Posts tagged with "social"

Five Steps for Prevention from Watson Institute Experts

The Majority of Children with Autism Are Bullied—Do You Know How to Help?

Children with autism face unique social and education challenges that require attentive support. 1 in 59 children is diagnosed with autism spectrum disorder. Boys are four times more likely than girls to have autism. Autism affects all ethnic and socioeconomic groups. Autism spectrum disorder encompasses a wide range of challenges with repetitive behaviors as well as social and communication skills.

For students with Autism, school can be daunting, as they are faced with social interactions and not feeling accepted. Coupled with that, children with Autism are at higher risk for being victimized or bullied by peers. Nearly two-thirds of children with autism between the ages of 6 and 15 have been bullied—over twice the rate of children without autism. 65% of parents report that their child had been victimized and 50% report being scared by their peers (Issues in Comprehensive Pediatric Nursing (2009)).  

These pressures can lead to refusal to attend school, anxiety or depression, and an overall decline in academic performance. This is borne out in the high school graduation rates for students with disabilities, which is only 67.1% (U.S. Department of Education’s National Center for Education Statistics), compared to an overall 84% graduation rate.

Clinical experts from the Watson Institute have five tips on combating bullying among all students, especially those with autism:

  1. Highlight individual strengths. Parents and teachers can be proactive by teaching children that it’s natural to expect others to be just like us, but the things that make us different are often the very things that make us special. Make a habit of complimenting students on their strengths—including in front of their peers.
  2. Widen perspectives. Teaching children to see things from more than one perspective is a key part of developing empathy. Help children connect beyond surface circumstances to underlying emotions. If a child makes fun of a student for not being good at something, ask them to reflect on something that is hard for them.
  3. Praise kindness. Children risk being teased or bullied themselves when they reach out to a student who is being bullied. It takes courage for students to act. Turn this perceived liability into an asset by applauding acts of kindness. This can be done individually, (“I saw how you stood up for Kyle and I’m really proud of you.”) and corporately, through public recognition or incentive programs.
  4. Get involved. If a bullying situation has developed, adult intervention is usually required. Leaving students to “work it out themselves” will often exacerbate or prolong a negative situation. Involve students and parents in addressing the situation. Approach the conversation with a problem-solving, not a punitive attitude.
  5. Provide support. Children can feel a range of emotions—from fear to shame and many more—when they’ve been the victim of bullying. Don’t assume because a child is no longer actively being bullied, that the situation is resolved. Make space for them to talk about their feelings and provide any additional support they need.

ABOUT THE WATSON INSTITUTE

The Watson Institute is organization providing special education programming as well as outpatient mental health services such as social skills groups, therapy, and evaluations for children ages 3 to 21.  www.thewatsoninstitute.org.

Refinery29’s Style Out There

WATCH NOW: SEASON 3 PREMIERE OF REFINERY29’s SERIES

Style Out There

Refinery29 returns with season 3 of the award-winning video series, Style Out There. With over 23 million views over the last two seasons, host and journalist Connie Wang digs back into the way clothing has given women a way to speak out, look within, and identify the forces that limit their potential. Through these stories, Wang discovers the powerful way fashion illuminates social and political issues, ranging from the connection between sexy clothing and sexual assault to instances when cultural appropriation can actually be both useful and productive.

Episode One of Style Out There is Now Available

In episode one, Connie Wang explores the cultural phenomenon of Disneybounding. Despite Disney’s strict rules prohibiting adults from wearing costumes inside its theme parks, die-hard fans have found a creative way to nerd out with their clothing.

Episode One Highlights:

On What Draws Disneybounders to Disney’s Films and Theme Parks:

“I didn’t grow up speaking English, they would take me outside of class to teach me how to speak English and I felt like that was pretty much Ariel. She was not feeling really part of the Mer-world but not too much part of the human world. Her story to me was very like I get it, I’m in that in between space, I’m neither here nor there and that’s okay and I can be part of both worlds.” – Evette, Disneybounder

“Disney to me is selling a feeling of happiness and joy and magic and nostalgia. No matter how uncertain the world seems, Disney kinda stays constant and consistent.” – Chelsea, Disneybounder

“In a land of synthetic monuments, Disneybounders have found real reasons to share hope, friendships and fanny packs. If the world looks better through rose colored glasses, maybe I’ll grab a pair? Hey, those could go great with a piglet disneybound.” – Connie, Host

On Disney’s Growing Diversity:

“We’re going to see a queer prince one day. We’re going to see a Vietnamese, a Japanese, different parts of Asia we’re going to see a Latina princess from Puerto Rico, from Cuba, from South America. I feel like slowly we’re going to get there one day.” – Evette, Disneybounder

Style Out There will premiere new episodes every week on Refinery29’s YouTube channel, exploring Japanese Cholas subculture in Nagoya, the rise of Afrofuturism across the globe, the American Escaramuzas, and Jamaica’s dancehall queens.

About Refinery29

Refinery29 is the leading media and entertainment company focused on women. Through a variety of lifestyle stories, original video programming, social, shareable content, and live experiences, Refinery29 provides its audience with the inspiration and tools to discover and pursue a more independent, stylish, and informed life. Please visit www.refinery29.com/en-us, www.refinery29.com/en-ca, www.refinery29.uk and www.refinery29.de for more information and to browse content.

Jonas Brothers Make History

“Boom. The world’s most famous brothers are back.” Vogue

 “The Jo Bros may not quite be in the year 3000, but “Sucker” nonetheless serves up a grown-up vision of The Jonas Brothers we didn’t know we were expecting.” NPR

“It’s 2019 and there’s a new Jonas Brothers song, and those two things go together a lot better than we ever anticipated.” Billboard

“The Jonas Brothers feel grown up without losing their boy band charm.” Esquire

Those are just the few responses to The Jonas Brothers recent comeback with their music video to “Sucker.”

This week, GRAMMY® Award-nominated multi-platinum powerhouse trio — the Jonas Brothers —reclaim their place at the top of the charts and popular culture with their new single and music video “Sucker.Get it HERE via Republic Records.

Taking the world by storm, it captures #1 on Apple Music, #1 on Spotify, and #1 on iTunes in North America.  Globally, it clinches #1 on Apple Music, #1 on YouTube, #1 on Twitter, and #2 on Spotify. Since its release, it scored over 20 million Spotify streams and is over 50 million YouTube views and counting.  At radio, it emerges as the “#1 Greatest Gainer for Top 40impacting now.

Not to mention, “Sucker” garnered unanimous critical acclaim. Among widespread praise, it was dubbed “an absolute jam” by Billboard, christened “a banger” by Esquire, described as “an impeccably sweet-and-sour pop rock-tune” by Rolling Stone, and best noted as “a grown-up vision of The Jonas Brothers we didn’t know we were expecting” by NPR.

To celebrate the release, the band took over New York City for an intimate and packed secret reunion show. It marked their first time on stage in nearly six years, and they returned with a historic gig that left fans clamoring for more.

Yesterday, the Jonas Brothers announced a partnership with Amazon StudiosPhilymack, and Federal Films– a division of Republic Records, to release an upcoming documentary about the Jonas Brothers, to premiere exclusively on Amazon Prime Video in more than 200 countries and territories.

Anthony Mandler’s director’s cut of the Sucker music video was also released. Watch HERE.

This week, they continue their takeover of The Late Late Show with James Corden. This late-night “residency” spanned everything from their first on-camera interview to a hilarious skit where the host kidnapped the band and reunited them with help from none other than Dr. Phil. You have to see it to believe it. However, there’s more to come.

Watch clips from last night’s episode HERE, and be sure to tune in for more this week.

Jonas Brothers are back and about to have their biggest year yet.

The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they’ve achieved dozens of platinum and gold certifications. Jonas Brothers notably received a GRAMMY® Award nomination in the category of “Best New Artist,” garnered “Breakthrough Artist” at the American Music Awards, won Billboard’s “Eventful Fans’” Choice Award for “Best Concert Tour of the Year, and took home a Mexican Grammy, showcasing their international influence. The tremendous success of the band provided a launch pad for the successful and storied solo careers of Nick JonasJoe Jonas, and Kevin Jonas, who have kept loyal fans yearning for a reunion, until now.

Want to follow the boys? Below are their social medias to keep yourself updated.

 

2019 PIRELLI CALENDAR

PIRELLI: “DREAMING”, THE 2019 PIRELLI CALENDAR

SHOT BY ALBERT WATSON, UNVEILED IN MILAN

A photographic tale of the aspirations of four women and their determination to achieve their goals, each one pursuing her own dreams and passions. This is “Dreaming”, the 2019 Pirelli Calendar, now in its forty-sixth edition, shot by Albert Watson in April in Miami and New York and unveiled today at Pirelli HangarBicocca in Milan.

A sequence of forty shots tells the stories of characters portrayed by Gigi Hadid with Alexander Wang, Julia Garner, Misty Copeland with Calvin Royal III and Laetitia Casta with Sergei Polunin.  The photographs, in colour and black and white, are in the cinematic 16:9 format, inspired by Albert Watson’s passion for the art of film.

“When I approached this project,” says Watson, “I wanted to do it in a way that was different from other photographers, and I wondered what the best way would be. In the end, I looked for pictures that were of beautiful quality, with depth to them, and that had some kind of narrative. I wanted to create something that was more than just a portrait of somebody – I wanted it to look like a film still. I wanted people looking at the Calendar to see that my aim was photography in its purest form, exploring the women I was photographing and creating a situation that would convey a positive vision of women today.”

Telling the story of how he came to make the Calendar (see the interview below), the photographer talks of his own dreams, and of the efforts and sacrifices that they entailed.

“To make a dream come true, you have to work hard. I’ve always taken it step by step, reaching one goal at a time, without wanting to get immediately to the top of the ladder. Even though I sometimes think this ladder could go on up forever, with the top rung ever-further away, I think it’s always worth giving yourself increasingly ambitious goals and dreams.”

He said that each of the four women focuses on the future and “has her own individuality, her own particular purpose in life, and her own way of doing things. So the underlying theme is that of ‘dreams’, but the basic idea behind the whole project is that of telling a story in four ‘little movies’. What I wanted to convey were the protagonists’ hopes and their way of thinking about the future, in a way that would bring with it the aspect of dreaming.”

An example of this is the character played by Gigi Hadid, he explained. She has recently separated from her partner, lives alone in a glass tower and has Alexander Wang as her only friend and confidant: “I think there’s a degree of angst in these images. With Hadid’s character, I wanted to convey the sense of a woman thinking about her future, but also showing her in a situation of loneliness. We see her thinking about where she is going to go in life, what she will be doing tomorrow. I wanted it to be much more minimalistic than the other women and settings I photographed.”

Julia Garner plays the part of a young photographer who loves nature and solitude. Of her, Watson says; “Julia’s a very, very accomplished actress and she got straight into the character. She played a botanical photographer who dreams of putting on successful exhibitions. We were in a beautiful tropical garden in Miami, which turned out to be the perfect place for us to work.

Misty Copeland, whose partner in the Calendar is Calvin Royal III, also looks to the future, fantasising about making a name for herself in the world of dance. “Trying to be successful is her driving force,” said Watson. “Copeland’s character earns her living by dancing in a club, but at the same time she has also put up a little stage in her garden, where she practices dancing in order to become a star, sometimes with her boyfriend, played by Calvin Royal III.”

Lastly, Laetitia Casta is a painter who lives in a studio apartment with her partner, played by Sergei Polunin. They both dream of success: she as an artist, he as a dancer. “What’s interesting”, says Watson, “is that, in real life, Laetitia really does do a lot of sculpting and creates artwork in her spare time. This worked out very well and helped her get into character. We decided to shoot outside, to give the scenes some added natural brightness. The tropical atmosphere of Miami is a key component in this picture.”

***

See the stories and stars of the 2019 Pirelli Calendar, and the history of over 50 years of The Cal™, at www.pirellicalendar.com .

PHOTOGRAPHER: ALBERT WATSON

ARTISTIC DIRECTION: BARON & BARON

PRODUCTION DESIGNER: STEVE KIMMEL

CAST

LAETITIA CASTA

MISTY COPELAND

JULIA GARNER

GIGI HADID

SERGEI POLUNIN

CALVIN ROYAL III

ALEXANDER WANG

Q&A WITH ALBERT WATSON

How did you approach the Pirelli Calendar project?

The Pirelli Calendar is a unique project for any photographer. When I first took it on, I wanted to do it in a way that would be different from that of other photographers, and I wondered what the best way would be. In the end, I looked for pictures that were of beautiful quality, with depth to them, and that had some kind of narrative. I wanted to create something that was more than just a portrait of somebody – I wanted it to look just like a film still. I wanted people looking at the Calendar to see that my aim was photography in its purest form, exploring the women I was photographing and creating a situation that would convey a positive vision of women today.

How did you formulate the project?

I wanted to ensure there would be a strong narrative, so I thought: “Let’s try and make the shots look like film stills.” Quite a lot of it was shot in widescreen format. And that was quite challenging. Each of the four women has her own individuality, her own particular purpose in life, and her own way of doing things. And they are all focused on their future. So the underlying theme is that of “dreams”, but the basic idea behind the whole project is that of telling a story in four ‘little movies’.

Could you tell us about the stories that bring your Calendar to life?

Each character has a part to play in the 2019 Pirelli Calendar. In some cases, the role was close to what the actress does for a living, but here they were certainly all acting a part. Not themselves. And that’s what I wanted.

The woman played by Gigi Hadid has just split up with her companion. She has a confidant, not a boyfriend, played by the designer Alexander Wang. He is helping her get over this difficult time. I think there’s a degree of angst in these images. With Gigi Hadid’s character, I wanted to convey the sense of a woman thinking about her future, but also showing her in a situation of loneliness. We see her thinking about where she’s going to go in life, what she’ll be doing tomorrow. I wanted her to be much more minimalistic than the other women I photographed, and I wanted her to be reflected in the settings I portrayed her in. The settings of the other protagonists are pretty crowded, and there’s action in almost all of them.”

Julia Garner’s character is a botanical photographer who dreams of putting on successful exhibitions. Julia’s a very, very accomplished actress and she got straight into the character. We were in a beautiful tropical garden in Miami, which turned out to be the perfect place for us to work.

Misty Copeland and Calvin Royal III, on the other hand, play the part of two dancers who want to become famous and live in an Art Deco house. She’s dreaming of dancing in Paris. She is looking to the future and has ambitions. Trying to be successful is her driving force. Copeland’s character earns her living by dancing in a club, but at the same time she has also put up a little stage in her garden, where she practices dancing in order to become a star, sometimes with her boyfriend, played by Calvin Royal III.

The artist played by Laetitia Casta lives in a studio apartment, which she shares with her partner, played by Sergei Polunin. They are both dreaming of success: she as an artist, he as a dancer. We decided to shoot outside, to give the scenes some added natural brightness. The tropical atmosphere of Miami is a key component in this picture. What’s interesting is that Laetitia told me that, in her spare time, she really does do a lot of sculpting and creates artwork. This worked out very well and helped her get into character.

What was the role played by light in this project?

When I was young, the first famous person I photographed was Alfred Hitchcock. He said: “My dear boy, once you’ve finished the storyboard, the movie is finished – all I have to do is shoot it.” There’s a certain amount of his message that has stayed with me. The 2019 Calendar is like a cinematic storyboard. I was very lucky because I trained as a graphic designer for four years and then I went to The Royal College of Art Film School for three years and I came out as a director. I never trained as a photographer and, from that point on, I had to learn to be a photographer and know about lighting. As a photographer, the technical things for me were very difficult, it wasn’t natural. Intuitively, a cinematic aesthetic was quite natural for me to follow. A lot of my work is based on graphics and film or sometimes on a combination of the two. It was quite easy for me to drop into this for the Calendar and produce images like film stills. It was a matter of making all these different elements come together and make a strong narrative. The common denominator is that these people are all active: they’re thinking of their future and they’re dreaming of where they might be in five, ten, twenty years…

Did you like working on the set?

I know some people work well with a lot of tension on set, and part of their creativity comes from this, but I’m actually the opposite of that. If I’m having fun with people, if I’m enjoying being with them and playing around, I get a lot more out of them. I sometimes say to young photographers that it’s ‘location, location, location’. But in a case like this, it’s more ‘preparation, preparation, preparation’. The more you prep for the job, the more creative it will be. It’s thinking and planning, planning, planning. That’s what’s really important.

I had a tremendous amount of support when creating the vision for the Calendar. Steve Kimmel was the art director, along with Arnold Barros and Belinda Scott, and they did a brilliant job. Thanks to their dedication, it all went perfectly. James Kaliardos did our make-up. He did a fantastic job, beautiful, invisible, but yet there. The hair, by Kerry Warne, was always natural for each of the women. He’s had a lot of experience in film work, so he was perfect for this project.

Julia Von Boehm did the styling and fashion editing. On top of that, I had my own team of assistants and digital editors, Taro Hashimura and Emi Robinson, as well as Adrian Potter. All these people contributed in a great way, so this was definitely much more like a film project than a photography one.

Have you fulfilled your dreams?

To make a dream come true, you need to work hard. I’ve always taken it step by step, reaching one goal at a time, without wanting to get immediately to the top of the ladder. Even though I sometimes think this ladder could go on up forever, with the top rung ever-further away, I think it’s always worth giving yourself increasingly ambitious goals and dreams.

American Cut Pop-Up at the US Open

“The Quintessential New York Fall Kick-Off Social Event.”

I am thrilled to announce that LDV Hospitality and our Chef Partner Marc Forgione will be featuring American Cut onsite at the 2018 US Open as the official Steakhouse of the tournament, located at Arthur Ashe Stadium.

The restaurant will feature signature classics from American Cut’s menu, such as the OG 1942 Hotel Caesar, the Chili Lobster and the 40oz Porterhouse Steak, in addition to American cut cocktails and desserts.

Champions by American Cut is located within Arthur Ashe Stadium at the Club Level between Gate 3 and 4, and will be available to Courtside Box seat holders and Luxury Suite guests. Lodge and Promenade Subscription Series ticket holders may also purchase passes to access the restaurant for the duration of the Tournament.

August 27th – September 9th

AirHelp’s New Campaign

AirHelp launches a Passenger Rights Awareness Month.

Alarmingly, there has been in increase in the amount of travelers left at airports due to flight disruptions.

According to a survey authorized by AirHelp, 75% of US travelers confirm that they feel uninformed by airlines about their rights.

As a solution, AirHelp launches a Passengers Rights Awareness Month. By this, a platform is created for worldwide travelers to connect with specially-picked global experts and consumer advocates to inform them about their travelers’ rights. Travelers will also receive helpful information if they ever find their flights to be delayed or cancelled, or if they are denied boarding.

Through this, passengers will always find it useful to learn about their rights to protect themselves for future trips.

Along with this change, AirHelp is opening up its social media platforms to travel connoisseurs and passenger rights advocates from all areas of the world.

The implementation of this is because in the U.S., less than 25% of travelers were on a disrupted flight actually filed a claim, and travelers from other countries are also leaving their issues unclaimed. This clearly shows that the EC 261 regulation is not widespread enough and that further actions must be considered as solutions.

“It is crystal clear that air passengers still feel powerless against airlines and many miss out on the compensation they’re owed by not filing a claim. And if airlines will not play their part to inform and educate their passengers, we will,” says Henrik Zillmer, CEO of AirHelp

With the launch of Passenger Rights Awareness Month, Zillmer hopes this will help improve their efforts in informing travelers of their rights.

For delayed or cancelled flights, or even the denial of boarding, passengers may be entitled to financial compensation of up to $700 per person in certain cases. The conditions for this state that the departure airport must be within the EU, or the airline carrier mist be based in the EU and landing  in the EU.

It is important to keep in mind that for situations deemed as “extraordinary circumstances” such as storms or medical emergencies are exempt when it comes to compensating passengers–they do not qualify for flight compensation.

AirHelp is the world’s leading flight compensation company, helping passengers understand their rights and receiving compensation accordingly are why they are here to help. It has helped more than seven million people process airline compensation claims worth nearly $930 million in total. AirHelp offices are available across the world in 30 countries, supports in 16 languages, and employs more than 500 employees globally. They have served well in the past years and continue to serve on for years to continue.

HIV Dating App

Hzone, an innovative social networking app which is available on both Google Play store and Apple iTunes store, is designed to help HIV-infected singles to find companions and social support.

Hzone, a smartphone app specifically designed for HIV dating, was designed to make it possible for HIV-infected people to find the much-needed emotional support from society itself. Justin R, who was present at a recent press conference, claimed that the app could help people to increase their social engagements.

“People who are HIV-infected find dating and finding new friends excruciatingly difficult, as they are often subjected to HIV-related stigma as well as discrimination. However, medical science has proved that HIV-affected people can marry and even have kids. However, if someone is going to date an HIV-infected person or the other way around, both should be a little more careful and take a bit more responsibility than usual if they are going on a date or thinking about marriage,” said Justin, the CEO and managing director of Hzone.

“Hzone is a social networking app which we developed to help HIV singles and people from the LGBT community to socialize. It uses the location of the user’s phone to help people find similar-minded people nearby. The app also comes with a ‘Quick Match’ feature, which helps people to find and meet really interesting people by just swiping their screen to their ‘right’. If the other user likes back, it means that the duo can form a great pair as good friends. Our VIP members can even chat with other members as we do not put any restriction on chatting for our VIP members,” added Justin R.

As of now, Hzone is available on both Google Play store and Apple iTunes store.

The developer also informed that the users of the app can view other people who might be interested in the same fields or topics as them. Users are also allowed to share their experience on the social networking app with the entire community and express themselves in the most creative way possible.

Justin R said, “We cannot control all things in life and bad things sometimes happen, but we should always react to these changes positively. Our app could help HIV-infected people to find true love and emotional support from within society.”

About the company

Hzone is a social networking app specially designed for HIV-infected people.

To know more, visit http://www.hzoneapp.com.

IOS: http://stats.newswire.com/x/im?sum=WyJoa2ZlcSIsImhrZzNwIl0&act=WyJoa2czcCJd&final=https%3A%2F%2Fitunes.apple.com%2Fus%2Fapp%2Fhzone-1-hiv-positive-dating%2Fid967697521%3Fls%3D1%26amp%3Bmt%3D8

Android: http://stats.newswire.com/x/im?sum=WyJoa2ZlcSIsImhrZzNwIl0&act=WyJoa2czcCJd&final=https%3A%2F%2Fplay.google.com%2Fstore%2Fapps%2Fdetails%3Fid%3Dcom.mype.hzone%26amp%3Bhl%3Den_US

SOUTH BY THE WEST CONFERENCE

Texas A&M University has announced it will return to Austin for South By Southwest Conference (SXSW) during Interactive Week March 11-14 to showcase thought leadership and innovation in addressing some of the world’s most urgent challenges.

Texas A&M’s follow-up SXSW appearance to 2017’s “Texas A&M House” will feature panel discussions with internationally recognized thought leaders and immersive Texas A&M brand experience opportunities at multiple locations in the heart of downtown Austin.

Texas A&M’s participation in SXSW in 2018 will showcase faculty expertise and generate brand impressions with a global audience of 280,000 attendees in a way that solidifies the institution’s commitment to a modern, progressive future while celebrating its prestigious land-, sea-, and space-grant status, academic prominence and storied traditions. This week of panels, exhibitions and brand engagement opportunities will impart Texas A&M’s reputation for creating leaders of character and substance to the future employers of students.

Panel Sessions at the Courtyard Marriott

Texas A&M’s faculty innovators, creators and influencers will team up with some of the world’s leading voices in national affairs, next-generation technologies and public policy to explore cutting-edge solutions to issues that include human rights, artificial intelligence, health care and natural disaster mitigation.

• Human Rights Policy in a Connected World: Texas A&M President Michael K. Young, former United Nations Ambassador John Bolton and former U.S. Ambassador-at-Large Rabbi David Saperstein will dissect social, economic and diplomatic strategies that could be enhanced by the integration of digital technology. The panel will be moderated by BBC Journalist Kasia Madera.

• Future Society: AI and Generative Systems: Emmy-winning TV host Mario Armstrong and industry experts from the College of Architecture Philip Galanter, Ann McNamara and Jinsil Hwaryoung Seo will analyze how technology has not only reshaped the media landscape, but society itself.

• Disrupting Traditional Healthcare with Innovation and Technology: PhilipsUSA Chief Medical Officer Joseph Frassica will lead a discussion on challenging the traditional health care model with Carrie L. Byington, Dean of the Texas A&M College of Medicine, Senior Vice President of the Texas A&M University Health Science Center and Vice Chancellor for Health Services, CEO of Engineering Health (EnHealth) and Executive Dean for Engineering Medicine (EnMed) Roderic I. Pettigrew and Center for Remote Health Technologies and Systems Director Gerard Coté.

• “Future Proofing” Disaster Recovery: Commission to Rebuild Texas Chair and Texas A&M University System Chancellor John Sharp, Texas Senator John Whitmire (D-Houston) and State Representative Geanie Morrison (R-Victoria) will explore the changing dynamics of natural disaster recovery and preparedness with journalist Roland S. Martin.

• The Community, Culture and Science of Texas BBQ: Author and cook Jess Pryles will lead a discussion on Texas’ rich BBQ culture and the techniques, seasonings and cuts that drive the culinary art. Joining Pryles will be Jeff Savell, Davey Griffin and Ray Riley, meat scientists and pitmasters behind Texas A&M’s Camp Brisket.

Texas A&M X ’47 Brand Discovery House at The Clive on Rainey Street

The Texas A&M X ’47 Brand Discovery House will bring Texas A&M’s global impact as a land, sea and space-grant institution to life through a captivating sensory experience at a redesigned Clive. The Discovery House collaboration between Texas A&M, premier apparel partner ’47 Brand and leading new media lifestyle brand Highsnobiety also will feature live musical performances from emerging talents and breakfast, lunch and dinner from Texas A&M’s BBQ Geniuses and Stiles Switch BBQ.

Texas A&M Discovery Lounge at the Courtyard Marriott’s Brazos Ballroom

SXSW-goers will have an opportunity to relax and recharge at the Discovery Lounge while exploring Texas A&M through engaging sensory experiences.

• Live Mural with LifeWTR: Teams of Texas A&M students will create a mural in real-time and compete for scholarships and an opportunity to have their work featured on apparel in a special campus series.

• “Saving Brunch” Smoothie Counter: Attendees can take a pit stop and refuel with coffee, juice and smoothies while learning about Texas A&M sustainable agriculture research and the Healthy Texas initiative.

• BBQ Genius Q&A Counter: Pick the brains of Texas A&M’s “brisketeers” and learn the finer points of the culinary art of BBQ while snacking on complimentary samples.

• Aggies in Space: Guests will have an opportunity to experience outer space through the eyes of Aggie astronauts with Q&A sessions, virtual reality experiences and a chance to try ice cream developed by Texas A&M scientists for NASA.

• Buyer BeWhere: Residents of Galveston and Harris counties can receive flood hazard risk information through an interactive map developed by coastal environmental planning expert Sam Brody.

• Innovation Hour: The Mays Business School and the School of Innovation will crowdsource and identify global challenges with the help of SXSW guests, and then discuss them.

Subscribe for Texas A&M SXSW alerts and updates

Planning on attending SXSW in March? Sign up to receive programming and scheduling updates, and more detailed descriptions on panels and exhibits.

Funding for Texas A&M at SXSW was made possible through brand licensing revenues, without the use of tuition dollars.

This story is posted on Texas A&M Today.

Jimmy Wong – Actor + Musician

James “Jimmy” Wong, is an American actor and musician best known for his 2011 music video, “Ching Chong: Asians in the Library Song” and for his role as Ted in the web series Video Game High School. His newest project with Disney XD, Polaris Primetime will debut July 2017.

 

Wong garnered national news coverage in March 2011, when he uploaded his music video, “Ching Chong: Asians in the Library Song” to YouTube. He created the video as a response to a UCLA student’s vlog rant against Asian students using mobile phones in the UCLA library, one which MSNBC qualified as “offensive.” NPR suggested that Wong’s video response was one that “effectively turned the tables on the original rant,” offering an alternative method of defense against cyberbullying. Wong later said in an MSNBC interview that while he was initially frustrated by the video rant, he realized that humor offered a better response, as he hoped to “put a positive spin on all of it.” The video has seen a resurgence due to the current political climate. Wong is very passionate about social issues and politics and is something that drives him to create every day. He aims to create justice for all and especially for representation in Hollywood as an Asian American.

 

Prior to releasing the video, Wong began spearheading the YouTube world, collaborating with other largescale YouTubers, including the very successful Joey Graceffa. This period proved to be invaluable. At the end of 2010, the web series Feast of Fiction was born, a cooking show dedicated to making food from movies, TV shows, cartoons, video games, and other fictional properties. The show kicked off strongly with the first video passing the 100,000-subscriber mark almost immediately. Due to it’s success, media company Tastemade partnered with the successful web series which allowed for guests like Grace Helbig, Hannah Hart, Anthony Padilla from Smosh, and Rosanna Pansino from Nerdy Nummies.

 

In 2016 Wong was asked to host the pilot for a gaming show, Polaris Primetime, on Disney XD. Disney XD is creating a new channel  block, similar to Adult Swim or Teen Nick, called Disney XP that will air this show and others like it exclusively daily from 9PM to 3AM. Polaris Primetime is a gaming variety show with guests from all across the YouTube and TV world. Special guests that have already been on the show include Nolan Gould (Modern Family) and Marcus Scribner (Blackish).

 Twitter.com/jfwong