Posts tagged with "museum"

AMERICAN ART TO WEAR

Museum Presents Major Exhibition of Art to Wear

Off the Wall: American Art to Wear – November 10, 2019 – May 17, 2020

This fall, the Philadelphia Museum of Art presents Off the Wall: American Art to Wear, a major exhibition that highlights a distinctive American art movement that emerged in the late 1960s and flourished during the following decades. It examines a generation of pioneering artists who used body-related forms to express a personal vision and frames their work in relation to the cultural, historical and social concerns of their time. Focusing on iconic works made during the three decades between 1967 and 1997, the exhibition features over one hundred one-of-a-kind works by more than fifty artists. Comprised primarily of selections from a promised gift of Julie Schafler Dale, it will also include works from the museum’s collection and loans from private collections. Off the Wall: American Art to Wear is accompanied by a new publication of the same title, co-published by the Philadelphia Museum of Art and Yale University Press.

Timothy Rub, the George D. Widener Director and CEO, said: “This exhibition will introduce to our visitors an exceptionally creative and adventurous aspect of American art which took the body as a vehicle for its expression. We are not only deeply grateful to Julie Dale for her extraordinary gifts and support of the museum but also see this as an opportunity to acknowledge the dynamic role she played in nurturing the growth and development of this movement.”

The champions of Art to Wear during the early years were a few forward-thinking museums, among them New York’s Museum of Contemporary Crafts (Museum of Art and Design), collectors, and galleries such as Sandra Sakata’s Obiko, founded in 1972 in San Francisco, and Julie Schafler Dale’s Julie: Artisans Gallery, which opened the following year on Madison Avenue in New York. For over 40 years, Dale’s gallery was a premier destination for presenting one-of-a-kind wearable works by American artists. Through her gallery installations and rotating window displays, she gave visibility to the Art to Wear movement. In 1986, she brought further recognition to the art form by publishing the seminal book Art to Wear—from which the title of this exhibition is taken—which provided in-depth profiles of artists alongside photographs by Brazilian fashion photographer Otta Stupakoff. Dale’s gallery closed in 2013.

Off the Wall is arranged in nine sections; the titles of some are derived from popular music of the ‘60s and ‘70s to suggest the wide-ranging concerns of the artists. The introductory section, The Times They Are A Changin’ (Bob Dylan, 1964), contains works by Lenore Tawney, Dorian Zachai, Claire Zeisler, Ed Rossbach, and Debra Rapoport to illustrate how textile artists in the late ‘50s and ‘60s liberated tapestry weaving from the wall, adapting it to three-dimensional sculptural forms inspired by pre-Columbian weaving. In 1969, a group of five students at Pratt Institute studying painting, sculpture, industrial design, multimedia, and graphic design taught each other how to crochet, leading to remarkable outcomes. Janet Lipkin, Jean Cacicedo, Marika Contompasis, Sharron Hedges, and Dina Knapp all created clothing-related forms that they would describe as wearable sculpture, thus establishing a cornerstone of the Art to Wear movement. A highlight in this section is a wool crochet and knit Samurai Top, 1972, by Sharron Hedges, modeled by the young Julie Dale for the book Creative Crochet, authored by two of the artist’s friends, Nicki Hitz Edson and Arlene Stimmel.

The next section, Good Vibrations (Beach Boys, 1966), traces the migration of many of these young artists from the East Coast to the West Coast where they joined California’s vibrant artistic community and connected with Sandra Sakata’s Obiko. A pair of colorful denim hand-embroidered mini shorts by Anna VA Polesny embroidered while traveling conveys this new youthful spirit. Pacific Rim influences are evident in the Japanese kimono form as a blank canvas offering infinite possibilities for pattern and design. Katherine Westpahl’s indigo blue resist-dyed cotton work, A Fantasy Meeting of Santa Claus with Big Julie and Tyrone at McDonald’s, 1978, and Janet Lipkin’s Mexico at Midday, a coat made in 1988 are exceptional examples. A range of counter-culture influences, evoking ceremony and spirituality, pervade this section.

Come Together (The Beatles, 1969) responds to the popular use of assemblage in art-making, especially the use of nontraditional materials. It also looks at the art of performance, reflected in Ben Compton and Marian Clayden’s Nocturnal Moth, 1974, inspired by Federico Fellini’s film La Dolce Vita (1960). “Mother Earth,” a nod to the publication Mother Earth News Magazine, looks to nature and environmental concerns while This Land is Your Land (Woodie Guthrie, 1940) explores iconic American imagery including reference to the American West and Native American cultures. Examples in this section include Joan Ann Jablow’s Big Bird cape, 1977, made entirely of recycled bird feathers, and Joan Steiner’s Manhattan Collar, 1979, which reimagines New York’s skyline in miniature.

Other Worlds explores fantasy and science fiction, two genres that offered young people an escape from the period’s cultural and political upheavals. Noteworthy here are works by Jean Cacicedo and Nina Huryn, both of whom riff on one of the most widely read English language books at the time, J.R.R. Tolkien’s trilogy Lord of the Rings (1965). Cacicedo responded with a portrait of Treebeard, 1973, a Tolkien character, while Huryn created her own fantasy world in Tree Outfit, with its flowing pants, loose shirt and leather sleeveless jacket containing forest and folklore imagery, a work made especially for Julie: Artisans Gallery in 1976. Other artists turned to dreams, such as Susanna Lewis, who created Moth Cape, 1979, in response to a nightmare that she had of a giant moth enveloping her body.

A section called I Am Woman (Helen Reddy, 1971) underscores the ways in which artists invoked feminism directly and indirectly in Art to Wear. Janet Lipkin, for example, invested her works with symbols of freedom while searching for new directions in her life, as seen in Bird Coat, 1972, Flamingo, 1982, and Transforming Woman, 1992. Other works like Combat Vest, 1985, by Sheila Perez, feature plastic toy soldiers as protective armor for the chest area, while Nicki Hitz Edson’s Medusa Mask, 1975, is a wild expression of fraught emotions surrounding the breakup of her marriage.

Colour My World (Chicago, 1970) reflects the buoyant rainbow color spectrum that was ubiquitous during this era. Recently published works on color theory by Johannes Itten and Josef Albers provided a cornerstone of the new art education. For Linda Mendelson, color, typography, and text became inseparable. She adapted Albers’s ideas relating to after-images in Big Red, and linked color progression with lines from a poem titled Coat by William Butler Yeats from which she drew inspiration. Other artists such as Tim Harding created an effect similar to impressionist brush strokes by slashing and fraying dyed fabrics, as seen in his colorful coat Garden: Field of Flowers, 1991.

The final section Everybody’s Talkin’ (Harry Nilsson, 1969) explores the use of text in Art to Wear. JoEllen Trilling engages in visual word play using common prepositions on a jacket, while Jean Cacicedo channels her grief over her father’s death using words taken from the bible that celebrated his life in My Father’s House, 1994.

Dilys Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costumes and Textiles, who organized the exhibition, said: “We are looking back at this period with a fresh lens through which to consider a uniquely American art form that continues to have a worldwide influence. With roots and connections in fine arts, fiber art, craft, performance and fashion, there are so many important artists to appreciate. For this reason I am delighted by the opportunity to cast a light on such extraordinary talents, including so many adventurous women who deserve much greater recognition.”

Publication
Off the Wall: American Art to Wear is accompanied by a new publication of the same name co-published the Philadelphia Museum of Art and Yale University Press, co-authored by exhibition curators Dilys E. Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costumes and Textiles at the Philadelphia Museum of Art, and independent textile scholar and curator Mary Schoeser, with a contribution written by Julie Schafler Dale. The volume provides the social, political, and artistic context for Art to Wear. ISBN 9780876332917.

Curators
Dilys Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costume and Textiles and Mary Schoeser, Independent Textile Historian and Curator

Support
This exhibition has been made possible by Julie Schafler Dale, PNC, The Coby Foundation, the Arlin and Neysa Adams Endowment Fund, the Center for American Art at the Philadelphia Museum of Art, and other generous donors. Credits as of July 8, 2019.

Social Media @philamuseum

Harley-Davidson Museum®: Wild Ones Weekend

Harley-Davidson Museum® brings vintage style, family friendly fun and classic bikes to 6th & Canal during Wild Ones Weekend

Hot on the heels of the opening for “Daredevils: A Century of Spine-Tingling Spectacles” (open through Sept. 8), the Harley-Davidson Museum will keep the thrills coming in July. Milwaukee’s favorite “Send Me Back” Saturday returns when Wild Ones: Vintage Motorcycle Rally takes over campus on Saturday, July 13. The Victor McLaglen Motor Corps will bring their act all the way from Southern California to show off why they are a part of the “Daredevils” exhibit. Read below to see how you can get a taste of their show on Friday, July 12. But there’s so much more in July happening at the crossroads of 6th & Canal, including the return of the Division BMX Stunt Team. And don’t forget about the specials at MOTOR® Bar & Restaurant this month, including some new menu items that offer up fresh tastes of the season.

EXHIBIT
“Daredevils: A Century of Spine-Tingling Spectacles” (through Sept. 8)
Step right up and behold amazing displays of danger and derring-do! Daredevils have thrilled audiences for centuries. What began with horse trick riders in circuses inspired new generations of entertainers on bicycles, motorcycles, cars – even flying sofa chairs. From touring thrill shows to Hollywood movie stunt work, “Daredevils” celebrates the exciting history of these death-defying entertainers who spend countless hours perfecting their exploits. Witness how incredible feats from long ago inspire modern-day risk-takers. The H-D Museum cordially invites one and all, children big and small to behold how daredevils are born! Please note: Select photos from the exhibit can be found at this page.

BIKE NIGHTS
Thursdays, 5-9 p.m.
All bikes unite every Thursday at the Harley-Davidson Museum. Grab your bike (or whatever wheels you favor). Join your fellow riders (and non-riders) forfree live music from some of Milwaukee’s favorite bands, fun and drool-worthy rolling sculptures. Enjoy food and drink specials inside and outside MOTOR Bar & Restaurant, including the Budweiser® Bike Night Koozie Special all-season long (koozies available at The Shop on the Museum campus) and Bulleit ® Bourbon Signature Cocktails.
Sign up for the H-D Museum Bike Night Loyalty Program, to receive a chance to win exclusive experiences, tours and more at the end of the season (for more details and the full entertainment lineup, visit H-DMuseum.com).
July 11 – (Wild Ones Bike Night) – Road Crew
July 18 – Altered Five Blues Band
July 25 – JT & The Gunslingers
Aug 1 – Zac Matthews Band

COFFEE WITH THE MORNING CREW
Friday, July 12, 8-10 a.m.
Hey Milwaukee! Come and drink some free coffee with the WISN 12 News This Morning team on Friday, July 12th. WISN 12 is teaming up with 99.1 The Mix and the Harley-Davidson Museum® to host you for a morning of fun, prizes, and FREE coffee from MOTOR Bar & Restaurant. Enter on site for your chance to win a prize pack! Three (3) Winners will receive: one (1) Harley-Davidson Museum® Prize Pack which includes the following: $50 Harley-Davidson Museum® campus gift card / H-D Museum Hat and T-Shirt / Coffee Mug / $50 Visa gift card / A family 4-pack of general admission tickets to the Wisconsin State Fair. Official Sweepstakes rules can be found here. Plus, member of the Victor McLaglen Motor Corps will offer up a sneak peek of their Wild Ones show (see below).

WILD ONES: VINTAGE MOTORCYCLE RALLY
Saturday, July 13, 9 a.m.-4 p.m.
Come celebrate Harley-Davidson’s unrivaled motorcycle heritage with a vintage 1940s-style motorcycle rally at the H-D Museum. The daylong activities include the 17th Annual Knucklehead Company Reunion antique motorcycle ride-in show and the AMCA Badger Heritage Chapter authentic motorcycle field games (slow race, plank ride, barrel race, T-ball, ball on cone and weenie bite), with proceeds benefiting Make-A-Wish Foundation of Wisconsin. Plus, the Victor McLaglen Motor Corps – a motorcycle stunt and drill team featured in the H-D Museum’s special summer exhibit, “Daredevils: A Century of Spine-Tingling Spectacles” – will bring its bag of tricks all the way from Southern California. Food & Beverages available all day at MOTOR® Bar & Restaurant, CAN ROOM and Outdoor Concessions featuring Budweiser, King of Beers.

Antique Motorcycle Ride-In Show Classes: Stock Knucklehead / Custom Knucklehead / Sidevalve / Panhead / Shovelhead / Other Pre-1970 American-Made models. Entry is just $20 per bike with all proceeds benefiting the Make-A-Wish® Wisconsin.

Easy Rider returns to theatres July 14
The classic 1969 motorcycle film Easy Rider is returning to local Marcus Theatres July 14 to celebrate its 50th anniversary! Show your Easy Rider ticket stub or Magical Movie Rewards membership card to receive BOGO* adult admission to the Harley-Davidson Museum from July 14 to Sept. 2!

GALLERY NIGHT
Friday, July 19, 5-9 p.m.
Take a spin through the H-D Museum’s special summer exhibit, “Daredevils: A Century of Spine-Tingling Spectacles.” From touring thrill shows to Hollywood movie stunt work, this exhibit celebrates the exciting history of these death-defying performers. Enjoy free gallery talks at 6, 7 and 8pm.

DIVISION BMX STUNT SHOW
Saturday, July 20, 1-4 p.m.
In partnership with the Harley-Davidson Museum and its special summer exhibit, “Daredevils: A Century of Spine-Tingling Spectacles,” the Division BMX Stunt Team will bring their squad of elite BMX riders to 6th & Canal to wow audiences visiting the H-D Museum campus. Headed by Micah Kranz, a Wisconsinite who is featured in the “Daredevils” exhibit, the Division BMX riders have been keeping spectators on the edge of their seats for more than 15 years. Watch in awe as riders perform tricks that take them to dizzying heights. Their brand of high-flying, death-defying entertainment brings a high-energy atmosphere to every performance. All shows will be followed by an autograph session where you can ask, “How’d you do that?!”

SATURDAY H-D MUSEUM DEMO RIDES
9 a.m.-4 p.m., through Sept. 28
Demo Rides are now available at the world’s only Harley-Davidson Museum! Visit the Museum campus Saturdays* from 9 a.m.-4 p.m. and throw a leg over a 2019 motorcycle to experience the fun and freedom that only a Harley-Davidson can deliver. Visitors with their motorcycle license will be able to choose from more than a dozen of the latest and greatest #FreedomMachines from Harley-Davidson, including Touring, Softail, Sportster and Street models. A pre-determined scenic route through the Menomonee Valley will give riders the chance to explore the Museum’s surrounding neighborhoods.
• Demo Rides will run Saturdays from 9 a.m. – 4 p.m., weather dependent.
• Motorcycles available on a first-come, first-serve basis.
• Riders and passengers must be at least 18 years of age.
• Riders must hold a valid license with a motorcycle endorsement.
• All riders and passengers must wear a helmet, eye protection, shirt, long pants and closed toe shoes with heel strap. A limited selection of helmets, chaps and jackets will be available on site.
*Demo Rides will not be available on Saturday August 31, 2019.

TOUR OFFERINGS
Saturday 3 Pub Cruise (Saturdays, through Sept. 28)
Enjoy an afternoon pub cruise by boat and sample food and drinks from three great riverside locations on one of our captained vessels, either the Brew City Queen II (Red Boat) or Milwaukee Maiden II (Orange Boat). Our new Saturday stops include The Twisted FishermanMOTOR® Bar & Restaurant at the Harley-Davidson Museum® and Riverfront Pizzeria Bar & Grill. Price includes boat cruise between all three locations and drink and appetizer tickets at each location.

Inside H-D: All-Day Experiences (July 31, August 2, August 14, Sept. 6 and Sept. 11)
The Inside H-D: All-Day Experience is an in-depth immersion into the world of Harley-Davidson. This guided tour kicks off in front of The Shed on the Harley-Davidson Museum® campus, where you’ll learn about the humble beginnings of the world’s most iconic motorcycle brand. Then it’s time to go inside the Harley-Davidson Museum for an exclusive guided tour featuring new exhibit content and conversation with the Curatorial, Archives or Conservation professionals who are behind the engaging stories on display and behind-the-scenes at the Museum. After the tour, the group will head over to Harley-Davidson Corporate Headquarters located on Juneau Avenue – which is listed on the National Register of Historic Places. Lunch is served while employees from HDMC and the Harley-Davidson University will swap stories and provide a glimpse of the inner workings of H-D. Upon returning to the Museum, tour participants are invited to enjoy a special discount for The Shop at the H-D Museum™, where you’ll find unique clothes and merchandise found nowhere else. The day concludes with happy hour at MOTOR® Bar & Restaurant.

Bikes Brats & Beer Tour (Thursdays at 3 p.m. and Sundays at 10 a.m., through August 29)
Get an authentic taste of American history and culture on Harley-Davidson Museum’s Bikes Brats & Beer Tour, offered in partnership with Milwaukee Food & City Tours®.
The 3 1/2-hour excursion begins with a guided H-D Museum tour, highlighting Harley-Davidson’s journey from backyard shed start-up to iconic global brand. Next, you’ll board the tour bus for a close-up look at Milwaukee’s legendary beer- and sausage-making heritage, traveling through the Menomonee and Miller Valleys and downtown Milwaukee.

Highlights Tour (Saturdays and Sundays at 11 a.m. and 2 p.m.)
Our Visitor Experience Associates offer an engaging guided tour, “Journey through the History of Harley-Davidson.” This tour is available on Saturdays and Sundays at 11 a.m. and 2 p.m. and lasts approximately 45 minutes and is sure to get your gears turning. For groups of 12 or more, please call 414-287-2799 or email groups@h-dmuseum.com for more information or to book your Highlights Tour. Learn more about our Group Tours offerings by visitinghttps://www.harley-davidson.com/us/en/museum/visit/group-tours.html.

SAVE THE DATES:
Rally Weekend, Aug 29-Sept. 1

About the Harley-Davidson Museum
A walk through the Harley-Davidson Museum® is a walk through the history of America. With an unrivaled collection of Harley-Davidson® motorcycles and memorabilia, a 20-acre, park-like campus, and a calendar full of activities, the H-D Museum™ is one of Milwaukee’s top tourist destinations for visitors from around the globe. A visit to the H-D Museum™ is an experience that will stay with you for a lifetime. Make your plans to visit the Harley-Davidson Museum® at H-DMuseum.com.

Contact:
Tim McCormick
Tim.McCormick@Harley-Davidson.com
414-534-6180

MOTOR® Bar & Restaurant is bringing some new items to the menu that highlight the season of sun-splashed patios and ice-cold refreshment. New summer sides, a sundae to end all sundaes and fresh monthly specials will make MOTOR your destination for brunch, lunch, cocktail hours and dinner. Book your reservation now.

NEW MENU ITEMS
Big Bore Belly Buster Bucket Sundae ($49.95, serves 8-12)
Grab your crew and indulge in this unbelievable giant sundae with a cake bottom, piled high with loads of ice cream, Twinkies®, Ho Hos®, M&Ms®, chocolate and caramel sauces, whipped cream and cherries. All of this served in a Harley-Davidson souvenir bucket that you get to keep!

Kale Salad ($13.95)
Fresh kale with beer-braised red quinoa, toasted pine nuts, Kalamata olives and goat cheese. Tossed in homemade honey vinaigrette

Beet Salad ($13.95)
Spring mix and arugula tossed in shallot chardonnay vinaigrette topped with roasted beets, red onion, shaved fennel, goat cheese and toasted pine nuts

Summer Sides
* Baked Beans – Homemade baked beans with peppers, onions and brown sugar
* Broccoli Salad – Fresh broccoli with chopped bacon, red onion and craisins
* Cheddar Bacon Potato Salad – Shredded cheddar and chopped bacon

JULY SPECIALS
MAC DADDY BURGER
An 8-oz., hand-packed beef patty with lettuce, tomato, onion and bacon. Topped with cheese sauce and deep-fried mac and cheese. Served on a brioche bun ($15.95).

ASIAN SESAME WINGS
One pound of chicken wings smothered in a sweet and savory sauce with a little kick ($12.95).

BLT SALAD
Spring mix, arugula and cherry tomatoes tossed in a homemade balsamic vinaigrette. Topped with smoked pork belly and finished with crumbled Boursin cheese. Served with ciabatta toast points ($14.95).

BLACKBERRY SPIKED ICED TEA
Nothing is more perfect than a sweet iced tea while sitting in the sunshine! Our fresh brewed tea, spiked with vodka, blackberries and a hint of citrus and mint cut from our garden compliments the cool breeze while sitting on the patio ($7).

Brewery of the month: Cigar City Brewing, featuring Jai Alai (IPA), Maduro (brown ale) and Florida Cracker (Belgian-style white ale)

Mac Mondays
Build-your-own Mac ’n Cheese all day, every Monday. Mondays are best spent with a bowl of MOTOR’s delicious homemade Mac ’n Cheese. Create your own custom Mac with special toppings!

Bike Night Thursdays (5-9 p.m.)
Enjoy free live music and $3 koozie beer specials as Bike Nights return to the great outdoors all summer long. Exclusive giveaways and specials from 5-9 p.m. make this a weekly must-do! Plus, in May, select drafts from Milwaukee Brewing Co. are just $4.

Friday Night Fish Fry
What’s a Friday night in Wisconsin without a fish fry? At MOTOR, the all-you-can-eat Wisconsin Fish Fry is available open to close and features golden fried cod, crispy French fries, fresh jicama coleslaw, homemade southern-style cornbread and tartar sauce for only $14.95.

BBQ & Blues
Every Saturday, take in live performances from a rotating lineup of blues musicians, plus all-you-can-eat, hickory-smoked BBQ chicken, pulled pork, smoked brisket and grilled sausage links for $29.99. Add an order of Memphis-style, dry-rubbed ribs for just $5 more. All platters come with French fries, jicama coleslaw, BBQ baked beans and made-from-scratch cornbread.

About MOTOR® Bar & Restaurant
The only Harley-Davidson Museum® restaurant, MOTOR® Bar & Restaurant offers guests riverfront dining and Midwest camaraderie with a dose of genuine Harley-Davidson® attitude. MOTOR™ takes diners on a culinary road trip of great American food and drink from its location in downtown Milwaukee. Guests can enjoy burgers, BBQ, seasonal favorites and a whole lot more. For more information and to learn about the latest menu, visitmotorrestaurant.com or call 414-287-2778.

Napa Valley’s First Wine History Museum and Tasting Salon

Jean-Charles Boisset Introduces Napa Valley’s First Wine History Museum and Tasting Salon: 1881 Napa  

1881 Napa Showcases Napa Valley Wines and History in Historic Victorian Home Adjacent to the Oakville Grocery

Napa Valley’s first wine history museum and tasting salon, is now open. Jean-Charles Boisset, proprietor of Boisset Collection, has created an homage to Napa Valley, with a tasting room that showcases wines from Napa Valley’s distinct sub-appellations, a museum where guests can explore Napa’s rich wine history, an extensive collection of historic wine relics from Europe and the United States and original artifacts from the Early California Wine Trade Archive. 1881 Napa is located in a historic Victorian home built in 1874 next to Oakville Grocery (founded in 1881) in Oakville, California, both of which were purchased by Boisset Collection at the beginning of the year.

“Napa Valley has a powerful place in American wine history and 1881 Napa puts the region in perspective on the world stage,” said Boisset, who grew up in Burgundy, France imbued with a passion for wine and learning as the son of vintners and the grandson of educators. “An extraordinary amount has been accomplished in this enclave in a short amount of time and we want to create a destination that celebrates Napa’s long history and its pioneering founders while exploring Napa’s incredibly diverseterroir in one destination.”

The gateway to Napa Valley, 1881 Napa is must-stop for wine enthusiasts, providing guests the opportunity to discover Napa Valley’s AVAs for the first time, or to explore some of their favorite appellations more deeply. Napa Valley was the first AVA designated in California in 1981 and within the region are 16 sub-AVAs that contain more geological diversity than any other wine region, leading to dramatically different wines within Napa Valley.

Located in a building more than 140 years old that was reimagined by renowned architect Howard Backen, 1881 Napa is next door to Oakville Grocery, the oldest continually operating grocery store in California. The two centerpieces of the space — a 48-light Baccarat crystal Zenith chandelier and a reproduction of an 1895 map of Napa County on canvas hanging from the ceiling — provide a dramatic environment to explore the varied wines of the valley, while displays highlighting the unique stories and soils of each appellation surround the tasting room.

The wine museum in 1881 Napa is open to the public with complimentary visitation. A self-guided tour up to and along the museum’s second-floor mezzanine tells the history of Napa Valley, introduces the founders and influential early pioneers  of the region and presents a robust collection of wine ephemera, including historic winemaking, vineyard, nursery and cooperage as well as displays curated and organized by the Early California Wine Trade Museum featuring local historic wine artifacts from the collections of Dean Walters and John O’Neill. From the mezzanine, guests have an open view to the tasting room below.

Alcoves hold soil samples from the various regions, along with 1881 Napa wines and descriptions of the appellations written by best-selling and award-winning author of The Wine Bible and wine expert Karen MacNeil. MacNeil also helped develop the various tasting options, which include comparative flights such as “Majestic Mountains Versus Plush Valley” and “Is it Cool to be Hot or Hot to be Cool?” as well as an option to “Embark on a Journey Throughout the Valley” by tasting Cabernet Sauvignons from 12 different sub-AVAs. In addition to the site-specific Cabs, guests can enjoy wines from a blend of Napa Valley grapes, including a sparkling wine, Sauvignon Blanc, rosé, Chardonnay, red blend, Merlot and a Cabernet Sauvignon — all wines crafted exclusively for 1881 Napa by Winemaker Thane Knutson to reflect the diversity of Napa Valley. After sampling the broad range of Napa Valley styles, guests can discover which AVAs they like the most and purchase wines from 1881 Napa as well Oakville Grocery.

1881 Napa is located at 7856 St. Helena Highway in Oakville and is open daily from 11 a.m. to 6 p.m. Reservations are recommended and can be made here.

About Boisset Collection
Boisset is a family-owned collection of historic and unique wineries and lifestyle destinations led by Jean-Charles Boisset and bound together by a common vision: authentic, terroir-driven wines in harmony with their history, their future and the land and people essential to their existence. With more than 25 historical and prestigious still and sparkling wineries in the world’s preeminent terroirs, including Burgundy, Beaujolais, Jura, the Rhône Valley, the south of France and California’s Russian River Valley and the Napa Valley. Its California wineries include DeLoach Vineyards, Raymond Vineyards, Buena Vista Winery and JCB by Jean-Charles Boisset; its French properties feature Domaine de la Vougeraie, Jean-Claude Boisset, Bouchard Aîné et Fils, J. Moreau et Fils, Louis Bouillot, Domaines Henri Maire, Fortant and Bonpas. Each house retains its unique history, identity and style, and all are united in the pursuit of fine wines expressive of their terroir. Wine is at the center of Boisset’s mission, and is complemented by spirits, beer, cider, gourmet foods and luxury goods, both of its own design and from partnerships with historic companies such as Baccarat, Lalique, St. Louis, Riedel, Christofle, and Bernardaud. To learn more about the Boisset Collection, please visit www.boissetcollection.com.

Featured image credit: Alexander Rubin

Zeitz mocca, south Africa, Cape town, 360 MAGAZINE

What’s on at Zeitz MOCAA in June

WOZA FRIDAY MUSIC, DRAWING, DRINKS, AND MORE… 7 JUNE 2019 | THROUGHOUT MUSEUM | 4PM – 9PM

Zeitz MOCAA is open late every First Friday. Join us this month for DJ sets by Future Nostalgia and Gerald Machona, an artist who also features in the exhibition Still here tomorrow to high five you yesterday…

Guests will also get an opportunity to join in for adult drawing or embark on an interactive scavenger-hunt of our current exhibitions with Discover MOCAA between 5 p.m. and 8.30 p.m. Participants will follow clues and questions to discover key works of art and themes and stand a chance to win prizes.

There will also be a cash bar going, while Zeitz MOCAA Food will be running a special menu on Level 6. RSVP is essential as space is limited. To book your spot, click here and here for the restaurant.

CHILDREN’S HOLIDAY PROGRAMME 17 – 28 JUNE 2019 | CENTRE FOR ART EDUCATION | 10AM – 1.30PM

Join us this winter school holiday for a variety of engaging and exhilarating workshops at our Centre for Art Education for children between ages 6 and 12. They will be encouraged to explore a range of different mediums in a creative and nurturing space.

Booking is essential, as space is limited. RSVP here.

Programme

17 June 2019

“Rain sticks” Drawing and 3D construction

10 a.m. – 1 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

18 June 2019

“Kites” Construction

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

19 June 2019

“Flags” Fabric paint resist

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

20 June 2019

“Totems” Clay

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

21 June 2019

10 a.m. – 12 p.m. | Age 8 – 12 I “Towers”

2 p.m. – 5 p.m. | Age 13 – 18 I “Wire workshop”

24 June 2019

“Frames” Mixed Media

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

25 June 2019

“Masks” Constructions

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

26 June 2019

“Vessels” Clay

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

27 June 2019

“Buildings” Painting

10 a.m. – 11 a.m. | Age 6 – 8

11:30 a.m. – 1:30 p.m. | Age 9 – 12

28 June 2019

“Badges”

10 a.m. – 12 p.m. I Age 8 – 12

Guardians with museum membership enjoy free admission. Normal museum admission prices apply for non-member guardians. Purchase your membership which includes a year’s unlimited access to the museum, here

STILL HERE TOMORROW TO HIGH FIVE YOU YESTERDAY CURATOR-LED TOUR | 8 JUNE 2019 | LEVEL 2 | 11AM – 12 PM

Join Curatorial Assistant, Precious Mhone, for a walk-through of the second iteration of Still here tomorrow to high five you yesterday… The walk-about will unpack the various themes in Chapter Two and how the works selected allow for multiple readings of the space.

RSVP is essential as space is limited and Zeitz MOCAA members get priority booking access. To book your spot, click here.

CHILDREN’S TOUR | MOCAA MAPPING THE WORLD | 1 + 8 JUNE 2019 | RECEPTION AREA | 11AM – 12.30PM

Children between the ages of 9 and 12 are invited to join us for a morning of fun-filled discovery. As they move from one work to another, they will fill in a blank map of the world, using symbols, drawings or words recording their findings about each artwork as well as their reactions to, and opinions about the artworks. Children and guardians will be met by an education staff member at the front desk/reception area.

Booking is essential as space is limited. Click here to register.

ZEITZ MOCAA FOOD | POP-UP DINNERS | 13 JUNE 2019 | LEVEL 6 | FROM 6PM

Zeitz MOCAA Food will be warming up Cape Town this winter with its new pop-up dinners starting in June, each its own bespoke menu. Dinner will start at 6 p.m. and the last booking will be taken at 8.30 p.m. Zeitz MOCAA members get priority booking for this event. There will also be a members-only guided tour of the new chapter of the exhibition Still here tomorrow to high five you yesterday…

Click here to see the menu or for other further information, email info@zeitzmocaafood.com. Bookings can be made via email or here.

FAMILY LEARNING PROGRAMME | 1 JUNE 2019 | CENTRE FOR ART EDUCATION | 11AM – 1PM

Children between 3 and 8 years old are invited to our child-led, family learning workshop on 1 June. This open-ended, lively visual arts learning event will start with a story and will encourage families to make 3D and 2D objects. Children with physical and learning disabilities are also encouraged to join.

RSVP is essential as space is limited. To book your spot, click here.

OPEN STUDIO FOR PARENTS AND CHILDREN | EVERY WEDNESDAY | CENTRE FOR ART EDUCATION | 10AM -1PM

Every Wednesday, the Centre for Art Education is open from 10 a.m. until 1 p.m., offering children and parents practical-making activities inspired by themes or works in the exhibitions. The activities will be facilitated by our staff but will not take the form of a structured formal art lesson. Parents with their children can enter that space during these times to participate in fun workshop activities.

To reserve your spot, click here.

Please note that there is no Open Studio on the 19th and 26th of June because of the Holiday Programme.

INTRODUCING THE ZEITZ MOCAA INSTA-MAP | WANT TO GET LOST?

The Zeitz MOCAA Insta-map is a fun and engaging new way to get lost (and found!) in and around the museum. The map is a useful guide for those looking for the most Instagrammable spot, or who don’t have much time to spare and want a quick guide on where to find which exhibitions.

Follow zeitzmocaa.map on Instagram to find out more.

STILL HERE TOMORROW TO HIGH FIVE YOU YESTERDAY | SUE WILLIAMSON LECTURE | 22 JUNE 2019 | LEVEL 2 | 11AM – 12PM

Still here tomorrow to high five you yesterday… Chapter Two, continues its exploration into notions of progress and utopia. With a focus on politics, history and pertinent global issues as they relate to contemporary African sensibilities, Sue Williamson will be discussing her immersive installation A Few South Africans.The series was made at a time when South Africa was still firmly under the grip of apartheid, and attempted to make visible the history of women involved in the struggle for freedom.

RSVP is essential as space is limited. To book your spot, click here.

V&A WATERFRONT MUSEUM NIGHT | 27 JUNE 2019 | AFTER HOURS

Join us as we celebrate the V&A Museum Night with free access for student card-holders and under 18s, and half price admission for all others, throughout the whole evening. V&A Museum Night is a multi-institution after hours cultural experience. For one night the public is invited to explore the precinct’s cultural institutions after-hours at reduced rates.  Zeitz MOCAA Food will also be celebrating Museum Night with a special Zeitz MOCAA ‘Food is art’ inspired dinner with live music. See the special menu here. Keep an eye on our platforms for further updates.

STILL HERE TOMORROW TO HIGH FIVE YOU YESTERDAY DISCUSSION | 28 JUNE 2019 | SCHERYN ARENA | 11AM – 12.30PM

Join us for a discussion between Curator, Azu Nwagbogu, and art critic and writer, Antwaun Sargent, as they look at a selection of artists from the exhibition Still here tomorrow to high five you yesterday… whose work reflects a black vanguard.

The artists selected use photography and video-based work to create connections between art and fashion. Sargent has contributed to The New York Times, The New Yorker, Vice and has also written essays for multiple museum publications.

RSVP is essential as space is limited. To book your spot, click here.

All events and programmes are free to members. For non-members, standard admission prices apply. Not a member? Join or renew here

MEMBER OFFER

We’re still running our limited editions programme, available exclusively to Zeitz MOCAA members.

Following her successful exhibition last year, This is a True Story: Six Films (1997 – 2017), we are pleased to present this stunning limited edition print from Penny Siopis.

Proceeds from the sale of this print will help to sustain and expand community outreach and access initiatives across the museum.

Enquire here.

ZEITZ MOCAA SCHOOLS’ PROGRAMME | LEARN, LOOK, ENGAGE

As part of our education programme, Zeitz MOCAA offers schools and tertiary groups access to tours, workshops, and other educational programming.

School programmes take place on Mondays, Thursday and Friday between 10 a.m. and 1 p.m. Pre-booking is essential. Contact education@zeitzmocaa.museum for more information or visit our website.

WILLIAM KENTRIDGE EXHIBITION INSTALLATION

In August, the largest exhibition to be held in Africa by internationally acclaimed artist William Kentridge will open at Zeitz MOCAA and Norval Foundation.

The exhibition, titled Why Should I Hesitate? Putting Drawings To Work, will see the closure of the museum’s Level 3, and some other parts of the museum, to the public as the installation takes place from 1 June.

The exhibition will also feature an exciting and engaging line-up of programming. Be sure not to miss this historic exhibition when it opens on 24 August.

Marie Hagerty + Peter Vandermark

Olsen Gruin is pleased to present dual solo exhibitions featuring works by Australian artists Marie Hagerty and Peter Vandermark. The exhibitions will be opened with an introduction by Dr. Anne Summers. Hagerty’s collection, titled The Edge, comprises large acrylic and oil paintings. Her works bend the surface of the canvas by creating space where there is none and thereby superseding the canvas itself. At first glance, the viewer is transfixed by oblong configurations of reds, blues, browns, and greys that are implicated in a two-dimensional landscape of organic configured movement. Further concentration reveals plane upon plane of depth within the painting. Through a mastering of contour and shadow, Hagerty creates a multi-planar world the viewer can nearly jump into.

Peter Vandermark’s series of works on display includes 10 geometric, sculptural imaginings of humanity’s interaction with space and the built environment. This group of abstract three-dimensional works is composed of timber along with painted and mirrored acrylic. Stemming from a commentary on the modernist desire to integrate both life and art, these geometric and reflective pieces render a unique spatial experience for the viewer. For Vandermark, the relationship between the work and viewer is a private and intimate experience. Simultaneously, Vandermark’s sculptures are models of architectural landscapes; creating an abstracted and interior landscape of wanderlust. In a designed and curated modern world, Vandermark’s work analyses the evolution of humanity’s interaction with scale, dimensions and textures of inhabitation.

 

Marie Hagerty (b. 1964) is a Sydney born artist who shifted to Canberra about 30 years ago and has been working primarily as a painter. Hagerty has a very effective and curiously unusual hybrid approach, both in her techniques of painting, employing traditional oils and modern acrylic, as well as in her conceptual framework. She seamlessly combines within a non-figurative composition seemingly figurative elements realized within a high degree of verisimilitude to surfaces and textures. Above all, her paintings display a high degree of visual intelligence in their subtle play of push and pull optics across the sensuous rolling surface. In recent years her paintings have been included in curated and invitational exhibitions at the National Gallery of Victoria, the Ian Potter Museum of Art in Melbourne, the Gallery of Modern Art in Brisbane and the Canberra Museum. Hagerty is represented by Olsen Gallery in Sydney and Karen Woodbury Gallery in Melbourne.

 

Peter Vandermark (b. 1960) is a Melbourne born artist interested in the evolution of humanity’s interaction with an increasingly artificial and curated world. “It is one of Vandermark’s strengths as a sculptor that he absorbs and explores the entirety of the designed three-dimensional world, rather than only having a dialogue with the past fine art sculpture. His interests are in the domestic, the urban, the architectural, the mechanical, the semiotic (signs and signage), and even the way in which spoken language can manifest as a ‘solid’ which impacts upon the world.”

50 Years of the Museum at FIT

Based on a selection of 33 major exhibitions which have consistently pushed beyond the obvious popular appeal of fashion and emphasised its cultural significance, this book is an in-depth introspection into “the most fashionable museum in New York City”, ie. MFIT (the Museum of Fashion Institute of Technology).

Edited by Valerie Steele, one of the foremost fashion historians and curators, Exhibitionism highlights the most influential exhibitions held at MFIT including: Fashion and Surrealism in 1987 on the relationship between art and fashion; The Corset in 2000 which was an exploration of the most controversial garment in fashion history; A Queer History of Fashion: From the Closet to the Catwalk (2013); Fairy Tale Fashion in 2016, a study into the enchanted and emblematic objects as the glass slipper and the red riding hood; Black Fashion Designers (2017).

Each exhibition included in the book is illustrated using installation photos, images of individual garments, and texts that explain the exhibitions’ concepts, scope and influence as well as the objects it featured. Exhibitionism also includes essays about the importance of fashion education at MFIT, highlights the role of hands-on, object- based learning and the inclusivity of minority, or even marginalised, groups.

Furthermore, each author provides an engaging “behind the scenes” look at the process of exhibition making and MFIT’s historic commitment to Fashion.

Harley-Davidson Motorcyle Exhibit

Harley-Davidson and the Motorcycle Arts Foundation Announce the Opening of Electric Revolution, the World’s First Museum Exhibit Exclusively Featuring Electric Motorcycles, opening April 6, 2019 at Petersen Automotive Museum in Los Angeles

The Motorcycle Arts Foundation (MAF) and Harley-Davidson announced today the opening of Electric Revolution, the world’s first museum exhibition exclusively featuring electric motorcycles. This exhibit, which is supported by Harley-Davidson, will open at the Richard Varner Family Gallery at the Petersen Automotive Museum in Los Angeles, California on April 6, 2019. Curated by MAF co-founder Paul d’Orléans, the exhibit will explore the history and current state of the electric motorcycle and e-bike industry with 21 examples of 2-wheeled electric vehicles from both custom builders and established manufacturers.

Zero-emission vehicles have become a prominent part of the transportation landscape, and electric motorcycles and e-bikes are one of the fastest growing sectors in this quickly evolving market. The exhibit assembles a dynamic mix of production, racing, prototype and custom electric motorcycles from world renowned manufacturers and builders in the EV space including Harley-Davidson, CAKE, Specialized Bicycle Components, Roland Sands Design, Curtiss Motorcycles, Alta Motors, Joey Ruiter, and Noel Connolly. Harley-Davidson is the lead sponsor for this exhibit and has provided three recent prototypes from their electric portfolio, including the 2020 LiveWire, which will be available to the public in Fall 2019. “We are creating history with the world’s first exhibition of any type to feature two-wheeled electric vehicles exclusively,” states curator Paul d’Orléans. “The electric motorcycle industry is exploding with new players investing in an electric future, and this exhibit will showcase contemporary manufacturers as the trail blazers of the industry and pay homage to electric pioneers.”

“We are thrilled to support the Motorcycle Arts Foundation and participate in the Electric Revolution exhibition at the Petersen Automotive Museum,” states Harley-Davidson Senior Vice President of Marketing and Brand Heather Malenshek. “Harley-Davidson is at the forefront of the changing consumer landscape within motorcycles and we are excited to showcase our halo product, LiveWire, within the powerful narrative this exhibit presents to the public.” The MAF is a 501(c)(3) nonprofit dedicated to the preservation and distribution of motorcycle arts. Electric Revolution will be the second major public project for the foundation. Their first exhibition project, Custom Revolution, just ended its year-long run at the Petersen Museum, and was one of the most important cultural events for motorcycles in the last 25 years. Electric Revolution is produced by the Motorcycle Arts Foundation and Sasha Tcherevkoff.

The opening night VIP and press reception will be held on April 4, 2019 from 6:30-10pm. The event will be attended by the world’s most talented builders, designers, and thought leaders in the electric vehicle industry. The evening will feature exclusive access to the new exhibition, music, food and drinks by the legendary Drago Ristorante, and a live “electrifying” panel discussion moderated by Paul d’Orléans.

PRESIDENT FORD’S PERSONAL PHOTOGRAPHER

EXHIBIT BY PRESIDENT FORD’S PERSONAL WHITE HOUSE PHOTOGRAPHER

TO BE DISPLAYED AT GERALD R. FORD PRESIDENTIAL MUSEUM

Exhibit opens March 25 with ribbon cutting and discussion

featuring David Hume Kennerly and Susan Ford Bales

 

Pulitzer Prize winning and presidential photographer David Hume Kennerly’s exhibit “Extraordinary Circumstances: The Presidency of Gerald R. Ford” will be on display for the first time at the Gerald R. Ford Presidential Museum in Grand Rapids, Michigan.  The exhibit is scheduled to open on March 25 with a ribbon cutting at 5 p.m. and a presentation at 7 p.m. featuring Kennerly and Ford’s daughter Susan Ford Bales.

 “David’s work not only captured historic images of our father’s presidency, but also the personal side of our family,” said Bales. “We are blessed to have this beautiful photography available and open for the public to view.” 

 “Extraordinary Circumstances: The Presidency of Gerald R. Ford” follows Ford’s presidency from the day he was appointed vice president to the end of his presidency. The exhibit is a collection of behind-closed-door images, including the inner workings of the White House, the Ford family, and the end of Ford’s presidency after losing to Jimmy Carter in the 1976 election. 

 “Mr. Kennerly’s unprecedented access to President Ford and his family offers a candid look into historic events surrounding some of our nation’s darkest times while highlighting the president’s efforts to heal the country,” said Elaine Didier, director, Gerald R. Ford Presidential Library and Museum. “We are honored to have these images on display and give the public an opportunity to view history as seen through the eyes of one of the nation’s highest regarded photographers.”

 In 1972, Kennerly was awarded the Pulitzer Prize in Journalism for a portfolio of his photos from the Vietnam War, the Ali-Frazier fight, refugees from East Pakistan in India, and combat in Cambodia. Two years later, at age 27, he accepted an appointment to serve as Ford’s chief presidential photographer. 

 “I photographed every major event during President Ford’s time in office. I think the most important image that emerged from the thousands of photos was a close-up portrait of the president’s humanity,” said Kennerly. “It is a privilege to bring these images to the home of President Ford and allow the community to experience his presidency and the Ford family’s personal side.”

 Kennerly was named “One of the 100 Most Important People in Photography,” by American Photo Magazine. He served as contributing editor for Newsweek for more than a decade and a contributing photographer for Time and Life magazines. Kennerly has published several books of his work: “Shooter,” “Photo Op,” “Seinoff: The Final Days of Seinfeld,” “Photo du Jour,” “Extraordinary Circumstances: The Presidency of Gerald R. Ford,” and “David Hume Kennerly On the iPhone.” He covered the 2016 presidential campaign for CNN, and was a major contributor to the network’s book, “Unprecedented: The Election that Changed Everything.”  His exclusive photo of Trump taken two weeks after he was elected was featured on the cover.

 “Extraordinary Circumstances: The Presidency of Gerald R. Ford” will be on display through Sept. 2, 2019. The March 25 ribbon cutting and presentation are free and open for the public to attend

Petersen Automotive Museum

Everyone else uses transporters, but not Petersen founding chairman Bruce Meyer. Watch as Bruce and friends take to the streets of Beverly Hills to personally deliver some of his winningest cars to the Petersen Automotive Museum ahead of the opening of “Winning Numbers: The First, The Fastest, The Famous.”

On Saturday, February 23, 2019, the Petersen Automotive Museum opened its newest exhibit featuring 10 groundbreaking race cars, each with a unique story of triumph and victory. Titled “Winning Numbers: The First, The Fastest, The Famous,” the exhibit is comprised of Le Mans winners, land speed record setters, dragsters and road racers from the personal garage of Petersen Founding Chairman Bruce Meyer.

Key vehicles on display include the winningest Ferrari road racer of all time, the 1957 Ferrari 625/250 Testa Rossa, which claimed first prize in more than half of the 50 competitions in which it was raced; the first production 1962 Shelby Cobra, CSX2001; the 1962 Greer Black Prudhomme, which was raced by drag racing legend Don Prudhomme who won 237 of the 241 races in which he piloted the car; the renowned 1952 So-Cal Speed Shop Belly Tank Racer, which was fashioned from a P-38 Lightning fighter belly tank from World War II by hot rod racing icon Alex Xydias; the 1979 Kremer Porsche 935 K3 that took first place overall at Le Mans; and the 1929 Ford “747” Bonneville Racer that Meyer ran 204 mph at Bonneville Salt Flats.

“Affectionately called ‘the car guy’s car guy,’ Bruce Meyer epitomizes true automotive passion,” said Petersen Automotive Museum Executive Director Terry L. Karges. “The charisma with which Bruce shares his passion is what sets him apart. ‘Winning Numbers’ reflects his discerning tastes as a collector and motorsports enthusiast, and we’re proud to share his fervor for the hobby with the community.”

The exhibit’s public opening was preceded by an evening reception and media preview on February 22, 2019. Guests of the exclusive event were treated to passed appetizers by the Petersen’s exclusive catering partner Drago, a full cocktail bar and a Fireside Chat discussion between Meyer and Karges.

“Winning Numbers” will run through January 19, 2020. For more information about the Petersen Automotive Museum exhibits, visit www.Petersen.org.

 

ABOUT THE PETERSEN

The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The Museum is located at 6060 Wilshire Boulevard (at Fairfax) in Los Angeles, California, 90036. Admission prices are $16 for general admission adults, $14 for seniors, $11 for children ages 4 to 17. Active military with ID, personal care attendants and children under four are admitted free. Museum hours are 10 a.m. to 6 p.m. For general information, call 323-930-CARS or visit www.Petersen.org.

Harley-Davidson Museum

The new year brings new reasons to visit the world’s only Harley-Davidson Museum. In addition to cutting-edge displays – such as the LiveWire prototype – the H-D Museum has you covered when it comes to fun and freedom with special events. From a celebration fit for “The King” to free admission on your special day plus the launch of the inaugural MKE Museum week, there’s no shortage of cabin fever cures to be found throughout the H-D Museum campus.

EVENTS / PROMOTIONS

$10 Tuesday are back!
Don’t forget: Museum admission on Tuesdays through April is just $10, no reservation required. Plus, a Hamilton gets you the juicy MOTOR Burger at MOTOR Bar & Restaurant.

Elvis’ Birthday Bash
Tuesday, Jan. 8, 10 a.m.-6 p.m.
Elvis loved his Harley-Davidson. To celebrate the King’s birth, we’re showcasing his beloved 1956 KH at the H-D Museum. While you’re here, stop in the Can Room where we’re serving up Banana Cream Pie in a jar topped with peanut butter drizzle and candied bacon. To truly personify the King, we’re giving out free Elvis glasses complete with sideburns to the first 100 H-D Museum visitors.

FREE Admission on Your Birthday
We’re not just celebrating Elvis’ birthday – we’re celebrating yours, too! New in 2019, you can explore the Museum for free on your special day.

#MuseumSelfie Day

Wednesday, Jan. 16, 10 a.m.-6 p.m.

Grab the selfie stick and put on a happy face because #MuseumSelfie Day returns to the Harley-Davidson Museum on Wednesday, Jan. 16. There’s no better backdrop for a selfie than the unrivaled collection at the H-D Museum. Visitors are encouraged to share their best pics on the Harley-Davidson Museum’s social pages. #HDMuseum @HDMuseum

Monster Jam Drivers Meet & Greet and Ticket Giveaway at the Harley-Davidson Museum®

Friday, Jan. 18, noon-1 p.m.
Get autographs and see a life-sized inflatable Monster Jam Truck up close. Plus, the first 100 folks to show up and donate to the MPS Mitten Drive will receive a free ticket voucher to Monster Jam Triple Threat Series and entrance into the Harley Davidson Museum® for Friday, Jan. 19.

Free Admission Friday

Friday, Jan. 18, 5-9 p.m.
Visit the H-D Museum for FREE on Friday, Jan. 18. Presented by the Historic Third Ward Association, Gallery Night & Day is the two-day premier art event in Milwaukee for both the experienced artist and beginning admirer. Tonight, be sure to check out “Taming the Road in Style,” a temporary exhibit that examines the pursuit of marrying styling and comfort. Free Friday night Museum admission from 5 – 9 p.m.; regular Museum admission applies on Saturday.

MKE Museum Week
Monday, Jan. 21-Sunday, Jan. 27
The Harley-Davidson Museum is proud to participate in the inaugural Milwaukee Museum Week January 21 – 27, 2019. This week-long celebration aims to highlight the meaningful ways that museums benefit Milwaukee community members, tourism, and the economy by showcasing Milwaukee’s broad and diverse cultural community.
All week long, the H-D Museum will offer a free activity sheet that will help visitors immerse themselves in the collection. Plus, on select days and times, your H-D Museum admission includes an optional curator-led tour that will shine a light on the connections between the Motor Company and Milwaukee during its 116-year history. Beginning with a 10-by-15-foot shed that was erected in the backyard of the Davidson family home on Milwaukee’s west side, the story of Harley-Davidson is one that could only happen in Milwaukee. Join our curatorial staff as they share stories of beneficial business partnerships, dedicated employees and fanatic customers that helped make Harley-Davidson a global icon.
These curator-led tours are free with your paid Museum admission. Visit H-DMuseum.com for times and more information.

NEW DISPLAYS

LiveWire™ 2015 Prototype
Hot on the heels of Harley-Davidson’s electric vehicle LiveWire unveiling at the Consumer Electronics Show in Las Vegas, the Harley-Davidson Museum is chronicling this piece of H-D history by displaying one of the original 80 demo bikes that Harley-Davidson took around the world for riders to try in 2015.
The LiveWire Project’s engineers and stylists were challenged not just to make an electric motorcycle, but to make a Harley-Davidson electric motorcycle. This prototype won praise for its power, quickness, and look, but it was still a work in progress.

The final version evolved after several years of gathering feedback from riders, data analysis, and redesign work. The result of an unprecedented development process, the 2020 LiveWire will be available in Harley-Davidson dealerships Fall 2019. See this landmark development in electric vehicle technology while it’s on display in the H-D Museum lobby.

Temporary Exhibit
Taming the Road in Style” (open now)
The earliest Harley-Davidson motorcycles had the same suspensions as bicycles of the time: none at all. The roads were a hodgepodge of dirt, stone, and other materials. Bumps were everywhere; suspension was needed. Comfort became a never-ending challenge for Harley-Davidson engineers. It was redefined by each new generation of rider and changing environments: over the decades, roads were paved, engine power and speed increased, and motorcyclists traveled faster over longer distances and craved smoother rides. In response, Harley improved the seats, redesigned many frames, or added new suspension systems. Sometimes these changes were small, sometimes dramatic. These tweaks and additions added up over the years. The first Harley-Davidsons resembled bicycles. Years later, bicycles and motorcycles looked nothing alike. The pursuit of comfort had transformed motorcycles.
The Harley-Davidson Museum’s newest exhibit, “Taming the Road in Style,” examines this history, drawing a line from the dawn of the bicycle to the launch of present-day Harley-Davidson Softail® models.

Save the Dates

Mama Tried Bike Night, February 14, 5-9 p.m.

Daredevils: A century of spine-tingling spectacles, June 15-Sept. 8, 2019, special summer exhibit