesla Model 3

Thursday, May 30

2019 Land Rover Range Rover Velar S

Friday, May 31

2019 Maserati Ghibli

THE PRICE IS RIGHT is hosted by Drew Carey. THE PRICE IS RIGHT’s “Dream Car Week” begins Monday, May 27 at 11:00 AM-12:00 PM, ET; 10:00-11:00 AM, PT on the CBS Television Network.

Twitter: @PRICEISRIGHT

Facebook: @THE PRICE IS RIGHT

https://www.cbs.com/shows/the_

Hannah Hart Stars in Edible History

Hi! Ever wondered about the origin story behind your favorite foods?

In Tasty’s new series, Edible History, internet superstar Hannah Hart is learning about and recreating the historic recipes of her favorite foods… with one catch: she has to use as many tools and techniques from that time period as possible.

Since premiering yesterday, the first episode of Edible History already has more than 2.5 million views and the response has been overwhelmingly enthusiastic – fans are loving the fun mix of entertainment and education.

You might know entertainer and food enthusiast Hannah Hart from her New York Times best-selling books, Food Network show, films, podcasts, LGBTQ advocacy, or her wildly popular YouTube series “My Drunk Kitchen” – now she’s entering the Tasty kitchen to combine her love of food and her love of history.

In the first episode of Edible History, Hannah makes a 700 year-old lasagna recipe (spoiler alert: it doesn’t look like the modern-day lasagna you know and love). And the results are… well, maybe the dish doesn’t come out perfect, but the journey is definitely entertaining.

New episodes of Edible History launch every Sunday at 8AM PST on Tasty’s Facebook page, the world’s largest social food network. Tune in weekly to catch Hannah take us back in time and whip up the old school version of your favorite foods.

ToyMakerz

Season finale of “ToyMakerz,” Dean Cain (Dave’s friend) stopped by the ToyMakerz shop in North Carolina to get David Ankin’s advice on a new Camaro build that he’s contemplating and they get into a bit of fun/ trouble out on the open road in this episode. David Ankin stars on A&E’s show ToyMakerz in it’s third season. Batman and Superman unite! True fact, David Ankin started off as a stunt man as Batman at Universal.

There was a cop that pulled them over for pushing the speed limit and wound up getting star struck. The cop asked for a photo also.

David also reveals in this episode his most fierce car build yet.

Here are David’s ideas on the finale car that airs on the final episode as well:

Description- ’41 Willys Coupe Exhibition Car

-Pro-Charged, Nitrous-fed LS with 1300 HP; It’s an assault on your senses.

-44 inches of rear tire, 3 brake systems; She’s one angry, fire-breathing monster right on the edge of out of control.

-It was designed to give fans the experience that I live every day.

As you know, the season finale of ToyMakerz was this last Sunday morning on History! This is the episode-specific teaser.

Season Recap:

I first felt “the itch” when I was a kid, growing up in the heart of motor country in Indiana and Michigan. Watching my dad, a skilled car fabricator nicknamed “The Iron Man” for his impressive metalworking skills, I yearned to build my very own custom rides. And so I learned to tinker and create my very first custom Toyz!

I’d modify my bike – once I extended the front fork by hammering together two regular bike forks – my very first Chopper! The funny thing is, even though my father is a welder, it didn’t occur to me to ask him to weld the forks together! Trust me, that did not end well… Next up was a motorized dirt bike that I’d tune and modify with any spare dollars I could earn mowing lawns or helping in the garage. Naturally, this road led to fast cars, motorcycles and a passion for driving – aka, playing with (and breaking) my Toyz.

Straight out of high school I scored what I considered my dream job at the time – doing live stunts as Batman for Six Flags in Texas! For 3 years, I performed trick shows 6-days-a-week. It was a blast. But eventually I had to grow up…. just a little!

So I moved to Myrtle Beach , where I discovered a knack for live venues and built up several bars. This career introduced me to a wide array of seriously impressive vehicle builders and designers, further fueling “the itch”, and it allowed me to put away some money for my true passion.

In 2014 I finally made the leap into full-time toy-making. Partnering up with David Young, a sharp businessman who shared my love for motorsports and the manufacturing process, we launched ToyMakerz LLC in Reidsville, NC. After a few years of research and design, we decided to share our rides with the world and launched ToyMakerz the TV show on Velocity. What followed has been a wild, non-stop ride atop a cannonball.

Seasons 1 and 2 were highly acclaimed and featured custom ToyMakerz creations like the GPS (a 3/4 scale chain-driven personal supercar), the SB (a mean, mashed up truck with a NASCAR-level engine) and the Beast (a fully custom, mid-engine formula car, winner of the Magnaflow People’s Choice Award at SEMA). Along the way, we met more and more incredible toymakers, of all types, and continued to grow our skillset .

Now airing on HISTORY Channel and FYI, in partnership with A+E Networks, ToyMakerz Season 3 has allowed us to take our toymaking to another level. Here’s an overview of what we’ve built:

ToyMakerz S3 Episode 1 – ’71 Charger – A Richard Petty Tribute

We take on a project for a Richard Petty mega-fan to overhaul a signature 70’s Charger “Petty Style” and setup the surprise of a lifetime – an appearance The King himself.

ToyMakerz S3 Episode 2 – Capital City Bike Fest and Car Show

Teaming up with Epic Moto Co, We’ll strip weight, and increase horsepower, while converting an American V-Twin bagger into a street fighter to be revealed at the Capital City Bike Fest and Car Show in Raleigh, NC, one of our favorite annual events.

ToyMakerz S3 Episode 3 – ’56 International Shop Truck and GoPro Race Day

Every shop needs a great shop truck. We were stunned to find a perfect ’56 International flatbed truck that somehow still runs.

ToyMakerz S3 Episode 4 – Misfit Toyz Invitational

We invited some of our top fabricator friends and ToyMakerz Nation standouts to create and race their own one-of-a-kind Misfit Toyz. It rained cats & dogs, making for one of the funniest events I’ve ever seen.

ToyMakerz S3 Episode 5 – ToyMakerz Drag Races – VW Style

When my buddy Scott Sain challenged me to a VW Drag Race, at the 2018 VW Germanaire drag race at the South Carolina Motorplex, how could I possibly say no?

ToyMakerz S3 Episode 6 – Challenger Mods for Sarah Edwards

Jet car pilot Sarah Edwards needed a daily driver. A perfect project for ToyMakerz! We’re thinking American muscle…

ToyMakerz S3 Episode 7 – Kraken Monster Truck Debut and Thunder Roadster Road Race

We put the finishing touches on a remarkable new monster truck, The Kraken, and help our good buddy, land-speed record holder Lee Shirts, tune his Thunder Roadster for a race at gorgeous Virginia International

Raceway (VIR).

ToyMakerz S3 Episode 8 ’41 Willys Coupe – David’s New Exhibition Car

Now this Toy is truly ridiculous. We envisioned and built a completely out-of-the box , over-the-top, exhibition car based on a ’41 Willys Coupe that can make tracks like no other car out there. To top things off, Dean Cain stops by for a visit, as do our top 3 Show Us Your Rides finalists.

It was truly an awesome season. But, now that all is said and done and we’ve had a few months to soak things in, I’m starting to feel that itch again.

Homecoming

Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

Shop Beyoncé

Can Stress Help Your Workout?

By Eddie O’Connor, Ph.D., CMPC

You don’t need this article to tell you the benefits of exercise on your stress levels (but I will reinforce them anyway). Physical activity increases endorphin production in the body. Those feel-good pain-relieving hormones. And it’s good for your brain. Physical activity increases blood flow, which increases our cognitive capacity and speed. So, we think better. Focusing on exercise means we are not focusing on our stress, so there is a fantastic mental break from stress too, plus the positive meditative effect of focusing on the exercise, in the moment, as we do it. Your self-confidence likely gets a boost with the earned results of a better, healthier body.

But while exercise helps stress, can stress help you exercise? Your experience is probably going to tell you “no.” Ever been too tired to go to the gym and skip it? Ever prioritize more work or responsibility over your workout? Or be so fatigued that you’d rather zone out in front of the TV or phone, maybe eat a snack to feel better instead? Of course, you have. In fact, it is more likely that stress actually hurts your workout. Besides the decreased motivation to go, there is the real fatigue you feel even if you attend, decreasing the quality of your workout—especially if you are not recovering well with adequate sleep. There isn’t one major organ or process in the body that isn’t enhanced by sleep, or impaired without enough of it. (Get at least 8 hours to help both regulate your stress and improve your workouts.) Stress can cause muscle tension, increasing risk of injury and slowing tissue repair—which leads to longer recovery times. Stress makes it harder to lose weight and can increase food cravings. Those extra pounds don’t help us move well.

But despite these facts, I can think there is one way that stress can help get you moving.

It’s this: Notice how bad feeling stressed out feels. Rather than repeatedly numbing out, or working harder and longer in futile attempts to escape it (do you ever really catch up on everything?), notice how you feel. It’s terrible. It’s unhealthy. It turns us into not-so-nice people, crabby and irritable with others. Our performance in everything declines. And our coping strategies of snacking, sleeping less, and sedentary “resting” just make it worse.

And then realize that you have a choice. There is something you can do. It won’t feel good at first. You will be tired and sore and you might sweat a lot. But if you don’t want to be stressed, working out (or any physical activity) WILL help you. This isn’t my opinion. Its science.

So, the question is, are you willing to choose some discomfort in service of decreasing your stress and getting healthier? Stress can motivate your workout if you realize that working out is one of the most effective ways to reduce stress, and then engage exercise with your whole heart and mind to beat it.

About Eddie O’Connor

Dr. Eddie O’Connor is a Clinical and Sport Psychologist at Mary Free Bed Sports Rehabilitation in Grand Rapids, MI. He is a Fellow and Certified Mental Performance Consultant through the Association forApplied Sport Psychology—the largest organization for sport psychology consultants and professionals.  

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CBDistillery

CBDistillery was founded in 2015 by two Colorado natives. The legacy brand of Balanced Health Botanicals (BHB), CBDistillery was born with the mission to bring the highest quality, fairly priced CBD to the masses. CBDistillery is now one of the nations’ largest and fastest growing retailers of hemp-derived CBD products in the world, reporting $41.3 million for 2018 (450% growth YoY). Today, BHB owns and operated some of the largest manufacturing operations and brands, including CBDistillery, in the hemp-derived CBD market. Through vertical integration, BHB is uniquely positioned to control the entire process from seed-to-sale. BHB is known for its high-quality consumer-focused products and best-in-class manufacturing processes.

In a recent segment, co-hosts and lifestyle expert Lifestyle expert, Milly Almodovar gave viewers a breakdown of CBD and the different products available in the market.

Michael Evans Behling

By Krishan Narsinghani

As of late, 360 Magazine sat down with actor, Michael Evans Behling, to discuss his story on becoming a series regular on the hit CW tv-show “All American.”

Behling was born in Columbus, OH but raised in Columbus, IN. Growing up, he played football, volleyball and ran track & field. Before pursuing college for track, Behling’s mother pushed him to try his hand at modeling. Flash forward one year, the biracial newcomer shot for notable brands like Nike, Finish Line and White Castle. Discovering a passion for comedic shorts via social media, Behling paved a career path that created an escape from negativity and depression. His personal life in a funk, acting molded that release and in return, made himself and others feel better. A bold move to LA quickly proceeded and transformed his life.

What do you think been your favorite part of shooting All American?

An outstanding cast. People-wise, we are a family that clicked from the beginning. There’s such a nice atmosphere including the production! Whether in the morning or night, I’m smiling going in.

Being relatively new to working the industry, what is one thing you would work on more?

To continue working even more and getting out on stage. Whether it means taking more classes and working as much I can to get even more comfortable doing my job.

One thing you’d work on less:

Before going into work. Whenever you get to set, you make something fun. The challenging part is when you get home at 3AM after a sixteen hour day and you have to prep for the next day. During the past 8 months, I didn’t sleep but it’s worth it. Being on stage, I’m still new and have a lot to learn. There are still moments where I felt like I could have done something better but it’s this feeling of “unsure” where I hesitate.

Describe your role and thoughts on your character Jordan:

Jordan is a cocky, confused, angsty high schooler who is the Beverly Hills High School quarterback. He’s dealing with some major identity issues, especially when Spencer comes to town and sees how his father and him connect – I think he’s got a really good heart and a lot of love for his sister and mom, but wants to connect with his Dad and fill his shoes. He’s slightly a jock with underlying actions and a lot of pain I have to hit while on set. Jordan’s a mixed kid who’s struggling to find himself but vicariously living through his dad. We’re both mixed so there’s a strong connection.

What advice to you have for minorities and kids of color breaking into the industry?

Right now we have an advantage – use this time now to get your training, get headshots and get whatever you need to get into the room. What’s the number one thing you could do before you get in? Ask yourself why you want to be in the industry. Do you know why you want to get into the industry for the right reasons? It’s because you want to make a change and love the craft. You love entertainment and make a positive change in somebody’s life.

One you get into the room, and you perform it’s out of your control. The door is going to open at some point. Stay positive and don’t get discouraged.

Women In Media

Women’s Media Center Releases 2019 Status of Women in U.S. Media Report:

Men dominate news, entertainment and digital media

94 studies — including new research from WMC — detail the shape and scope of women’s participation in media

Click here to read the full report.

The Women’s Media Center (WMC) today released its 2019 report on the status of women in U.S. media, which shows that despite some gains, men still dominate in every part of news, entertainment and digital media.

“The Status of Women in the U.S. Media 2019” is comprised of 94 studies, including original research by WMC and aggregated research from academia, industry and professional groups, labor unions, media watchdogs, newsrooms and other sources.

Julie Burton, president of the Women’s Media Center, said the data in the report paints a stark picture. “The media is in a state of great disruption, but despite all of the change, one thing remains the same: the role of women is significantly smaller than that of men in every part of news, entertainment and digital media. It is clear that a cultural, systemic shift is necessary if all parts of the U.S media are to achieve gender and racial parity and move toward a world where stories fully represent the voices and perspectives of diverse women,” she said. “Research spotlighted in this report shows that diversity boosts corporate profits. When boardrooms, newsrooms, studios and tech companies fully reflect the faces, genders and myriad talents of our society, we’re all exceedingly better served.”

The report includes several original WMC studies, including “Divided 2019: The Media Gender Gap,” an assessment of where women stand as media writers, reporters, correspondents and anchors in the major news media platforms, including the prime-time broadcast news programs, print publications, wire services and online news sites. Across all media platforms, men receive 63 percent of bylines and credits; women receive only 37 percent.

“Women have been fighting for greater parity and equality in the news media for decades,” said Maya Harris, co-chair, Women’s Media Center. “This report shows that more work needs to be done to level the playing field. Women and our male allies will not rest until we see wholesale change.”

“When we watch the evening news, we’re not seeing an America that truly reflects all voices,” said Pat Mitchell, co-chair, Women’s Media Center. “Too often, the voices we hear and the images we see are men’s. Men largely are reporting and telling the story even though women represent more than half the U.S. population.”

The report is inclusive and also features WMC’s “The Status of Women of Color in the U.S. News Media 2018,” which offers a rare look at where women journalists of color are — and aren’t — in legacy print, radio, TV, and digital news.

“Missing women of color in the newsrooms of this country is an injustice in itself, and an injustice to every American reader and viewer who is deprived of great stories and a full range of facts,” said Gloria Steinem, WMC co-founder. “Inclusiveness in the newsroom means inclusiveness in the news. Racism and sexism put blinders on everyone.”

In an expanded section on tech, social media, gaming and engineering, “Status 2019” also spotlights the growing threat online to women in media and the perils of failing to protect free and safe speech.

“As part of their day-to-day work, women journalists often face a torrent of harassment, denigration, and threats. The point of this hostility is to silence women, most frequently women of color,” said Soraya Chemaly, director of WMC’s Speech Project. “The onus continues to fall on women’s shoulders as individuals.  Media companies have to develop institutional responses to these threats if they are serious about building inclusive organizations.”

Here are the Status report highlights in traditional print and online-only, radio and television, news consumption, entertainment media and technology, social media, gaming and engineering:

In news media: print and online-only:

  • The American Society of News Editors’ latest tally found that women comprised 41.7 percent and people of color 22.6 percent of the overall workforce in those responding newsrooms.
  • Sports desks at 75 of the nation’s newspapers and online news sites earned a “B+” for racial diversity, a “D+” for gender and racial diversity, combined, and a sixth consecutive “F” for lack of gender equity. (Associated Press Sports Editors)
  • Editors of the nation’s 135 most widely distributed newspapers are overwhelmingly male and White. (Columbia Journalism Review)
  • 69 percent of news wire bylines (AP and Reuters) are snagged by men, 31 percent by women; 63 percent of TV prime-time news broadcasts feature male anchors and correspondents; 37 percent feature women; 60 percent of online news is written by men, 40 percent by women; 59 percent of print news is written by men, 41 percent by women. (Women’s Media Center)

In news media: radio and television:

  • A record number of women are employed in TV news, including as news directors, but fewer women and people of color work in radio news. (Radio Television Digital News Association)
  • Women owned 7.4 percent of the nation’s commercial TV stations. (Federal Communications Commission)

In entertainment media: film, TV & online streaming:

  • Over 12 years, through 2018, men accounted for 93.4 percent, or, 654, of the 704 individual directors of the highest-grossing films. Women accounted for 6.6 percent, or, 46 of those 704. (University of Southern California’s Annenberg Inclusion Initiative)
  • The number of women working on-screen in television and online streaming entertainment shows declined 2 percentage points from 2016-17 to 2017-18, when 40 percent of all speaking characters were female and 60 percent were men. (San Diego State University’s Center for the Study of Women in Television & Film)
  • The share of women among nominees in the Oscars’ 19 non-acting categories rose slightly from 23 percent to 25 percent from 2018 to 2019, but women were shut out of nominations for cinematography, directing, editing, original score and visual effects. (Women’s Media Center)
  • The proportion of lesbian, gay, bisexual, transgender and/or queer regular (LGBTQ) characters cast during the 2018-19 broadcast TV season — 8.8 percent of 857 regular characters — was the highest tallied in 14 years. (Gay & Lesbian Alliance Against Defamation)

In tech, social media, gaming, engineering:

  • 45 percent of U.S. gamers were female, reflecting continued, year-over-year increases in female gamers. (Entertainment Software Association)
  • Over a decade, there was no significant rise in the number of female tech workers and Black tech workers. (U.S. Government Accountability Office)
  • 53 percent of women and 16 percent of men said they had been harassed at work. (Women Who Tech)

Click here to read the full report.

About The Women’s Media Center

The Women’s Media Center, founded by Jane Fonda, Robin Morgan, and Gloria Steinem, is an inclusive and feminist organization that works to make women visible and powerful in the media. We do so by promoting women as decision-makers and as subjects in media; training women to be effective in media; researching and exposing sexism and racism in media; and creating original online and on-air journalism.