Posts tagged with "religion"

BEYOND THE CAPE!

April 16 through October 6

Why call this new museum show Beyond the Cape? Compared to so many other exhibitions around the world about comic books, this original and unconventional take soars beyond just superheroes.

Beyond the Cape! Comics and Contemporary Art shows how some of the most currently sought-after contemporary artists are influenced by graphic novels and comic books.

The artworks in this pioneering show making its world premiere at the Boca Raton Museum of Art take viewers on a deeper dive into adult realms, tackling some of today’s thorniest issues: politics, divisiveness, immigration, racial prejudice, planetary climate armageddon, feminism, LGBTQ rights, religion, gender, and more.

Grouped together for the first time in this new way, the exhibition at the Boca Raton Museum of Art features prominent artworld superstars, including:

Kumasi J. Barnett, George Condo, Renee Cox, Liz Craft, Kota Ezawa, Chitra Ganesh, Mark Thomas Gibson, Trenton Doyle Hancock, Christian Marclay, Kerry James Marshall, Takahasi Murakami, Elizabeth Murray, Yoshitomo Nara, Joyce Pensato, Raymond Pettibon, Peter Saul, Kenny Scharf, William T. Wiley, David Wojnarowicz, and Michael Zansky.

Some of the most acclaimed underground comic book artists are also front-and-center, including: R. Crumb, Aline Kominsky-Crumb, and Mimi Pond.

Also featured in the exhibition are artists from The Hairy Who: Gladys Nilsson, Jim Nutt, and Karl Wirsum.

The show features more than 80 works by 40 artists: paintings, video, photography, sculpture, prints, drawings, and tapestries.

Rare comics will also be shown, plus contemporary animation and rarely seen historic cartoons from the early 1900s on vintage TVs.

This exhibition is curated by Kathleen Goncharov, Senior Curator at the museum. She recruited as her ‘muse’ for this exhibition Calvin Reid, the Senior News Editor at Publishers Weekly and a leading expert in the field of comics.

Reid was one of the first critics to recognize comics as a literary form for adults, and selected the comic books and graphic novels in the reading room where the public can comfortably lounge and enjoy reading (many from Reid’s own private library).

“Beyond the Cape delves into the world of comics and graphic novels and their influence on contemporary artists. Their work defies commonalities, but come together to present a boldly visual, eye-opening mirror of our contemporary world and present issues,” said Irvin Lippman, the executive director of Boca Raton Museum of Art.

Some of the surprising twists and turns visitors can see at Beyond the Cape!

Elizabeth Murray began working with comic imagery in the 1970s, when minimalism dominated the art scene. Her personal, colorful work proved that painting was still relevant and ripe for innovation, and set the stage for a return to figurative work in the 1980s. As a child she drew from newspaper comic strips, and even sent a sketchbook to Walt Disney.

Kerry James Marshall’s work is currently at the very top of the art market. Known for his flat, colorful paintings of contemporary Black America, for the past 20 years he has been working on his comic series Rythm Mastr (set in the Black community where his Chicago studio is located).

The genesis of Rythm Mastr began with the demolition of public housing and the spike of violence in Chicago in the 1990s. He grew up in the Watts area of South-Central Los Angeles, and the Civil Rights and Black Power movements impacted this artist’s work.

Most assume comics are primarily intended for children, usually featuring super heroes as evidenced by today’s popular films – but this exhibition is decidedly for adults.

The only references to superheroes in this show are by Renee Cox (whose Jamaican anti-racist avenger Raje does not wear a cape), and Luca Buvoli’s animation Not-a-Superhero.

Art that is flat, graphic and colorful (like the art in graphic novels and comics), is taking center stage in the Instagram age. Artists, galleries and collectors are turning to social media as the place to promote their art and find art to purchase.

Looking beyond the 1960s Pop Art movement led by big name New York artists, this show features the “other” art movements from the 60s and 70s such as Bay Area Funk Art and the Chicago Imagists (who called themselves Hairy Who).

These artists rebelled against the formalist New York style, and during their youth, they were belittled as ‘provincial regionalists’ by the New York-centric art world of the time.

The Chicago artists in Hairy Who (Jim Nutt, Gladys Nilsson, and Karl Wirsum) have greatly influenced younger artists of today.

A nod to Japanese Manga comics and graphic novels features two major artists: Takashi Murakami and Yositomo Nara.

Almost all of the artists in this exhibition are living artists, except for three: Elizabeth Murray, H.C. Westermann and David Wojnarowicz.

Two works by the Indian-American artist Chitra Ganesh. One is titled City Inside Her, (2014), and another is Manuscript, (2018),

a giant 3-D hand with projected henna designs used by women in India and the Middle East

Chitra Ganesh is an Indian-American artist who combines the iconography of Hinduism, Buddhists and South Asia pictorial traditions with the contemporary popular visual language of comics, illustration and science fiction.

Her work will include a giant 3-D hand with projected henna designs used by women in India and the Middle East. She will also show a series of work loosely based on the comic book series Amar Chitra Katha (Immortal Illustrated Stories).

Ganesh’s original comic book premiered in India in 1967 and was intended to teach children traditional historical and religious stories. Unfortunately, the original series reinforced the caste system with its attendant issues of race and gender. In her work, Ganesh flips the script by highlighting alternative feminist narratives.

California artist Peter Saul, 85, was not taken seriously outside of California until relatively recently. Today his work is in great demand and is a major influence on young artists. Similar to comics, his work is irreverent, idiosyncratic, colorful and political.

Koto Ezawa’s comics-inspired animation tells the story of the Isabella Stewart Gardner museum art heist.

Michael Zansky, the son of Louis Zansky who drew the early “Classic Comics” in the 1940s, is a painter and multi-media artist whose monumental large cut, burnt and carved wood panels feature mysterious hybrid creatures inspired by comics, ancient art and works from the Western art canon.

Another family connection is Jody Culkin who is a descendant of Harriet Hosmer, a prominent neo-sculptor who lived in Rome in the 19th century. Hosmer was a scholar, an inventor, writer and feminist. She wrote a play set in London and in the then-future (1977) in which mummies come to life in the British Museum. Featured in this exhibition is the rarely seen animated comic Culkin made about this play.

Kumasi Barnett uses actual comic books in his work to create new characters such as The Amazing Black-Man. His nine works featured in this show will be encased in plastic, the way rare comics are sold.

Moreover, there’s an emerging artist community within Mississauga, Ontario. Hopefully, these types of installations and many more will come with the assistance of Precondo.

THE IKEA READING ROOM

An extensive reading room designed by IKEA features hundreds of graphic novels and comics for the public to comfortably peruse in a relaxed setting.

Selected by Calvin Reid, Senior News Editor at Publishers Weekly, the 200+ comic books and graphic novels include many from his own personal library.

The public can enjoy reading works by Lynda Barry, Allison Bechdel, Roz Chast, R. Crumb, Aline-Kominsky Crumb, Mimi Pond, Trina Robbins, Art Spiegelman, George Takei and Ronald Wimberly, and many others.

Reid began writing in the 1980s, about the same time Art Spiegelman and R. Crumb, alumni of the underground RAW comics, emerged as serious figures in the comic world. Spiegelman’s MAUS is probably the first graphic novel to reach a wide audience.

A goal in providing the reading room is to inspire fans of graphic novels who may not be prone to visit a museum to take the leap, walk into a museum and experience works of art in person. Rare comics and a series of contemporary and historic animation works will also be on view.

Support for this exhibition is generously provided by the Museum’s Leadership Fund, with major funding from: Estate of Ardele L. Garrod, Isadore & Kelly Friedman Foundation, PNC Bank, Jody H. & Martin Grass, Anne & Scott P. Schlesinger, Jennifer & Marc Bell, Dalia & Duane Stiller, Susan & Eric Kane and Laurence W. Levine Foundation, Angela & John DesPrez III, El Ad National Properties and Alina Properties, Joy & Richard Blakeman and Lisette Model Foundation, Karen Mashkin, Patricia Savides, Schmidt Family Foundation, the Museum’s Friends Auxiliary, and those who wish to remain anonymous.

In-kind corporate support for the exhibition is generously provided by IKEA.

— Jellyfish Eyes, by Takashi Murakami, (2003), collection of Beth Rudin DeWoody

SARAH MAPLE × “THOUGHTS AND PRAYERS”

SARAH MAPLE, “THOUGHTS AND PRAYERS” 

A Solo Exhibition Curated by Indira Cesarine

OPENING RECEPTION January 22 // 6pm-9pm 

EXHIBITION ON VIEW January 22 – February 3, 2019

THE UNTITLED SPACE 

45 Lispenard Street Unit 1W 

NYC 10013 

The Untitled Space gallery is pleased to present “Thoughts and Prayers” a solo exhibition of works by artist Sarah Maple, curated by gallery director Indira Cesarine, opening January 22, 2019, and on view through February 3, 2019. Sarah Maple is an award-winning visual artist known for her bold, brave, mischievous and occasionally controversial artworks that challenge notions of identity, religion and the status quo. Hailing from Britain, this will be the first solo exhibition of the artist in the United States. Much of Maple’s inspiration originates from being raised Muslim, with parents of mixed religious and cultural backgrounds. “Thoughts and Prayers” will feature many new works, as well as a selection of some of her most notable past works, exploring a wide variety of media including performance, painting, photography, sculpture, collage, installation, and video. Maple’s pro-feminist artwork provokes a dialogue with her sharp humor and satirical eye. She fearlessly addresses what it means to be a Muslim in the Western world. Her taboo-breaking artwork fights against censorship as she investigates themes of politics, violence, freedom, feminism, and the ironies of pop culture. She often employs self-portraiture as a vehicle for her narrative, or engages guerrilla-style performance as a means to convey her message. 

“Using her own image, and drawing on her experience as a Muslim woman, Sarah tackles society’s many taboos, elevating those previously oppressed, and giving voice to those long since silenced.”   i-D Vice 

“Maple has made a name for herself over the years for pushing the boundaries of femininity, and for publicly discussing the convergence of her dual-Muslim heritage with feminism. Rather than crumble, Maple has an impressive resolve in the face of cyber adversity: she tries to laugh instead of cry… Maple hopes to examine where freedom of speech ends and abuse begins.” – Dazed Digital

“Maple could well be the only artist to take on the Kardashians (with her ‘Keeping Up With The Kapulets’ show), stereotypes around Islam (with her ‘I Love Orgasms’ acrylic), and the taboos around menstruation (with her ‘Menstruate With Pride’ triptych). She has received a flurry of glowing reviews – and even more death threats.” – Good Trouble 

“I think we need to be challenged, we need to hear challenging, radical, provocative things, even if we don’t agree with them, as it’s those things that make us react and make us want to bring about change…” Sarah Maple for TEDx

Sarah Maple graduated with BA in Fine Art from Kingston University London in 2007 and in the same year won The Saatchi Gallery’s “4 New Sensations” award for emerging artists. Maple’s artwork, film, and performances have been exhibited internationally at galleries and institutions including Tate Britain, The Barbican, AIR Gallery, and The New Art Exchange, among many others. Maple’s work has been the subject of documentaries including for ARTE and VPRO. In 2015 she released her first book “You Could Have Done This,” a hardback of selected works. The same year she was awarded a Sky Academy Arts scholarship from Sky Arts, which included funding, mentoring and a Sky Arts documentary. In 2017 she gave a TEDx talk in Birmingham, UK on the importance of free speech, titled “The Freedom To Be Challenged.” 

Her work has been featured in numerous international publications, including Vogue, The Guardian, i-D Magazine, The Sunday Times UK, The Independent, People Magazine, Dazed, and the Huffington Post among many others. In 2018 she was invited to make a limited edition cover for Harper’s Bazaar’s art issue alongside artists including Yayoi Kusama, Barbara Kruger, and Linder Sterling. Her artwork is in collections including Soho House, The Hyman Collection and the Ned. Sarah lives and works in Sussex, England. 

ARTIST STATEMENT

“My work is largely motivated by my upbringing as well as my interest in activism and gender politics. Citing current affairs I create works that provoke the viewer through satirical, tongue-in-cheek commentary. My mother is a Muslim from Kenya, who married my British father in the 1970s. She raised me as a Muslim in the UK and sent my siblings and I to a Catholic school. Much of my work examines the duality of my multicultural upbringing and the conflict of identity among young Muslims living in the western world. I began to explore these themes after reflecting on Muslim identity in Britain post 9/11and7/7 and the impact of the Iraq war. Motivated by the current political climate and being from an immigrant background, these subjects are close to my heart as I question notions of identity, belonging, and “otherness” in my works.  

I see many parallels between the UK and the US, especially with Brexit and the Trump election. The gun debate is something especially intriguing to the British. The threat of terror is continually focused on and yet nothing is done about gun laws. When officials offer up “Thoughts And Prayers,” it appears hollow and insincere. I am interested in how a lack of action directly and/or indirectly inflicts suffering and potential violence on its citizens. 

Also inspired by feminism and gender politics, my work aims to challenge deep-seated ideas about what it means to be a woman. I am interested in the role shame plays in women’s lives – how we take up space in the world, our physical appearance, bodily functions and “blame culture.” I explore the ways we can change the visual narrative for women as a form of empowerment. The medium I choose is determined by the strongest way to deliver my message; hence it is constantly evolving across a wide variety of media. Self-portraiture, for example, offers the possibility of taking ownership of our image. When we photograph ourselves, we have complete control over how we want our selves, our gender, our femininity, and our sexuality to be perceived by others. Humor is also an important element in my work. I often use a “Trojan horse” to get my message across and sometimes I just like to point out the obvious as this can be the most direct way to highlight how ridiculous something is. I used to accept a lot at face value but when I discovered feminism it motivated me not only to question the role of women, but also the preconceived ideas relating to all things in society.” – Artist Sarah Maple 

ABOUT THE UNTITLED SPACE:

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2014 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of “Women in Art” as well as special events aligned with our creative vision. 

Exhibition Contacts:

The Untitled Space info@untitled-space.com 

Website link: http://untitled-space.com/sarah-maple-thoughts-and-prayers/

The Untitled Space

PACIFIC DELIGHT TOURS × JEWS × INDIA

JEWS ARRIVED IN INDIA PRIOR TO THE CHANUKAH STORY: EXPLORE INDIA THROUGH JEWISH EYESTM WITH PACIFIC DELIGHT TOURS

Pacific Delight Tours continues its kosher “Jewish eyes” tours in conjunction with the Foundation for Remote Jewish Communities featuring its annual INDIA: My Second Home program, Jan. 16-29, 2019.

Few people know that the pepper found on your kitchen table comes from a pepper exchange in Southern India located in a place called Jewtown. While this label might be deemed offensive in modern Western society, to a 2,000-year-old Jewish community in India, the name Jewtown is a source of pride that honors the long history of Jews in India and the great contributions Jews have made to Indian society.

Tour participants will learn how this isolated Diaspora community has evolved in its own unique way. For example, Jews in India celebrate every Jewish holiday except Chanukah because their society pre-dates Chanukah. This and many more fascinating, little known stories of the Jewish experience in India will be discussed by Prof. Nathan Katz, one of the world’s foremost scholars on Jews in India.

Participants will have opportunities to meet and interact with India’s diverse Jewish communities in Kochi, Kolkata, Mumbai and

New Delhi and join Shabbat at the Judah Hyam synagogue in New Delhi as well as at Kenesseth Eliyahoo, also known as the Fort Synagogue, in Mumbai (pictured right), which dates back to 1884. Other historic synagogues include Kolkata’s 19th century Italian Renaissance-style Magen David synagogue and the historic Paradesi synagogue in Jewtown, constructed during the Mughal era in the 16th century.

The program visits the “must-see” sights of India such as the iconic Taj Mahal and Elephanta Caves, cruises Kerala’s scenic backwaters, peddles through Old Delhi and other UNESCO World Heritage sites via rickshaw, and features a private recital featuring traditional Indian music and dance.

India is known for its antiquity and spirituality, its cultural export dubbed “Bollywood”, and its contrast of bustling cities and pristine nature-a fascinating kaleidoscope that is the world’s largest democracy. “What is typically not known is India’s long history as one of the most hospitable homes in the Diaspora, without a trace of anti-Semitism,” said Prof. Katz.

“A Jew, Sarmad Kashani, was the most celebrated patron saint of 17th century Indian poetry. So too, Jews have been among India’s great mystics, taken center stage in Bollywood, served as mayor of major cities, and produced the country’s greatest military hero, General J. F. R. ‘Jack’ Jacob,” explained Prof. Katz.

India My 2nd Home features deluxe hotels such as Mumbai’s five-star Taj Mahal Tower overlooking the Arabian Sea. Other accommodations include the Taj Vivanta Malabar in Kochi, the Oberoi Grand in Kolkata, Taj Mahal Hotel in New Delhi and ITC Mughal Hotel in Agra.

The fully-escorted tour cost is $7,195 per person, based on double occupancy, and includes deluxe accommodations, all intra-India flights and transportation, the services of an English-speaking escort and local guides including acclaimed scholar Prof. Nathan Katz, most meals (kosher or strictly vegetarian) including memorable lunches and dinners with the Jewish communities in India, fascinating sightseeing and excursions, and exclusive cultural events not open to the general public. All gratuities to guides, drivers and hotel staff, as well as hotel taxes and service charges, are included in the package. International airfare, as well as passport and visa fees, are not included.

The tour cost includes a tax-deductible donation of $900 per person to FRJC, a 501(c)3 not-for-profit educational charity that is devoted to preserving and promoting the endangered Jewish communities on the periphery of the Diaspora, including India. Since its inception in 2003, FRJC has distributed more than $1.1 million for Jewish libraries, scholarships, and even sustainable farming projects. Learn more at www.frjc.org

Consult your travel agent or contact Pacific Delight at (800) 221-7179 or visit www.PacificDelightTours.com for more information.

About Prof. Nathan Katz

Prof. Nathan Katz is distinguished Professor, Emeritus, Florida International University where he was director of Jewish Studies and founding director of the Program in the Study of Spirituality. He has written 15 books, including The Last Jews of Cochin and Who Are the Jews of India? A Fulbright scholar who has spent more than eight years in South Asia, Prof. Katz was delegate to the ground-breaking 1990 Tibetan-Jewish dialogue, hosted by the Dalai Lama, which was chronicled in the bestselling book, The Jew in the Lotus.

About Pacific Delight Tours

For 47 years, Pacific Delight Tours has been one of America’s leading tour operators to China and Asia. Among numerous industry awards, Pacific Delight is the proud recipient of theTravelAge West WAVE Award from 2008-2016, the 2009 Travel Weekly Readers’ Choice Award, and the Travvy Award from travAlliancemedia for Best Vacation Packager, Asia for 2016 and 2017. The company is also a proud member of the United States Tour Operators Association (USTOA) and its industry-leading $1 Million Bond.

Pacific Delight is dedicated to providing unparalleled vacation experiences for discerning travelers. Its long-standing reputation within the travel agent community is a testament to its unrivaled quality assurance, extensive expertise and customer service.

Ebenezer Returns

Today marks the release of Ebenezer’s new track “53 Sundays”. Listen HERE. The song is a statement in itself, showcasing not only Ebenezer’s musical talent but also his lyrical, storytelling abilities. He’s not afraid of sharing his views and reflecting on the reality of the world he grew up in.Ebenezer’s distinctive sound shines through the track – despite hailing from London it’s uniquely universal, taking listeners on a poignant journey.

Sometimes we must acknowledge that in order to do something good we might have to do something bad. Religion wasn’t going to put food on the table and money in the pockets of those I cared about, so I had to get it by an ‘any means necessary’ attitude. So excuse me if I miss the corruption that goes on in the churches – I’ve got some hustling to do,” says Ebenezer.

“53 Sundays” follows Ebenezer’s recent single “When I Call Em” featuring A Boogie Wit Da Hoodie. Listen HERE. Ebenezer has been steadily making a name for himself, working with artists such as ADP, B Young, Stefflon Don, Jeremih, Ty Dolla $ign andCraig David. In 2017, he ushered in new fans through a string of releases: F**K IT”,Survival” and “Cliché”. He followed up in February 2018 with the release of his debut EP Bad Romantic. The record put Ebenezeragainst himself, uncovering both his romantic and savage” tendencies and proving that his creative artistry is as intense as his delivery. Ebenezer’s forthcoming project is due out this summer.

Ebenezer “53 Sundays” eSingle

Retail: http://smarturl.it/53Sundays

Follow Ebenezer

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6 Facts about Haji Ali Dargah You Didn’t Know

Haji Ali Dargah covers about 500 yards of the Arabian Sea. Mumbai city is well versed with this place and the royal structure holds immense importance in the lives of each individual. If you belong to a city of temples like Mangalore, you’d surely want to visit this famous dargah in Mumbai.

Here are some interesting facts and the history surrounding this admirable place.

  • It is named after the wealthy saint Pir Haji Ali Shah Bukhari, the greatest Muslim Saint. To make a pilgrimage to Mecca, he gave all of his fortune and possessions for noble deeds. During his journey to Mecca, he died, and the body in the coffin came back floating to Mumbai. The shrine was built at the same spot. In the year 1431, the mosque was built in his loving memory. The Dargah is about than 587 years old. Due to the impact of visitors and the saline winds, the structure is constantly eroding. Renovations were carried out in the years 1960 and 1964. After which, the upgrade was again started in the year 2008.
  • The tomb is based on the Indo Islamic architecture. It is situated 5oo metres from the coast and is built on a tiny islet. It is located in the vicinity of Worli, at the centre of the Worli Bay.
  • Almost 8000 visitors come to pay respects every day, and the most interesting fact is that not everyone who comes here is a Muslim. The causeway to the Dargah is not bound by any kind of railings. So the access to the spot majorly depends on the tides. During high tides, the causeway gets completely submerged in water making it inaccessible from the city.
  • On 26th July 1949, a storm hit the Mumbai city causing a great amount of destruction, but Haji Ali Dargah stood unharmed. Every building of the city suffered harm and loads of damage. Waves kept crashing the shore, and the people inside the dargah were scared that they would drown. But with the blessings of the saint, the waves bowed the walls without harming a single person in the dargah, and people returned back to their homes without any damage.
  • There is a story called the Pothole Story, which revolves around a miracle which happens every year. During the monsoon time, the city is all covered with potholes and rough roads. But the path of the mosque has never seen any damage for people to reach and pay tribute.
  • A feminist movement called ‘Haji Ali for all’ was launched by Bharatiya Muslim Mahila Andolan and Bhumata Brigade. The movement aimed to secure equal rights to pray. With the persistent efforts of the people, Supreme Court on 26th August ruled that women could enter the sanctum sanctorum.
  • There is lesser known tale surrounding the almighty’s dargah. Once the saint saw a poor woman holding a vessel and crying. She was crying because she had accidentally spilt the oil and was scared that the husband would beat her. To this, Haji Ali asked her to take him to that spot where she had spilt the oil. Upon reaching there, the oil came oozing out from the soil as soon as he jabbed a finger into the soil. The woman was overjoyed and filled her vessel. Later, Haji Ali Shah had a disturbing dream that he injured the Mother Earth. Soon after this, he got ill and asked his followers to put the coffin into the Arabian Sea. Miraculously, his casket just got stuck offshore of Worli where the Dargah was constructed. Haji Ali Dargah is one of the most visited mosques in Mumbai, and the history attached to the place is significant. So it’s your chance to see for real the purity of the place.

MILEY CYRUS × EASTER

Forget the Painted Eggs: This Is How Miley Cyrus Does Easter

You can always count on Miley Cyrus to do things her way—even when it comes to Easter. While the rest of us will be busy breaking out the Paas egg kits or stockpiling Cadbury chocolates, the pop star has something glitzier planned. “[I’m] going to a drag show . . . duh!” Cyrus told us via e-mail from Los Angeles. But enjoying a drag revue isn’t the only thing Cyrus has in store for the weekend. By celebrating the event with a special series of images by photographer Vijat Mohindra, she is continuing a tradition begun earlier this year in which every holiday is marked by a new photographic statement, a kind of social media calendar. “It started with Valentine’s Day on a shoot with Ellen von Unwerth, went into St. Paddy’s Day partying with some friends, and now it’s Easter,” said Cyrus. “I’m excited that Vogue wants to get involved and celebrate with me!”

With shots of Cyrus posing in pastels, holding glittery carrots, and, yes, getting spanked by the Easter Bunny, the end result is a tongue-in-cheek exploration of a holiday that can skew formal. Playful with a pinup vibe and dreamy colors, the shoot aligns perfectly with Cyrus’s personal look. That makes sense considering she styled it herself with help from designer Bradley Kenneth McPeek, whose innovative eyewear features within. For Cyrus, who has undergone multiple fashion evolutions during her time in the spotlight, sartorial experimentation comes with the territory. “If everything is cute . . . it works together, so pile it on and wear all your favorites at once! No such thang as too much!” she said. With the Met Gala on her schedule, there’s a chance that she’ll apply that same philosophy to her ensemble, but for the moment, Cyrus is most excited about attending the event with Stella McCartney, a designer whose commitment to animal welfare matches her own. “I am vegan and I live a vegan lifestyle. I am animal-product free and honored to represent a sustainable brand,” she proclaimed.

Though the carefree calendar is almost certain to delight fans, whimsical photo shoots only represent one side of what Cyrus has been up to lately. She was among the performers on hand in Washington, D.C., for the student-led anti-gun demonstration March for Our Lives, where she delivered a stirring performance of “The Climb.” “I was so inspired by the youth of [Marjory Stoneman Douglas High School] and proud to be a part of such an incredible moment/movement,” said Cyrus, who considers the day one she’ll never forget. “It was amazing to watch these young people speak and perform. Hopefully, we will begin to see the change and watch these incredible students have an enormous impact on the government and gun laws.” Cyrus said she will continue to support the causes she believes in, including through her nonprofit, the Happy Hippie Foundation. “I’ve got a microphone,” she said, “and I’m not afraid to use it!”

Credits: Vogue Magazine — Janelle Okwodu