Posts tagged with "Kansas city"

The Greeting Committee’s New Music Video

THE GREETING COMMITTEE RELEASE VIDEO FOR NEW SINGLE “IS THIS IT?”

WATCH HERE

ANNOUNCE FIRST-EVER NORTH AMERICAN HEADLINE TOUR AND SUPPORT DATES WITH RAINBOW KITTEN SURPRISE

“The retro sophisti-pop vibes on the Kansas City-based band’s

latest release are both fresh and nostalgic.” – NYLON

“This band needs to be on your radar.” – IDOLATOR

“The Greeting Committee’s debut album, This Is It, takes ‘faux-veracity’ to task with its astute recollections of what it feels like to love and come of age simultaneously.” – LADYGUNN

Today, The Greeting Committee share the music video for “Is This It?” the newest single from their debut album This Is It [Harvest Records] WATCH HERE.

The band premiered the video with FLOOD Magazine this morning, who called the track “a sparkling pop confection, punctuated by bracing horn blasts like an updated take on the Waitresses day drinking with Florence + the Machine,” and praised the visual as “surreal” and “fueled by youthful exuberance.”

This new video arrives alongside the exciting news that The Greeting Committee will embark on their first-ever North American headline tour, which includes shows at iconic venues like New York City’s Mercury Lounge on May 14. While on the West Coast, they will also join Rainbow Kitten Surprise on select dates. The run will conclude with a festival appearance at Boulevardia in their hometown of Kansas City. Full routing can be found below.

That Bad [2015] and Meeting People Is Easy [2017]. The Greeting Committee have amassed over 25 million combined global streams and continue to attract critical praise from the likes of NYLON, Idolator, LADYGUNN, FLOOD Magazine, and Rookie, who last year shared a heartfelt essay for Pride Month written by front woman Addie Sartino called “The Ways I Wear My Pride.”

THE GREETING COMMITTEE TOUR DATES

5/8 Chicago, IL @ Beat Kitchen

5/10 Toronto, ON @ Canadian Music Week

5/12 Philadelphia, PA @ Voltage Lounge

5/14 New York, NY @ Mercury Lounge

5/15 Washington, DC @ DC9

5/16 Columbus, OH @ The Basement

5/17 St. Louis, MO @ The Ready Room

5/19 Atlanta, GA @ The Masquerade ߝ Purgatory

5/21 Austin, TX @ The Mohawk ߝ Inside

5/22 Dallas, TX @ Three Links

5/24 Denver, CO @ Larimer Lounge

5/25 Salt Lake City, UT @ Kilby Court

5/31 Seattle, WA @ Paramount Theatre *

6/1 Portland, OR @ Roseland Theatre *

6/2 Portland, OR @ Roseland Theatre *

6/4 Oakland, CA @ Fox Theater *

6/5 Oakland, CA @ Fox Theater *

6/7 Los Angeles, CA @ The Wiltern *

6/8  Los Angeles, CA @ The Wiltern *

6/11 Minneapolis, MN @ 7th St Entry

6/13 Nashville, TN @ High Watt

6/15 Kansas City, MO @ Boulevardia

* supporting Rainbow Kitten Surprise

Between high school classes in their native Kansas City, The Greeting Committee quietly stirred up a following with their 2015 debut EP It’s Not All That Bad, which caught the attention of Lazlo Geiger, a radio personality from 96.5 The Buzz. The lead single “Hands Down” impressively generated 10 million-plus streams as the band went on touring with the likes of MisterWives, Tennis, The Mowgli’s, Saint Motel, and Andrew McMahon in the Wilderness, as well as making a splash at Lollapalooza and SXSW.

The Greeting Committee are: Addie Sartino (vocals), Brandon Yangmi (guitar), Pierce Turcotte (bass), and Austin Fraser (drums).

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The Greeting Committee

“This band needs to be on your radar.” – Idolator

The Greeting Committee share a new song, “You’ve Got Me”

LISTEN HERE.

This is the newest teaser from the critically acclaimed Kansas City quartet’s upcoming debut album. They recently shared their single “17”.

Idolator wrote, “The Greeting Committee exudes youthful abandon on [their] shimmery new single.”

Stay tuned for more details soon.

Kicking off September 6 in Indianapolis, the band will join Jukebox The Ghost for upcoming North American tour dates. Amidst that run, they will also perform at WEQX PearlPalooza in Albany, NY on 9/15 alongside White Reaper, Superorganism, and KITTEN.

Full routing can be found below.

With their recent U.S. run, their energetic live show captured the attention of audiences across the country. After their Pittsburgh set, AXS wrote that The Greeting Committee “quickly won over the crowd with their energy and catchy songs.” Twin Cities Media praised, “If every band had the amount of energy that Addie had last night I would never have a complaint about a live show there’s no denying the power behind The Greeting Committee’s live shows”, while Music In Minnesota agreed, “The Greeting Committee put on one of the best performances from an opening act Iߣve ever seen in my life.”

Between high school classes in their native Kansas City, The Greeting Committee quietly stirred up a following with their 2015 debut EP It’s Not All That Bad, which caught the attention of Lazlo Geiger, a radio personality from 96.5 The Buzz. The lead single “Hands Down” impressively generated 10 million-plus streams as the band went on touring with the likes of MisterWives, Tennis, The Mowgli’s, Saint Motel, and Andrew McMahon in the Wilderness, as well as making a splash at Lollapalooza and SXSW. “17” is their first new release since their 2017 sophomore EP Meeting People Is Easy.

Photo credit: EILZABETH MIRANDA

The Greeting Committee are: Addie Sartino (vocals), Brandon Yangmi (guitar), Pierce Turcotte (bass), and Austin Fraser (drums).

THE GREETING COMMITTEE TOUR DATES WITH JUKEBOX THE GHOST:

9/6 • Indianapolis, IN @ HiFi

9/7 • Cincinnati, OH @ Taft Theatre

9/10 • Nashville, TN @ The Basement East

9/11 • Charlotte, NC @ Neighborhood Theatre

9/13 • Richmond, VA @ The Broadberry

9/14 • Baltimore, MD @ Rama Head Live

9/15 • Albany, NY @ WEQX PearlPalooza*

9/17 • Toronto, ON @ Horseshow Tavern

9/19 • Syracuse, NY @ The Lost Horizon

9/20 • Pawtucket, RI @ The Met

9/21 • Holyoke, MA @ Gateway Arts

9/22 • Portland, ME @ Port City Music Hall

* not a Jukebox The Ghost date with White Reaper, Superorganism and KITTEN

Beth Ditto × Sam Smith Tour

Today, Beth Ditto announces that she will be direct support for Sam Smith on the upcoming leg of The Thrill Of It All Tour. Ditto will join Smith starting August 14 at the Xcel Energy Center in St. Paul, MN through September 13 at the Scotiabank Saddledome in Calgary, AB. Following that run, Ditto will also join Florence + the Machine for two special shows at The Anthem in Washington, D.C. on October 5 and 6. Full routing can be found below.

On July 17, Ditto will appear as a guest on NBC’s Late Night with Seth Meyers to discuss her role in the new Gus Van Sant film, Don’t Worry, He Won’t Get Far On Foot, which will be released this Friday. After the film’s Sundance Film Festival premiere this year, Vulture wrote, A first-time actress, the 36-year-old musician Beth Ditto, all but takes over as the large and lovably extroverted member of the group.

Last year, Ditto released her debut solo album, Fake Sugar. The New York Times praised Ditto as a powerhouse singer and noted that the album’s songs have stomp and girl-group melodies, Southernisms in their lyrics and garage-rock swagger. The Wall Street Journal included Fake Sugar in its round-up of The Best Music of 2017 and observed, Great pop for grownups is a rare commodity Beth Ditto delivers. Paper christened Ditto rock’s homecoming queen while People highlighted Fake Sugar as one of its Picks, observing, Whether it’s a glittering stomper (Oo La La) or stripped-down Stevie Nicks homage (the title track), Ditto shines throughout.

Beth Ditto Tour Dates with Sam Smith

8/14 | St. Paul, MN @ Xcel Energy Center

8/15 | Chicago, IL @ United Center

8/17 | St. Louis, MO @ Chaifetz Arena

8/18 | Kansas City, MO @ Sprint Center

8/21 | Denver, CO @ Pepsi Center

8/22 | Salt Lake City, UT @ Vivint Smart Home Arena

8/24 | Sacramento, CA @ Golden 1 Center

8/25 | Anaheim, CA @Honda Center

8/29 | Los Angeles, CA @ Staples Center

8/31 | Glendale, AZ @ Gila River Arena

9/1 | San Diego, CA @ Valley View Casino Center

9/4 | Oakland, CA @ Oracle Arena

9/5 | San Jose, CA @ SAP Center @ San Jose

9/7 | Portland, OR @ Moda Center

9/8 | Seattle, WA @ KeyArena at Seattle Center

9/10 | Vancouver, BC @ Rogers Arena&#a0;

9/12 | Edmonton, AB @ Rogers Place

9/13 | Calgary, AB @ Scotiabank Saddledome

Beth Ditto Tour Dates with Florence + The Machine

10/5 | Washington, D.C @ The Anthem

10/6 | Washington, D.C. @ The Anthem

https://www.bethditto.com

Facebook: https://www.facebook.com/bethditto

Twitter: https://twitter.com/bethditto

Instagram: https://www.instagram.com/bethditto/

NIGOS Release MV for Narcos

Straight off the heels of winning the BET Award as Best Group, superstar multi-platinum hip-hop trio Migos today release the video for their chart-topping song Narcos. This marks Quavo’s directorial debut, with co-direction by Joseph Desrosiers.
WATCH HERE.
Narcos already has more than 153 million streams and was recently performed by the group on Saturday Night Live. Migos take the music on the road this summer on Aubrey and the Three Migos tour with Drake (full dates below).
The GRAMMY-nominated trio of Quavo, Offset and Takeoff released their second consecutive album to land at #1 on Billboard’s Top 200 Chart, CULTURE II (Quality Control Music Motown Records / Capitol), in January of 2018. Sunday at the 2018 BET Awards Migos were recognized as the Best Group, the award given to the overall best R&B, hip hop or gospel group who has release an album in the previous or same year. Migos has hit another milestone this year being honored with the ASCAP Vanguard Award from the 31stAnnual ASACAP Rhythm & Soul Music Awards.
Recently Migos made history by tying The Beatles for the most simultaneous entries on the Billboard Hot 100 song chart among groups (with 14 songs on the chart) according to Nielsen Music. CULTURE II has been streamed over 1 billion times and is RIAA Certified Platinum. Migos is now one of only five rap groups with multiple No. 1 albums. CULTURE II topped the iTunes albums charts in 60 countries and debuted at No. 1 in 62 countries on Apple Music, achieving one of the largest streaming debut weeks in Apple Music’s history.
In a cover story, Rolling Stone said, Migos aren’t big. They’re gigantic. Twenty-six-year-old Offset, his 26-year-old cousin Quavo and Quavo’s 23-year-old nephew Takeoff have transcended hip-hop to become shapers of the culture.
Their blockbuster single MotorSport, featuring Nicki Minaj and Cardi B, earned Double Platinum status in Canada, and RIAA Certified Platinum status in the US. Their second single, Stir Fry, produced by Pharrell Williams, was the official song for NBA’s All-Star weekend. This year alone the group performed on Saturday Night Live, The Tonight Show Starring Jimmy Fallon, graced the covers of Rolling Stone and Complex and was nominated for Best Rap Album and Best Rap Performance at the 2018 Grammy Awards.
(They) knock the meringue trap ballad beat out of the bando. -XXL
Narcos beat (is) just staggering. -Stereogum
It’s a standout track for its display of technical rapping ability alone. -Hypebeast
“Arguably the most influential group – in any genre – of the past few years.”Rolling Stone

Tour Dates

07-26 Salt Lake City, UT – Vivint Smart Home Arena
07-28 Denver, CO – Pepsi Center
07-29 Denver, CO – Pepsi Center
07-31 Kansas City, MO – Sprint Center
08-01 St. Paul, MN – Xcel Energy Center
08-10 Toronto, Ontario – Air Canada Centre
08-11 Toronto, Ontario – Air Canada Centre
08-12 Toronto, Ontario – Air Canada Centre
08-14 Detroit, MI – Little Caesars Arena
08-15 Detroit, MI – Little Caesars Arena
08-17 Chicago, IL – United Center
08-18 Chicago, IL – United Center
08-20 Chicago, IL – United Center
08-24 New York, NY – Madison Square Garden
08-25 New York, NY – Madison Square Garden
08-27 New York, NY – Madison Square Garden
08-28 New York, NY – Madison Square Garden
08-30 Brooklyn, NY – Barclays Center
08-31 Brooklyn, NY – Barclays Center
09-01 Brooklyn, NY – Barclays Center
09-04 Montreal, Quebec – Bell Centre
09-05 Montreal, Quebec – Bell Centre
09-07 Boston, MA – TD Garden
09-08 Boston, MA – TD Garden
09-09 Boston, MA – TD Garden
09-12 Washington, DC – Capital One Arena
09-13 Washington, DC – Capital One Arena
09-15 Philadelphia, PA – Wells Fargo Center
09-16 Philadelphia, PA – Wells Fargo Center
09-18 Nashville, TN – Bridgestone Arena
09-21 Miami, FL – American Airlines Arena
09-22 Miami, FL – American Airlines Arena
09-24 New Orleans, LA – Smoothie King Center
09-26 Dallas, TX – American Airlines Center
09-27 Dallas, TX – American Airlines Center
09-29 Houston, TX – Toyota Center
09-30 Houston, TX – Toyota Center
10-02 Houston, TX – Toyota Center
10-05 Las Vegas, NV – MGM Grand Garden Arena
10-06 Las Vegas, NV – MGM Grand Garden Arena
10-08 Phoenix, AZ – Gila River Arena
10-12 Los Angeles, CA – STAPLES Center
10-13 Los Angeles, CA – STAPLES Center
10-14 Los Angeles, CA – STAPLES Center
10-16 Los Angeles, CA – The Forum
10-17 Los Angeles, CA – The Forum
10-19 Los Angeles, CA – The Forum
10-26 Oakland, CA – Oracle Arena
10-27 Oakland, CA – Oracle Arena
10-29 Oakland, CA – Oracle Arena
11-01 Seattle, WA – Tacoma Dome
11-03 Vancouver, British Columbia – Rogers Arena
11-04 Vancouver, British Columbia – Rogers Arena
11-06 Edmonton, Alberta – Rogers Place
11-07 Edmonton, Alberta – Rogers Place
11-16 Atlanta, GA – Philips Arena
11-17 Atlanta, GA – Philips Arena
MIGOS SOCIALS

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The Greeting Committee Release Music Video for “17”

“The Greeting Committee exudes youthful abandon on shimmery new single ’17.’

…This band needs to be on your radar.”

May 31, 2018 (Los Angeles, CA) Today, The Greeting Committee release a brand-new music video for their single,”17.” WATCH HERE.

This video came to fruition in a very unique way  Universal Music Group’s talented young college representatives worked with lead singer Addie Sartino on the treatment and creation of the video from start to finish. Their youthful vision and creativity resulted in a visual component which perfectly fits the song’s emotion and narrative.

On the song, the critically acclaimed Kansas City quartet infuse sunny, shimmering guitars with youthful spirit and vivid lyricism. Co-written with Jack Kennedy and produced by Andrija Tokic (Alabama Shakes), it’s as cinematic as it is catchy. The single provides the perfect precursor to the groups’ forthcoming new album, stay tuned for more details.

The band recently wrapped a North American tour supporting Jukebox the Ghost. Their energetic live show captured the attention of audiences across the country after their Pittsburgh set, AXS wrote that The Greeting Committee quickly won over the crowd with their energy and catchy songs. Twin Cities Media praised, “If every band had the amount of energy that Addie had last night I would never have a complaint about a live show, there’s no denying the power behind The Greeting Committee’s live shows,” while Music In Minnesota agreed, “The Greeting Committee put on one of the best performances from an opening act I’ve ever seen in my life.”

Between high school classes in their native Kansas City, The Greeting Committee quietly stirred up a following with their 2015 debut EP It’s Not All That Bad, which caught the attention of Lazlo Geiger, a radio personality from 96.5 The Buzz. The lead single “Hands Down” impressively generated 10 million-plus streams as the band went on touring with the likes of MisterWives, Tennis, The Mowglis, Saint Motel, and Andrew McMahon in the Wilderness, as well as making a splash at Lollapalooza and SXSW. “17″ is their first new release since their 2017 sophomore EP Meeting People Is Easy.

The Greeting Committee are: Addie Sartino (vocals), Brandon Yangmi (guitar), Pierce Turcotte (bass), and Austin Fraser (drums).

“Murmurations”

Ben Howard’s new song, “Murmurations,” as well as his music video for the lead single, “Nica Libres At Dusk,” is out now—listen to the song HERE and watch the video HERE. The new music appears on Howard’s highly anticipated new album, Noonday Dream, out June 1 on Republic Records. Howard filmed and directed the “Nica Libres At Dusk” video with Australian cinematographer Allan Wilson in the Atlas Mountains.

The new music has begun to receive widespread critical praise—The Independent proclaims, “‘A Boat To An Island On The Wall’ is a sprawling, mesmerizing track that shifts restlessly, rocking back and forth like that small boat on the waves, with the familiar sound of Howard’s low, gruff vocals,” while Paste adds, “This seven-minute single [‘A Boat To An Island On The Wall’] features Howard harmonizing with himself, as ambient chords slowly ease the quiet song into a grungy guitar riff.” NYLON furthers, “Press play and let this cinematic gem wash over you.” Additionally, you can watch Howard’s performances of “Towing The Line” and “Nica Libres At Dusk” on “Later… with Jools Holland” HERE and HERE.

Howard will return stateside this fall confirming a run of headlining North American dates, which include stops at legendary venues such as Berkeley’s Greek Theatre, Denver’s Red Rocks AmphitheatreLos Angeles’ Shrine AuditoriumNew York’s Hammerstein BallroomMontreal’s Bell Centre as well as DC’s new venue Anthem. Fans can purchase tickets at http://benhowardmusic.co.uk/live. See below for complete tour details.

Noonday Dream was written and produced by Howard, with production contributions from regular collaborator and band-mate Mickey Smith. The album was recorded over the course of two years in various studios throughout Europe, including the legendary Sawmills Studio as well as locations in southwest France. The new recording continues to highlight Howard’s sonic evolution with unpredictable and textured arrangements and rich, emotive songwriting.

Howard’s debut album Every Kingdom was released in October 2011. The album sold more than one million copies globally, receiving a Mercury Music Prize nomination, and winning him two Brit Awards in 2012 for “British Breakthrough” and “British Solo Male Artist.” The follow up, I Forget Where We Were, which was released in 2014 was met with similar critical and commercial acclaim—the album earned an Ivor Novello Award nomination, the U.K.’s most prestigious songwriting accolade, and charted #1 in the U.K. Howard’s music has amassed well over half a billion streams to date.

The Economist x Midterms

Today The Economist launched its first real-time midterm model, which uses statistical forecasting to predict how many seats in the House of Representatives each party is likely to win in this year’s US midterm elections.

View the model here:

Applying cutting-edge machine-learning techniques to political science, the model combines information from polling, past elections, special elections, fundraising, ideology and “fundamental” factors like the economy and incumbency.  It has been trained on every election cycle since 1942 and nearly 6,500 historical district races. The model will conduct 4.35 million simulated elections every day until the vote, live-updating to incorporate up-to-the-minute data.

The Economist’s midterm model currently predicts that Democrats have a 2 in 3 (or 65%) chance of taking the House, and holding an average of 222 seats, or 4 more than is needed for a majority.  It shows that there is a 95% chance that the Democrats will hold between 206 and 241 seats.

The Economist’s data team plans to launch a similar model to forecast Senate results later in the year once primaries are complete and more polls become available.

Find out more about The Economist’s midterm model here.

Meg Myers “Numb”

Meg Myers reveals the chilling video for “Numb,” the lead single from her forthcoming album ‘Take Me To The Disco,’ out 7/20 on 300 Entertainment. The video, directed by Clara Aronavich, shows Meg going about her day in a haze, surrounded by people intruding on her personal space. It’s a powerful, spine-tingling visual that brings the song to visceral, disturbing life. NPR Music’s Bob Boilen called the video, “Singer Meg Myers Confronts ‘Innocent Touching’ And Microaggressions In New Video” Watch here and please share

Meg will be doing a Q&A about the video live on her Facebook page here: https://www.facebook.com/megmyersofficial

The song is about how I was feeling when my record company was looking for something out of me that just didn’t feel right for many reasons,” says Meg. “I was frustrated and it came through in this song. I discovered that this feeling was something I’ve experienced my whole life and decided to look within and confront it. I wanted the video to make the viewer experience this uncomfortable feeling.

In ‘Numb; I interpret Meg’s sentiment as one of desperate pleading for space, for room to exist quietly and at her own pace in a culture that insists on so much of her and for her as a female,” says Clara. “As I listened to the track on repeat I just couldn’t wrest my thoughts from a dance piece by Pina Bausch in which a woman is continually touched and measured by a mass of men in suits. So I decided to write an homage narrative that expands from Bausch’s conceit but that turns away from a purely gender-based backbone to a broader, societal one.

The New York Times called “Numb” “seething and then exploding,” praising the song’s “feedback-frothed power chords,” and Billboard hailed it as “cathartic” and “life-affirming.”

Meg will play select intimate shows in New YorkLAChicago and Kansas City in early support of ‘Take Me To The Disco,’ all of which are now sold out.

PRE-ORDER ‘TAKE ME TO THE DISCO’

https://ffm.to/tmttd

BUY/STREAM “NUMB”

https://ffm.to/mmnumb

Meg Myers “Numb”

Meg Myers reveals the chilling video for “Numb,” the lead single from her forthcoming album ‘Take Me To The Disco,’ out 7/20 on 300 Entertainment. The video, directed by Clara Aronavich, shows Meg going about her day in a haze, surrounded by people intruding on her personal space. It’s a powerful, spine-tingling visual that brings the song to visceral, disturbing life. NPR Music’s Bob Boilen called the video, “Singer Meg Myers Confronts ‘Innocent Touching’ And Microaggressions In New Video” Watch here and please share

Meg will be doing a Q&A about the video live on her Facebook page here: https://www.facebook.com/megmyersofficial

The song is about how I was feeling when my record company was looking for something out of me that just didn’t feel right for many reasons,” says Meg. “I was frustrated and it came through in this song. I discovered that this feeling was something I’ve experienced my whole life and decided to look within and confront it. I wanted the video to make the viewer experience this uncomfortable feeling.

In ‘Numb; I interpret Meg’s sentiment as one of desperate pleading for space, for room to exist quietly and at her own pace in a culture that insists on so much of her and for her as a female,” says Clara. “As I listened to the track on repeat I just couldn’t wrest my thoughts from a dance piece by Pina Bausch in which a woman is continually touched and measured by a mass of men in suits. So I decided to write an homage narrative that expands from Bausch’s conceit but that turns away from a purely gender-based backbone to a broader, societal one.

The New York Times called “Numb” “seething and then exploding,” praising the song’s “feedback-frothed power chords,” and Billboard hailed it as “cathartic” and “life-affirming.”

Meg will play select intimate shows in New YorkLAChicago and Kansas City in early support of ‘Take Me To The Disco,’ all of which are now sold out.

PRE-ORDER ‘TAKE ME TO THE DISCO’

https://ffm.to/tmttd

BUY/STREAM “NUMB”

https://ffm.to/mmnumb

Michelle Cadreau x “Dominate”

Hip-hop lyricist Michelle Cadreau has developed a writing and rapping style with both subtlety and introspection to reflect her Native Canadian Indian and Polish ancestry. With four CDs to her credit, the Hamilton, Ontario melds hypnotic and soulful beats with her trademark urban poetry to create a performance style that is equally juxtaposed and complementary.

 

Given the native Indian name Blue Sky at birth by her grandmother (who was born on a reserve in northern Ontario), Cadreau has a tattoo on her back of blue zebra stripes in the shape of an eye with the inscription ‘Blue Sky.’ It is a physical reminder of her spiritual relationship to the earth and heavens and her family.

 

With musical influences that include Biggie Smalls, Eminem, Dr. Dre, and Snoop Dogg, Cadreau proudly emulates their style. Her ideas often come from a word or phrase that sparks inspiration and builds from there.  She also credits her parents for her love of music. Both played in bands most of their lives – her mother (a nurse by profession) is a vocalist and drummer and her father a vocalist and bass guitarist.

 

Like her mother, Cadreau also plays drums, having begun lessons at age five. She is also an accomplished painter and jewelry designer and has a degree in interior design. Her connection to the visual arts has been a foundation for her lyrics, which paint pictures of the joy and pain of life.

 

Among her releases is the breakout number, “Precipitation,” an articulate and explicit song that boldly details a rapper giving a slam performance for fans; “Like a Killer,” uses boxing to symbolize violence; and “Hip Hop Clerk” is a commentary on making it in the music industry.

 

Also included is “Ineffable,” a look at fan adulation; “Give Me The Prize,” a nod to intelligence and the rewards it can provide; and “Tallest Mountain,” a heartfelt look at making your way up the hip hop ladder. Her strongest response by far from both fans and critics online has been for the song “Ghetto Survival,” which equates creating powerful rap music with persistence and success.

 

Cadreau is using her lyrical deftness and distinct vantage point to create music that is true to her while paying homage to the complex backstory of rap and hip hop.

 

For more information: 

www.michellecadreaulyricist.com

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