Posts tagged with "painting"

SUMMER ReFRESH!

SUMMER ReFRESH!

Works from the collection

On view through September 21, 2019

Gilles Clement Gallery presents a gathering of their latest collection of cutting- edge Contemporary, Pop, Op and Street Art. An array of artwork delights and inspires the viewer with iconic imagery, vivid colors, and culturally significant themes. Rotating throughout the season, the exhibition will showcase an eclectic mix from the gallery’s stable of artists, and a range of mediums and techniques including photography, painting, mixed media, collage and neon. Fresh additions to the gallery are the vibrant abstract works of Philadelphia-based modernist painter Michael Gallagher; Spanish artist Lino Lago’s clever oil paintings that juxtapose classical and contemporary art; and the exploded pop sculptures of French artist Francois Bel. Other featured artists include: Curtis Cutshaw (oil enamel on birch), David Datuna (mixed media), Robert Mars (vintage collage and neon), Clement Kamena (acrylic on canvas), MARCK (video sculpture) and TRAN$PARENT (money art).

SUMMER ReFRESH: works from the collection will be on view through September 21, 2019 at the Gilles Clement Gallery, 45 East Putnam Avenue, Greenwich CT 06830.

WEBSITE: https://www.gclementgallery.com/upcoming-exhibitions

Images:

Michael Gallagher, Pink and Green Acrylic on canvas on panel, 36” x 48”

Francois Bel, Warhology Turquoise Caps Mixed media, acrylic glass, 17”x 5.5”x 4” (feature photo)

Lino Lago, Fake Abstract Blue Oil on canvas, 43.3” x 39.4”

AMERICAN ART TO WEAR

Museum Presents Major Exhibition of Art to Wear

Off the Wall: American Art to Wear – November 10, 2019 – May 17, 2020

This fall, the Philadelphia Museum of Art presents Off the Wall: American Art to Wear, a major exhibition that highlights a distinctive American art movement that emerged in the late 1960s and flourished during the following decades. It examines a generation of pioneering artists who used body-related forms to express a personal vision and frames their work in relation to the cultural, historical and social concerns of their time. Focusing on iconic works made during the three decades between 1967 and 1997, the exhibition features over one hundred one-of-a-kind works by more than fifty artists. Comprised primarily of selections from a promised gift of Julie Schafler Dale, it will also include works from the museum’s collection and loans from private collections. Off the Wall: American Art to Wear is accompanied by a new publication of the same title, co-published by the Philadelphia Museum of Art and Yale University Press.

Timothy Rub, the George D. Widener Director and CEO, said: “This exhibition will introduce to our visitors an exceptionally creative and adventurous aspect of American art which took the body as a vehicle for its expression. We are not only deeply grateful to Julie Dale for her extraordinary gifts and support of the museum but also see this as an opportunity to acknowledge the dynamic role she played in nurturing the growth and development of this movement.”

The champions of Art to Wear during the early years were a few forward-thinking museums, among them New York’s Museum of Contemporary Crafts (Museum of Art and Design), collectors, and galleries such as Sandra Sakata’s Obiko, founded in 1972 in San Francisco, and Julie Schafler Dale’s Julie: Artisans Gallery, which opened the following year on Madison Avenue in New York. For over 40 years, Dale’s gallery was a premier destination for presenting one-of-a-kind wearable works by American artists. Through her gallery installations and rotating window displays, she gave visibility to the Art to Wear movement. In 1986, she brought further recognition to the art form by publishing the seminal book Art to Wear—from which the title of this exhibition is taken—which provided in-depth profiles of artists alongside photographs by Brazilian fashion photographer Otta Stupakoff. Dale’s gallery closed in 2013.

Off the Wall is arranged in nine sections; the titles of some are derived from popular music of the ‘60s and ‘70s to suggest the wide-ranging concerns of the artists. The introductory section, The Times They Are A Changin’ (Bob Dylan, 1964), contains works by Lenore Tawney, Dorian Zachai, Claire Zeisler, Ed Rossbach, and Debra Rapoport to illustrate how textile artists in the late ‘50s and ‘60s liberated tapestry weaving from the wall, adapting it to three-dimensional sculptural forms inspired by pre-Columbian weaving. In 1969, a group of five students at Pratt Institute studying painting, sculpture, industrial design, multimedia, and graphic design taught each other how to crochet, leading to remarkable outcomes. Janet Lipkin, Jean Cacicedo, Marika Contompasis, Sharron Hedges, and Dina Knapp all created clothing-related forms that they would describe as wearable sculpture, thus establishing a cornerstone of the Art to Wear movement. A highlight in this section is a wool crochet and knit Samurai Top, 1972, by Sharron Hedges, modeled by the young Julie Dale for the book Creative Crochet, authored by two of the artist’s friends, Nicki Hitz Edson and Arlene Stimmel.

The next section, Good Vibrations (Beach Boys, 1966), traces the migration of many of these young artists from the East Coast to the West Coast where they joined California’s vibrant artistic community and connected with Sandra Sakata’s Obiko. A pair of colorful denim hand-embroidered mini shorts by Anna VA Polesny embroidered while traveling conveys this new youthful spirit. Pacific Rim influences are evident in the Japanese kimono form as a blank canvas offering infinite possibilities for pattern and design. Katherine Westpahl’s indigo blue resist-dyed cotton work, A Fantasy Meeting of Santa Claus with Big Julie and Tyrone at McDonald’s, 1978, and Janet Lipkin’s Mexico at Midday, a coat made in 1988 are exceptional examples. A range of counter-culture influences, evoking ceremony and spirituality, pervade this section.

Come Together (The Beatles, 1969) responds to the popular use of assemblage in art-making, especially the use of nontraditional materials. It also looks at the art of performance, reflected in Ben Compton and Marian Clayden’s Nocturnal Moth, 1974, inspired by Federico Fellini’s film La Dolce Vita (1960). “Mother Earth,” a nod to the publication Mother Earth News Magazine, looks to nature and environmental concerns while This Land is Your Land (Woodie Guthrie, 1940) explores iconic American imagery including reference to the American West and Native American cultures. Examples in this section include Joan Ann Jablow’s Big Bird cape, 1977, made entirely of recycled bird feathers, and Joan Steiner’s Manhattan Collar, 1979, which reimagines New York’s skyline in miniature.

Other Worlds explores fantasy and science fiction, two genres that offered young people an escape from the period’s cultural and political upheavals. Noteworthy here are works by Jean Cacicedo and Nina Huryn, both of whom riff on one of the most widely read English language books at the time, J.R.R. Tolkien’s trilogy Lord of the Rings (1965). Cacicedo responded with a portrait of Treebeard, 1973, a Tolkien character, while Huryn created her own fantasy world in Tree Outfit, with its flowing pants, loose shirt and leather sleeveless jacket containing forest and folklore imagery, a work made especially for Julie: Artisans Gallery in 1976. Other artists turned to dreams, such as Susanna Lewis, who created Moth Cape, 1979, in response to a nightmare that she had of a giant moth enveloping her body.

A section called I Am Woman (Helen Reddy, 1971) underscores the ways in which artists invoked feminism directly and indirectly in Art to Wear. Janet Lipkin, for example, invested her works with symbols of freedom while searching for new directions in her life, as seen in Bird Coat, 1972, Flamingo, 1982, and Transforming Woman, 1992. Other works like Combat Vest, 1985, by Sheila Perez, feature plastic toy soldiers as protective armor for the chest area, while Nicki Hitz Edson’s Medusa Mask, 1975, is a wild expression of fraught emotions surrounding the breakup of her marriage.

Colour My World (Chicago, 1970) reflects the buoyant rainbow color spectrum that was ubiquitous during this era. Recently published works on color theory by Johannes Itten and Josef Albers provided a cornerstone of the new art education. For Linda Mendelson, color, typography, and text became inseparable. She adapted Albers’s ideas relating to after-images in Big Red, and linked color progression with lines from a poem titled Coat by William Butler Yeats from which she drew inspiration. Other artists such as Tim Harding created an effect similar to impressionist brush strokes by slashing and fraying dyed fabrics, as seen in his colorful coat Garden: Field of Flowers, 1991.

The final section Everybody’s Talkin’ (Harry Nilsson, 1969) explores the use of text in Art to Wear. JoEllen Trilling engages in visual word play using common prepositions on a jacket, while Jean Cacicedo channels her grief over her father’s death using words taken from the bible that celebrated his life in My Father’s House, 1994.

Dilys Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costumes and Textiles, who organized the exhibition, said: “We are looking back at this period with a fresh lens through which to consider a uniquely American art form that continues to have a worldwide influence. With roots and connections in fine arts, fiber art, craft, performance and fashion, there are so many important artists to appreciate. For this reason I am delighted by the opportunity to cast a light on such extraordinary talents, including so many adventurous women who deserve much greater recognition.”

Publication
Off the Wall: American Art to Wear is accompanied by a new publication of the same name co-published the Philadelphia Museum of Art and Yale University Press, co-authored by exhibition curators Dilys E. Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costumes and Textiles at the Philadelphia Museum of Art, and independent textile scholar and curator Mary Schoeser, with a contribution written by Julie Schafler Dale. The volume provides the social, political, and artistic context for Art to Wear. ISBN 9780876332917.

Curators
Dilys Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costume and Textiles and Mary Schoeser, Independent Textile Historian and Curator

Support
This exhibition has been made possible by Julie Schafler Dale, PNC, The Coby Foundation, the Arlin and Neysa Adams Endowment Fund, the Center for American Art at the Philadelphia Museum of Art, and other generous donors. Credits as of July 8, 2019.

Social Media @philamuseum

Top 7 Luxury Items Every Man Should Aspire to Own

No matter where you are in life, what kind of job you have, or what your style is, there are some luxury items that you, as a man, should aspire to own. Many people think that others own luxury items simply for the sake of owning luxury items. However, luxury items serve a much bigger purpose.

When you own the right luxury items, you feel better about yourself. You feel more confident, sophisticated, and ready to take on the world. The right luxury items will make others see you as someone who knows what he wants in life and isn’t afraid to chase after it.

Plus, luxury items are luxury because of their quality and value. They’re something you can make use of again and again throughout your lifetime, without ever looking “outdated”.

So, what luxury items should you have on your wishlist? Read on to learn about 7 luxury items every man should aspire to own.

1. A Luxury Watch

While many people view the suit as the ultimate gentlemen’s luxury item, we’d argue that a luxury watch is just as important. After all, you can add a luxury watch to pretty much any outfit in order to look classier. Watches communicate to the world that you mean business, and you’re not afraid to show it. Plus, watches are a great investment because, if you take care of them, they never depreciate in value. Make sure you select your luxury watch with great care, as you want it to be something that you’ll love wearing almost everywhere you go and with almost any outfit. You should consider what color you want your watch to be, as well as what materials and sizes you like. You’ll also want to think about the functions you want your watch to have. For example, some of these Rolex watches for sale are water-resistant, and therefore also work as dive watches.

2. A Tailored Suit

A tailored suit is one of the first luxury items you should aspire to own if you don’t already, as it’s one that is extremely functional. Whether you are attending a formal party or walking into a business meeting, the suit you wear can totally change the way people view you. You can buy all the manufactured suits you want, but nothing will ever top the look of a well-fitted, tailored suit. Once you slip your suit on for the first time, you’ll know exactly what we mean.

3. Piece of Art

Even if you’re not the “artsy” type, you should still own a high-quality piece of art, be it a painting, sculpture, or photograph.

The right piece of art shows the world that you have refined tastes, that you’re worldly, and that you’re a well-rounded individual. Plus, a piece of art can be an excellent conversation starter. The piece of art you choose can say a lot about your style. And if you’re just starting to put together the look of your place, a piece of art can serve as a great foundation for styling the rest of your home.

4. First Edition of Your Favorite Book

A first edition of your favorite book is much like a piece of art, in that it shows people you’re both worldly and well-rounded. It’s especially impressive because it shows friends, family, partners, and whoever else that you have a loyalty to something, and that you have the dedication it takes to tracking that something down. While a first edition exudes plenty of luxury on its own, it looks best when it’s amongst other books, perhaps sitting on a hand-carved wooden bookshelf.

5. Something Leather

Don’t worry, we’re not suggesting that you try and pull off leather pants. (Although if you can, go for it.) But, we do think it’s important that every man aspires to own a luxurious leather item. There is a leather item out there for everyone’s taste and goals.

For example, if you want to impress people when you walk into a business meeting, go for a leather briefcase. Not only is a leather briefcase sophisticated, but it is also extremely functional, in that it will prevent you from trying to stuff your pockets every morning with your wallet, keys, etc. For those men who want something a little edgier, a leather jacket is a great idea. Trust us, you don’t have to own a motorcycle to pull off a leather jacket. While you can certainly go for the biker look by wearing a white tee and jeans, you can also pair a leather jacket with pretty much any basic tee to make your look more luxurious. A third leather item that you should aspire to own is a leather passport book. Even though it’s not an everyday item, a leather passport is perfect for when you want to take your luxurious style on the road. Plus, covering your passport in quality leather shows the world that you know how to take care of your things.

6. A Cocktail Set

If you’re looking for something luxurious that you can use to entertain guests, a cocktail set is your answer. Even if you’re not a pro yet at slingin’ cocktails, a luxury cocktail set will at least show your guests that you’re serious about entertaining. Make sure your cocktail set has all the staples: a martini shaker, strainers, muddlers, jiggers, stirring spoons, and pourers. With these items, you’ll be able to make pretty much any drink that’s requested.

7. Writing Desk

If there’s one piece of furniture that screams luxury, it’s a nice writing desk.

Sitting at your writing desk is way more luxurious than sitting on the couch with your laptop propped up on your knees. Plus, writing desks can help increase your productivity. For the ultimate luxury, buy a writing desk that is hand carved out of wood. So, there you have it, the 7 luxury items every man should aspire to own. Is there something on this list that you’re already saving up for? Let us know in the comments below.

Lionel Smit’s Divide Exhibition

By Krishan Narsinghani

As of late, South African Artist, Lionel Smit, hosted his first solo show on the West Coast of the United States of America in Los Angeles, CA. 360 Magazine had the opportunity to join Smit for his pre-night & VIP showing to discuss his art work and upbringing as a Caucasian male in South Africa.

The exhibition featured work from his studio in Cape Town, South Africa as well as his previous solo exhibition OBSUCRA, held at the Museum of Contemporary Art in Miami. This being the first of his work to be released commercially.

Smit was born in Pretoria, South Africa and later moved to Cape Town. There, he discovered his passion for the culture and history behind the city, specifically with the Cape Malay women. Smit explains how these individuals are genetically created in the sense that there is a mixture between the European, African and Malaysian bloodlines. This discovery can be related to many other countries which Smit used as a starting point to spark conversations on who we are and where we are going on an emotional level.

During the interview, Smit touched on his experience during apartheid as a White South African and explained, “everyone knew what was happening… but you lived in this bubble… and there was a whole generation that wasn’t responsible for it but still went through the same kind of motions. My idea was to steer away from that and create something that’s more universal and speaks to us on a universal level.”

Smit’s art will be available at ArtLife Gallery, located at 655 N. Robertson Boulevard in West Hollywood until October 28th.

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ACJ319neo Infinito, a flying artwork

“Entering ACJ Infinito means exploring a place of wonders, where each element, space, and color are hand-stitched around the needs and requirements of the client, transforming them into emotion and inspiration”.

ACJ319neo Infinito is an ultra-luxurious jet born from the shared passion of Airbus Corporate Jets (ACJ) and Pagani Automobili, which decided, in 2016, to combine their artisanal skills and pioneering vision in order to create something absolutely unique.

The Infinito cabin represents the quintessence of the Pagani philosophy in a state-of-the-art aircraft: a distinctive style, seamlessly combined with unrivalled material technology. Infinite, just like man’s gaze towards the horizon and beyond.

After tireless work and profound study of the physical and sensorial aspects of air travel, the two companies now present new values and ideas of travel aboard an aircraft, which, from a mere means of transport thus becomes a place of emotion and inspiration, without sacrificing important engineering achievements. ACJ Infinito is, in fact, a made-to-measure work of art entirely designed around the sensations and the emotions of the client.

All Airbus corporate jets come from the most modern family of aircraft on the market and offer the highest world standards of care in corporate aviation. ACJ customers are always part of a dedicated and exclusive community, they are provided with a dedicated service wherever they choose to fly in the world. They purchase much more than a product: they invest in their future, for a unique flying experience.

For the first time, two different worlds, two centres of excellences come together to give birth to a unique project: an aircraft that mirrors Leonardo Da Vinci’s principle of Art and Science: the harmony of beauty and engineering, both in the outcome and in the way of working. Pagani has always been a creator of tailored clothes and high-performance hypercars, whose technical content also exudes passion, technology and research into unique designs. Every object is unique, every creation is an art object that inspires and thrills with its lines and forms. The ideal of beauty is taken to a whole new level with the Infinito cabin, conveying the same emotions as a work of art, nurturing the mind and the senses, as well as relaxing the body during travel.

Detail, spaces, colors. “Each sensation conveyed by Infinito has to be the same as that conveyed by a work of art. These are the emotions we live for and we simply can’t live without,”tells Horacio Pagani, Chief Designer and Founder of Pagani Automobili, about the project, its main inspiration and the collaboration with ACJ.

“We were emotionally involved from the beginning. The project seemed challenging, to say the least.” The Modenese Atelier of hypercars has deployed its extensive experience in composite material and provided Class A tailored carbon fiber components, despite the high investments and production costs. “We have the technology, knowledge and skill for this project,” emphasises Horacio Pagani on the challenges that emerged in the process, “and we do want to invest in this direction.” Pagani’s expertise and advanced composite materials are used in the interiors of an airplane for the very first time, including carbon fiber and carbo-titanium, saving about a tonne compared with other similar projects, thus improving both range and take-off performance.

The interiors are designed around the client’s flight experience, with thorough attention to physical sensations and feelings. “We started with the client, around him we created a relaxing and comfortable environment, not only for the shapes and the design, but also for the visual sensation, for which we followed some chromotherapy principles. Even the smallest detail was given the maximum attention, so as to dynamically assist the client’s sensations across different time zones.” Infinito’s sky ceiling, entirely lined with digital displays, offers a play of light and images, for example, by projecting a sunset or a starry sky, minimising the physical and mental effects of jet lag.

“The feel of the materials, the warmth of the leather or the wood, the intelligence and sinuosity of the spaces, each detail has to convey emotions of peace and safety, like when we’re home or in a familiar and inspiring place.” continues Horacio Pagani on the choice of materials and the habitability of the aircraft. “Our idea is of a single, great space which fosters both movement and sensorial perceptions.” The absence of visual barriers, and the sense of infinite vision that surrounds the client, are the objectives of this tailored creation, simple but essential elements to facilitate a journey of several hours. The compartments inside are, in fact, provided with opacifying glass, when privacy is wished, supported by a carbon fiber framework, hand-made by the Modenese artisans, a homage to the first air inventions of the past centuries, and at the same time a highly robust solution.

ACJ319neo’s interior was entirely designed not only for artistic appeal, but also to be functional: after thorough research on internal spaces and volumes, ACJ Infinito’s compartments provide larger capacity while being less intrusive than other interior designs.

The feeling of hospitality in this ultra-luxurious jet continues with the choice of the single spaces within the aircraft. “At the entrance, a cafe. A genuine and heartfelt way to welcome your client is, of course, by providing refreshment!”. The feeling of familiarity, of home, that you can breathe within Infinito sometimes makes us forget about being on an airplane. This is the uniqueness that ACJ and Pagani Automobili have been striving for in the making of this flying artwork. Home is a safe and peaceful place, as well as a place of inspiration and emotions. Infinito aims to project the client into the same atmosphere of absolute relaxation, to stimulate his imagination and inspiration, reshaping the time of the journey into a time of ideas, visions and answers.

Infinito comes to life for art lovers, for those who love beauty and genius, for those who have an extremely refined idea of air travel, a dream to share with somebody. It’s not just a mere exercise in style, it’s a handmade piece of art, created to trigger sincere and genuine emotions in the client’s heart.

“To us, individual tailoring is what boosts and enriches our imagination – and that of our clients. It is pure passion for our work, and for customer care.”

The new era of corporate jets finds Pagani Automobili and ACJ collaborating side by side to create this new, absolutely made-to-measure masterpiece, bringing their infinite artisanal experience to a fast-growing and extremely fascinating market.

Diamond × Basquiat Collection

Diamond Supply Co. is excited to release their Diamond x Basquiat Collection, on Saturday, August 25, a collaboration featuring work from famed American artist, Jean-Michel Basquiat, as the brand continues to celebrate its 20th anniversary.

The 23-piece collection will be available on Saturday, August 25 at 9:00AM PST, available online at www.diamondsupplyco.com/collections/diamond-x-basquiat and at Diamond flagship locations in LA and NYC. Retail prices range from $30-$160.

Artist Pension Trust Announces Art Display

Carefully curated works are featured throughout the New York City building, including in Danny Meyer’s Union Square Hospitality Group’s newest spaces, Manhatta and Bay Room

Artist Pension Trust (APT) is pleased to announce its new project at 28 Liberty Street, a 60-story skyscraper, located in Manhattan’s Financial District. APT artist works will be featured throughout Fosun International’s 28 Liberty building, including at Manhatta, the Danny Meyer-run Union Square Hospitality Group’s (USHG) newly-opened restaurant and bar, as well as Bay Room, USHG’s first-ever event space, both of which occupy the 60th floor of the building.

“Art has always been essential part of our restaurant designs,” says Meyer. “We are thrilled to include over 100 pieces of artwork from Artist Pension Trust in Manhatta and Bay Room, both by top local talent and established international artists. We love APT’s mission of helping artists and fostering a community between them, and we feel privileged to benefit from their meaningful work, and to share it with our guests.”

Featured artists in the space include Logan Grider, an Oregon-based artist and Theresa Hackett, a Los Angeles-based artist, who will both have their works featured inside Manhatta and Bay Room. Hackett’s work incorporates non-conventional materials to create hybrid landscapes while Grider’s pieces showcase an abstract theme.

“This partnership between APT, Fosun, and USHG is an exciting opportunity for our artist community,” says Zohar Elhanani, CEO of Artist Pension Trust. “We constantly seek new and exciting avenues to highlight the works of APT’s artists and the opportunity to showcase selected art throughout 28 Liberty and in both Manhatta and Bay Room, art that has been personally selected by Danny Meyer, will serve as fantastic exposure for our artists.”

Founded in 2004, APT (Artist Pension Trust) is a unique social initiative, designed to bring financial security and international exposure to a select group of emerging and established artists around the world. APT acts as a mutual assurance program, allowing participating artists to benefit from the sale of each other’s work — in essence, ensuring that the big-name artists behind blockbuster shows can support the work of talented peers still gaining art world recognition.

Since its foundation, APT has worked with some of the world’s leading contemporary artists, from Turner Prize winners to recipients of prestigious awards including the Prix de Rome and Deutsche Bank’s Artist of the Year. Works by APT artists have been loaned for exhibitions at the world’s leading institutions and have been prominent features of events including Art Basel and the Venice Biennale.

See some of the works that will be featured here: https://www.mutualart.com/apt/

About Artist Pension Trust

Artist Pension Trust (APT) was established in 2004 to provide artists with added financial security at every stage of their career, through a unique, patented model that allows participants to benefit from one another’s success. The APT model ensures that 72% of the net proceeds from the sale of an artwork goes back to its artist and their peers: 40% to the artist who created the work, and 32% shared among artists in their regional group.

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

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Rilès releases “!I’ll Be Back!” & Tour

NEW YORK, NY (June 22, 2018) — Today, buzzing French hip-hop artist Rilès releases his new single “!I’ll Be Back!

Get it HERE via Republic Records.

Driven by roaring horns and an airtight beat, the track showcases his off-kilter creativity and inimitable charisma. Over this unpredictable soundscape, he drops clever rhymes and a catchy chorus. It’s emblematic of his outlier approach and show-stopping style.

The song represents the culmination of a massive undertaking by Rilès. It all started in his bedroom—which doubles as a creative hive. He produces, writes, and records music in this tiny space (it’s also where you can find him often painting and crafting visual art as well). From that D.I.Y. headquarters, he made the decision to release one new song per week (52 in total) as part of his highly touted Rilèsundayz initiative. He kept the promise with a slew of songs on a weekly basis, and it finally concludes with the unveiling of his new major label single “!I’ll Be Back!”

“!I’ll Be Back!” arrives hot on the heels of his U.S. debut single “Should I, which has already cracked 4.8 million Spotify streams. Meanwhile, the song’s self-directed music video just crossed the 4-million-mark on YouTube within a month’s time.

Be on the lookout for more from Rilès soon as he is currently on his Summer Festival tour, the remaining tour dates can be found below.

Out of a tiny makeshift bedroom studio, Rilès became the talk of Europe and Africa. Between graduating from a French scientific high school and studying English literature at the University of Rouen, he began painting, producing, writing, recording, mixing, mastering, and engineering an undeniable underground catalog in this tiny space. His YouTube channel impressively exceeded the 100-million-mark on YouTube by dropping one song per week from September 2016 through September 2017. Additionally, he sold out every date of his first tour as “Brothers” cracked 11 million Spotify streams with “Thank God” eclipsing 9 million on the platform.
SUMMER FEST 2018 SCHEDULE:
June 24 – Solidays Festival – Paris, France
June 26 – Mawazine Festival – Rabat, Morocco
June 29 – Garorock Festival – Marmande, France
June 30 – Europavox Festival – Clermont-Ferrand, France
July 5 – Les Ardentes Festival – Liège, Belgium
July 6 – Eurockéennes Festival – Belfort, France
July 8 – Les Déferlantes Festival – Argelès-sur-Mer, France
July 13 – Musilac Festival – Aix-les-Bains, France
July 20 – Vieilles Charrues Festival – Carhaix-Plouguer, France
July 21 – Art Sonic Festival – Briouze, France
July 22 – Paléo Festival – Nyon, Switzerland

ABOUT REPUBLIC RECORDS
A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Aminé, Black Sabbath, DNCE, Florence + the Machine, Gotye, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Jordan Smith, Julia Michaels, Keith Richards, Kid Cudi, Liam Payne, Marian Hill, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers, Towkio), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Giorgio Moroder, KUNGS, Tïesto), Cash Money (Drake, Lil Wayne, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (Belly, The Weeknd), Roc Nation (Jaden Smith, Justine Skye, The Dream), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records (Taylor Swift), and Universal Music Latin Entertainment (Luis Fonsi, J Balvin). In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR), and NBC TV (The Voice), as well as other notable film and television franchises.

SIR NIKOLAI HOTEL × IZAKAYA

Sir Nikolai Hotel and IZAKAYA Asian Kitchen & Bar celebrate one year anniversary

A year ago, Hamburg lined up for the grand opening of Sir Nikolai and IZAKAYA Asian Kitchen & Bar. Well established in the city’s growing hotel and fine dining scene, Sir Hotels and THE ENTOURAGE GROUP celebrate a successful first year with the presentation of a 7-story high artpiece by acclaimed artist Steve Tepas.

Liran Wizman, owner and founder of Sir Hotels and Yossi Eliyahoo, owner and founder of THE ENTOURAGE GROUP commissioned Los Angeles-based artist Steve Tepas to create an artpiece for one of the building’s inner courtyard’s walls. The eye-catching 250sqm painting is titled “Collective Ascension” and shows nine abstract male faces looking upwards towards one abstract female who is bending down with her eyes closed. Inside each male head, boldly outlined in black on white background, the artist painted black staircases.

I created this piece in reflection of all the many journeys we take in life. We all have the same goal: rising to a higher level,” artist Steve Tepas explains.

The artpiece is visible through the retractable glass ceiling of the patio on the groundfloor, as well as from the hotel rooms facing the courtyard.

Sir Nikolai & IZAKAYA Asian Kitchen & Bar

The  seven-story Kontorhaus,  orginally  used  as  a  warehouse  for  seeds,  encompasses  94  rooms  and  suites  with  views  of  the  canal  and  the  Old  Town,  the  Speicherstadt  and  HafenCity  or  the  hotel’s  inner  courtyard.  The  open  and  inviting  public  spaces  on  the  groundfloor  stretch  from  The  Study,  a  cosy  lounge  where  guests  check-in,  over  The  Patio,  the  hotel’s  glass-roofed  courtyard  where  IZAKAYA  Asian  kitchen  &  bar  begins. The restaurant includes an open kitchen, where diners can watch the chef and his team artistically prepare the dishes at the kitchen counter, a 360-island bar overlooking the canal and two balconies,  floating over the water.

IZAKAYA Asian Kitchen & Bar defines skills and techniques of the Japanese cuisine with South American influences. The first IZAKAYA Asian Kitchen & Bar opened 2012 in Amsterdam and is one of the city’s most established fine dining spots. This success led to the opening of IZAKAYA in Hamburg, Ibiza and Munich. The  menu  features  fresh  sushi,  sashimi  and  a  variety  of  exquisite  meat  and  fish,  prepared  on  a  traditional  Robata-grill  or  in  a  Hibachi-fire  bowl.

A successful first year in Hamburg

Keeping with its philosophy of building meaningful relationships and offering extraordinary services to guests, Sir Hotel’s kicked-off two special initiatives throughout its first year in Hamburg. On Instagram, Sir Hotels launched travel guides that repurpose the social platform to provide an  innovative  way  for  locals  and  visitors  to  experience  the  city. Sir  Nikolai’s Hamburg guide is  an  easy-to-use  city  guide  highlighting  local  favourites  and  hidden  treasures. In addition, the recently launched program, Sir Explore, offers bespoke experiences to out-of-town guests and the locals alike. The collection of custom tours and workshops gives access to unique experts. Each host leading a Sir Explore experience represents an intriguing aspect of their community and culture; Sir Explore allows for a truly authentic insider perspective to each city.

At IZAKAYA Asian Kitchen & Bar time-honoured techniques blend together with innovative signatures, with spectacular dishes as the end result. Executive Chef Hariprasad Shetty composed a sophisticated menu of a variety of small, unconventional dishes and specialities of the Robata grill, always daring the guest to try something new.

Shortly after it opened, IZAKAYA Hamburg was awarded 15 points by the renowned Gault-Millau restaurant guide, making it one of the city’s top ten restaurants already in its first year.

Along with redefining Asian culinary classics, IZAKAYA Hamburg gives a cutting-edge twist to the classical Japanese and English tea ceremony by serving a totally new kind of ‘Afternoon Tea’ with an exclusive selection of extraordinary light bites, one of the best tea selections of the town.

www.sirhotels.com

www.the-entouragegroup.com

About Sir Hotels

Sir Hotels is a boutique hotel brand, founded in Amsterdam in 2013 with the opening of Sir Albert, located in a former diamond factory next to the city’s Museum Square. In 2016, Sir Savigny opened in the heart of Berlin’s district of Charlottenburg, followed by a second outpost in Amsterdam, Sir Adam, located in the iconic A’DAM Tower. Following the opening of Sir Nikolai in Hamburg, Sir Hotels headed to Ibiza: Sir Joan opened in July 2017. Sir Hotels cater to those who are looking for authentic stories and distinctive locations. Each hotel has stunning interior design, exceptional restaurants and bars and specializes in providing guests unique experiences on and off property. Sir Hotels are created and managed by the award-winning Amsterdam-based hotel development and management company Europe Hotels Private Collection (EHPC).

About THE ENTOURAGE GROUP

THE ENTOURAGE GROUP is an unrivalled hospitality empire, renowned for creating internationally acclaimed food and beverage concepts across the world. Their wide range of expertise has been cultivated extensively through years of hospitality management, operations and fine dining experience. Owners and founders Yossi Eliyahoo and Liran Wizman, along with the group’s CEO Stephanie Pearson, inspire THE ENTOURAGE GROUP to continually set the new standard for modern hospitality. The currently owned portfolio includes MOMO Restaurant, Bar & Lounge, IZAKAYA Asian Kitchen & Bar (Amsterdam, Hamburg, Ibiza and Munich), THE BUTCHER, THE BUTCHER West, THE BUTCHER Nine Streets, THE BUTCHER Social Club, THE BUTCHER Berlin, THE BUTCHER Ibiza and THE BUTCHER On Wheels, SHIRKHAN, MR PORTER, awarded by Michelin THE DUCHESS and MAD FOX club Amsterdam. The upcoming cities include Barcelona, Dubai and Milan. Due to the success of the group, founder Yossi Eliyahoo was awarded ‘Hospitality Entrepreneur of the Year’ in the prestigious Entrée Hospitality Awards 2015.

About Steve Tepas

Steve Tepas is a painter and sculptor in the Neo-Purism movement, based in Los Angeles and Spain. He has shown his work at Art Basel Miami and at the Marrakech Light Festival. His first solo exhibition will take place in July. Before he dedicated his life to the arts, he was a creative director in Fashion and Interior Architecture.