Posts tagged with "radio"

Manuel Turizo Hits #1 With Single “Sola”

Manuel Turizo leads with his hit “Sola” the radio billboard of the United States

Watch the new music video here!

Manuel Turizo, celebrates his first # 1 on radio stations in the United States, thanks to his extraordinary single “Sola,” which was produced by Sky under the La Industria Inc. label.

The latest Billboard report certifies that Colombian phenomena, as well as a new sensation of the urban genre, have just been crowned for the first time alone in the # 1 position of radio stations in the United States; a feat that previously had already achieved thanks to the theme “Crazy Pod” with Ozuna still hovering around the top positions in the world.

Officially, Manuel Turizo stands out as # 1 on the charts: Latin Airplay Chart and Latin Rhythm Airplay Chart, thanks to the incredible reception that the single “Sola” has had.

Without a doubt, the teamwork and the tireless effort has paid off in the artistic career of the Colombians. Not only have they gained the affection of more than 5 million followers, but they have been creditors of a respected place in the current music scene.

“It’s amazing everything that we have done in a short time, we deeply appreciate those who ask for our songs on the radio, we’ll soon come with much more, because we are working very hard and this is just the beginning of everything we want to achieve.” Manuel Turizo affirms.

Additionally, Manuel and Julián Turizo celebrate their nomination as Best New Artist at the iHeart Music Awards and they are also preparing their first musical album, which will be available soon under the Sony Music label.

Follow him here

Instagram

Twitter

DJ Megan Ryte Releases New Single

DJ MEGAN RYTE RELEASES NEW SINGLE “UNSURE”

FT. Joey Bada$$, Yung Bleu & Arin Ray

Stepping into the New Year with a bang, DJ Megan Ryte drops her latest single “Unsure” ft. Joey Bada$$, Yung Bleu, and Arin Ray. Available now through all digital retailers, “Unsure” is the Hot 97 DJ’s second release for Rule#1/Interscope Records.

Listen to “Unsure” by DJ Megan Ryte ft. Joey Bada$$, Yung Bleu, and Arin Ray HERE


“Unsure” arrives as the follow-up to Megan’s debut single “On & On” ft. Tory Lanez and HoodCelebrityy. With its warm R&B vibes, dreamy texture, and heavy-hearted lyrics, “Unsure” again reveals Megan’s rare gift for assembling supreme talent — in this case, the bold intensity of Joey Bada$$, raw emotion of Yung Bleu, and soulful sensitivity of Arin Ray.

About DJ Megan Ryte

As a young woman in the music industry, Megan’s hustle, determination, and skill have been key to her steady rise from DJ to breakout star. Although she’s dealt with her fair share of adversity, those challenges have not only added to her story, but taught her the necessary lessons to achieve success. Prior to making her radio debut, Megan began building her name as a club DJ in Virginia while she was still a teenager.  Knowing she had to leave her hometown to chase her big dreams, she traveled the world as a tour DJ, then moved around the country doing radio and gaining fans in a number of major cities, including Houston, Miami, DC, Philly, and — currently – NYC’s Hot 97. Through the years, Megan has continued to expand her media brand by emerging as a TV host, writer, and now artist. You can catch the Heavy Hitter DJ on Hot 97 weekdays from 10 a.m. to 3 p.m.  

For more information on DJ Megan Ryte, visit:

Instagram

Twitter

Facebook

Women In Media

Women’s Media Center Releases 2019 Status of Women in U.S. Media Report:

Men dominate news, entertainment and digital media

94 studies — including new research from WMC — detail the shape and scope of women’s participation in media

Click here to read the full report.

The Women’s Media Center (WMC) today released its 2019 report on the status of women in U.S. media, which shows that despite some gains, men still dominate in every part of news, entertainment and digital media.

“The Status of Women in the U.S. Media 2019” is comprised of 94 studies, including original research by WMC and aggregated research from academia, industry and professional groups, labor unions, media watchdogs, newsrooms and other sources.

Julie Burton, president of the Women’s Media Center, said the data in the report paints a stark picture. “The media is in a state of great disruption, but despite all of the change, one thing remains the same: the role of women is significantly smaller than that of men in every part of news, entertainment and digital media. It is clear that a cultural, systemic shift is necessary if all parts of the U.S media are to achieve gender and racial parity and move toward a world where stories fully represent the voices and perspectives of diverse women,” she said. “Research spotlighted in this report shows that diversity boosts corporate profits. When boardrooms, newsrooms, studios and tech companies fully reflect the faces, genders and myriad talents of our society, we’re all exceedingly better served.”

The report includes several original WMC studies, including “Divided 2019: The Media Gender Gap,” an assessment of where women stand as media writers, reporters, correspondents and anchors in the major news media platforms, including the prime-time broadcast news programs, print publications, wire services and online news sites. Across all media platforms, men receive 63 percent of bylines and credits; women receive only 37 percent.

“Women have been fighting for greater parity and equality in the news media for decades,” said Maya Harris, co-chair, Women’s Media Center. “This report shows that more work needs to be done to level the playing field. Women and our male allies will not rest until we see wholesale change.”

“When we watch the evening news, we’re not seeing an America that truly reflects all voices,” said Pat Mitchell, co-chair, Women’s Media Center. “Too often, the voices we hear and the images we see are men’s. Men largely are reporting and telling the story even though women represent more than half the U.S. population.”

The report is inclusive and also features WMC’s “The Status of Women of Color in the U.S. News Media 2018,” which offers a rare look at where women journalists of color are — and aren’t — in legacy print, radio, TV, and digital news.

“Missing women of color in the newsrooms of this country is an injustice in itself, and an injustice to every American reader and viewer who is deprived of great stories and a full range of facts,” said Gloria Steinem, WMC co-founder. “Inclusiveness in the newsroom means inclusiveness in the news. Racism and sexism put blinders on everyone.”

In an expanded section on tech, social media, gaming and engineering, “Status 2019” also spotlights the growing threat online to women in media and the perils of failing to protect free and safe speech.

“As part of their day-to-day work, women journalists often face a torrent of harassment, denigration, and threats. The point of this hostility is to silence women, most frequently women of color,” said Soraya Chemaly, director of WMC’s Speech Project. “The onus continues to fall on women’s shoulders as individuals.  Media companies have to develop institutional responses to these threats if they are serious about building inclusive organizations.”

Here are the Status report highlights in traditional print and online-only, radio and television, news consumption, entertainment media and technology, social media, gaming and engineering:

In news media: print and online-only:

  • The American Society of News Editors’ latest tally found that women comprised 41.7 percent and people of color 22.6 percent of the overall workforce in those responding newsrooms.
  • Sports desks at 75 of the nation’s newspapers and online news sites earned a “B+” for racial diversity, a “D+” for gender and racial diversity, combined, and a sixth consecutive “F” for lack of gender equity. (Associated Press Sports Editors)
  • Editors of the nation’s 135 most widely distributed newspapers are overwhelmingly male and White. (Columbia Journalism Review)
  • 69 percent of news wire bylines (AP and Reuters) are snagged by men, 31 percent by women; 63 percent of TV prime-time news broadcasts feature male anchors and correspondents; 37 percent feature women; 60 percent of online news is written by men, 40 percent by women; 59 percent of print news is written by men, 41 percent by women. (Women’s Media Center)

In news media: radio and television:

  • A record number of women are employed in TV news, including as news directors, but fewer women and people of color work in radio news. (Radio Television Digital News Association)
  • Women owned 7.4 percent of the nation’s commercial TV stations. (Federal Communications Commission)

In entertainment media: film, TV & online streaming:

  • Over 12 years, through 2018, men accounted for 93.4 percent, or, 654, of the 704 individual directors of the highest-grossing films. Women accounted for 6.6 percent, or, 46 of those 704. (University of Southern California’s Annenberg Inclusion Initiative)
  • The number of women working on-screen in television and online streaming entertainment shows declined 2 percentage points from 2016-17 to 2017-18, when 40 percent of all speaking characters were female and 60 percent were men. (San Diego State University’s Center for the Study of Women in Television & Film)
  • The share of women among nominees in the Oscars’ 19 non-acting categories rose slightly from 23 percent to 25 percent from 2018 to 2019, but women were shut out of nominations for cinematography, directing, editing, original score and visual effects. (Women’s Media Center)
  • The proportion of lesbian, gay, bisexual, transgender and/or queer regular (LGBTQ) characters cast during the 2018-19 broadcast TV season — 8.8 percent of 857 regular characters — was the highest tallied in 14 years. (Gay & Lesbian Alliance Against Defamation)

In tech, social media, gaming, engineering:

  • 45 percent of U.S. gamers were female, reflecting continued, year-over-year increases in female gamers. (Entertainment Software Association)
  • Over a decade, there was no significant rise in the number of female tech workers and Black tech workers. (U.S. Government Accountability Office)
  • 53 percent of women and 16 percent of men said they had been harassed at work. (Women Who Tech)

Click here to read the full report.

About The Women’s Media Center

The Women’s Media Center, founded by Jane Fonda, Robin Morgan, and Gloria Steinem, is an inclusive and feminist organization that works to make women visible and powerful in the media. We do so by promoting women as decision-makers and as subjects in media; training women to be effective in media; researching and exposing sexism and racism in media; and creating original online and on-air journalism.

RAJA KUMARI

Indian-American rapper, singer, songwriter and dancer Raja Kumari is a force of nature. She’s a fearless, charismatic personality and natural-born storyteller whose mission is to create art that blends her Indian roots with her American upbringing. Her music is a sonic bridge between East and West that fuses the rhythms she absorbed as a trained classical Indian dancer with her love for hip-hop. Through singles “Mute,” “City Slums” (featuring Mumbai rapper Divine), “Believe In You,” and her latest “I Did It,”as well as her debut EP, The Come Up (the cover features an image of Kumari with her head draped in both a gold tikka and an American flag), Kumari announces that this is the new face of America. “I want my fans to feel one hundred percent seen and to have a safe space to be themselves,” she says. “Because those were the onlydesires I had as a child.”

Born Svetha Rao in Claremont, Calif., to Indian parents who emigrated to the U.S. in the ’70s, Kumari was 13 when she had a vision that she calls “a memory of the future.” “I was in my room and I had this image of me standing on a stage,” she recalls. “I couldn’t see myself. I was looking out from my own eyes at a sea of 100,000 people and I could feel their energy. Suddenly I snapped out of it and said out loud, ‘How do I get there?’ My entire career has been about trying to answer that question, ‘How do I become that woman and how do I touch people?’ That became my life’s purpose.” Her answer is music and dance. “I feel like I’m a seed from the motherland that was sent across the world,” she says. “Culture is part of my identity because we, as Indian-Americans who grew up away from India, have to be the vessels of culture. We have to hold on because it’ll be lost within one generation. That’s why it so heavily influences my music and look. It’s not a gimmick to me. It’s an expression of a lifetime of trying to preserve it.”

Kumari set upon her artistic journey at age five when she began learning classical Indian dance, spending seven hours a day practicing with a dance guru who lived with her family for 10 years. Kumari studied several styles and, at age seven, made her debut in front of an audience that included Indian music legend Ravi Shankar, who declared her a child prodigy. By the time she was ten, Kumari was touring the U.S. and India, performing for massive audiences and raising substantial sums of money for charity, including enough to build a meditation hall and a new wing for a hospital in India.

Kumari listened to nothing but classical Indian music until she was nine, but then her older brother gave her a copy of The Fugees’ The Score, and her love for hip-hop was born. “That was the genesis of me as an artist,” she says. “Indian music is based on the mathematics of rhythm, so very quickly, as a little Indian kid who was not using her brain to be scientist, I used it to decipher the mathematics of hip-hop and realized that the rhythms of rap felt similar to the jathis and taals of Carnatic music. Hip-hop felt like a bridge.” Kumari also noted the large platforms that her favorite pop acts, like Britney Spears and *NSYNC, had to reach fans. “I was like, ‘How do I get my dance on that type of stage?’ And I realized that the only people who have stages like that are pop stars.”

At 14, Kumari recorded her first song professionally, started a hip-hop duo with a friend, and adopted her stage name, which means “princess” in Sanskrit. “That’s when I personified this strong, female goddess character called ‘Raja Kumari,’ the daughter of the king, and the king was God. So in my mind, I was the daughter of God.” She began writing her own songs as an act of rebellion. “I felt that everybody was expecting me to continue dancing and,like every other good Indian girl, marry a doctor,” saysKumari, whose father is a radiation oncologist. “I felt this path being set up for me and music became my way of doing something that was just for me.”

Kumari developed her writing skills and spent every day instudio sessions and attending songwriting camps all over the world. As she tried to crack the music industry code, she realized that the artists she looked up to started out as songwriters. “They had to prove they could sell millions of records, so that became my focus, too,” she says. “I put my artist project aside for two years to concentrate on learning.” As she found herself in in rooms with such heavyweights as Timbaland, Polow Da Don, Tricky Stewart, J.R. Rotem, and, at one point, Dr. Dre, Kumari soaked up everything she could about writing and vocal production. Her first placement came in 2012 when a song she co-wrote called “Change Your Life” wound up on Iggy Azalea’s Grammy-nominated album The New Classic. “Suddenly, I had credibility,” Kumari says.

Kumari signed with Pulse Recordings and went on to co-write hit songs for Fall Out Boy (the 4x-Platinum “Centuries,” which earned her a 2015 BMI Pop Award), Fifth Harmony, Twin Shadow, Knife Party, Dirty South, Lindsey Stirling, and Gwen Stefani (Kumari co-wrote six tracks on Stefani’s most recent album, This Is What The Truth Feels Like). Ironically, it was seeing Iggy Azalea wearing a gold kiritam in her “Bounce” video that fueledKumari’s determination to introduce authentic Indian culture to the masses. “To see my culture being put on as a costume — it woke me up,” she says. “I realized that if I didn’t do it, no one will.” Along the way, Kumari earned a degree in comparative religious studies at the University of California, Riverside.

In 2015, Kumari signed to Epic Records and released her debut single “Mute,” which addressed the challenges she faced when people in the industry advised her to tone down her ethnicity. (In the song’s opening line, she declares: “I had to put ‘em on mute / Thought that the curry was soup / I had to feed these fools / Had to go home and regroup.”)Kumari felt she had hit a roadblock in America and decided to decamp to Mumbai, where she was based for two years.

“I got there and everybody understood me,” says Kumari, who is also signed to Sony Music India. “I didn’t have to explain my bindi. I didn’t have to explain anything, really. People were so open to everything I was doing as an artist.I just wanted to prove that my music is worthy and that there are people who want to hear it. The validation from my people made me no longer crave validation from anyone else. When I walk into a room and someone tells me something can’t happen, I don’t even listen, because I already know what’s possible.”

Kumari wrote her latest single, “I Did It,” about that feeling. “It’s about me taking a leap,” she says. “It’s about how I didn’t do it the way everyone wanted, but I did it with integrity and that can’t be taken away from me. No one can tell me it won’t work, because it is working. I feel that the music is unstoppable now and that’s such a crazy feeling, because even today, my dad will say, ‘You know, you can just go back to medical school.’ They are still waiting for me to take the emergency exit. But I don’t feel like I’m allowed to quit because there are too many people, little girls like me, who didn’t see themselves represented in culture, who need it. I didn’t have anybody like me. I feel like I’m becoming the person I needed when I was growing up.

Ella Mai Releases New Video

Coming off of a stellar 2018, Ella Mai (10 Summers/Interscope Records) has continued her reign into the New Year. Having recently embarked on The Debut Tour in support of her self-titled album, the singer has now blessed fans with a brand-new video for “Shot Clock.” Directed by Colin Tilley, the visual showcases the starlet’s style and personality as she serves a lyrical ultimatum to her beau. Check out the video HERE.  

“Shot Clock” marks the third official single from her album, Ella Mai. The breakout 4X Platinum single, “Boo’d Up” has earned her nominations for Song of the Year and Best R&B Song at the 61st GRAMMY Awards which airs live on February 10th. She has been nominated under the category of British Breakthrough Act at next month’s The BRIT Awards and will have the chance to take home three iHeartRadio Music Awards this March. Ella Mai will also vie for Best Rnb, Hip-Hop & Grime and Rising Star at the 2019 Global Awards. The impressive vocalist has yielded much warranted success, entering 2019 atop numerous charts with her Platinum hit song, “Trip.” The single remains #1 on: Billboard’s Hot R&B Songs Chart (14 weeks), Adult R&B Songs, R&B/Hop-Hop Airplay and Urban AC Radio. In addition to her tour which runs through March, fans will have the chance to catch Ella Mai performing live at Coachella this April. 

James Blake Debuts Track

Ahead of the release of his eagerly-awaited fourth album Assume Form tomorrow via Republic Records, James Blake debuts brand-new track “Mile High (ft. Travis Scott & Metro Boomin)” on Beats1 as Zane Lowe’s World Record. Combining Blake’s ethereal cals and Scott’s lyrical prowess, the track offers a refreshing take on love, masking its underlying vulnerability with Metro Boomin’s pulsing beats. Zane Lowe played the song three times back-to-back, raving “James Blake, you’ve done it again,” and assuring his listeners that Assume Form is “going to connect to you, it’s going to touch you no matter where you are and what you’re doing.”  Listen to “Mile High” here, and pre-order Assume Form here.
 
Following the announcement of its release last week,
 Assume Form trended worldwide on Twitter, with Blake experiencing a massive 33% uplift in streaming of his catalogue.   Over the past few years, Blake has become one of the most sought-after producers, singers, and songwriters in the music industry, working with top talent including Beyoncé, Frank Ocean, andJay-Z, co-writing and touring with Kendrick Lamar, performing with Travis Scott on the MTV Video Music Awards, and collaborating on the record-shattering Black Panther soundtrack. It is no surprise, then, that Assume Form features an all-star roster that reflects Blake’s continual sonic evolution and blurring of genre boundaries: André 3000, Moses Sumney, Travis Scott, Metro Boomin, and ROSALÍA. Throughout Assume Form, Blake proves himself yet again as one of our generation’s most gifted and influential artists, both as an essential collaborator and as a solo artist at the height of his career.
 
Blake will tour in support of
 Assume Form on his recently announced headlining North American tour, kicking off in Atlanta on February 18. The 17-date tour will make stops in major cities across the U.S. and Canada including Washington, DC, Philadelphia, Montreal, and 2 nights in New York City, before wrapping in Los Angeles on March 16 (see full list of dates below). Tickets are available for purchase now via http://www.jamesblakemusic.com/.

City Girls Video Twerk feat. Cardi B

Today Yung Miami and JT — together known as City Girls — release the highly-anticipated video for Twerk (feat. Cardi B). In it, City Girls own the dance for themselves, rallying their troupe of women to get cheeks flying and take control of their own sexuality. And hell if it doesn’t look like a good time.

WATCH HERE

The Broadcast Premier will be on BET Jams and will air every hour on the network. City Girls’ Yung Miami — painted as a zebra — and featured artist Cardi B — painted as a tiger — lead a group of agile ladies on yacht, on a beach, on a pole, even on a muscle car without a man in sight. Ladies are twerkin’ it for themselves, showcasing insanely amazing athleticism, and looking bodaciously fly while doing it. And they can slap their own ass thank you.

With over 215 million overall streams and 39.3 million from Twerk (ft. Cardi B), the world sure seemed ready to listen and dance. Twerk was an immediate track stand-out for fans on City Girls new album, Girl Code (Quality Control Music/Motown/Capitol Records), so the Girls decided to send a challenge to the world. The Goal: To find the world’s greatest twerker. The winner would not only get flewed into Miami on “Flewed Out” airlines and $50k in hard cash, but would be — and now is — featured in their video taking back the twerk.

Refreshingly, JT and Yung Miami bluntly set their own terms on what can be a taboo subject for women. Most recently City Girls’ genuineness caught the ear of Drake, who recruited them for his 10-week chart topping song In My Feelings. And when City Girls rap to a lovelorn Drake, “I’ll show you how to network. F*ck that Netflix and chill; what’s your net worth?” they make it clear they are looking for any broke boys.

JT and Young Miami are uncensored, unapologetic, sharing a commitment to their hood roots and a bold insistence that the culture they come from should stop them from getting a piece of the cash pie. One of the most provocative female hip-hop duo in years, the Miami duo of JT and Yung Miami are the next generation of female speak out as raw and confident — and with as much swagger as the boys.

As Refinery29 states: “This emerging group taps into the same enterprising spirit applauded in male rappers when they wax poetic about selling drugs or pimping to escape bleak financial circumstance. This female version is just as inspiring. The male gaze only succeeds in objectifying women when the sole outcome considered is male gratification. City Girls set the terms of engagement for a payday they’ve orchestrated.”

With JT currently serving her sentence for credit card fraud, City Girls worked hard and banked a lot of material before she went in. As Yung Miami states: “It is a minor setback for a major comeback.”

Coach K and Pierre “Pee” Thomas of the renowned Quality Control Music label discovered the girls and took their first song “Fu*k Dat N****” from a regional hit to a national smash when it appeared on the seminal Quality Control Presents: Control The Streets Vol 1 compilation. Recently Quality Control Music released City Girls’ heart-wrenching documentary Point Blank Period. The documentary follows the City Girls as they break into a predominantly male-dominated industry with the release of Period. It features their reactions to hearing Drake shout them out on his record to JT working in the studio until her jail sentence starts.

Exclusive interviews are included with Yung Miami and JT, as well as industry trailblazers Trina, Kevin “Coach K” Lee and Pierre “Pee” Thomas, exposing the complicated road to breaking female artists in the changing music landscape.

LISTEN TO GIRL CODE HERE

Cipha Sounds What’s Ur Thing?

Cipha Sounds What’s Ur Thing? airs Thursdays at 11 p.m. ET on FM – Fuse Music. From DJ, comedian and radio/podcast/TV host Cipha Sounds – creator of the world’s first hip-hop podcast (Juan Epstein) and also known for truTV’s Laff Mobb’s Laff Tracks, Comedy Central’s Chappelle’s Show, The HOT 97 Morning Show and more – the multiplatform series takes the concept of an audio podcast to the next level.

What’s Ur Thing? dives deep into an artist’s obsession – what’s that unexpected “thing” they focus their energy on outside of the studio? What’s that uncommon or surprising hobby that keeps them sane on the road in between tour dates? From Cross-Stitch to Cross-Fit, Cosplay to Calligraphy, Cipha gives new insight into an artist’s passions, and teases out that ‘thing’ that helps clear their mind, keeps them motivated, and possibly inspires their next project.

Picture This “Everything or Nothing”

Critically acclaimed Irish international phenomenon Picture This release their brand-new song and music video for “Everything or Nothing” from upcoming sophomore full length album MDRN LV, co-produced by Jayson Dezuzio [Imagine Dragons, X Ambassadors], arriving February 15,2019 via Republic Records.

Listen to “Everything or Nothing” HERE, watch the official music video HERE. Pre-order MDRN LV HERE.

The release of the new song comes on the recent success from the albums lead single “One Drink”.  The single is currently the #1 played song on radio in Ireland, and continues to climb up the radio charts at both Alternative and Hot AC formats in the U.S.  Watch the official music video for “One Drink” HERE.

The biggest selling Irish act in both 2017 and 2018, and the nation’s hottest musical export in decades, Picture This arrived as a phenomenon with their self-titled 2017 full-length debut, Picture This. Certified triple-platinum in Ireland, it held the #1 spot Overall in the country for four weeks, while topping the Streaming Chart for seven weeks. Moreover, it remained in the Top 5 since release. Two years since their formation, they’ve impressively sold over 300K tickets, concluding 2017 with a sold-out UK and Ireland tour highlighted by gigs at O2 Shepherd’s Bush London, SSE Arena Belfast, and a two-night stand at 3Arena in Dublin. This summer marked their first stadium tour in Ireland, which capped off with a 35,000-person stadium show selling out over 3 months prior. During late 2018, they teamed up with super producer Jayson Dezuzio to record the 2019 follow-up, MDRN LV.