Posts tagged with "New York"

Norwegian Air Customers Donate to UNICEF

$3 Million Donated to UNICEF by Norwegian Air Passengers

Customers of Norwegian Air, the World’s Best Low-Cost Long-Haul Airline and Value Airline of the Year, have donated a total of three million dollars since a donation option was introduced to the booking process in July 2015.

Within its first year, the new donation option raised more than $720,000, and in July 2018, Norwegian introduced onboard donations featured in the personal in-flight entertainment system on its Boeing 787 Dreamliner fleet. American passengers are among the top donors with Californians donating the most to UNICEF.

Norwegian and UNICEF established its signature partnership in 2007. Since then the airline has supported various initiatives, which also includes its “Fill a Plane” campaign, saving hundreds of thousands of children. Five humanitarian flights carried out since 2014 have brought tons of emergency aid to the Central African Republic; the world’s second-largest refugee camp, Za’atari in Jordan; Mali; to Djibouti for relief to Yemen; and last year, to Chad.

Through the booking process customers can choose to donate $3, $5, $10 or $15, which will go directly to UNICEF. Donations can support the following:

  • $3 can provide a life-saving mosquito net, which will protect newborns against malaria;
  • $5 can enable UNICEF to vaccinate 20 children against polio;
  • $10 can provide an entire class of 20 students with exercise books; and
  • $15 can buy 38 packets of therapeutic food – enough for two-weeks of treatment for a malnourished child.

“I would like to personally thank all our wonderful customers for their generosity. Their donations help UNICEF ensure that even more children around the world get access to the future they deserve. When it is this easy to donate, we notice that many more contribute to such a great cause,” said Norwegian’s Founder and CEO, Bjørn Kjos.

“So much of UNICEF’s work is made possible by the ongoing generosity of partners like Norwegian Air,” said Caryl M. Stern, President and CEO, UNICEF USA. “We are incredibly grateful for the support and commitment of Norwegian Air and travelers to help UNICEF continue to put children first around the world. Every donation – large or small – makes a difference.”

Norwegian passengers donate the most as they also represent the largest nationality of the airline’s customer base. Most generous per donation, however, are the Danes. Among American customers, passengers out of Oakland are the most generous per donation (average $5.50 donation), followed by Los Angeles ($5.40) and New Yorkers ($5.08), although in total, more New Yorkers donated as the city is home to most Norwegian routes.

Top 10 routes where passengers have donated the most to UNICEF during their booking process:

1)  London – New York

2)  New York – London

3)  Bergen – Oslo

4)  Oslo – Bergen

5)  Trondheim – Oslo

6)   Los Angeles – London

7)   Stockholm – London

8)   London – Los Angeles

9)   Oslo – London

10) Oslo – Trondheim

Last year, nine Norwegian employees also raised more than $50,000 by representing the airline and UNICEF during the NYC Marathon. This year, another group of employees will do the same.

About Norwegian

Norwegian is the world’s fifth largest low-cost airline and carried over 37 million passengers in 2018. The airline operates more than 500 routes to over 150 destinations in Europe, North Africa, Middle East, Thailand, Caribbean, North and South America. Norwegian has a fleet of more than 160 aircraft, with an average age of 3.8 years, making it one of the world’s youngest and “greenest” fleets.

Norwegian has been named the Most Fuel-Efficient Airline on Transatlantic Routes by the International Council on Clean Transportation (ICCT) twice. Norwegian has been voted ‘Europe’s Best Low-Cost Airline’ by passengers for six consecutive years at the SkyTrax World Airline Awards 2013-2018, along with being named the ‘World’s Best Low-Cost Long-Haul’ Airline’ for the past four years. Norwegian employs more than 11,000 people worldwide.

Follow @Fly_Norwegian on Twitter, join the discussion on Facebook and keep up with our adventures on Instagram. For more information on Norwegian and its network, visit norwegian.com.

About UNICEF

The United Nations Children’s Fund (UNICEF) works in more than 190 countries and territories to put children first. UNICEF has helped save more children’s lives than any other humanitarian organization, by providing health care and immunizations, clean water and sanitation, nutrition, education, emergency relief and more. UNICEF USA supports UNICEF’s work through fundraising, advocacy and education in the United States. Together, we are working toward the day when no children die from preventable causes and every child has a safe and healthy childhood. For more information, visit www.unicefusa.org

Pininfarina Battista Electric Hypercar

Pininfarina Battista Electric Hypercar Debuts in North America

The Battista represents a new reality for electric car desirability in cities, in suburbs and on circuits

Automobili Pininfarina launched its stunning pure-electric 1,900hp Battista hypercar in North America – just one year after the company was introduced at the 2018 Rome Formula E race. Shown in the days leading up to the New York Auto Show, the production-ready model was debuted during an exclusive, invite-only event at Studio 525 in Chelsea by Michael Perschke, CEO and Luca Borgogno, Design Director.

During the event, one of only 150 Battistas, painted in a stunning Grigio Luserna satin-grey carbon with Blu Iconica design accents, was on display. The world-first car was revealed to an excited audience of car collectors, supercar owners, business leaders, automotive influencers and members of the media.

To celebrate its arrival in the world’s biggest market for both supercars and electric cars, a new film of the Battista in action, driving through the streets of New York has been released.

“The Battista’s arrival in New York is a proud moment for the entire Automobili Pininfarina team, as we can finally begin to bring the next generation of hypercars to discerning customers throughout North America” said Perschke. “We’re quite confident that this is the car that makes the United States fall in love with ultra-high-performance electric vehicles.”

Pulling from traditions of Italian design and European engineering, alongside the latest in cutting- edge technology, the company is entering a previously unoccupied market segment with great potential. The new demand for high performance zero-emission vehicles, driven by the increasing emissions regulations in the urban centers of major global cities, puts the Pininfarina Battista at the forefront of a growing trend in the ultra-luxury automobile market.

The Battista’s showing in New York coincides with the beginning of Pininfarina’s search for strategic partners to execute the next phase of its development plans. Following the enthusiastic reception of the Battista, Pininfarina plans to launch a full range of high-end, zero emissions SUVs, broadening its consumer reach in the luxury electric vehicle market.

Deliveries of the Battista to North American clients begin in late 2020, with over half the allocation already reserved.

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Marie Hagerty + Peter Vandermark

Olsen Gruin is pleased to present dual solo exhibitions featuring works by Australian artists Marie Hagerty and Peter Vandermark. The exhibitions will be opened with an introduction by Dr. Anne Summers. Hagerty’s collection, titled The Edge, comprises large acrylic and oil paintings. Her works bend the surface of the canvas by creating space where there is none and thereby superseding the canvas itself. At first glance, the viewer is transfixed by oblong configurations of reds, blues, browns, and greys that are implicated in a two-dimensional landscape of organic configured movement. Further concentration reveals plane upon plane of depth within the painting. Through a mastering of contour and shadow, Hagerty creates a multi-planar world the viewer can nearly jump into.

Peter Vandermark’s series of works on display includes 10 geometric, sculptural imaginings of humanity’s interaction with space and the built environment. This group of abstract three-dimensional works is composed of timber along with painted and mirrored acrylic. Stemming from a commentary on the modernist desire to integrate both life and art, these geometric and reflective pieces render a unique spatial experience for the viewer. For Vandermark, the relationship between the work and viewer is a private and intimate experience. Simultaneously, Vandermark’s sculptures are models of architectural landscapes; creating an abstracted and interior landscape of wanderlust. In a designed and curated modern world, Vandermark’s work analyses the evolution of humanity’s interaction with scale, dimensions and textures of inhabitation.

 

Marie Hagerty (b. 1964) is a Sydney born artist who shifted to Canberra about 30 years ago and has been working primarily as a painter. Hagerty has a very effective and curiously unusual hybrid approach, both in her techniques of painting, employing traditional oils and modern acrylic, as well as in her conceptual framework. She seamlessly combines within a non-figurative composition seemingly figurative elements realized within a high degree of verisimilitude to surfaces and textures. Above all, her paintings display a high degree of visual intelligence in their subtle play of push and pull optics across the sensuous rolling surface. In recent years her paintings have been included in curated and invitational exhibitions at the National Gallery of Victoria, the Ian Potter Museum of Art in Melbourne, the Gallery of Modern Art in Brisbane and the Canberra Museum. Hagerty is represented by Olsen Gallery in Sydney and Karen Woodbury Gallery in Melbourne.

 

Peter Vandermark (b. 1960) is a Melbourne born artist interested in the evolution of humanity’s interaction with an increasingly artificial and curated world. “It is one of Vandermark’s strengths as a sculptor that he absorbs and explores the entirety of the designed three-dimensional world, rather than only having a dialogue with the past fine art sculpture. His interests are in the domestic, the urban, the architectural, the mechanical, the semiotic (signs and signage), and even the way in which spoken language can manifest as a ‘solid’ which impacts upon the world.”

APY Lands LA

CENTRAL DESERT PAINTERS OF AUSTRALIA

Invitation Only
Opening Reception May 4, 4-6pm
2685 S La Cienega Blvd, Los Angeles, CA 90034
Exhibition May 3 – May 30, 2019

Olsen Gruin Gallery and the Australian Consulate-General Los Angeles are pleased to invite you to the opening of

APY LANDS LA: Central Desert Painters of Australia

An Exhibition of Indigenous Australian Art featuring paintings by 18 female and 3 male artists including Yaritji Young, Wawiriya Burton, Alec Baker, Mona Mitakiki Shepherd, Tjimpayi Presley, Betty Muffler, Naomi Kantjuriny, Maringka Tunkin, Freda Brady, Sandra Ken, Tjungkara Ken, Sylvia Kanytjupai Ken, Ken Sisters’ Collaborative, Tuppy Goodwin, Imitjala Curley, Witjiti George, Michelle Lewis, Mitakiki Men’s Collaborative, Taylor Cooper, Matjanka Norris, Manyitjanu Lennon, Yurpiya Lionel and Barbara Moore.

ABOUT APY LANDS LA

The curated show will exhibit contemporary works by a group of primarily female Aboriginal artists from the Anangu Pitjantjatjara Yankunytjatjara (Translating as the People who speak Pitjantjatjara and Yankunytjatjara dialects) Lands. This area is located in remote Central Australia in the far northern tip of South Australia. The exhibit comprises painted depictions of the transcendental and its transubstantiation into the material world. These works reflect a new direction in Indigenous art that refers to an ancient mythology still pertinent and very much a part of contemporary art today.

The APY Art Centre Collective is a group of 10 Indigenous owned and governed enterprises. It is a formidable group of the most celebrated and ambitious Indigenous art studios in Australia – all exploring a diverse range of mediums, to express and share their Tjukurpa (Dreaming Stories), which have been passed down from their ancestors.

For the Indigenous peoples of Australia, Dreamtime functions as a way to remember the past, understand the present, and interpret the future. “Australian Aboriginal art was the last great movement of the 20th century, that began 60,000 years earlier,” said the late Robert Hughes. The artists featured in APY LANDS LA: Central Desert Painters of Australia, strive to communicate this metaphysical and spiritual world-view by illustrating the remarkable stories of Dreamtime.

APY LANDS: Central Desert Painters of Australia will be on view from
May 3 – May 30, 2019
Tuesday – Saturday
10am – 5pm

For further information please contact the gallery at info@olsengruin.com or +1.646.525.6213.

50 Years of the Museum at FIT

Based on a selection of 33 major exhibitions which have consistently pushed beyond the obvious popular appeal of fashion and emphasised its cultural significance, this book is an in-depth introspection into “the most fashionable museum in New York City”, ie. MFIT (the Museum of Fashion Institute of Technology).

Edited by Valerie Steele, one of the foremost fashion historians and curators, Exhibitionism highlights the most influential exhibitions held at MFIT including: Fashion and Surrealism in 1987 on the relationship between art and fashion; The Corset in 2000 which was an exploration of the most controversial garment in fashion history; A Queer History of Fashion: From the Closet to the Catwalk (2013); Fairy Tale Fashion in 2016, a study into the enchanted and emblematic objects as the glass slipper and the red riding hood; Black Fashion Designers (2017).

Each exhibition included in the book is illustrated using installation photos, images of individual garments, and texts that explain the exhibitions’ concepts, scope and influence as well as the objects it featured. Exhibitionism also includes essays about the importance of fashion education at MFIT, highlights the role of hands-on, object- based learning and the inclusivity of minority, or even marginalised, groups.

Furthermore, each author provides an engaging “behind the scenes” look at the process of exhibition making and MFIT’s historic commitment to Fashion.

Jax Jones “All Day and Night”

‘ALL DAY AND NIGHT’ WITH MADISON BEER OUT NOW

LISTEN HERE

JAX AND MARTIN SOLVEIG ANNOUNCE COLLABORATIVE PROJECT EUROPA

JAX’S HEADLINING NORTH AMERICAN TOUR KICKS OFF NEXT MONTH WITH STOPS IN CHICAGO, NEW YORK, LOS ANGELES AND MORE

Europa have today unleashed their debut single ‘All Day And Night’, featuring white-hot US singer Madison Beer. Europa is Jax Jones and Martin Solveig: two friends who also just so happen to be multi-platinum artists (with over 4 billion combined streams), pushing each other to investigate musical avenues they’d never explore on their own.

Europa is club-focused pop music and pop-focused club music. Europa is friendship. Europa is a larger-than-life explosion of unexpected combinations, total freedom, unexpected twists and bridges not walls. Europa is the phrase ‘stronger together’ brought to life in vivid colours.

Born out of a mutual admiration and cemented by a hug given by Martin after Jax’s set in Ibiza, the pair’s collaboration has been a long time coming. It was only after Solveig made the Eurostar trip to Jax’s London studio that they realized that they had something special and the spirit of Europa started to take shape: ‘’for the first-ever Europa session, Martin came in and played a song with a cheeky sax riff in it.’’ Jax adds ‘’He looked at me as if to say: ‘This is a bit taboo, but we could try it.’ And then I said: ‘Well if we’re doing that, how about TRANCE?”

One delight of the genre-agnostic Europa outlook is that it’s truly a project without hard borders, and with US singer/songwriter Madison Beer, who was recognized by Billboard on its 2018 ‘21 Under 21’ roster of the most promising young talents in music, contributing vocals to chart-ready walloper All Day And Night, Europa is also a celebration of frictionless relationships with the rest of the world.  “To have Madison on our first track is great. She has an undeniable truth in her vocal that we both really like and since launching her career she’s become an influential voice of her generation,” Martin comments. Late last year Madison released ‘Hurts Like Hell’, which continues to climb the charts and was described by Complex Magazine as her “biggest track to date.” The song is just a glimpse of what’s to come from her highly-anticipated upcoming debut studio album this summer. Future singles will pair Europa with further still-under-wraps vocalists; they’ll be complemented in Europa’s live shows by a raft of club-ready cuts bursting with spontaneity and openness.

“A huge common point for us is that we want people to have fun,” Jax and Martin explain. “Europa has allowed both of us to step out from what everybody else might consider reasonable. Music doesn’t have to be reasonable. You might even say it shouldn’t be.”

The announcement of Europa follows an impressive start to 2019 for London’s Jax Jones. A second BRIT Award nomination in a row came in the wake of his latest Top 10 collaboration – the groove-fueled earworm ‘Play’ ft. Years & Years. He plays his biggest headline show to date at London’s Roundhouse on 6th April, before heading to America for a landmark nine date tour.

Next month, Jax will embark on a headlining tour of North America. Kicking off on April 18 in Washington, D.C., the 10-date run wraps up on May 3 in Los Angeles at The Roxy. See full list of tour dates below.

JAX JONES TOUR DATES:

April 19 Chicago, IL    PRYSM Nightclub

April 20 Brooklyn, NY Elsewhere (LIVE setup)

April 24 Denver, CO  Bar Standard

April 25 Philadelphia, PA NOTO Philadelphia

April 26 Toronto, ON  Toybox

April 27 Atlanta, GA  Ravine

May 1    Boston, MA  Bijou Nightclub & Lounge

May 2    Portland, OR  Jade Club

May 3    West Hollywood, CA The Roxy Theatre (LIVE setup)

 

Follow Jax Jones:

Website / Facebook / Soundcloud / Twitter

 

Mad About Jewelry

THE MUSEUM OF ARTS AND DESIGN’S ANNUAL EXHIBITION AND SALE OF CONTEMPORARY JEWELRY RETURNS WITH 55 ARTISTS FROM 18 COUNTRIES

LOOT: MAD ABOUT JEWELRY

April 8 – April 13, 2019

Opening Benefit: April 8

Featuring the announcement of the LOOT Acquisition Prize and the presentation of LOOT Awards honoring Adria de Haume and Josie Natori

The Museum of Arts and Design (MAD) presents the nineteenth edition of LOOT: MAD About Jewelry, its annual exhibition and sale of one-of-a-kind contemporary jewelry. Open to the public April 9 through April 13, following the Opening Benefit on April 8, LOOT 2019 showcases the work of fifty-five emerging and acclaimed international jewelry artists and designers, most of whom have never been shown in New York. The event provides the rare opportunity for collectors and jewelry enthusiasts to meet and acquire pieces from some of the most innovative creators in the field.

“The jewelry content of LOOT 2019 is particularly noteworthy in two specific areas,” said LOOT Curator Bryna Pomp. “Firstly, this year’s exhibition presents a great number of outstanding young makers who are already creating groundbreaking work. Secondly, it features a larger presence of jewelry in precious metals, particularly in silver and in gold, often with semi precious and precious stones, that is exceptionally original in design.”

MAD is the only museum in the United States with a gallery dedicated to the display of both special jewelry exhibitions and its permanent collection of contemporary and modern studio and art jewelry. LOOT extends MAD’s commitment to presenting jewelry as an art form, and provides vital support for Museum exhibitions and programs.

“LOOT reflects the core of MAD’s mission to celebrate the creative process and connect audiences to contemporary art and design,” said Marsy Mittlemann, LOOT 2019 Co-Chair. “It presents an extraordinary opportunity for artists and viewers to interact with one another and engage in conversations around the work. I am honored to participate in an event that provides a platform for international talent while supporting MAD’s exciting upcoming initiatives.”

“LOOT is always exceptionally curated, and 2019 promises to be the best edition to date,” said LOOT 2019 Co-Chair Joan Hornig. “No other exhibition in the world brings viewers into contact with the diversity of design and designers showcased each spring at MAD. It is the perfect venue for both serious and first-time collectors to engage with global talent and purchase unique pieces of wearable art at every price point.”

LOOT 2019 features fifty-five artists from eighteen countries and territories: Austria (1), Belgium (1), Chile (2), Finland (1), France (2), Germany (6), Italy (2), Korea (5), Poland (1), Portugal (2), Spain (5), Sweden (1), Taiwan (1), Thailand (1), Turkey (3), the United Kingdom (14), the United States (6), and the US Virgin Islands (1). In addition to a diverse range of artistic practices, the jewelry on display encompasses a wide array of materials, from traditional metals to more unconventional media like leather, glass, porcelain, paper, silicone, resin, textiles, wood, horsehair, recycled skateboards, and ultraviolet-reactive nylon.

ARTIST HIGHLIGHTS

The jewelry artists and designers featured in LOOT 2019 include the following:

  • Italian designer Selvaggia Armani designs and produces textiles, including necklaces and brooches, for home and casual wear. On site at LOOT, she will create a new collection of jewelry made of hand-painted leather, building on her practice of “live” painting and customized bracelets.
  • Japan-born and Massachusetts-based artist Mariko Kusumoto prevails upon fabric to construct forms of elegant simplicity and evocative imagery. Using a proprietary heat- setting technique, she gives the fabric a new identity through reshaping it into three- dimensional forms. Her designs are incorporated into jewelry and sculptural pieces, as well as in collaborations with fashion designers; in January, her work appeared on the Jean-Paul Gaultier catwalk at Paris Haute Couture Spring/Summer 2019.
  • Taiwanese jewelry artist Heng Lee juxtaposes traditional craft technique and cutting- edge technology to explore the relationship between nature and Internet culture. Using downloaded images, laser-cut metal, and hand embroidery, he creates visually striking pieces that are both digital and tactile. In a time when much of our information comes from social media, his work interrogates the divide between experience and technology, and encourages full awareness of the current moment.
  • Scotland-based artist Wanshu Li is largely inspired by the brilliant colors and sensuous movements of sea creatures like jellyfish and sea anemones. With her jewelry, she aims to create a multisensory wearing experience that involves visual enjoyment, tactility, and sound. Li’s fascination with dance culture, laser light shows, and stage performances inspired her to add a further visual dimension to her practice: she experiments with ultraviolet-reactive nylon and fluorescent paints, which combine to produce a remarkable intensity of color when the jewelry is illuminated with UV light.
  • Houston-based designer Mariquita Masterson creates handmade glass pieces that are vivid, unique, and energetic, and that unite the everyday with the exceptional. Masterson uses both recycled glass and glass from companies that produce a variety of colors and textures, and on occasion creates stunning pieces out of the fragments of broken antique vases. Most recently, Masterson has gained attention for the debut of one of her necklaces worn by Speaker of the US House of Representatives Nancy Pelosi during the President’s State of the Union address in February.

This year, LOOT will showcase the work of four 2018 graduates of La Escuela de Arte 3, in Madrid, Spain: Patricia Álvarez, Cristina Armesilla, Sonia Birndt Carrascosa, and Bárbara García. The jewelry of these emerging creators exhibits fresh expressions of color and form, and takes inspiration from music, technology, contradiction, and the city they call home.

In its first year, the LOOT Advisory Committee assists LOOT Curator Bryna Pomp with the selection of artists and designers. The LOOT Advisory Committee for 2019 includes Susan Ach, Michele Cohen, Marsy Mittlemann, and Barbara Waldman.

LOOT ACQUISITION PRIZE

Awarded annually by a jury, the LOOT Acquisition Prize recognizes a LOOT jewelry artist or designer whose work reflects maturity in artistry and concept, exhibits both a superior and an experimental understanding of materials and form, and demonstrates expertise in technique and execution. MAD’s permanent collection includes nearly one thousand pieces of jewelry, spanning the mid-twentieth century to the present day. The LOOT Acquisition Prize formalizes the Museum’s goal of enhancing its collection by acquiring jewelry from artists who have made significant contributions to the field and whose work provides historical context for MAD’s mid- to late-twentieth-century pieces, as well as from emerging artists who are an important force in the contemporary art jewelry scene.

The 2019 jury is chaired by Barbara Paris Gifford and Elissa Auther together with LOOT Co- Chairs Joan Hornig and Marsy Mittlemann, LOOT Curator Bryna Pomp, and Board Chair Michele Cohen. The 2019 LOOT Acquisition Prize will be awarded on April 8 during the Opening Benefit dinner.

In 2018, the prize was jointly awarded to Isabelle Molénat and Sarran Youkongdee. Past LOOT artists who have had works acquired by the Museum include the well-established art jeweler Iris Nieuwenburg and the emerging jewelry artist Casey Sobel. Alena Willroth, who was awarded the inaugural LOOT Acquisition Prize in 2016, will be a returning artist this year.

OPENING BENEFIT AND LOOT AWARD

The LOOT 2019 Opening Benefit takes place on Monday, April 8, beginning with a cocktail hour and reception at 4:30 pm. The evening’s activities include first access to the LOOT exhibition and sale—an exclusive opportunity to meet this year’s artists and acquire their designs—as well as a dinner honoring the recipients of the LOOT Award.

The LOOT Award recognizes luminaries in the field of jewelry, including artists, collectors, and designers. This year’s honorees are jewelry designer and philanthropist Adria de Haume and jewelry and fashion designer Josie Natori. Past recipients include fashion icon Iris Apfel (2013), collector Barbara Berger (2013), jewelry designer Joan Hornig (2016), fashion designer Kay Unger (2016), and artists Joyce J. Scott (2014) and Axel Russmeyer (2012).

The LOOT 2019 Opening Benefit Host Committee comprises Susan Ach, Iris Apfel, Davina Benshetrit, Caroline Blackman, Noreen Buckfire, Marian C. Burke, Kathy Chazen, Michele Cohen, Paolo Costagli, Stacy Creamer, Emily Cutler, Marcia Docter, Patti Dweck, Beth Farber, Sandy Grotta, Joon Han, Jan Huling, Barbara Jacobs, Ann Kaplan, Wendy Tarlow Kaplan, Jane Koryn, Laura Kruger, Luisa LaViola, Bonnie Levine, Pam Levine, Tina Livanos, Jackie Martin, Stacey Mayrock, Ella McHugh, Robert Lee Morris, Edie Nadler, Michelle Perr, Linda Plattus, Andi Potamkin, Barbara Regna, Heidi Rigney, Deborah Roberts, Lela Rose, Jill Ryan, Bette Saltzman, Gail Shields-Miller, Angela Sun, Ted Taylor, Barbara Tober, Isabel and Ruben Toledo, Kay Unger, Barbara Waldman, Janet Winter, Marcia Celis Wirth, Pamela Workman, Jan Wysocki, and Lynn Yaeger.

To purchase tickets to the LOOT 2019 Opening Benefit, to be held on Monday, April 8, visit thestore.madmuseum.org/collections/loot-2019, or contact Rebekka Grossman at 212.299.7712 or rebekka.grossman@madmuseum.org.

PUBLIC EXHIBITION AND SALE HOURS

Tuesday, April 9: 10am to 6pm

Wednesday, April 10: 10am to 6pm

Thursday, April 11: 10am to 6pm

Friday, April 12: 10am to 6pm

Saturday, April 13: 10am to 6pm

Entrance to LOOT is included in the price of Museum admission: $16 general; $14 for seniors; $12 for students; free for MAD members and children under 18 years of age. To purchase tickets online, visit madmuseum.org/visit.

ABOUT CORPORATE SPONSOR: PAOLO COSTAGLI

Paolo Costagli New York returns as corporate sponsor of LOOT. The fine jewelry brand recognized for its sophisticated, modern, and distinctly bold designs, will debut Onde, its new collection of 18kt gold and diamond jewelry at LOOT 2019. The Onde collection, inspired by the waves of the Venetian Lagoon, introduces a variety of rings, earrings, bracelets, and necklaces. Featuring Paolo Costagli’s signature bold geometrics with a touch of fluidity, the collection presents effortlessly chic precious jewelry fit for all occasions, from everyday wear to a formal soirée.

ABOUT THE MUSEUM OF ARTS AND DESIGN

The Museum of Arts and Design (MAD) champions contemporary makers across creative fields and presents the work of artists, designers, and artisans who apply the highest level of ingenuity and skill. Since the Museum’s founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving twenty-first-century innovation, and fosters a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design. For more information, visit their website.

Glass Artists at Soneva Fushi

RENOWNED GLASS ARTISTS KAREN WILLENBRINK-JOHNSEN AND JASEN JOHNSEN IN RESIDENCE AT SONEVA FUSHI

New York – March 25, 2019

Soneva – the world-leading luxury and sustainable resort operator – will be hosting renowned American glass artists Karen Willenbrink-Johnsen and Jasen Johnsen as guest artists in residence at Soneva Fushi’s Art studio from April 8-29, 2019. During these showcases, guests can watch along as Karen and Jasen create beautiful sculpture out of recycled glass and purchase the artwork from the exhibition. 

Karen Willenbrink-Johnsen’s work is derived from her love of adventure, nature and glass. Raised in Ohio, the naturalist daughter of a naturalist father, Willenbrink-Johnsen is “constantly inspired, revitalized and awed by the power of nature.” After earning her BFA in sculpture from Ohio University, glass quickly became the driving force in Karen’s life. After moving to Washington State in 1987, she began working as an assistant to the legendary glass artist William Morris. Karen’s unique vision and passion for glass is evident in her work, which has been shown extensively in galleries and museums throughout the US and internationally. She co-teaches sculpting classes throughout the world with her husband and collaborator, Jasen Johnsen. Jasen served as the head studio technician at Pilchuck Glass School for nearly 10 years. He worked as teaching assistant for Pino Signoretto and Hank Murta Adams, before beginning to co-teach classes with Karen.

Guests at Soneva Fushi can participate in the resort’s glass recycling program by learning how to blow glass at the glass art studio. Soneva’s experienced team of glass specialists work very closely with guests to create their very own masterpiece to take home. As part of Soneva’s Maker Program, all works created at the Soneva Glass Studio are made using recycled glass bottles from Soneva Fushi and other nearby resorts, which are turned into stunning works of art

For more details about Karen Willenbrink-Johnsen and Jasen Johnsen’s work, wisit www.willenbrinkjohnsen.com. For more information about Soneva, visit www.soneva.com

ABOUT SONEVA FUSHI

In 1995, award-winning luxury resort Soneva Fushi set the standard for all desert island barefoot luxury hideaways in the Maldives. Located in the Baa Atoll, a pristine UNESCO Biosphere Reserve coral reef, Soneva Fushi pairs Robinson Crusoe fantasy with intelligent luxury. Sixty-one private villas with their own stretch of beach are hidden among dense foliage within touching distance of a pristine coral reef. Intuitive service is provided by Mr./Ms. Friday butlers. Highlights include the open-air Cinema Paradiso, counting Saturn’s rings in the high-tech Observatory, the homemade chocolate and ice cream rooms, five hundred wines to choose from, six different restaurants and countless destination dining options. In November 2015, Soneva have launched a floating villa concept, Soneva in Aqua, a treasure trove children’s Den and a multi-purpose facility encompasses a glass gallery, boutique and studio where guests can learn the art of glass blowing. If the experiences are magical, the philosophy is simple: No news, no shoes. No pretensions either.

Allan Rayman Announces Tour

ALLAN RAYMAN ANNOUNCES HEADLINING NORTH AMERICAN TOUR, SET TO KICK OFF MAY 21 IN PORTLAND

PRE-SALE AVAILABLE NOW AND TICKETS ON-SALE MARCH 22

Singer/songwriter Allan Rayman has just revealed his next run of live appearances, dubbed “The Allan Rayman Show.” Allan and his band will be heading to 21 cities across North America, launching in Portland, OR and making stops in major markets, including New York, Los Angeles, Nashville, Boston, San Francisco and more.

The tour will have the Toronto-based singer/songwriter back in North America after performing to captivated crowds throughout Europe this past winter. Allan has been on the road in support of his latest musical project Harry Hard-On released late last year via Republic Records/KIDindaKorner/Universal Music Canada. “Rose,” the album’s debut single, is quickly climbing the charts at U.S radio. Along with success on the airwaves, Harry Hard-On has been met with critical praise from the press, with Time Magazine heralding the track “Crush” writing, “Rayman’s voice contains multitudes: a rough ache, a smooth hum, a rock star’s confidence.”  

Rayman, who is known for his theatrical live performances and genre bending musical style, recently gave followers a peak into his world when he released the music video for “Rose”. “Rose” features clips from his trip to the Alaskan wilderness last fall and can be viewed HERE. Those who want to get to know Rayman more can catch one of his shows throughout the U.S and Canada starting in May. Pre-sale tickets are available now here and tickets go on-sale March 22nd here.

ABOUT ALLAN RAYMAN

Allan Rayman is a singer/songwriter. He has released four projects – Hotel Allan, Roadhouse 01, Courtney, and most recently Harry Hard-On, which have given him somewhat of a cult following. He has played sold-out headline tours in the United States and Canada and has made a name for himself at major festivals including Bonnaroo, Lollapalooza, Ohana, Austin City Limits and Osheaga. Allan has seen success internationally with several European tours under his belt. Allan recently completed a headlining European tour and plans to embark on a North American tour this May.

UPCOMING TOUR DATES

May 21 – Portland, OR – Doug Fir Lounge

May 22 – Seattle, WA – The Crocodile

May 23 – Victoria, BC – Capital

May 25 – Vancouver, BC – Vogue Theatre

May 26 – Calgary, AB – The Palace Theatre

May 28 – Edmonton, AB – Union Hall

May 29 – Saskatoon, SK – Louis’

May 30 – Winnipeg, MB – The Garrick

June 2 – Detroit, MI – El Club

June 4 – Boston, MA – Sinclair

June 5 – New York, NY – Warsaw

June 7 – Washington, DC – Union Stage

June 8 – Columbus, OH – A&R Music Bar

June 9 – Nashville, TN – Exit/In

June 11 – Atlanta, GA – Vinyl

June 13 – Dallas, TX – House of Blues Dallas – Cambridge Room

June 14 – Austin, TX – Antone’s Nightclub

June 15 – Houston, TX – Warehouse Live

June 18 – Los Angeles, CA – The Teragram Ballroom

June 20 – Santa Ana, CA – Constellation Room

June 21 – San Francisco, CA – August Hall

For tickets and more info: https://www.allanrayman.com/tickets

Follow him on social media

 Website | Facebook | Twitter | Instagram | YouTube  

ABOUT REPUBLIC RECORDS

A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Black Sabbath, Florence + the Machine, Hailee Steinfeld, James Blake, James Bay, John Mellencamp, Julia Michaels, Kid Cudi, Liam Payne, Of Monsters and Men, Post Malone, Seth MacFarlane, Stevie Wonder, Taylor Swift and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings (The Avett Brothers), Boominati Worldwide (Metro Boomin), Brushfire (Jack Johnson), Casablanca Records (Tïesto), Cash Money (Drake, Jacquees, Nicki Minaj), Hollywood Records (Sofia Carson, Zendaya), Lava Records (Greta Van Fleet, Jessie J, Lorde), Monkeywrench (Pearl Jam), XO (The Weeknd, Belly, NAV), Young Money (Drake, Lil Wayne, Nicki Minaj), Roc Nation (Jaden Smith, Justine Skye, The Dream), among others. Republic also maintains a long-standing strategic alliance with country powerhouse Big Machine Records, and Universal Music Latin Entertainment.  In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Fifty Shades of Grey, SING), Fox TV (Lee Daniels’ STAR, The Four), and NBC TV (The Voice), as well as other notable film and television franchises.

 

Waterproofing New York

With two destructive tropical storms in two years, New York City — like many other global cities — is entering a phase of adaptation to catastrophic climate events which are a result of carbon cycle disruption by human, urban, and industrial practices. Recovery will require more than a simple fix; it will necessitate systemic adaptation to escalating tidal and storm surges, precipitation, and wind events through the construction of new urban landscapes that have the capacity to merge social, cultural, and environmental forces.

Waterproofing New York gathers some of the most influential and thought provoking municipal leaders, engineers, planners, social scientists, and designers to explore the impact of past and future storms on New York City’s infrastructural systems: Water/Waste, Power/Data, Circulation/Fuel, Parks/Recreation, and Shelter. The essays and projects collected here use these urban operating systems to open speculation on possibilities not simply for waterproofing the city but for thinking beyond it to seek wider means of coordinated yet opportunistic, pragmatic, and inventive city design. Waterproofing New York is intended to support an emerging skepticism of a singular “big fix” as well as of the unplanned, uncoordinated, shoring up of individual enterprises and discrete sites that will ensue in the absence of design and civic leadership.

About the Editors

Denise Hoffman Brandt, RLA, is the Director of Landscape Architecture and an Associate Professor at the Bernard and Anne Spitzer School of Architecture at the City College of New York. She is Principal of Hoffman Brandt Projects, LLC.

Catherine Seavitt Nordenson is an Associate Professor of Landscape Architecture at the City College of New York and Principal of Catherine Seavitt Studio.