Posts tagged with "news"

Austin Adventures: Family Appreciation Month

Through hard work and dedication to the details, Austin Adventures has grown to be the #1 Family Adventure company in the country. For over 35 years they have been taking families to the national parks of the West as well as special places around the globe. As a two-generation, owned and operated active travel company, family travel is in their DNA.

For the second year in a row, Austin Adventures is dedicating the entire month of March to “Family Appreciation,” with special incentives and giveaways, plus an interactive child & parent “Take a National Park Vacation” webinar that all ages will want to attend.

“Between work, school, athletic and social schedules, planning and scheduling a family vacation has never been more challenging, often to the point of missing the opportunity all together to create lasting bonds and memories within the family,” explains Dan Austin, company president and founder. “Austin Adventures is fully committed to helping anyway we can. Our goal is to take the stress out of vacation planning and then deliver an experience second-to-none.”

On Tuesday, Mar 12, 2019 at 6:00 PM – 7:00 PM EDT Austin Adventures invites kids and parents to a live webinar focused on helping families (especially the kids) with their vacation planning. Anyone considering a small group vacation tour now or in the future is encouraged to attend. For information and to register click here.

The seminar will be hosted by Kasey Austin, Outside Magazine 2014 Family Guide of the Year. Making a cameo appearance will be Dan Austin, company visionary and travel industry legend. Together, The Austin Family has set the bar for family adventure travel for decades, so much so, they are often referred to as “the First Family of Adventure Travel.”

During this informal and informative webinar focused on the younger generation, Kasey will offer tips and insights on planning and visiting America’s National Parks along with other popular family destinations.

As an incentive to register and attend, every family that participates will receive a coupon worth $250 off their next Austin Adventures family vacation. Plus, all participating kids (age 6-12) whose parents end up booking a 2019 family national park adventure will receive a logo-embossed backpack (on Day 1 of the trip) packed full of swag (logo water bottle, trip journal, field guide, hacky sack, stickers and more).

“I had so much fun sharing my passion for our National Parks last year, I couldn’t wait to do it all again this year. Sharing the parks with the next generation of adventurer really is my passion. I am looking forward to sharing what we know and have learned from our 35+ years of taking families deep into our national parks,” said Kasey Austin.

“Dan and I will draw from our own experiences and help families with real time information that can assist them in making the most of a park vacation, whether with us or on their own. There will be a follow-up email survey as well as ample time for questions and answers.”

The webinar will help Austin Adventures kick-off their second annual “Family Appreciation” Month. Dedicated to celebrating and encouraging family vacations worldwide, this observance comes on the heels of the company’s 2nd wildly successful “Alumni Appreciation” month held in December, 2018. Throughout the month there will be dedicated e-newsletters and blogs on family travel, special incentives, travel agent promotions and for extended families, an offer of a free trip for one guest in groups of ten or more booked.

To assist in vacation planning, Austin Adventures also offers a free Insider’s Guide to Planning the Perfect Family Adventure. See: https://www.austinadventures.com/free-family-travel-guide/.

Austin Adventures has led the field when it comes to family adventures (twice being acknowledged by Travel + Leisure Magazine as the #1 Tour and Family Tour Operator in the World). For 2019, there are over 40 family adventures planned across the globe. Here is a sampling of some of the more popular National Park itineraries on the current Austin Adventures roster. All adult rates are per person, double occupancy.

Grand Canyon National Park: 6-days/5-nights from $2,998; children from $2,398.

Alaska- Kenai Fjords National Park: 6 days/5 nights from $3,698; children from $3,328.

Bryce & Zion National Parks: 6 days/5 nights from $2,798; children from $2,518.

Yellowstone National Park:  6 days/5 nights from $2,898; children from $2,318.

Grand Teton National Park: 6 days/5 nights from $3,298; children from $2,968.

Yosemite National Park: 6 days/5 nights from $3,698; children from $2,958.

Glacier National Park: 6 days/5 nights from $3,298; children from $2,638.

South Dakota – Black Hills (Mount Rushmore and Crazy Horse Monuments / Wind Cave NP): 6 days/5 nights from $2,898; children from $2,318.

Banff to Jasper National Parks 6 days/5 nights from $3,098; children from $2,478.

About Austin Adventures
Based in Billings, Montana, Austin Adventures has spent over 35 years building an international reputation as a top provider of luxury, small group, multi-sport tours for adults and families to the world’s most captivating destinations. They have been acknowledged twice by Travel + Leisure Magazine with the prestigious World’s Best Awards along with other national media accolades and distinctions. Austin Adventures has perfected the art of creating itineraries featuring exceptional regional dining, distinctive accommodations, incredible guides and exhilarating activities, all while keeping all-inclusive rates and services the norm. In addition to scheduled group departures on all seven continents, Austin Adventures has developed a reputation as the leader in customized trip planning and execution, all backed by the industry’s best money-back satisfaction guarantee.

Young Bae

A native of Seoul, South Korea, Young Bae’s childhood reads like a painful chapter of Oliver Twist. Using her innate talent – art – to overcome years of poverty, homelessness and abuse, Young managed to escape.

Young’s mom, an artist herself, was consistently unable to provide and care for her children and members of their community refused to volunteer assistance. Young recalls the cultural reaction to her family’s suffering with clarity,

“Korea is a materialistic country,” confides Young, now proprietor of the marquee Diamond Tattoos shop in New York City’s Times Square. “No matter how hard you work, it is hard to break away from poverty – nobody gives you an opportunity. If you’re poor, you’re poor for life. They treat the less fortunate like shit, hence I couldn’t talk to anybody about how I was living – not even my best friend. So I kept it all a secret, as best I could.”

Young did her best to mix in with other more privileged kids, even as she and her family moved around in church basements, abandoned houses and even a shipping container throughout her teenage years. “I may have been homeless with no money, but I was always fresh and fashionable,” says the self-taught tattoo queen has come a long way to now ink high-profile clientele and eager fans of the drama-filled show, “Black Ink.” “When my family didn’t have access to a shower I would clean up at public restrooms every morning. I’d also get hand-me-down-clothes from church and create my own fashions, or at least I tried to. My teachers suspected I was poor because there were things I couldn’t pay for, but for the most part I think I flew under the radar.”

She didn’t fly under the radar though when it came to her talent, her teachers and classmates acknowledged her ability to sketch, draw as well as paint. Young began receiving accolades for her fabrications, using the sales to buy basic necessities.

Young was able to land a partial academic scholarship to a college where she continued to hone her craft until she was ready to leave Korea.

“New York is an artist’s city,” says the Chugye University graduate, “so it just made sense.”

They say if you can make it in New York, you can make it anywhere and the bonafide hustler Young took the motto to heart. In 2007, the 22-year-old made a beeline for Koreatown in Manhattan, touching down with just $80 and a student visa to study English, she landed a job at a local nail salon.

Despite a language barrier, she wouldn’t stop there. Young continued job hunting, getting jobs at restaurants, jewelry shops, even illegally hawking her art in New York’s famed Union Square. All this to make her share of the rent for a small place with roommates in New Jersey.

On the way to the tattoo shop in NYC, the neon lights of New York City brightly shined on the other side of the Lincoln Tunnel.

Tattooing was illegal in South Korea so Young had no experience. “I walked in, took a look around at the tattoo sketches on the wall, and thought, hey, I could do this. So I offered the shop owners a barter: in exchange for giving me a shot I would clean their shop for free. They agreed.” With that, her apprenticeship commenced.

In no time, Young became confident in her skills and moved to another shop where she could demand a tattoo artist’s wages. Quickly becoming the most requested artist in the shop, Young decided look into owning and operating her own business.

“I rented this little ratty spot on 46th Street in Times Square. It was literally a storage room in the back of an eyebrow threading shop. I got licensed, worked like three additional jobs to afford the $1000/month overhead and scoured the area to find shelves, paint and other stuff to decorate. I upholstered my first tattoo chairs with fake leather I found on the street. Then every day I’d go hold up this human-sized sign advertising my shop, and miraculously people showed up. Eventually so many showed up, I quickly outgrew the space!”

With Young’s growing credibility and reputation among fellow artists throughout the tri-state area, it was no wonder that reality TV show producers eventually came calling.

“My shop might not have been the fanciest, but my work was good and news about me began to spread quickly. It kept getting bigger and busier every year,” she says.

Young was delighted to join VH1’s popular show “Black Ink Crew: New York” during its fifth season. Heading into its seventh season, Young Bae is a fascinating and loveable character to watch.

Through it all, Young gives God the credit for not just where she is today but where’s she’s headed, “I had faith that poverty, homelessness and abuse wouldn’t be the end of my story. I went through all of what I did so I could come out on top on the other end and eventually go on to help others who are vulnerable like I was. There is greatness waiting for us all and I’m determined to live and share my best life now.”

Currently, Young Bae is working on an athleisure line 2one2 and a book sharing her life experiences.

Additional information can be found on her wikipedia.

Women In Media

Women’s Media Center Releases 2019 Status of Women in U.S. Media Report:

Men dominate news, entertainment and digital media

94 studies — including new research from WMC — detail the shape and scope of women’s participation in media

Click here to read the full report.

The Women’s Media Center (WMC) today released its 2019 report on the status of women in U.S. media, which shows that despite some gains, men still dominate in every part of news, entertainment and digital media.

“The Status of Women in the U.S. Media 2019” is comprised of 94 studies, including original research by WMC and aggregated research from academia, industry and professional groups, labor unions, media watchdogs, newsrooms and other sources.

Julie Burton, president of the Women’s Media Center, said the data in the report paints a stark picture. “The media is in a state of great disruption, but despite all of the change, one thing remains the same: the role of women is significantly smaller than that of men in every part of news, entertainment and digital media. It is clear that a cultural, systemic shift is necessary if all parts of the U.S media are to achieve gender and racial parity and move toward a world where stories fully represent the voices and perspectives of diverse women,” she said. “Research spotlighted in this report shows that diversity boosts corporate profits. When boardrooms, newsrooms, studios and tech companies fully reflect the faces, genders and myriad talents of our society, we’re all exceedingly better served.”

The report includes several original WMC studies, including “Divided 2019: The Media Gender Gap,” an assessment of where women stand as media writers, reporters, correspondents and anchors in the major news media platforms, including the prime-time broadcast news programs, print publications, wire services and online news sites. Across all media platforms, men receive 63 percent of bylines and credits; women receive only 37 percent.

“Women have been fighting for greater parity and equality in the news media for decades,” said Maya Harris, co-chair, Women’s Media Center. “This report shows that more work needs to be done to level the playing field. Women and our male allies will not rest until we see wholesale change.”

“When we watch the evening news, we’re not seeing an America that truly reflects all voices,” said Pat Mitchell, co-chair, Women’s Media Center. “Too often, the voices we hear and the images we see are men’s. Men largely are reporting and telling the story even though women represent more than half the U.S. population.”

The report is inclusive and also features WMC’s “The Status of Women of Color in the U.S. News Media 2018,” which offers a rare look at where women journalists of color are — and aren’t — in legacy print, radio, TV, and digital news.

“Missing women of color in the newsrooms of this country is an injustice in itself, and an injustice to every American reader and viewer who is deprived of great stories and a full range of facts,” said Gloria Steinem, WMC co-founder. “Inclusiveness in the newsroom means inclusiveness in the news. Racism and sexism put blinders on everyone.”

In an expanded section on tech, social media, gaming and engineering, “Status 2019” also spotlights the growing threat online to women in media and the perils of failing to protect free and safe speech.

“As part of their day-to-day work, women journalists often face a torrent of harassment, denigration, and threats. The point of this hostility is to silence women, most frequently women of color,” said Soraya Chemaly, director of WMC’s Speech Project. “The onus continues to fall on women’s shoulders as individuals.  Media companies have to develop institutional responses to these threats if they are serious about building inclusive organizations.”

Here are the Status report highlights in traditional print and online-only, radio and television, news consumption, entertainment media and technology, social media, gaming and engineering:

In news media: print and online-only:

  • The American Society of News Editors’ latest tally found that women comprised 41.7 percent and people of color 22.6 percent of the overall workforce in those responding newsrooms.
  • Sports desks at 75 of the nation’s newspapers and online news sites earned a “B+” for racial diversity, a “D+” for gender and racial diversity, combined, and a sixth consecutive “F” for lack of gender equity. (Associated Press Sports Editors)
  • Editors of the nation’s 135 most widely distributed newspapers are overwhelmingly male and White. (Columbia Journalism Review)
  • 69 percent of news wire bylines (AP and Reuters) are snagged by men, 31 percent by women; 63 percent of TV prime-time news broadcasts feature male anchors and correspondents; 37 percent feature women; 60 percent of online news is written by men, 40 percent by women; 59 percent of print news is written by men, 41 percent by women. (Women’s Media Center)

In news media: radio and television:

  • A record number of women are employed in TV news, including as news directors, but fewer women and people of color work in radio news. (Radio Television Digital News Association)
  • Women owned 7.4 percent of the nation’s commercial TV stations. (Federal Communications Commission)

In entertainment media: film, TV & online streaming:

  • Over 12 years, through 2018, men accounted for 93.4 percent, or, 654, of the 704 individual directors of the highest-grossing films. Women accounted for 6.6 percent, or, 46 of those 704. (University of Southern California’s Annenberg Inclusion Initiative)
  • The number of women working on-screen in television and online streaming entertainment shows declined 2 percentage points from 2016-17 to 2017-18, when 40 percent of all speaking characters were female and 60 percent were men. (San Diego State University’s Center for the Study of Women in Television & Film)
  • The share of women among nominees in the Oscars’ 19 non-acting categories rose slightly from 23 percent to 25 percent from 2018 to 2019, but women were shut out of nominations for cinematography, directing, editing, original score and visual effects. (Women’s Media Center)
  • The proportion of lesbian, gay, bisexual, transgender and/or queer regular (LGBTQ) characters cast during the 2018-19 broadcast TV season — 8.8 percent of 857 regular characters — was the highest tallied in 14 years. (Gay & Lesbian Alliance Against Defamation)

In tech, social media, gaming, engineering:

  • 45 percent of U.S. gamers were female, reflecting continued, year-over-year increases in female gamers. (Entertainment Software Association)
  • Over a decade, there was no significant rise in the number of female tech workers and Black tech workers. (U.S. Government Accountability Office)
  • 53 percent of women and 16 percent of men said they had been harassed at work. (Women Who Tech)

Click here to read the full report.

About The Women’s Media Center

The Women’s Media Center, founded by Jane Fonda, Robin Morgan, and Gloria Steinem, is an inclusive and feminist organization that works to make women visible and powerful in the media. We do so by promoting women as decision-makers and as subjects in media; training women to be effective in media; researching and exposing sexism and racism in media; and creating original online and on-air journalism.

Dolly Parton on CBS

Dolly Parton to Appear on “CBS News Sunday Morning” this Sunday, February 10th

We’ve been singing along for decades with Dolly Parton, the poor girl from the Great Smoky Mountains who became the glitzy queen of country glamour. She’s still at it 24/7, still writing her legacy one song at a time, without a thought for the “R” word. Tony Dokoupil talked with the entertainer, who has sold more than 100 million albums, and who is the Grammys’ 2019 MusiCares Person of the Year for her charity work.
The episode airs on CBS at 9am EST / 8am CST — check your local listings for airtimes in other time zones.

Alexandria Ocasio-Cortez’s First Weeks in Washington

In a special Intercept podcast episode, D.C. bureau chief Ryan Grim and senior politics editor Briahna Gray join freshman New York representative Alexandria Ocasio-Cortez for an in-depth conversation about her approach to politics and social media, her thoughts on the 2020 presidential election, and her “out-of-nowhere” congressional campaign.

Listen here.

As a new member of the House Financial Services Committee, she’s already shaping the conversation with her call to raise the top marginal tax rate to 70 percent. Former North Carolina Rep. Brad Miller, a progressive Democrat who served for years on the Financial Services Committee, joins the conversation to talk about the challenges Ocasio-Cortez will face there.

About The Intercept

The Intercept is an award-winning nonprofit news organization dedicated to holding the powerful accountable through fearless, adversarial journalism. Its in-depth investigations and unflinching analysis focus on surveillance, war, corruption, the environment, technology, criminal justice, the media and more.

Nurses Congratulate L.A. Teachers

Registered nurses with the California Nurses Association/National Nurses United (CNA/NNU) applaud news that—as the result of a historic strike—30,000 educators represented by United Teachers of Los Angeles (UTLA) have reached an agreement, ratified in voting last night, with the L.A. Unified School District (LAUSD).

“This is a huge victory for the children, families and hardworking teachers of Los Angeles. The courageous teachers and community supporters have proven that when working people stand together, they can move mountains,” said CNA/NNU Executive Director Bonnie Castillo, citing the L.A. strike as the latest example, along with a wave of historic teachers strikes in 2018, of workers rising up in collective opposition to corporate attacks and the defunding and corporate privatization of our public institutions— in this case, our public education system.

“No one has taken advocacy to the streets of America in the past year the way the teachers have done, from West Virginia to Los Angeles. We are so proud of what our UTLA sisters and brothershave accomplished through their solidarity, and their unwavering demand for justice, in the face of corporate greed,” said Castillo.

Nurses say they especially congratulate teachers on winning a reduction in class sizes.

“Teachers cannot do their job when they are overloaded with students. Nurses had to fight hard in California to win our own safe staffing protections—and are still fighting at the national level, so we are very pleased to see this particular win,” said Castillo. “Students deserve to learn in conditions where teachers are able to give them the attention, time, energy and resources to help them flourish.”

RNs also cheer news that the agreement includes the hiring of nurses, to provide a full-time nurse at every school, five days a week.

“Nurses know that when kids are not healthy, they’re not able to learn,” said Castillo. “Students today show up at school with a wide variety of complex and serious health conditions—especially since many of them may not have adequate health care outside of school. It is imperative that a nurse be on site to care for them.”

CNA/NNU registered nurses have voiced support for the teachers throughout the strike, which began January 14. RNs say they shared educators’ concern that with a pro-charter school majority on the LAUSD board, and pro-charter businessman Austin Beutner acting as superintendent, equal opportunity to education was impossible.

“The effort of billionaires to erode the public education system and push public resources to charter schools is a blatant attack on our democracy. Los Angeles teachers said, ‘Enough is enough!’—and took a huge stand for public schools, which serve high numbers of children of color and low-income children. What they have accomplished is a victory for equality in society,and for quality education for all,” said Castillo.

“Social determinants, such as the educational opportunities or level of schooling a person receives, greatly influence the health of our patients. So nurses thank the teachers for their righteous fight, which is a win for a healthier society. We want the teachers to know the nurses will continue standing with them to protect education as a public good—today, tomorrow and always.”

88Glam Drops New Album 88Glam2

Just recently, buzzing Canadian hip-hop duo 88GLAM have released their new album 88GLAM2 via CO/Republic Records–get it here!

A nocturnal triptych of neon electronics, woozy hip-hop, and impressively deft rapping, the record showcases every side of two-piece–Derek Wise and 88 Camino. Its forward-thinking futurism positions the group for a major mainstream breakthrough. Just last week, they teased the forthcoming arrival of 88GLAM2 with the release of the single “Lil Boat.” Within a week, it cracked 500K Spotify streams and attracted praise from Complex, HotNewHipHop, and more.

From the hypnotic crunch of “Purple Baguettes” through the smoked-out finale “Endz,” the album dips in and out of a myriad of sonic styles and worlds, bringing its own vibrant vision to life in the process.

88GLAM2 arrives hot on the heels of the group’s Spring project 88GLAM: Reloaded. Its lead single “Bali” (feat. Nav) impressively eclipsed 32 million Spotify streams with “12” nearing 10 million and “Kyrie” dunking over 8 million. Additionally, the group has earned acclaim from Billboard, HotNewHipHop, XXL, and more. 88GLAM only continues to skyrocket towards hip-hop supremacy.

Tuesday’s Real Sports Episode

Real Sports With Bryant Gumbel returns on Tuesday, Nov. 20 at 10:00 p.m. ET/PT on HBO.

Flight Club. In mountainous Draper, Utah, just outside Salt Lake City, dozens of thrill-seekers take to the air daily to paraglide with colorful parachutes. As correspondent Jon Frankel discovers, these adventurers are defying the odds in breathtaking fashion. He meets Chris Santacroce, founder of Project Airtime, which is designed to get people with brain and spinal cord injuries out of their chairs and reaching new, previously unattainable, heights through an innovative paragliding program.

Producer: Beret Remak.

Check out the Flight Club video here!

David Castillo Gallery Announces Major News Art Basel

David Castillo Gallery celebrates a pivotal moment during Art Basel this year, with trailblazing news: for the first tie in more than a decade, Art Basel Miami Beach has vetted a gallery from Miami into the exclusive Galleries Section, where only the leading 200 galleries in the world are showcased. The gallery’s singular success story is exemplified by being chosen for this honor, and this year the stars are aligned.

The gallery’s booth at Art Basel (Booth F26) presents a stellar group of artists from throughout the U.S. and abroad, featuring works in sculpture, painting, photography, installation, and paper by the artists Belkis Ayon, Sanford Biggers, Adler Guerrier, Quizqueya Henriquez, Pepe Mar, Glexis Novoa, Xaviera Simmons, Shinique Smith, and Vaughn Spann. This marks the gallery’s sixth year in the art fair and its first in the established Galleries section.

David Castillo at his art gallery with dog (Harry), works by Pepe Mar. Photo by Mateo Serna Zapata. Courtesy David Castillo Gallery.

 

David Castillo is recognized in the art industry for his long-term nurturing of artists, many represented by Castillo since the beginning of their careers.

“Our artists help to shape the most current vision of contemporary art,” says David Castillo. “My passion for their artistic evolution, and our gallery’s singular trajectory of success, have led up to this pivotal year. We are thrilled to have been invited to the Galleries section at Art Basel.”

 

Kalup Linzy, Conversations Wit De Curen: IX XI XII Days of Our Ego

 

During Miami Art Week, the gallery’s headquarters on Lincoln Road (ideally located near the main Art Basel location at the Convention Center), will also present the new group exhibition The Strangeness Will Wear Off, featuring the artists Melissa Brown, Cynthia Cruz, Maria de los Angeles RJ, Natalie Frank, Tomashi Jackson, Pepe Mar, Jillian Mayer, Robert Melee, Eamon Ore-Giron, Shinique Smith, and Wendy White. The opening reception is on Saturday, December 8th, from 7:00-10:00 p.m., located at Lincoln Road on Miami Beach.

The Strangeness Will Wear Off characterizes the enduring legacy of Modernism as a radical and boundary-pushing form into the contemporary moment. The exhibition probes at how artists break with conventions in uncompromising ways, while borrowing pointedly from the past, the new twenty first century avant garde that looks to history as a catalyst for what is to come.

 

Eamon Ore-Giron, Infinite Regress LV, 2018, Flashe on linen. Courtesy David Castillo Gallery.

 

More about the artists at David Castillo Gallery’s Booth in Art Basel 2018:

Belkis Ayon’s visual vocabulary is sober yet sumptuous, capturing haunting ghost-like figures in stark contrasts of bright whites and deep blacks.

Deeply enmeshed within the origins, rituals and teachings of Afro-Cuban religions, the moody penumbral magic of Ayon’s work carries with it the mystical legacies that so fascinated her before her untimely death.

 

Sanford Biggers, Parallaxadaisical, 2017, antique quilt birch plywood, gold leaf. Courtesy David Castillo Gallery.

 

Sanford Biggers plays with the broad scales of time and culture in works that collage histories both far and recent.

His floor sculpture marries his interest in participatory works and geometry: while his quilt constructions tell the uneasy histories of America’s violent racial past through the aspirations of Afrofuturism.

 

Alder Guerrier, Untitled (longevity has its place), 2017, graphite, color pencil, enamel paint and solvent transfer on paper. Courtesy David Castillo Gallery.

 

Adler Guerrier’s work across collage and print mines the cultural make-up of Miami–and of the artist’s own background as a Haitian American living in one of the largest centers of the Haitian diaspora–drawing out themes of collectivizing belonging, seeking refuge, and claiming place.

 

Quisqueya Henriquez, Lyubov Popova/Jackie Winsor, 2014, inkjet print on Dibond and a frame inside a frame. Courtesy David Castillo Gallery.

 

Quisqueya Henriquez boldly claims the history of art for her own, actively mining and recombining references from Conceptualism and the greater lineage of Modernism to reframe this often staid history along new terms. She inserts herself into pictorial modes that largely excluded the voices of those who are Other: women and Latin Americans.

 

Pepe Mar, Checkerboard, 2018. Photo by Zach Balber/Courtesy David Castillo Gallery.

 

Pepe Mar’s fabric paintings tell of a contemporary folklore between past and present, place, and time.

His curiously collaged works that draw from the artist’s own oeuvre; much of the fabrics used in these pieces are printed from photographs from along Mar’s own fifteen-year career, creating new contexts for these past works from combining and re-combining these imageries.

 

Glexis Novoa, Timba, 2017, graphite on Carrara marble (marble recovered from Havana.) Courtesy David Castillo Gallery.

 

Glexis Novoa sources fragments of Carrara marble from the crumbling edificies of Cuban buildings and draws upon them aspirational images of future cities; grand and gleaming architectures in stark contrast to the current realities of Cuban life. Novoa imagines urban infrastructure as a broad political message and one that pulls at the opposing tensions of what is and what could be.

 

Xaviera Simmons, Velvet, 2018, acrylic on wood. Installation view, Renaissance Society, Chicago/Courtesy David Castillo Gallery.

 

Xaviera Simmons’ new body of text paintings, photographs, and sculptural furniture play with ideas of nomadism and the enduring legacies on which the contemporary American narratives is founded; histories of racial inequality, perseverance and unyielding calls for change. Simmons often inserts herself into her works, aligning with the disparate pasts to obscure the boundaries between them and now, us and them.

 

Shinique Smith, Sometimes I wonder, 2016, acrylic, ink, fabric, collage, ribbon and objects on canvas over wood panel. Courtesy David Castillo Gallery.

 

Shinique Smith’s body of work takes form across modes of production that collage found objects, second-hand clothing, and references to the flows of global commerce; how goods are produced in the Global South, transported to the West and then used, discarded, and returned to those countries from which they originated for recycling. Her paintings are often of sweeping swirling forms incorporating Eastern calligraphic traditions.

 

Vaughn Spann, Siren, 2018, polymer paint, dye, prisma marker, fabric, terry cloth on stretcher bars. Courtesy David Castillo Gallery.

 

Vaughn Spann creates evocative and at times deeply personal paintings that blend abstract formalism with the today’s uneasy social nuance.

The visual vocabulary of his Dalmatian series, which brings together black-and-white patters, examines the shifting associations of various geometries and forms across his childhood, recent history and deeper past.

 

More about the David Castillo Gallery:

Wendy White, Jeart (Mello Yello)

 

David Castillo Gallery opened over thirteen years ago under sole ownership after transforming a dilapidated warehouse in Miami, Florida into a 5,000 square foot gallery. After a decade in the Wynwood Arts district, David Castillo relocated for its second decade to Miami Beach’s Lincoln Road and has produced more than 116 fine art exhibitions to date. The gallery’s focus is on conceptual curatorial models as they relate to art historical, cultural, and personal investigations of identity. The gallery works with artists committed to the integrity of their individual histories and studio practices as agents of contemporary climate.

Since opening in Miami in 2005, David Castillo Gallery has become one of the nation’s preeminent galleries in the identification, development, and presentation of groundbreaking artists of color and queer artists, spearheading a far-reaching national and international impact on cultural and critical spaces.

 

Jillian Mayer, I Am Your Grandma

 

Gallery Represented Artists:

Sanford Biggers, Kate Gilmore, Adler Guerrier, Lyle Ashton Harris, Quisqueya Henriquez, Kalup Linzy, Belkis Ayon, Pepe Mar, Jillian Mayer, Robert Melee, Glexis Novoa, Xaviera Simmons, Shinique Smith, Wendy White.

The gallery as effectively advocated for the inclusion of its artists in dozens of museum solo shows and hundreds of museum group exhibitions, including: The Museum of Modern Art (New York); MCA Chicago; Fondazione Trussardi (Milan); Harvard University (Cambridge); ICA Boston; The Nasher (Durham); National Museum of Women in Arts (D.C.); Barnes Collection (Philadelphia); Walker Art Center (Minneapolis); MFA Houston; MoMa P.S.1 (New York); Whitney Museum (New York); Metropolitan Museum (New York); The Guggenheim (New York); and the American Academy in Rome among others.

David Castillo holds degrees in History and Art History from Yale University and the Angelicum in Rome. Since 2000, he has dealt in important Latin American, European, and American secondary market works. Castillo has held positions at museums, including the Yale University Art Gallery’s American Decorative Arts curatorial department. He continues to assist private clients in building their collections in addition to managing David Castillo Gallery And has lectured on various topics in art.

 

Vaughn Spann, Canyon Run

World Peas Peatos on Dr. Oz Show

It’s an exciting time for World Peas Peatos! We will be on Dr. Oz tomorrow, Wed. Nov. 7. Since its launch in March 2018, Peatos has become one of the top-selling pea-based snacks and one of the fastest growing snacks in the produce section.  Tune in to learn more about the meteoric rise of plant-based protein snacks and delicious alternatives in the produce section!

“Consumers have been hungry for a snack that provides the combined taste of “junk -food” with all the benefits of plant-based nutrition, a no compromise snack like Peatos.” Nick Desai, CEO, World Peas Peatos. “Celebrities and influencers have continued to give us praise.”

Peatos are a plant protein-based crunchy, puffed snack made of pulses that has twice the protein (4 grams) and three times the fiber (3 grams) of Cheetos® per serving. Peatos also boasts clean, non-GMO ingredients, has no artificial flavors, no synthetic colors and no added MSG. Striking flavors include the popular Classic Cheese, Fiery Hot, Chili Cheese, and Masala.

Find @WorldPeasPeatos on Facebook.com/worldpeasbrand  and Twitter

Twitter

Peatos: https://twitter.com/WorldPeasPeatos/status/1059938774908461056

Facebook

Peatos: https://www.facebook.com/worldpeasbrand/posts/1858572874192133