Posts tagged with "songs"

Dave Matthews on Fallon

Dave Matthews appeared on “The Tonight Show Starring Jimmy Fallon” last night. First, Dave Matthews covers hit trap songs including Migos’ “Stir Fry,” Lil Pump’s “Gucci Gang” and Cardi B’s “Bodak Yellow.” Following the segment, Dave Matthews Band performs “Samurai Cop (Oh Joy Begin)” from their new album, “Come Tomorrow.”

Dave Matthews Sings Cardi B, Lil Pump, Migos

LINK: https://www.youtube.com/watch?v=2yEMyY7C8Xg

Dave Matthews Band: Samurai Cop (Oh Joy Begin)

LINK: https://www.youtube.com/watch?v=LoYpQxZs8bY

“The Tonight Show” airs weeknights at 11:35pm ET/10:35pm CT.

Florence + the Machine x Big God

Florence + the Machine unveil a new song, “Big God,” and video today—watch it, choreographed by Akram Khan and Florence and directed by Autumn de Wilde, HERE. “Big God” is the third track to be released from Florence + the Machine’s hugely anticipated fourth studio album High As Hope, out June 29 on Republic Records.

Listen to Big God HERE.

Watch the music video HERE.

Says Florence:

‘Big God’ was written about that feeling when someone has not replied to your text, the modern phenomenon of ‘Ghosting’ which is one of my favourite words but not my favourite feeling. I was describing it to someone and they said to me ‘You need a big god’, as if the need in me were so cavernous, it would take something enormous to fill it. Probably something bigger than a text message.

It’s always been a very physical song. I saw a dance piece in my head as I was writing it, so to co choreograph something with Akram Khan was a huge honour. Autumn de Wilde fully understood what I was trying to do. The power of the desire within the void, left with yourself to rage and wonder and really it is yourself you are raging against. Not the ghost.

Akram Khan adds:

For me, this encounter with Florence and her powerful song somehow navigated itself towards the element—water. But the direction of the dance also became a resistance to all things that wish to oppress, a sort of protest dance and yet a celebratory one towards a new found freedom.

Furthermore, the band have added additional shows to their 23-city North American fall headline tour, including second nights at Los Angeles’ Hollywood Bowl September 26, Washington, D.C.’s The Anthem October 6 and New York’s Barclays Center October 10. Tickets are available to the public Friday, June 29, with pre-sales beginning Monday, June 25. Previously announced dates—on sale now—include Seattle, Portland, Nashville, Washington, D.C., Philadelphia, Chicago and more. Visit florenceandthemachine.net for more information.

High As Hope was co-produced by Florence and Emile Haynie and features contributions from Kamasi Washington, Sampha, Tobias Jesso JrKelsey Lu, Jamie xx and Thomas Barlett. Watch the A.G. Rojas-directed video for first official single “Hunger” here.

FLORENCE + THE MACHINE LIVE

5-Aug

Montreal, QC, Canada

Osheaga

9-Aug

Lake Tahoe, NV

Lake Tahoe Outdoor Arena at Harveys*

11-Aug

San Francisco, CA

Outside Lands

8-Sep

Vancouver, BC, Canada

Skookum Festival

10-Sep

Seattle, WA

KeyArena

11-Sep

Portland, OR

Moda Center

14-Sep

Salt Lake City, UT

Maverik Center†

15-Sep

Denver, CO

Grandoozy Festival

22-Sep

Las Vegas, NV

Life Is Beautiful

23-Sep

San Diego, CA

Viejas Arena at Aztec Bowl San Diego State University‡

25-Sep

Los Angeles, CA

Hollywood Bowl‡

26-Sep

Los Angeles, CA

Hollywood Bowl‡

29-Sep

Dallas, TX

The Pavilion at Toyota Music Factory‡

30-Sep

Houston, TX

The Cynthia Woods Mitchell Pavilion

2-Oct

Nashville, TN

Bridgestone Arena§

3-Oct

Charlotte, NC

Spectrum Center§

5-Oct

Washington, D.C.

The Anthem**

6-Oct

Washington, D.C.

The Anthem**

9-Oct

New York, NY

Barclays Center‡

10-Oct

New York, NY

Barclays Center‡

12-Oct

Boston, MA

TD Garden††

13-Oct

Uncasville, CT

Mohegan Sun Arena††

14-Oct

Philadelphia, PA

Wells Fargo Center††

16-Oct

Toronto, ON, Canada

Air Canada Centre††

19-Oct

Chicago, IL

United Center‡‡

20-Oct

Minneapolis, MN

Target Center‡‡

*with wet
†with St. Vincent and Lizzo
‡with Kamasi Washington
§with Billie Eilish
**with Beth Ditto
††with Grizzly Bear
‡‡with Perfume Genius

XXXTentacion dead at 20

Story by Max Mason II

According to CNN:

Broward County police in Miami, Florida have confirmed the death of 20 year old rapper XXXTentacion. XXX was reportedly robbed at gunpoint for a Louis Vuitton bag and was shot when he refused to give it up. We send our condolences to the family and friends of XXX and we will post any updates to this story.

Check out XXXTentacion’s Youtube Channel and Instagram, as well as TMZ’s coverage of the story here.

HER releases video for ‘Icarus’

Today, Her returns with the video for their latest single, “Icarus”—watch here. The song was written by frontman Victor Solf in memory of his best friend and co-founder of Her, Simon Carpentier. The video was directed by French film director Rodrigue Huart for Studio+, and it features various symbols from past Her videos, “Queens,” “SWIM,” and “Blossom Roses,” which represent renewal, hope and melancholy.

Of the song, Solf says, “‘Icarus’ is a song that I wrote in memory of Simon, and it explains why I am continuing now. This video is very special to me because it tells the whole story of Her in one video. Core fans will be able to recognize several symbols from our past videos.”

“Icarus” is taken from Her’s critically-acclaimed, self-titled debut album released earlier this year—listen here. The debut album also features Her’s hit tracks, “We Choose,” “Neighborhood” and “On & On” (feat. AnnenMayKantereit & Roméo Elvis).

While still in school, the half-German Victor Solf and the French Simon Carpentier met in 2007, bonded like long lost brothers, started making music together equally informed by old school soul a la Otis Redding and post-Yeezus hip-hop and formed Her in 2015. Success followed as the breakout “Five Minutes” soundtracked Apple’s “Shot on iPhone” campaign and eventually generated over 8 million Spotify streams. The duo released a pair of EPs Her Tape #1 and Her Tape #2, spawning fan favorites such as “Quite Like,” “Union,” “Her” and amassing over 20 million cumulative Spotify streams. Merging artfully seductive and provocative visuals and dreamy newer wave pop with a jazz undercurrent, the boys crisscrossed the globe in support of the EPs, including making waves stateside. In the middle of it all, unbeknownst to anyone but those closest to him, Simon lost a long, quiet and arduous battle with cancer in August 2017. With his friend’s spirit always close by, Victor worked on what would become the duo’s 2018 major label full-length debut, Her [Republic Records].

WATCH THE “ICARUS” VIDEO HERE

LISTEN TO HER’S DEBUT ALBUMHERE

HER: FACEBOOK | TWITTER | INSTAGRAM

Death Grips

Death Grips released two new songs Dilemma and Shitshow. Both tracks will be included on their upcoming album Year Of The Snitch out June 22nd.
Dilemma was recorded with Andrew Adamson, who is best known for directing Shrek and Shrek 2.
Previously the band has released Ha ha ha, Streaky, Black Paint, Flies.
Death Grips is Zach Hill, Stefan Burnett and Andy Morin.

Post Malone Announces “Posty Fest”

NEW YORK, NY (June 14, 2018) – History-making multiplatinum Dallas, TX artist Post Malone announces the first-ever “Posty Fest.” Curated and headlined by the superstar himself, the all-day music extravaganza takes over Dos Equis Pavilion in Dallas, TX on Sunday, October 28, 2018. Tickets go on sale at 10am local time tomorrow June 15, 2018.

Buy tickets at LiveNation.com HERE.

Holding many surprises in store, be on the lookout the blockbuster lineup reveal and further details very soon. For now, expect the ultimate Post show in his hometown just days before Halloween.

The Dallas maverick’s platinum-certified second full-length, beerbongs & bentleys [Republic Records], yielded a second Hot 100 #1 & Rhythm Radio #1, while also achieving his first #1 at Top 40 Radio (Mediabase & BDS) with “Psycho” [feat. Ty Dolla $ign]. This follows up the stratospheric success of his first Hot 100 #1 and the record’s quintuple-platinum smash “rockstar” [feat. 21 Savage]. Right now, seven songs from beerbongs & bentleys occupy spots on the Hot 100, including “Psycho,” “rockstar,” “Better Now,” “Ball For Me” [feat. Nicki Minaj], “Rich & Sad,” “Paranoid,” and “Spoil My Night” [feat. Swae Lee.”

Post is currently wrapping up his sold out headlining tour, the remaining tour dates can be found below.

Post Malone with 21 Savage and special guest SOB x RBE Tour Dates:

DATE

CITY

VENUE

Sat, June 16

Austin, TX

Austin360 Amphitheater

Tue, June 19

Phoenix, AZ

Rawhide Event Center

Thu, June 21

San Diego, CA

Cal Coast Credit Union Open Air Theatre at SDSU

Fri, June 22

Las Vegas, NV

Park Theater at Park MGM

Sun, June 24

San Francisco, CA*

Shoreline Amphitheatre

Wed, June 27  Los Angeles, CA                             Hollywood Bowl

Thu, June 28   Los Angeles, CA                             Hollywood Bowl

*SOB X RBE not supporting

+ 21 Savage not supporting

Post Malone – beerbongs & bentleys links:

Main / Landing Page: https://PostMalone.lnk.to/bb

iTunes: https://PostMalone.lnk.to/bbDL/itunes

Apple Music: https://PostMalone.lnk.to/bbDL/applemusic

Spotify: https://PostMalone.lnk.to/bbDL/spotify

Google Play: https://PostMalone.lnk.to/bbDL/google-play

Amazon: https://PostMalone.lnk.to/bbDL/amazonmp3

iHeart: https://PostMalone.lnk.to/bbDL/iheartradio2

SoundCloud: https://PostMalone.lnk.to/bbDL/soundcloud

FOR MORE INFO ON POST MALONE, PLEASE CONTACT:

Matthew Bernal

Republic Records

Matthew.Bernal@umusic.com

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (Belly, The Weeknd), Roc Nation (Jaden Smith, Justine Skye, The Dream), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.

Bobby Sessions New MV

BOBBY SESSIONS PLANS A REVOLUTION IN NEW MUSIC VIDEO “PICK A SIDE”

WATCH HERE:
https://BobbySessions.lnk.to/PickASideVideo

LISTEN TO “PICK A SIDE” HERE:
https://BobbySessions.lnk.to/PickASide
BOBBY SESSIONS IS TRYING TO START A DIALOGUE
WATCH THE DALLAS RAPPER’S NEW VIDEO FOR “PICK A SIDE.”
http://www.thefader.com/2018/06/13/bobby-sessions-pick-a-side-video-interview?utm_source=tftw

When Bobby Sessions released the video for his major label debut single “Like Me” with Def Jam Records in April, viewers witnessed a visceral, charged statement. With a noose around his neck, the Dallas rapper drew parallels between lynchings and modern day police killings with a captivating intensity in his delivery and lyricism. By the end of the record Sessions defies the oppression that systemic injustice meant to induce in him.

Today, Bobby Sessions’s latest single “Pick A Side” premieres on The FADER and the artist’s mission continues to unfold. With “Pick A Side,” Sessions sets his sights on controversial black figures, equating the behavior of Candace Owens, Jason Whitlock, Ray Lewis, Omarosa and more, who are addressed in the track and music video, to house slaves informing on the subversive activity of slaves in the field. “The same way a person would sacrifice his or her relationship with the people on the field in order to get in good with the master, we have the same thing happening today where there are black people in positions of power and positions of influence that have opportunities to shed light on real situations affecting their own people,” Sessions says. “Instead, they dismiss them in the pursuit of getting the acceptance of white people in positions of power and it needs to be called out.”

The video showcases how a revolution happens. It starts small with pictures of the people Sessions believes need to pick a side while speaking to his people and as he’s delivering the information he’s posing to them, which side are you on?

In February, when it was announced that you signed with Def Jam you mentioned quitting your job in 2015 and dedicating yourself to becoming a great rapper and manifesting this current success. Can you explain that process a little more?

When you’re working a job, after you pay all your bills, you’re broke anyway. At least at my pay rate I was. I was spending all my money on music. I would go to work from 9 a.m. to 5:30 p.m., I would sit in traffic in a car with no AC in record hot Texas summers from 5:30 to 6:30 maybe eat from 6:30 p.m. to 7 p.m., and I would would record from 7 p.m. to 2 a.m. at the Dojo every single day. That was my thing. By the time I got done paying for that and paying for my bills, I was broke anyway. I thought, I’m either gonna stay here and be a hamster in the wheel or I can be out there and go for my dreams. I’m in my early twenties making these decisions. I can go back and still get a job later if that’s really what I want to do but the real fear and real danger is not doing it because I was scared of me being 50 and 60 living with “what if?” It was super easy to leave and that’s the reason I mentioned quitting my job.

How did signing to Def Jam fit into the vision you had yourself and your career?

I always fantasized about how it would feel to sign with Def Jam and then I got signed by Eminem’s manager (Paul Rosenberg, now the CEO of Def Jam), and the way I always thought that that would feel… it didn’t feel any different than how much I peacocked my chest out when I walked out of my old job. When I signed my contract in New York it felt the same way when I imagined that I signed the contract. That’s the main message that I try to get out to people. The reality that I lived in is that I’m the greatest rapper that ever came from Dallas. I don’t think of any other reality other than that in regards to Dallas in particular. And since that’s true, then, of course, I’ll have the right energy to attract my deal going through to when I shot my first video. Of course I came out of that, because that was my mentality before that was a consensus with everybody else.

What are you trying to manifest through your music?

I want to make material that’s way bigger than me. I’ve been talking about race in particular on all my projects. Go back to Law of Attraction and my album cover is a gorilla that’s literally shredding its outer. The gorilla represented the negative image that white people have on black people. So you saw me as an animal but I’m shattering your view of me with this art and through the law of attraction. My broad mission is to empower all black people around the world. That’s my main mission.

I feel like there’s a lot of psychological damage, psychological trauma that we inherited that never got addressed and it’s still never been addressed. It’s been quiet, it’s taboo to even be talking about. It’s a bunch of things that need to be addressed globally. The effects of white supremacy all around the world and [I want to] do as much as I can to get us as a people to manifest and be our best self. My individual goal, I want to make sure that when we look back at the history of the greatest rappers ever, I want my name to be mentioned at the top of the list. As I’m getting older, I’m realizing that individual goal is subjective. The impact that I really have in the booth that’s what I want to be measured by.

Tell us about the new single, “Pick A Side.”

The song is talking about field and house niggas and how you have to pick a side. This is a different time and this is not a time where you can straddle the fence. Our generation’s done a good job of, “let’s try to see all sides of everything.” OK, after you evaluated … pick a side. Don’t be scared of what side you’re standing on.

Even thinking back to slave times, you had the field negroes outside picking the cotton, manning the land and then you had the house negro, who was inside the house, typically lighter skinned, and he had a bunch of temporary privileges over the black people in the field. When the master and the master’s family is done eating, you get the scraps at the end. You also notify me if there’s some people on the field doing something they’re not supposed to be doing you come tell it to me. We have the same thing happening today where there are black people in positions of power and positions of influence that have opportunities to shed light on real situations affecting their own people but instead they dismiss them in the pursuit of getting acceptance of white people in positions of power and it needs to be called out.

In the video that would be Candace Owens, Jason Whitlock, Ray Lewis, right?

There’s two people in particular I call out on the record: Jason Whitlock and Ray Lewis. [Lewis] is someone I really idolized as a football player, and, when I heard his comments on Colin Kaepernick, how he should only worry about football, I felt like he was trying to appease the white people at his network as opposed to shedding light on our community. So it’s not to say he is a house nigga, it’s to say that I need you to pick a side and don’t think that these white people love you for having these opinions. If the white people you work with truly care about humanity they will let you say that. You don’t have to throw your community under the bus in order to get cool with another community. If we’re all supposed to be one community it should make a white person sick to their stomach that black people are getting murdered for no reason if we’re really all one race.

“Pick A Side” was a bit of a hometown affair featuring production from Sikwitit and video direction from German Torres, two creatives you’ve worked with for a long time in Dallas. Why was it important to keep it close to home?

It’s important to take care of home first. We have some great content from both of those guys so we wanted to give them the first dibs on creating content for us now that we have this new platform. Sickwitit and I have done a lot of great records together and I think we’ve crafted a song together and I think I’m excited for everybody to experience it for the first time. This one is different because the style of these songs as compared to the other songs are very different. We’re definitely two different people than when we first started. The sound now is a lot more disruptive.

Michelle Cadreau x “Dominate”

Hip-hop lyricist Michelle Cadreau has developed a writing and rapping style with both subtlety and introspection to reflect her Native Canadian Indian and Polish ancestry. With four CDs to her credit, the Hamilton, Ontario melds hypnotic and soulful beats with her trademark urban poetry to create a performance style that is equally juxtaposed and complementary.

 

Given the native Indian name Blue Sky at birth by her grandmother (who was born on a reserve in northern Ontario), Cadreau has a tattoo on her back of blue zebra stripes in the shape of an eye with the inscription ‘Blue Sky.’ It is a physical reminder of her spiritual relationship to the earth and heavens and her family.

 

With musical influences that include Biggie Smalls, Eminem, Dr. Dre, and Snoop Dogg, Cadreau proudly emulates their style. Her ideas often come from a word or phrase that sparks inspiration and builds from there.  She also credits her parents for her love of music. Both played in bands most of their lives – her mother (a nurse by profession) is a vocalist and drummer and her father a vocalist and bass guitarist.

 

Like her mother, Cadreau also plays drums, having begun lessons at age five. She is also an accomplished painter and jewelry designer and has a degree in interior design. Her connection to the visual arts has been a foundation for her lyrics, which paint pictures of the joy and pain of life.

 

Among her releases is the breakout number, “Precipitation,” an articulate and explicit song that boldly details a rapper giving a slam performance for fans; “Like a Killer,” uses boxing to symbolize violence; and “Hip Hop Clerk” is a commentary on making it in the music industry.

 

Also included is “Ineffable,” a look at fan adulation; “Give Me The Prize,” a nod to intelligence and the rewards it can provide; and “Tallest Mountain,” a heartfelt look at making your way up the hip hop ladder. Her strongest response by far from both fans and critics online has been for the song “Ghetto Survival,” which equates creating powerful rap music with persistence and success.

 

Cadreau is using her lyrical deftness and distinct vantage point to create music that is true to her while paying homage to the complex backstory of rap and hip hop.

 

For more information: 

www.michellecadreaulyricist.com

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Summer Block Party Festival 2018

Live Nation Urban announces the fourth annual Summer Block Party Festival– the preeminent destination for soul and R&B devotees since 2015. Tickets go on-sale Friday April 20th at 10am.

 

After successfully expanding to include Houston in 2017, the original Chicago site will now host a second night for the very first time. Celebrating another first, Summer Block Party Festival now arrives in Philadelphia this summer. Once again, the lineup showcases some of the most important, impactful, and inimitable voices in soul, R&B, and hip-hop.

 

GRAMMY Award-winning modern icon Jill Scott returns home to Philly in order to headline the first night June 30 at The Mann Music Center. Miguel Fantasia top a dynamic bill at Cynthia Woods Pavilion in Houston July 7. Keith Sweat headlines the Chicago show at Huntington Bank Pavilion at Northerly Island July 14 followed by Babyface and Boyz II Men the next evening July 15.

 

The full itinerary and each respective lineup can be found enclosed below.

 

Summer Block Party set the industry standard for R&B and soul-centric festivals. Launched in Chicago during 2015, it has gone on to consistently sell out every year and spotlight not only genre luminaries, but the next generation’s hottest young R&B stars. Previous lineups boasted everyone from Erykah Badu and Jazmine Sullivan to Ledisi and SWV, to name a few.

 

It also continues a blockbuster 2018 for the team at Live Nation Urban. The year’s stacked slate includes not only Summer Block Party shows, but Rap Caviar Live, Broccoli City Festival, Roots Picnic, A Night of Symphonic Hip Hop, and Kirk Franklin’s Exodus Music & Arts Festival. LNU has positioned itself at the forefront of the culture, ushering it forward with each subsequent show.

 

“We feel blessed to be able to continue to build and grow this Summer Block Party platform, it’s important to give R&B artists and fans a place to engage in a live setting. I’m looking forward to the shows this year and adding even more cities to the series next year”, says Shawn Gee, President of Live Nation Urban.

 

 

SUMER BLOCK PARTY FESTIVAL DATES:

6/30 Philadelphia, PA – The Mann Music Center (Jill Scott, Boyz 2 Men, DJ Jazzy Jeff, + Special Guests)

 

7/7 Houston, TX – Cynthia Woods Pavilion (Miguel, Fantasia, Ne-Yo, Tank)

 

7/14 Chicago, IL – Huntington Bank Pavilion @ Northerly Island (Keith Sweat, Ja Rule & Ashanti, Ne-Yo, Tank, Daley)

 

7/15 Chicago, IL – Huntington Bank Pavilion @ Northerly Island (Babyface, Ludacris, Boyz 2 Men, Brandy, Kevin Ross)

HAYLEY KIYOKO x FUSE

Hayley Kiyoko premiered yesteday on Fuse, FM and the Fuse social and digital platforms. An unapologetic artist who doesn’t hesitate to speak her mind, singer-songwriter-actress Kiyoko made a ton of buzz with her recent debut release Expectations and her rise to pop stardom continues to climb. For four weeks, Fuse and FM will run her electrifying music video and go-to anthem “Curious,” as well as exclusive interviews and content featuring Kiyoko.

 

Up first is a new episode of Rant and Rave, which premiered yesterday on the Fuse YouTube channel as part of the Fuse First coverage. Hilariously going off and dropping the F-bomb, Kiyoko lets us in what makes her rant and rave and shares her hope for a progressive day where America will have an all-women cast on tv series The Bachelor. Kiyoko has dreams of being a bachelorette on the show with twenty-six women to choose from. Watch the Aries queen share her thoughts on equal pay, Coachella, online dating and more. 

 

See the video HERE

 

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