Posts tagged with "Naomi Campbell"

360 MAGAZINE, nyfw

Fashionable Art

By Armon Hayes × Vaughn Lowery

A decade ago, a collection of 35mm slides from the 80s and 90s capturing New York fashion would be rediscovered by set designer Gaetane Bertol. With relentless research, she understood the value of the contents to be a treasure to share with the world. In 2008, the untimely fire of fashion journalist Yuriko Tomita’s NYC apartment, birthed an opportunity for Tzili Charney. She decided to curate a photographic exhibition alongside of fashion historian Ya’ara Keydar.  

Before the launch of NYFW, 360 Magazine visited ZAZ10z for a preview of the exhibition. The installation is presented in the foyer of the iconic building which once served as home to some of the most prestigious designers in America (Donna Karan, Ralph Lauren and Marc Jacobs). The exhibition is free and open to the public from September 5, 2019 until January 20, 2020. It showcases runway images of the youthful fashionistas and supermodels of the era: Kate Moss, Cindy Crawford and Naomi Campbell. Enjoy the interactive art in real-time as you impart on design history and culture.

ERODNEY DAVIS

Some of the biggest stars in the world rely on Erodney Davis and his agency, Basic White Shirt, with its roster of the world’s most sought-after Celebrity Hairstylists, Makeup Artists and Nail Artists, to look their best.

After graduating with honors from North Carolina A&T State University in 1996, Davis accepted a job at ad agency, Y&R New York, while also moonlighting as part-time personal assistant to Celebrity Makeup Artist and Author, Sam Fine.

After more than a decade developing his acute business acumen alongside visionaries from the world of advertising, beauty and fashion, Davis changed course, leaving corporate America behind with only his savings and a desire to work in a more creative capacity. A month later, he began assisting top Casting Directors in NY, Paris & Milan, helping designers like Ralph Lauren, Proenza Schouler, Alice Temperley, and J. Mendel choose the most elite models of the moment to bring their designer collections to life on the runway.

During this time, Davis experienced a full-circle moment when Sam Fine tapped him to manage Fine’s freelance bookings and eventually other clients came calling, giving rise to Davis’ boutique agency, Basic White Shirt, boasting a cadre of talented beauty professionals. Davis continued casting models for New York Fashion Week for another 8 years while simultaneously running BWS. Currently based in Brooklyn, NY, Davis’ main focus is growing his agency’s roster with select, creative clientele and managing the needs of his world-class talent.

Casting/Fashion Clients:

Bottega Veneta

Calvin Klein

Carlos Miele

Coach

Emporio Armani

Fashion Fair Cosmetics

GAP

Giorgio Armani

J. Mendel

Levi’s

Narciso Rodriguez

Ohne Titel

Proenza Schouler

Ralph Lauren / Polo.com

Rachel Zoe

Temperley London

Tommy Hilfiger

Mgmt/Agency Clients:

Sir John

Sir John Celebrity Makeup Artist whose clients include Beyoncé, Kim Kardashian, Naomi Campbell, Mary J. Blige, Kelly Rowland, Erykah Badu, Viola Davis, Margot Robie, Priyanka Chopra & Gabrielle Union

Sam Fine

Sam Fine Celebrity Makeup Artist & Author whose clients include Queen Latifah, Jennifer Hudson, Iman, Mary J. Blige, Vanessa Williams, Keri Hilson, Paula Patton, Patti Labelle & Tyra Banks

Oslyn Holder

Oslyn Holder Celebrity Makeup Artist whose clients include Bette Midler, Vanessa Williams, LionBabe, Bernadette Peters, Kelly Clarkson, Tia & Tamera Mowry, Danaii Gurira, Holly Robinson Peete & Regina King

Mila Thomas

Mila Thomas Celebrity Makeup Artist whose clients include Jenifer Lewis, En Vogue, Neicy Nash, K. Michelle, Karrueche Tran, Angela Rye, Amara La Negra & Jasmine Sanders

Can plastic surgery make you look older?

According to expert Board-Certified Plastic surgeons, the goal of cosmetic surgery is to make a woman like look a refreshed, enhanced version of herself. While many seek cosmetic surgery to turn back the clock; (a respectable, personal choice) there is a downside. The eerie expressionless, puffy, distorted, look that makes people appear even older than they are. To help us understand and achieve a more maintained, elegant look, we tapped the expertise of Board-Certified Denver Plastic Surgeon Dr. Manish Shah.

Most Common Culprit… Too Much Filler

According to Dr. Shah, the best way to begin is to look at photos of the person decades younger to assess their aging progression and facial symmetry. “You want to look at the facial features to see where there is drooping or volume loss as not to run the risk of over filling the face. When too much filler is used, facial balance is thrown off.”

Dr. Shah explains that today we’re seeing young women in their 20’s trying to look like they’re photo filtered in real life. “They start Botox too young, or overfill their lips, breasts, and derrieres. The odd consequence is that that end up looking older. There are several celebrities who are under 25 and look 30, and 35 due to the work they’ve had done. The lips and cheeks are often the first facial features to be overdone in younger patients.”

Facial Breakdown

Cheeks: Dr. Shah says, that “Over-suctioning cheeks through liposuction can make you look older. Stiffness or “puffy cheeks” can also occur if there is unnecessary fat transfer or filler injections are overdone.”

Brows: A highly arched eye brow, or a brow without any arch can instantly age you. “Getting the eyebrow height perfect to achieve a natural look is one of the most challenging techniques plastic surgeons face with Botox, be sure to find someone who specializes in brow area Botox.”

Chin: “The overall balance of your face can be thrown off if a chin implant is too large,” says Dr. Shah. He adds, “Facial structure goes from more of a heart shape to a square shape. Also, the softness of your face gets lost.”

Neck: Removing too much fat from the neck can result in an excessive deep and sharp angle that gives more of a harsh look.

Midface: Some women get a facelift before it’s needed. Think of many of the stars of Bravo’s Real Housewive’s franchise. “When it’s unnecessary or not done properly, the underlying facial tissues give an unnatural fullness in the cheeks that makes the face look aged, explains Dr. Shah.”

Eyes: Fat removal under the eyes is popular in younger patients. The problem is that removing too much fat can really make a patient look hollower rather than refreshed.

Injectable Toxins: The Frozen Look

Botox, Dysport and Xeomin are all effective in reducing lines by temporarily paralyzing facial muscles to stop movement. Problems arise when they are overdone. The face can look very severe and certain facial features can become exaggerated. It is strange to see a woman over 50 with fewer forehead and brow mobility than a pre-teen!

Dr. Shah offers a tip and reminds us that injectable toxins are not permanent, and the result will fade away in time. “It’s best to let the product completely wear off before getting injectable toxins applied to the face again. It’s always best to start off with much less because you can always work your way up to more,” he advises.

Too Large Breast Implants:

Implants that do not fit a woman’s frame and are overexaggerated, are never a good idea at any age. The older a woman gets, the more this is going to scream, “look at me” and be incongruous with the rest of her appearance. Jane Fonda is a perfect example of a woman in her 80’s with implants that match her body in a flattering way.

Ignoring Your Hands and Décolleté:

So many women make the mistake of obsessing over their face, legs, derriere, breasts, and abdomen that they completely forget their hands and décolleté. The latter are a dead giveaway of age, no matter how young the rest of you looks.

Examples of Elegance:

According to Dr. Shah, here’s who he feels has “gotten it right” when it comes to aging gracefully whether they have had plastic surgery or not include, Jane Fonda, Jennifer Aniston, Jennifer Lopez, Halle Berry, Angela Bassett, Katie Couric, Raquel Welch, Kathie Lee Gifford, Kris Jenner, Naomi Campbell, Michelle Pfeiffer, Jayne Seymour, Ellen DeGeneres, Sharon Stone, and Padma Lakshmi. Use these celebs for inspiration when contemplating cosmetic enhancements.

Find out more at www.drmanishshah.com

About Dr. Manish Shah

Plastic Surgeon Colorado | Dr. Manish Shah, M.D. | Denver

Manish Shah, M.D., F.A.C.S. was born in Canada and raised in the Washington, D.C. area. He graduated with honors from the University of Pennsylvania, receiving a degree in biomedical engineering. He then completed his medical training at the University of Virginia, earning his Medical Doctorate. During this time he also completed a one-year fellowship in microsurgery research at the New York University School of Medicine / Institute of Reconstructive Plastic Surgery. As a prelude to his plastic surgery training, Dr. Shah completed a rigorous five-year training program in General and Trauma Surgery at Emory University and the Medical College of Georgia. His formal training in Plastic and Reconstructive Surgery was completed at the Univ. of Tennessee College of Medicine – Chattanooga Unit. After completing his plastic surgery training, he moved to New York City when he was selected for the prestigious Aesthetic Surgery Fellowship at Manhattan Eye, Ear, and Throat Hospital. He underwent extensive, advanced training in aesthetic surgery of the face, breasts, and body at the hands of some of the most renowned cosmetic surgeons in the world. This fellowship is widely considered to be the best of its kind in the world. Dr. Shah is one of only a select few plastic surgeons in the country who have undergone formal post-graduate training in aesthetic surgery.

Dr. Shah’s specialties include revision facial aesthetic surgery, rhinoplasty (“nose reshaping”), and aesthetic surgery of the breast (breast augmentation, breast lift, breast reduction). He is, however, well-trained in all areas of aesthetic surgery. Dr. Shah’s aim is to obtain a natural appearing transformation that complements the real you!

Dr. Shah is a past Clinical Assistant Professor of Surgery at the University of Colorado Health Sciences Center based at Denver Health Medical Center, the Rocky Mountain region’s only academic Level I trauma center. He is a past Chief of Plastic Surgery at Denver Health Medical Center. He also maintains a private practice in Aesthetic and Reconstructive Plastic Surgery on the Dry Creek Medical Center campus (DTC/Denver) and up in the Aspen Valley (Basalt – in the office of MDAesthetics – Tim Kruse, M.D.).

Dr. Shah is a member of the American Society of Plastic Surgeons, the American Society of Aesthetic Plastic Surgery and the International Society of Aesthetic Plastic Surgery. Dr. Shah is board-certified by the American Board of Plastic Surgery.

MARKUS KLINKO × “2000s”

Markus Klinko

Award-Winning Fashion and Celebrity Photographer,

Presents a Decade of World-Renowned Work in “2000s The Exhibition”

Mouche Gallery, Beverly Hills

Beyonce “Dangerously in Love” Album Cover (2003) by Markus Klinko All Rights Reserved 2018

Exhibition Presents June 15 through June 30, 2018

Award-winning fashion, celebrity photographer and director Markus Klinko is pleased to present “2000s”, an exclusive exhibition featuring the decade’s most iconic photographic images. The gallery has partnered with FujiFilm and will host several in-gallery artist appearances: Saturday, June 16th from 4:00 pm – 7:00 pm, Saturday June 23rd from 2:00 pm – 5:00 pm and Saturday June 30th, 2018 from 4:00 pm – 7:00 pm at Mouche Gallery 340 N Beverly Dr., Beverly Hills, CA 90210.

For me, this collection goes beyond celebrity photography and more so defines a greater cultural connection. The early 2000’s was a very influential time of fashion, music, and entertainment that we are seeing resurface today. Being able to capture it photographically gives us a window into our past and it how it has helped form our future.” – Markus Klinko

Klinko and his subjects

Throughout the years, Markus Klinko has become one of the most recognizable celebrity photographers across the globe. For his upcoming exhibition, “2000s”, Mouche Gallery has assembled a collection of famous images from his archives. The collection depicts a variety of pop culture milestones that have truly defined the decade of the early 2000’s. Highlighted works include: Beyonce’s Dangerously in Love album cover; a series of Mary J. Blige album covers documenting her meteoric rise to superstardom; and images from Klinko’s wildly successful David Bowie Unseen international exhibition. With these works and more to see, Klinko can be credited for capturing some of the most legendary moments in each of his subject’s careers.

David Bowie “Heathen” Album Cover (2002) by Markus Klinko Ó All Rights Reserved 2018

Klinko’s works were recently displayed in a New York Subway station with a large-scale photographic installation and interactive displays celebrating the late, great David Bowie. The installation was unveiled earlier this month and runs until May 13. It coincides with the opening of Bowie Is – an exhibition celebrating the musician’s contribution to popular culture – at the Brooklyn Museum.

The centerpiece of the takeover was an installation that stretched across 30 metal ‘L beams’ and was seen at either end of the station from steps leading down to the platform. It features black-and-white photographs of Bowie as the Thin White Duke – a persona he adopted in the mid- 1970s and taken by Masayoshi Sukita and Markus Klinko.

INSTALLATION NYC SUBWAY 2018

As David Bowie’s and Iman’s photographer for over 15 years, Klinko’s client list reads as a who’s who of Hollywood royalty. Other notable pop culture icons that will be featured in the exhibit include: Jennifer Lopez, Christina Aguilera, Britney Spears, Kim Kardashian, Naomi Campbell, Kelis, Pharrell Williams, Kanye West and more.

“Mouche Gallery in Beverly Hills is honored to present this exhibition in collaboration with FUJIFILM North America Corporation, and is thrilled to add Markus Klinko to its prestigious roster of internationally acclaimed photographers. We look forward to continuing the tradition of featuring museum quality art and photographs at the forefront of culture.” – Keiko Noah, Gallerist & Principal: Mouche Gallery

Made possible by FUJIFILM North America Corporation, “2000s” will feature a rare retrospective collection of select cameras and lenses used by Klinko to photograph these images and will be installed at Mouche Gallery. As one of the earliest adopters of digital post-production, Klinko pioneered a style that widely influenced trends in current fashion and celebrity photography. Klinko credits his usage of the FUJIFILM GX680III, a 6x8cm medium format system, in conjunction with FUJICHROME PROVIA 100F for the vibrant palette and exceptionally high resolution of his work. In 2001, Klinko also started shooting with the FUJIFILM FinePix S1 Pro, the early predecessor of the current line of the FUJIFILM X Series and GFX system. A previously unseen series of new images, taken in 2018 with the FUJIFILM GFX medium format mirrorless system, will be unveiled on June 14th, featuring re-emerging signature ’00s staples, connecting his works from past and present. All of Klinko’s works to be featured in “2000’s” were created with FUJIFILM cameras and/or film products.

Given the exhibition’s fashion and celebrity culture focus, thirteen of Klinko’s most celebrated images will be sold via Paddle8 (http://www.paddle8.com/auction/cfda) to benefit the Council of Fashion Designers of America (CFDA) Foundation to help support its programs dedicated to fashion education and professional development. To learn more about the CFDA, please visit the organization’s website at www.CFDA.com

For more information on photographer Markus Klinko, please visit his website at www.markusklinkostudio.com or follow him @MarkusAndKoala on Instagram.

To learn more about FUJIFILM North America Corporation, please visit their website at www.FUJIFILMXGFX.com or follow Fujifilm at www.twitter.com/FujifilmX_US, www.facebook.com/FujifilmXUS, and www.instagram.com/FujifilmX_US.

To learn more about Mouche Gallery and to meet the world-renowned photographer and visit this once-in-a-lifetime Collection: “2000s The Exhibition” in Beverly Hills, please visit Mouche at www.mouchegallery.com.

ALL WORKS ON EXHIBITION & AVAILABLE FOR ACQUISITION

WITH IN-GALLERY APPEARANCES BY MARKUS KLINKO ON

SATURDAY, JUNE 16th 4:00-7:00PM PST

SATURDAY, JUNE 23rd 2:00-5:00PM PST

SATURDAY, JUNE 30TH 4:00-7:00PM PST

MOUCHE GALLERY

340 N. Beverly Drive

Beverly Hills, CA 90210

All appearances are complimentary and open to the public: RSVP’s strongly suggested.

For more information, please contact Keiko Noah at:

(310) 858-8114 or

RSVP @ info@mouchegallery.com

http://mouchegallery.com

All Images Courtesy of Markus Klinko. All Rights Reserved 2018. For Editorial Usage Only. No Commercial Usage Allowed.

Image: Markus Klinko 2018 Los Angeles

ABOUT MARKUS KLINKO:

Markus Klinko is an award-winning, international fashion/celebrity photographer and director, who has worked with many of today’s most iconic stars of film, music, and fashion.

Klinko has photographed Beyonce, Lady Gaga, David Bowie, Jennifer Lopez, Britney Spears, Mary J. Blige, Mariah Carey, Kanye West, Anne Hathaway, Kate Winslet, Will Smith, Eva Mendes, Kim Kardashian, Naomi Campbell, and Iman. His editorial clients include Vogue, GQ, Vanity Fair, Harper’s Bazaar, and Interview. Brands such as Lancôme, L’Oréal Paris, Nike, Hugo Boss, Anna Sui, Pepsi, Skyy Vodka, and Remy Martin have hired Klinko to create advertising campaigns. His campaign for Keep A Child Alive raised over one million dollars for children with AIDS in just 3 days.

Born in Switzerland of French, Italian, Jewish, and Hungarian descent, Klinko spent his early years training to become a classical harp soloist. He studied at the Conservatoire National Supérieur de Musique in Paris. Later, Klinko signed an exclusive recording contract with EMI Classics, as well as a management contract with Columbia Artists Management. He received the Grand Prix de Disque for his recording of French harp music, with members of the orchestra of the Paris Opera Bastille. Klinko performed in recitals and as a featured soloist with symphony orchestras around the world. He was also regularly featured in such publications as Vogue Italia, Vanity Fair, GQ, The New York Times, Madame Figaro, Stereo Review, and Ongaku no Tomo.

After a hand injury, Klinko decided to become a fashion photographer and retired from his international concert and recording career. During that time, he met Indrani, who later became a regular collaborator in her role as his studio’s digital post production artist and photo editor.

Isabella Blow discovered Klinko’s work while at the London Sunday Times and commissioned cover stories from the emerging photographer. Around the same time, Ingrid Sischy, at Interview magazine hired Klinko for various shoots. Iman and David Bowie followed, giving the up and coming photographer a chance to photograph them for their respective book (I am Iman) and album covers (Heathen).

From there, he went on to create some of the most iconic album covers of his time, including Beyonce’s Dangerously in Love, and Mariah Carey’s The Emancipation of Mimi.

Many of Klinko’s famous celebrity photographs can be seen in his coffee table book ICONS (Perseus). Lincoln Center in New York presented an art exhibit showcasing many prints from the book and since, art galleries and museums in Europe (Opera Gallery, Monaco) and the USA (National Portrait Gallery, Washington) have featured his work.

PIRELLI: 2018 CALENDAR BY TIM WALKER UNVEILED

PIRELLI: 2018 CALENDAR BY TIM WALKER UNVEILED IN NEW YORK

The Pirelli 2018 Calendar by Tim Walker was presented today at the Manhattan Center in New York. For the 45th Calendar edition, shot in London last May, the British photographer applied his unmistakable style of extravagant sets and romantic motifs, to revisit one of the classic stories of British literature: “Alice’s Adventures in Wonderland”. His inspiration came not only from Lewis Carroll’s fantastic story, but most importantly from the illustrations that Carroll himself had entrusted to John Tenniel for the first edition of 1865. In Tim Walker’s 2018 Pirelli Calendar they become 28 shots consisting of 20 different and extraordinary sets for a new unique Wonderland.

”Alice has been told so many times”, Tim Walker said, “and I think I wanted to go back to the genesis of the imagination behind Lewis Carroll so that you could tell it from the very beginning again. I wanted to find a different and original angle”.

In order to convey his idea of Alice’s Adventures in Wonderland, Walker has portrayed a cast of 18 personalities, both established and upcoming, including musicians, actors, models, and political activists. It features Sudanese-Australian model Adut Akech, Ghanaian-British fashion model and feminist activist Adwoa Aboah, Senegalese-German model Alpha Dia, Beninese-American actor and model Djimon Hounsou, South Sudanese-Australian model Duckie Thot, Gambian women’s rights activist Jaha Dukureh, British model King Owusu, American rapper and singer Lil Yachty, Mexican-Kenyan actress Lupita Nyong’o, British supermodel and actress Naomi Campbell, American actor, television personality and singer/songwriter RuPaul, American actress Sasha Lane, American rapper, singer, songwriter, actor, record producer and entrepreneur Sean “Diddy” Combs, American model Slick Woods, South African model and lawyer Thando Hopa, American actress, comedian, author and television host Whoopi Goldberg, British model Wilson Oryema and British fashion stylist, designer and singer Zoe Bedeaux.

All together they form an all-black cast, for the second time after the 1987 Pirelli Calendar in which British photographer Terence Donovan shot five beautiful black women, including a then sixteen-year-old Naomi Campbell and model, writer and activist Waris Dirie.

To realize his Calendar, following last year’s creation by Peter Lindbergh, Walker collaborated with two eminent artists in their own right: Shona Heath, one of Britain’s leading creative directors and set designers, and the fashion icon Edward Enninful who was the stylist behind this year’s elaborate costumes.

Shona Heath was responsible for creating the striking sets and installations which allowed for the creative storytelling in this depiction of Alice’s Adventures in Wonderland. Elements of the tale which are today part of our collective imagination have been turned upside down, for example: the white rabbit has become a black rabbit while the Queen’s red roses have been painted in black by the Playing Cards. “I was always trying to find something to turn on its head, question what the story meant and what was the important bit, and how far could it diversify. We’re still making a very clear message that is very true to the story, actually,” Heath said.

Commenting on his contribution to this year’s calendar, Enninful who recently became both the first male and first black editor of British Vogue said. “It is very important that the story of Alice be told to a new generation. Her adventure in Wonderland resonates with the world we live in today; obstacles we have to overcome and the idea of celebrating difference. Growing up in London I often lived in a fantasy world of fairy tales and detective novels. Alice was always one of my favourite characters. I always felt I was with her on the journey through Wonderland, and all of these extraordinary characters became my friends…well all but the scary Queen and her beheaders…To see a black Alice today means children of all races can embrace the idea of diversity from a very young age and also acknowledge that beauty comes in all colours. Culturally we are living in a diverse world. Projects like this remarkable Pirelli Calendar demonstrate that there is still hope in what sometimes feels like an increasingly cynical reality”.

In the words of Robert Douglas-Fairhurst, Professor of English Literature at the University of Oxford, Fellow of the Royal Society of Literature and author of the essay Being Alice (enclosed in the press kit), what is “interesting is Tim Walker’s refusal to turn Wonderland into a piece of Victorian kitsch.” In his essay Fairhurst emphasizes that “although ‘Wonderland’ sounds like a magical place, what strikes many children when they first read the story is how scary some parts of it are. Even Alice finds herself being threatened by her own dream. Almost all the creatures she meets are cranky rather than cuddly. […]

But of course at the heart of everything there are Walker’s photographs of Alice. Still Alice. No longer a child, here she is played by a model of unearthly beauty (Duckie Thot) whose personal history, as the child of Sudanese refugees who moved to Australia, makes her an ideal modern incarnation of Carroll’s restless and rootless heroine. Meanwhile the Pirelli Calendar as a whole offers a perfect demonstration of the fact that Lewis Carroll’s story remains a work in progress.”

What goes on behind the scenes, the photo shoots, the stories and personalities of the 2018 Pirelli Calendar can be all found on the dedicated website, www.pirellicalendar.com, where visitors can explore the history of more than 50 years of The Cal™ through films, interviews, photographs and previously unpublished texts.

pressoffice@pirelli.com
www.pirelli.com www.pirellicalendar.com