Posts tagged with "painting"

Vaughn Lowery, 360 MAGAZINE, design, decor, interior design

How to Successfully Complete a Home Design Project

If you are guilty of starting home design projects but never seeing them to completion, then you need to change your attitude and how you approach design projects. A kitchen or bathroom remodel won’t complete itself, after all. 

Most people will admit to having various unfinished design projects in their home, but once it becomes a pattern and you never finish anything you start, it’s time to reconsider your thinking and take it on with a different angle. 

Home design projects require commitment, dedication, and a whole lot of effort. If you come home from work exhausted, there is no question about why you don’t feel up to finishing that project. 

If you want to change this, and often feel guilty about leaving projects uncompleted, then take on this advice.

  • Plan Before You Start

It can be tempting just to get stuck right in on a project and see where the flow takes you, but this approach will not see you through to the end. 

Before you even pick up your tool kit, thoroughly plan what you are going to do. It’s crucial that you know where to start and where to pick up next time after you finish. It can be incredibly demotivating to try to pick up on the project a week or two later, only to be unsure of where you had left off the last time.

Planning will also give you a better overview of the project and whether you can feasibly complete it by yourself.

  • Set Goals

Motivation is vital for projects that will take some time. Set goals for yourself to achieve. Aim to have all of the kitchen cabinets installed within two weeks or have the bathroom plumbing installed and working by the end of the next. 

Goals like this can help you to envision the end result and give you the boost of motivation you need to keep going. 

  • Ask for Advice

Even if you have decided to take on a design project by yourself, there is no harm in asking family members, friends, or even expert designers for their advice on the project. To get the work done faster, you can also get help from experts for replacement windows.

If you are struggling with installation but have the design down, here’s a great resource: www.gkandb.com.

  • One at a Time

If a project isn’t going your way, it can be incredibly tempting to abandon it and start another, but these will simply leave many unfinished projects. 

Make sure you finish a project to the best of your ability before you start working on something else. Having multiple ongoing projects at home can make it a more stressful environment, and you certainly won’t have the energy to work on them all. Before you start replacing the tiles in the bathroom, make sure you are happy with the kitchen first. 

If you have a one project at a time rule, you will feel more encouraged to finish one design project so that you can get on with another. 

Paradigm Gallery Presents “Obsolescence”

Paradigm Gallery + Studio (746 S 4th St) is pleased to present Obsolescence, a solo exhibition by Sweden-based artist Ulla-Stina Wikander, open October 25 – November 23, 2019. The artist’s first solo exhibition in the United States, Obsolescence, features new works from Wikander’s well-known series of household objects covered in colorful, vintage embroideries. Obsolescence will have a public opening reception on October 25 from 5:30 – 10:00pm.

Wikander began collecting vintage embroideries 15 years ago in antique stores and flea markets, initially attracted to the intricate designs of needlework textiles. Although Wikander was traditionally trained as a painter and sculptor, the unknown histories of the women who made the embroideries interested her and she began experimenting with her new collection. Wikander’s earliest experimentation with textile began with covering a broken vacuum cleaner she had laying around in her home. Through a meticulous process of deconstruction and reassembly, she transformed the anachronistic tool into something visually absorbing and entirely new, giving the vacuum a new reason to exist. Although not all of the objects Wikander covers are broken, they’re all out-dated. Through Wikander’s process, these retro items are transformed and recycled into fully contemporary sculptures.

On her practice Wikander says, “It is rather new for me to be a part of the textile community because I have always regarded myself as a painter and sculptor. While I do not embroider myself, I am always very meticulous when I choose my patterns.  Embroidery is very hard to find nowadays, so I often travel to small towns in Sweden to find them. I have a big collection with hundreds of embroideries, organized into boxes by motif. I do not know if it is accepted among textile artists, to cut embroideries into pieces, but I think my work is a bit different. I always have a bad feeling that I am destroying a beautiful embroidery that someone else has made, but the recycling of something forgotten also feels current and good”.

The latest artworks included in Wikander’s Obsolescence exhibition are suffused with humor and critical explorations of feminism, domesticity, and upcycling. Her intricate textile constructions are shaped by the forms that lie underneath – including irons, blow dryers, shoes, bags, lamps, books, and phones. Freshly adorned in coverings of flowers, animals, and pastoral scenes, the items transcend their former functionality and are simultaneously revelatory and recognizable. Wikander’s vibrant re-appropriations are evocative formal studies that defy categorization and illicit equal parts dissonance and delight.
About Ulla-Stina Wikander
Ulla-Stina Wikander was born 1957 in Kungälv. She is currently living in Stockholm/Kullavik, Sweden and has been working as an artist since 1986. Wikander has shown extensively around the world in solo and group exhibitions including shows in the United States, Sweden and the UK.
About Paradigm 
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

SUMMER ReFRESH!

SUMMER ReFRESH!

Works from the collection

On view through September 21, 2019

Gilles Clement Gallery presents a gathering of their latest collection of cutting- edge Contemporary, Pop, Op and Street Art. An array of artwork delights and inspires the viewer with iconic imagery, vivid colors, and culturally significant themes. Rotating throughout the season, the exhibition will showcase an eclectic mix from the gallery’s stable of artists, and a range of mediums and techniques including photography, painting, mixed media, collage and neon. Fresh additions to the gallery are the vibrant abstract works of Philadelphia-based modernist painter Michael Gallagher; Spanish artist Lino Lago’s clever oil paintings that juxtapose classical and contemporary art; and the exploded pop sculptures of French artist Francois Bel. Other featured artists include: Curtis Cutshaw (oil enamel on birch), David Datuna (mixed media), Robert Mars (vintage collage and neon), Clement Kamena (acrylic on canvas), MARCK (video sculpture) and TRAN$PARENT (money art).

SUMMER ReFRESH: works from the collection will be on view through September 21, 2019 at the Gilles Clement Gallery, 45 East Putnam Avenue, Greenwich CT 06830.

WEBSITE: https://www.gclementgallery.com/upcoming-exhibitions

Images:

Michael Gallagher, Pink and Green Acrylic on canvas on panel, 36” x 48”

Francois Bel, Warhology Turquoise Caps Mixed media, acrylic glass, 17”x 5.5”x 4” (feature photo)

Lino Lago, Fake Abstract Blue Oil on canvas, 43.3” x 39.4”

AMERICAN ART TO WEAR

Museum Presents Major Exhibition of Art to Wear

Off the Wall: American Art to Wear – November 10, 2019 – May 17, 2020

This fall, the Philadelphia Museum of Art presents Off the Wall: American Art to Wear, a major exhibition that highlights a distinctive American art movement that emerged in the late 1960s and flourished during the following decades. It examines a generation of pioneering artists who used body-related forms to express a personal vision and frames their work in relation to the cultural, historical and social concerns of their time. Focusing on iconic works made during the three decades between 1967 and 1997, the exhibition features over one hundred one-of-a-kind works by more than fifty artists. Comprised primarily of selections from a promised gift of Julie Schafler Dale, it will also include works from the museum’s collection and loans from private collections. Off the Wall: American Art to Wear is accompanied by a new publication of the same title, co-published by the Philadelphia Museum of Art and Yale University Press.

Timothy Rub, the George D. Widener Director and CEO, said: “This exhibition will introduce to our visitors an exceptionally creative and adventurous aspect of American art which took the body as a vehicle for its expression. We are not only deeply grateful to Julie Dale for her extraordinary gifts and support of the museum but also see this as an opportunity to acknowledge the dynamic role she played in nurturing the growth and development of this movement.”

The champions of Art to Wear during the early years were a few forward-thinking museums, among them New York’s Museum of Contemporary Crafts (Museum of Art and Design), collectors, and galleries such as Sandra Sakata’s Obiko, founded in 1972 in San Francisco, and Julie Schafler Dale’s Julie: Artisans Gallery, which opened the following year on Madison Avenue in New York. For over 40 years, Dale’s gallery was a premier destination for presenting one-of-a-kind wearable works by American artists. Through her gallery installations and rotating window displays, she gave visibility to the Art to Wear movement. In 1986, she brought further recognition to the art form by publishing the seminal book Art to Wear—from which the title of this exhibition is taken—which provided in-depth profiles of artists alongside photographs by Brazilian fashion photographer Otta Stupakoff. Dale’s gallery closed in 2013.

Off the Wall is arranged in nine sections; the titles of some are derived from popular music of the ‘60s and ‘70s to suggest the wide-ranging concerns of the artists. The introductory section, The Times They Are A Changin’ (Bob Dylan, 1964), contains works by Lenore Tawney, Dorian Zachai, Claire Zeisler, Ed Rossbach, and Debra Rapoport to illustrate how textile artists in the late ‘50s and ‘60s liberated tapestry weaving from the wall, adapting it to three-dimensional sculptural forms inspired by pre-Columbian weaving. In 1969, a group of five students at Pratt Institute studying painting, sculpture, industrial design, multimedia, and graphic design taught each other how to crochet, leading to remarkable outcomes. Janet Lipkin, Jean Cacicedo, Marika Contompasis, Sharron Hedges, and Dina Knapp all created clothing-related forms that they would describe as wearable sculpture, thus establishing a cornerstone of the Art to Wear movement. A highlight in this section is a wool crochet and knit Samurai Top, 1972, by Sharron Hedges, modeled by the young Julie Dale for the book Creative Crochet, authored by two of the artist’s friends, Nicki Hitz Edson and Arlene Stimmel.

The next section, Good Vibrations (Beach Boys, 1966), traces the migration of many of these young artists from the East Coast to the West Coast where they joined California’s vibrant artistic community and connected with Sandra Sakata’s Obiko. A pair of colorful denim hand-embroidered mini shorts by Anna VA Polesny embroidered while traveling conveys this new youthful spirit. Pacific Rim influences are evident in the Japanese kimono form as a blank canvas offering infinite possibilities for pattern and design. Katherine Westpahl’s indigo blue resist-dyed cotton work, A Fantasy Meeting of Santa Claus with Big Julie and Tyrone at McDonald’s, 1978, and Janet Lipkin’s Mexico at Midday, a coat made in 1988 are exceptional examples. A range of counter-culture influences, evoking ceremony and spirituality, pervade this section.

Come Together (The Beatles, 1969) responds to the popular use of assemblage in art-making, especially the use of nontraditional materials. It also looks at the art of performance, reflected in Ben Compton and Marian Clayden’s Nocturnal Moth, 1974, inspired by Federico Fellini’s film La Dolce Vita (1960). “Mother Earth,” a nod to the publication Mother Earth News Magazine, looks to nature and environmental concerns while This Land is Your Land (Woodie Guthrie, 1940) explores iconic American imagery including reference to the American West and Native American cultures. Examples in this section include Joan Ann Jablow’s Big Bird cape, 1977, made entirely of recycled bird feathers, and Joan Steiner’s Manhattan Collar, 1979, which reimagines New York’s skyline in miniature.

Other Worlds explores fantasy and science fiction, two genres that offered young people an escape from the period’s cultural and political upheavals. Noteworthy here are works by Jean Cacicedo and Nina Huryn, both of whom riff on one of the most widely read English language books at the time, J.R.R. Tolkien’s trilogy Lord of the Rings (1965). Cacicedo responded with a portrait of Treebeard, 1973, a Tolkien character, while Huryn created her own fantasy world in Tree Outfit, with its flowing pants, loose shirt and leather sleeveless jacket containing forest and folklore imagery, a work made especially for Julie: Artisans Gallery in 1976. Other artists turned to dreams, such as Susanna Lewis, who created Moth Cape, 1979, in response to a nightmare that she had of a giant moth enveloping her body.

A section called I Am Woman (Helen Reddy, 1971) underscores the ways in which artists invoked feminism directly and indirectly in Art to Wear. Janet Lipkin, for example, invested her works with symbols of freedom while searching for new directions in her life, as seen in Bird Coat, 1972, Flamingo, 1982, and Transforming Woman, 1992. Other works like Combat Vest, 1985, by Sheila Perez, feature plastic toy soldiers as protective armor for the chest area, while Nicki Hitz Edson’s Medusa Mask, 1975, is a wild expression of fraught emotions surrounding the breakup of her marriage.

Colour My World (Chicago, 1970) reflects the buoyant rainbow color spectrum that was ubiquitous during this era. Recently published works on color theory by Johannes Itten and Josef Albers provided a cornerstone of the new art education. For Linda Mendelson, color, typography, and text became inseparable. She adapted Albers’s ideas relating to after-images in Big Red, and linked color progression with lines from a poem titled Coat by William Butler Yeats from which she drew inspiration. Other artists such as Tim Harding created an effect similar to impressionist brush strokes by slashing and fraying dyed fabrics, as seen in his colorful coat Garden: Field of Flowers, 1991.

The final section Everybody’s Talkin’ (Harry Nilsson, 1969) explores the use of text in Art to Wear. JoEllen Trilling engages in visual word play using common prepositions on a jacket, while Jean Cacicedo channels her grief over her father’s death using words taken from the bible that celebrated his life in My Father’s House, 1994.

Dilys Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costumes and Textiles, who organized the exhibition, said: “We are looking back at this period with a fresh lens through which to consider a uniquely American art form that continues to have a worldwide influence. With roots and connections in fine arts, fiber art, craft, performance and fashion, there are so many important artists to appreciate. For this reason I am delighted by the opportunity to cast a light on such extraordinary talents, including so many adventurous women who deserve much greater recognition.”

Publication
Off the Wall: American Art to Wear is accompanied by a new publication of the same name co-published the Philadelphia Museum of Art and Yale University Press, co-authored by exhibition curators Dilys E. Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costumes and Textiles at the Philadelphia Museum of Art, and independent textile scholar and curator Mary Schoeser, with a contribution written by Julie Schafler Dale. The volume provides the social, political, and artistic context for Art to Wear. ISBN 9780876332917.

Curators
Dilys Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costume and Textiles and Mary Schoeser, Independent Textile Historian and Curator

Support
This exhibition has been made possible by Julie Schafler Dale, PNC, The Coby Foundation, the Arlin and Neysa Adams Endowment Fund, the Center for American Art at the Philadelphia Museum of Art, and other generous donors. Credits as of July 8, 2019.

Social Media @philamuseum

Top 7 Luxury Items Every Man Should Aspire to Own

No matter where you are in life, what kind of job you have, or what your style is, there are some luxury items that you, as a man, should aspire to own. Many people think that others own luxury items simply for the sake of owning luxury items. However, luxury items serve a much bigger purpose.

When you own the right luxury items, you feel better about yourself. You feel more confident, sophisticated, and ready to take on the world. The right luxury items will make others see you as someone who knows what he wants in life and isn’t afraid to chase after it.

Plus, luxury items are luxury because of their quality and value. They’re something you can make use of again and again throughout your lifetime, without ever looking “outdated”.

So, what luxury items should you have on your wishlist? Read on to learn about 7 luxury items every man should aspire to own.

1. A Luxury Watch

While many people view the suit as the ultimate gentlemen’s luxury item, we’d argue that a luxury watch is just as important. After all, you can add a luxury watch to pretty much any outfit in order to look classier. Watches communicate to the world that you mean business, and you’re not afraid to show it. Plus, watches are a great investment because, if you take care of them, they never depreciate in value. Make sure you select your luxury watch with great care, as you want it to be something that you’ll love wearing almost everywhere you go and with almost any outfit. You should consider what color you want your watch to be, as well as what materials and sizes you like. You’ll also want to think about the functions you want your watch to have. For example, some of these Rolex watches for sale are water-resistant, and therefore also work as dive watches.

2. A Tailored Suit

A tailored suit is one of the first luxury items you should aspire to own if you don’t already, as it’s one that is extremely functional. Whether you are attending a formal party or walking into a business meeting, the suit you wear can totally change the way people view you. You can buy all the manufactured suits you want, but nothing will ever top the look of a well-fitted, tailored suit. Once you slip your suit on for the first time, you’ll know exactly what we mean.

3. Piece of Art

Even if you’re not the “artsy” type, you should still own a high-quality piece of art, be it a painting, sculpture, or photograph.

The right piece of art shows the world that you have refined tastes, that you’re worldly, and that you’re a well-rounded individual. Plus, a piece of art can be an excellent conversation starter. The piece of art you choose can say a lot about your style. And if you’re just starting to put together the look of your place, a piece of art can serve as a great foundation for styling the rest of your home.

4. First Edition of Your Favorite Book

A first edition of your favorite book is much like a piece of art, in that it shows people you’re both worldly and well-rounded. It’s especially impressive because it shows friends, family, partners, and whoever else that you have a loyalty to something, and that you have the dedication it takes to tracking that something down. While a first edition exudes plenty of luxury on its own, it looks best when it’s amongst other books, perhaps sitting on a hand-carved wooden bookshelf.

5. Something Leather

Don’t worry, we’re not suggesting that you try and pull off leather pants. (Although if you can, go for it.) But, we do think it’s important that every man aspires to own a luxurious leather item. There is a leather item out there for everyone’s taste and goals.

For example, if you want to impress people when you walk into a business meeting, go for a leather briefcase. Not only is a leather briefcase sophisticated, but it is also extremely functional, in that it will prevent you from trying to stuff your pockets every morning with your wallet, keys, etc. For those men who want something a little edgier, a leather jacket is a great idea. Trust us, you don’t have to own a motorcycle to pull off a leather jacket. While you can certainly go for the biker look by wearing a white tee and jeans, you can also pair a leather jacket with pretty much any basic tee to make your look more luxurious. A third leather item that you should aspire to own is a leather passport book. Even though it’s not an everyday item, a leather passport is perfect for when you want to take your luxurious style on the road. Plus, covering your passport in quality leather shows the world that you know how to take care of your things.

6. A Cocktail Set

If you’re looking for something luxurious that you can use to entertain guests, a cocktail set is your answer. Even if you’re not a pro yet at slingin’ cocktails, a luxury cocktail set will at least show your guests that you’re serious about entertaining. Make sure your cocktail set has all the staples: a martini shaker, strainers, muddlers, jiggers, stirring spoons, and pourers. With these items, you’ll be able to make pretty much any drink that’s requested.

7. Writing Desk

If there’s one piece of furniture that screams luxury, it’s a nice writing desk.

Sitting at your writing desk is way more luxurious than sitting on the couch with your laptop propped up on your knees. Plus, writing desks can help increase your productivity. For the ultimate luxury, buy a writing desk that is hand carved out of wood. So, there you have it, the 7 luxury items every man should aspire to own. Is there something on this list that you’re already saving up for? Let us know in the comments below.

Lionel Smit’s Divide Exhibition

By Krishan Narsinghani

As of late, South African Artist, Lionel Smit, hosted his first solo show on the West Coast of the United States of America in Los Angeles, CA. 360 Magazine had the opportunity to join Smit for his pre-night & VIP showing to discuss his art work and upbringing as a Caucasian male in South Africa.

The exhibition featured work from his studio in Cape Town, South Africa as well as his previous solo exhibition OBSUCRA, held at the Museum of Contemporary Art in Miami. This being the first of his work to be released commercially.

Smit was born in Pretoria, South Africa and later moved to Cape Town. There, he discovered his passion for the culture and history behind the city, specifically with the Cape Malay women. Smit explains how these individuals are genetically created in the sense that there is a mixture between the European, African and Malaysian bloodlines. This discovery can be related to many other countries which Smit used as a starting point to spark conversations on who we are and where we are going on an emotional level.

During the interview, Smit touched on his experience during apartheid as a White South African and explained, “everyone knew what was happening… but you lived in this bubble… and there was a whole generation that wasn’t responsible for it but still went through the same kind of motions. My idea was to steer away from that and create something that’s more universal and speaks to us on a universal level.”

Smit’s art will be available at ArtLife Gallery, located at 655 N. Robertson Boulevard in West Hollywood until October 28th.

This slideshow requires JavaScript.

ACJ319neo Infinito, a flying artwork

“Entering ACJ Infinito means exploring a place of wonders, where each element, space, and color are hand-stitched around the needs and requirements of the client, transforming them into emotion and inspiration”.

ACJ319neo Infinito is an ultra-luxurious jet born from the shared passion of Airbus Corporate Jets (ACJ) and Pagani Automobili, which decided, in 2016, to combine their artisanal skills and pioneering vision in order to create something absolutely unique.

The Infinito cabin represents the quintessence of the Pagani philosophy in a state-of-the-art aircraft: a distinctive style, seamlessly combined with unrivalled material technology. Infinite, just like man’s gaze towards the horizon and beyond.

After tireless work and profound study of the physical and sensorial aspects of air travel, the two companies now present new values and ideas of travel aboard an aircraft, which, from a mere means of transport thus becomes a place of emotion and inspiration, without sacrificing important engineering achievements. ACJ Infinito is, in fact, a made-to-measure work of art entirely designed around the sensations and the emotions of the client.

All Airbus corporate jets come from the most modern family of aircraft on the market and offer the highest world standards of care in corporate aviation. ACJ customers are always part of a dedicated and exclusive community, they are provided with a dedicated service wherever they choose to fly in the world. They purchase much more than a product: they invest in their future, for a unique flying experience.

For the first time, two different worlds, two centres of excellences come together to give birth to a unique project: an aircraft that mirrors Leonardo Da Vinci’s principle of Art and Science: the harmony of beauty and engineering, both in the outcome and in the way of working. Pagani has always been a creator of tailored clothes and high-performance hypercars, whose technical content also exudes passion, technology and research into unique designs. Every object is unique, every creation is an art object that inspires and thrills with its lines and forms. The ideal of beauty is taken to a whole new level with the Infinito cabin, conveying the same emotions as a work of art, nurturing the mind and the senses, as well as relaxing the body during travel.

Detail, spaces, colors. “Each sensation conveyed by Infinito has to be the same as that conveyed by a work of art. These are the emotions we live for and we simply can’t live without,”tells Horacio Pagani, Chief Designer and Founder of Pagani Automobili, about the project, its main inspiration and the collaboration with ACJ.

“We were emotionally involved from the beginning. The project seemed challenging, to say the least.” The Modenese Atelier of hypercars has deployed its extensive experience in composite material and provided Class A tailored carbon fiber components, despite the high investments and production costs. “We have the technology, knowledge and skill for this project,” emphasises Horacio Pagani on the challenges that emerged in the process, “and we do want to invest in this direction.” Pagani’s expertise and advanced composite materials are used in the interiors of an airplane for the very first time, including carbon fiber and carbo-titanium, saving about a tonne compared with other similar projects, thus improving both range and take-off performance.

The interiors are designed around the client’s flight experience, with thorough attention to physical sensations and feelings. “We started with the client, around him we created a relaxing and comfortable environment, not only for the shapes and the design, but also for the visual sensation, for which we followed some chromotherapy principles. Even the smallest detail was given the maximum attention, so as to dynamically assist the client’s sensations across different time zones.” Infinito’s sky ceiling, entirely lined with digital displays, offers a play of light and images, for example, by projecting a sunset or a starry sky, minimising the physical and mental effects of jet lag.

“The feel of the materials, the warmth of the leather or the wood, the intelligence and sinuosity of the spaces, each detail has to convey emotions of peace and safety, like when we’re home or in a familiar and inspiring place.” continues Horacio Pagani on the choice of materials and the habitability of the aircraft. “Our idea is of a single, great space which fosters both movement and sensorial perceptions.” The absence of visual barriers, and the sense of infinite vision that surrounds the client, are the objectives of this tailored creation, simple but essential elements to facilitate a journey of several hours. The compartments inside are, in fact, provided with opacifying glass, when privacy is wished, supported by a carbon fiber framework, hand-made by the Modenese artisans, a homage to the first air inventions of the past centuries, and at the same time a highly robust solution.

ACJ319neo’s interior was entirely designed not only for artistic appeal, but also to be functional: after thorough research on internal spaces and volumes, ACJ Infinito’s compartments provide larger capacity while being less intrusive than other interior designs.

The feeling of hospitality in this ultra-luxurious jet continues with the choice of the single spaces within the aircraft. “At the entrance, a cafe. A genuine and heartfelt way to welcome your client is, of course, by providing refreshment!”. The feeling of familiarity, of home, that you can breathe within Infinito sometimes makes us forget about being on an airplane. This is the uniqueness that ACJ and Pagani Automobili have been striving for in the making of this flying artwork. Home is a safe and peaceful place, as well as a place of inspiration and emotions. Infinito aims to project the client into the same atmosphere of absolute relaxation, to stimulate his imagination and inspiration, reshaping the time of the journey into a time of ideas, visions and answers.

Infinito comes to life for art lovers, for those who love beauty and genius, for those who have an extremely refined idea of air travel, a dream to share with somebody. It’s not just a mere exercise in style, it’s a handmade piece of art, created to trigger sincere and genuine emotions in the client’s heart.

“To us, individual tailoring is what boosts and enriches our imagination – and that of our clients. It is pure passion for our work, and for customer care.”

The new era of corporate jets finds Pagani Automobili and ACJ collaborating side by side to create this new, absolutely made-to-measure masterpiece, bringing their infinite artisanal experience to a fast-growing and extremely fascinating market.

Diamond × Basquiat Collection

Diamond Supply Co. is excited to release their Diamond x Basquiat Collection, on Saturday, August 25, a collaboration featuring work from famed American artist, Jean-Michel Basquiat, as the brand continues to celebrate its 20th anniversary.

The 23-piece collection will be available on Saturday, August 25 at 9:00AM PST, available online at www.diamondsupplyco.com/collections/diamond-x-basquiat and at Diamond flagship locations in LA and NYC. Retail prices range from $30-$160.

Artist Pension Trust Announces Art Display

Carefully curated works are featured throughout the New York City building, including in Danny Meyer’s Union Square Hospitality Group’s newest spaces, Manhatta and Bay Room

Artist Pension Trust (APT) is pleased to announce its new project at 28 Liberty Street, a 60-story skyscraper, located in Manhattan’s Financial District. APT artist works will be featured throughout Fosun International’s 28 Liberty building, including at Manhatta, the Danny Meyer-run Union Square Hospitality Group’s (USHG) newly-opened restaurant and bar, as well as Bay Room, USHG’s first-ever event space, both of which occupy the 60th floor of the building.

“Art has always been essential part of our restaurant designs,” says Meyer. “We are thrilled to include over 100 pieces of artwork from Artist Pension Trust in Manhatta and Bay Room, both by top local talent and established international artists. We love APT’s mission of helping artists and fostering a community between them, and we feel privileged to benefit from their meaningful work, and to share it with our guests.”

Featured artists in the space include Logan Grider, an Oregon-based artist and Theresa Hackett, a Los Angeles-based artist, who will both have their works featured inside Manhatta and Bay Room. Hackett’s work incorporates non-conventional materials to create hybrid landscapes while Grider’s pieces showcase an abstract theme.

“This partnership between APT, Fosun, and USHG is an exciting opportunity for our artist community,” says Zohar Elhanani, CEO of Artist Pension Trust. “We constantly seek new and exciting avenues to highlight the works of APT’s artists and the opportunity to showcase selected art throughout 28 Liberty and in both Manhatta and Bay Room, art that has been personally selected by Danny Meyer, will serve as fantastic exposure for our artists.”

Founded in 2004, APT (Artist Pension Trust) is a unique social initiative, designed to bring financial security and international exposure to a select group of emerging and established artists around the world. APT acts as a mutual assurance program, allowing participating artists to benefit from the sale of each other’s work — in essence, ensuring that the big-name artists behind blockbuster shows can support the work of talented peers still gaining art world recognition.

Since its foundation, APT has worked with some of the world’s leading contemporary artists, from Turner Prize winners to recipients of prestigious awards including the Prix de Rome and Deutsche Bank’s Artist of the Year. Works by APT artists have been loaned for exhibitions at the world’s leading institutions and have been prominent features of events including Art Basel and the Venice Biennale.

See some of the works that will be featured here: https://www.mutualart.com/apt/

About Artist Pension Trust

Artist Pension Trust (APT) was established in 2004 to provide artists with added financial security at every stage of their career, through a unique, patented model that allows participants to benefit from one another’s success. The APT model ensures that 72% of the net proceeds from the sale of an artwork goes back to its artist and their peers: 40% to the artist who created the work, and 32% shared among artists in their regional group.

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

Follow The Untitled Space:

Artsy | Facebook |twitter| Instagram | Google+