Posts tagged with "information"

Jason Lee

Premiere Networks and Hollywood Unlocked Founder/CEO Jason Lee announced today the launch of a new weekly radio show, Hollywood Unlocked with Jason Lee.

 The two-hour, original program will debut August 17 on 50 iHeartMedia Urban Contemporary stations nationwide, in addition to iHeartRadio.   

Co-hosted by Melyssa Ford and DJ Damage, Hollywood Unlocked with Jason Lee will keep listeners on the pulse of Hip Hop and pop culture in this fun and entertaining program featuring celebrity news, information and gossip, along with candid conversations with the stars who will bring truth to the latest stories and rumors.

Additionally, Lee’s podcast Hollywood Unlocked Uncensored, which is also co-hosted by Ford and Damage and has more than 33 million views on its YouTube channel, will be made available on iHeartRadio. 

Hollywood Unlocked with Jason Lee is the latest extension of Lee’s Hollywood Unlocked multi-platform empire – one of the nation’s top urban and entertainment brands that includes the popular website the Hollywood Unlocked Uncensored podcast; the Hollywood Unlocked YouTube channel; and events like the Hollywood Unlocked Social Impact Brunch awards show.

When I first started Hollywood Unlocked four years ago, I had a dream of having a national show,” said Lee. “After several years of working hard and never losing sight of my journey, this dream has now come into reality. Joining iHeartMedia and Premiere Networks with the likes of Ryan Seacrest, Big Boy, and The Breakfast Club is not only exciting, but also an honor to be added to this list of iconic trailblazers in the field of broadcast.  We are excited to share with the iHeartRadio listeners our unfiltered and sometimes wild and hilarious way of asking the biggest celebrities questions that fans want answers to. Hold on for this exciting ride!” Lee Stated

“Jason has created a brand that connects millions of fans with celebrity news, pop culture and exclusive star interviews across multiple platforms, including events, digital, social media and podcasting,” said Doc Wynter, iHeartMedia Executive Vice President of Urban/Hip Hop Programming Strategy. “He’s a true influencer and we’re excited to partner with him to expand Hollywood Unlocked to radio listeners across the country.” 

Culture disruptor and multi-media powerhouse Lee has unlocked the secret to success in Hollywood. He built an ever-evolving brand empire through strategic campaign oversight, event production, and influential relationships with stars including Tiffany Haddish, Cardi B, Kris Jenner and Floyd Mayweather. In the competitive world of entertainment, Lee has elevated his brand recognition as a pivotal voice on “Love & Hip Hop,” MTV2’s “Wild N’ Out,” “The Wendy Williams Show,” “Dish Nation,” and many more. Lee continues to shine as the talent and face of the Hollywood Unlocked brand, which connects with millions of fans online, and via Facebook, Twitter, Instagram and YouTube.  

iHeartRadio featuring more than 250,000 podcasts, with more than 750 iHeartRadio Originals and is available on over 250 platforms and over 2,000 different connected devices — including smart speakers, digital auto dashes, tablets, wearables, smartphones, virtual assistants, televisions and gaming consoles. Visit iHeart.com/apps to download iHeartRadio and listen to Hollywood Unlocked with Jason Lee and Hollywood Unlocked Uncensored on your favorite device, beginning August 17.

How Conspiracists Dominate YouTube Climate Content

The geoengineering of consent: how conspiracists dominate YouTube climate content

Most YouTube videos relating to climate change prevention oppose scientific consensus and hijack technical terms to appear credible, says study using YouTube to learn about climate science will expose you to video content that mostly opposes worldwide scientific consensus.

That’s the finding of a new study published in Frontiers in Communication, which also reveals that some scientific terms, such as geoengineering, have been ‘hijacked’ by conspiracy theorists so that searches provide entirely non-scientific video content. Scientists could counteract this by forming alliances with influential YouTubers, politicians and those in popular culture, to ensure scientifically accurate video content reaches the widest-possible audience.

“Searching YouTube for climate-science and climate-engineering-related terms finds fewer than half of the videos represent mainstream scientific views,” says study author Dr. Joachim Allgaier, Senior Researcher at the RWTH Aachen University. “It’s alarming to find that the majority of videos propagate conspiracy theories about climate science and technology.”

Nearly 2 billion logged-in users – half the world online – visit YouTube every month, and research has shown that users see it as a platform for learning about science, health and technology.

Climate conspiracists

Allgaier wanted to know if the information YouTube users found, when searching for scientific information on climate change and climate modification, represented scientifically accurate views.

“So far, research has focused on the most-watched videos, checking their scientific accuracy, but this doesn’t tell us what an average internet user will find, as the results are influenced by previous search and watch histories,” reports Allgaier. “To combat this, I used the anonymization tool TOR to avoid personalization of the results.”

Employing ten climate change-related search terms, Allgaier analyzed 200 videos about climate change and climate modification topics. He found that the majority of these videos opposed the worldwide scientific consensus, as detailed by the UN Intergovernmental Panel on Climate Change.

Most videos propagated the so-called “chemtrails” conspiracy theory, which is a belief that the condensation trails of airplanes are purposefully enriched with harmful substances to modify the weather, control human populations, or for biological or chemical warfare. Scientists have clearly shown there is no evidence for such a large-scale secret atmospheric spraying program.

Geoengineering has been hijacked

Alarmingly, Allgaier found that the conspiracy theorists have ‘hijacked’ some relatively recent scientific terms by using them to describe their worldview of a global conspiracy. In fact, ‘chemtrailers’, as they are known, explicitly advise their followers to use scientific terms in their content, so that they are not immediately identified as conspiracy theorists.

“Within the scientific community, ‘geoengineering’ describes technology with the potential to deal with the serious consequences of climate change, if we don’t manage to reduce greenhouse gases successfully. For example, greenhouse gas removal, solar radiation management or massive forestation to absorb carbon dioxide,” explains Allgaier. “However, people searching for ‘geoengineering’ or ‘climate modification’ on YouTube won’t find any information on these topics in the way they are discussed by scientists and engineers. Instead, searching for these terms results in videos that leave users exposed to entirely non-scientific video content.”

Allgaier also questions YouTube search algorithms – does its business model direct traffic towards videos of dubious scientific content? He found some of the conspiracy videos being monetized by the users via adverts or the sale of merchandise with conspiracy-theory motives.

“The way YouTube search algorithms work is not very transparent. We should be aware this powerful artificial intelligence is already making decisions for us, for example, if you choose to use ‘auto-play’. I think YouTube should take responsibility to ensure its users will find high-quality information if they search for scientific and biomedical terms, instead of being exposed to doubtful conspiracy videos,” argues Allgaier.

Scientists and YouTubers unite!

To counter the non-scientific content on YouTube, Allgaier, who recently spoke at the World Conference of Science Journalists about his work, suggests scientists and science communicators should take YouTube seriously as a platform for sharing scientific information.

“YouTube has an enormous reach as an information channel, and some of the popular science YouTubers are doing an excellent job at communicating complex subjects and reaching new audiences. Scientists could form alliances with science-communicators, politicians and those in popular culture in order to reach out to the widest-possible audience. They should speak out publicly about their research and be transparent in order to keep established trustful relationships with citizens and society.”

Prolight x Sound Guangzhou 2019

As the curtain fell on Prolight + Sound Guangzhou 2019 (PLSG), show organisers announced a new record of 1,353 exhibitors who flocked to the annual event from 25 countries and regions, along with 81,154 professional visitors (7% up) from the entire professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Combined with an overall exhibition area of over 130,000 sqm, this marks the largest ever edition of PLSG to date.

Ms Judy Cheung, Deputy General Manager of Messe Frankfurt (HK) Ltd, is delighted with the turnout this year: “PLSG is committed to supporting the industry’s development by offering a first-class business and information exchange platform for the entertainment sector. We wanted our exhibitor showcase and fringe events to cover every corner of the industry’s needs, and to echo the growing trends in media technologies and system integration. We’re proud to be able to capture so many opportunities all under one roof.”

Much to the delight of participants, many key pro audio and lighting brands could be found across all of the halls this year, including Adamson, AKG, Antari, APG, Art Sound, Asystems, Audinate, Audio-technica, Beta Three, Beyma, BIK, BMB, Boray, Bosch, Bose, Broad Future, Celestion, Charming, DAS, Colour Imagination, CD-Stage, d&b Audiotechnik, db Technologies, DMT, Eagle, EM Acoustics, Ezpro, Faitalpro, Fane, FBT, Fidek, Fine Art, Funktion-one, Gonsin, Haimei, Harman International, Hivi, HTDZ, IAG, ITC, Klotz, Konig & Meyer, Kvant, Laserworld, Lavoce, Lewitt, Longjoin, Mascot, Meyer Sound, Mipro, Mode, Montarbo, Nan Yi, Nexo, Nightsun, Pangolin, PCI, Phoenix, Plustruss, Polarlights, QSC, Rainbow, RCF, Redx, Ruisheng, SAE, SE Audiotechnik, Sennheiser, Seikaku, Showven, Shure, Soundking, ST Audio, Star-net, SWS, Taiden, Takstar, Tendzone, Thunderstone, TOA, Top Plot, TW Audio, Viashow, Vue Audiotechnik, Yamaha, Yes-tech and more.

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented under a new arrangement this year too, with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.

The event’s popularity this year can be attributed to its extensive cooperation with local and overseas industry associations, leading companies and professional media. Each contributed by inviting a number of high quality buyer groups and organising well-attended fringe events. A total of 11 domestic and international visitor groups attended the fair, and local industry media HC360 hosted a product presentation for over 1,000 professional buyers. Elsewhere, increased internationalism was also reflected in the show’s premium buyer groups, some of which came from the China Association of Recording Engineers, the Guangdong Association of Stage Art, the Zhejiang Province Stage and Audio Institute and Entertainment Equipment Industry Technology Association (EEITA) from Taiwan.

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

Meanwhile, the first interactive multimedia display in PLSG, the Lighting and Art Space, was extremely well attended with lots of professional visitors and industry new force across the entertainment, media creative and stage design sectors. The area was established to showcase new media technologies associated with 3D mapping, stage machinery, lighting installation, new media art, stage tech innovations and more. Developed in cooperation with Chinese media giant Visual Jockey, the area featured a total of 18 professional visual and display companies and brands, including Epson, Hecoos, Music Trick Lighting, X Color and more demonstrating their latest projection and display systems, and was bustling with intrigued visitors throughout the show.

Participants admire comprehensive coverage across each sector

Mr Hai Xiang, Area Manager, Beijing Tricolor Technology Co Ltd

(Communication and Conference Hall Exhibitor)

“Right now, the key digitalisation trends of the media systems industry involve more intelligent technology, more AI, and more integrated management systems, which all can be seen here at PLSG. We’re promoting our ‘Apollo’ and ‘CrossMedia’ audio and visual monitoring systems in the Communication and Conference Hall of PLSG, which can be applied for security surveillance. The show has such a strong influence in the industry and every year, there are more exhibitors joining which is testament to the organisers. It also helps us learn from our industry peers to continue improving and developing our products in line with the trends.”

Ms May Song, Vice President, Beijing Oriental Prime Connections Film/TV Technology Co Ltd

(Media Systems and Solutions Hall Exhibitor)

“This year is the 20th anniversary for our company, and we chose to host a press conference on the first day of PLSG because it’s such an influential show associated with our field of work. We’re also here to showcase some of our audio products which have been used in the Olympic Games and at a number of national conferences. The high visitor flow is a huge benefit for us, because a lot of quality buyers have been interested in visiting our booth, including from China, India, the Philippines, Vietnam and Korea. The show acts as a bridge between us and new business opportunities, because clients can discover us for the first time and we can interact with them face-to-face. It also helps us better understand customers’ demands to produce better products.”

Mr Allen Tan, Product Marketing Manager, Bosch (Shanghai) Security Systems Ltd

(Media Systems and Solutions Hall Exhibitor)

“The PLSG show is very influential, has a huge scale, and is the first major exhibition after the Chinese New Year, which helps gather a lot of buyers from both China and overseas. This also makes the show very suitable for us to launch new products and technologies, and showcase the strength of our brand to the right audience. All in all, we’ve met a lot of potential clients already, and the results are very exciting for us.”

Ms Julie Zhu, Vice President of China Region, Kvant Ltd

(Lighting Hall Exhibitor)

“Kvant has exhibited at PLSG for 10 years and manufactures laser display systems. The entertainment industry in China is growing robustly and has huge potential, and even some of the tourist spots here are demanding these kinds of advanced audio and visual technologies for creative performances. The fair always provides us a good chance to further promote our brand and showcase our advanced laser lighting products to buyers. It is one of the most important platforms for us to better understand the Chinese market trends.”

Mr Yosef Levy, Owner, RST Audio Equipment Ltd

(Overseas Buyer)

“I’m here at the show to source new audio equipment and technology from the Asian market, so I can develop my own business in Tel Aviv, Israel. I’ve noticed there are a lot of brands here who are working on integrated solutions and providing systems of international quality. It’s also been very busy, which means there are a lot of opportunities for me to chat with industry peers from all around the world, as well as many domestic and international audio brands. I’d like to follow up my time at the show by placing some orders, and I may meet with my new contacts again at the Shanghai show later this year.”

Mr Eli Wu, System Designer, Shenzhen Ezpro Sound and Light Technology Co Ltd

(Chinese Buyer)

“This is my fourth time to visit PLSG and I’m looking for some audio and lighting related solutions for my company. The fair accommodates both large and small scale exhibitors from local and overseas, and allows visitors to find a wide range of products. It definitely caters to buyers’ needs comprehensively. I’ve met lots of high quality suppliers at the fair, and their products are useful and provide a perfect user experience at the same time. The fair not only allows us to learn the industry latest trends through its well-rounded fringe programme events, but also acts as an important meeting point for the industry.”

Mr Kane Zhang, Senior Application Engineer, Biamp Systems

(Fringe Speaker)

“This is my first time to PLSG, where I’m hosting a session on AVB and also a panel discussion on AVIT. The content and details for these kinds of fringe events offer a face-to-face element and a more intimate setting for people to voice out their thoughts to learn from one another. Only through these platforms can we tap into future technologies and continue developing our industry. To me, PLSG is a huge show with lots of industry experts coming together, which has allowed it to grow into such a good platform to match our industry goals.”

Mr Kevin Gu, Vice President, Shanghai Epean Exhibition Creative Development Co Ltd

(Lighting and Art Space Attendee)

“The new Lighting and Art Space offers a very comprehensive coverage of reflected technology for sound and lighting electronic innovations in an exciting way. The light show for the miniature St Paul’s Cathedral replica is particularly impressive. Nowadays, visitors are looking for more ways to interact with hands-on exhibits, and I believe some of the technologies shown in this space will be part of the industry’s biggest trends in the future, as they can be widely applied to many cultural and creative events such as in art exhibitions and museums. It will help different kinds of innovations become a reality, and makes the experience more fun.”

The 2020 edition of Prolight + Sound Guangzhou will be held from 19 – 22 February 2020 at Area A and B of the China Import and Export Fair Complex in Guangzhou, China. Prolight + Sound Guangzhou is organised by Messe Frankfurt and the Guangdong International Science and Technology Exhibition Company (STE). For more details about the show, visit www.prolightsound-guangzhou.com.

Other shows under the Prolight + Sound brand include:

Prolight + Sound

2 – 5 April 2019, Frankfurt

Prolight + Sound NAMM Russia

12 – 14 September 2019, Moscow

Prolight + Sound Shanghai

10 – 13 October 2019, Shanghai

Prolight + Sound Middle East

15 – 17 October 2019, Dubai

Olsen Gruin Gallery

Holiday gallery closing: Dec. 22 – Jan 9

Winter group exhibition PENUMBRA opens Tuesday, January 15, 2019
Until Saturday, March 2, 2019
Exhibition reception: Wednesday, January 30, 6-8PM

2019 Olsen Gruin gallery hours: Tuesday – Saturday, 11am – 6pm
Sunday by appointment

Browse available works on our website

 

 

olsengruin.com

Olsen Gruin
30 Orchard St, New York NY 10002
M: +1 646 525 6213
info@olsengruin.com

Tuesday–Saturday 11am–6pm

Designer to Watch: Pierre Garroudi

London Fashion Week 5519 saw the arrival of Pierre Garroudi’s Spectacular Fashion Show: a high-octacaine, glamorous, and unique mardi gras of style, creativity, and fun.

On Sunday the 16th of September at 9 PM, The Strand Palace Hotel played host to Garroudi’s riot of colour and exuberance, seeing his vision come to life on the catwalk. Distinctiveness made up the foundation of this show with a diverse cast of models, each dressed and styles uniquely, shunning the industry standard of uniformity.
“Outrageousness is in, get ready and dress up!” is the way designer Pierre Garroudi explained his show made up of 50 looks in total. Key looks from the show included a baby pink, lace, “show girl” outfit, complete with tulle boa, with the model using a children’s doll to cover her modesty, a ringmaster-esque outfit which saw hot-pants teamed with a copped-striped jacket and a show stopping head piece topped with a golden deer to DEMAND attention.

Other notable outfits included a cutesy ‘holiday’ look comprised of a ditsy floral mini-dress with peach sequin detailing matched with an oversized straw sunhat and completed with a pair of sky-high studded stiletto Mary-Janes. Perhaps one of the most eccentric of al the looks was dominated by a hat made from a child’s doll towering on the model’s head. This was matched with a  shoe necklace and belts tied around her ankles, making for a truly eclectric outfit which left Garroudi’s audience curious about his inspiration as well as desperate for an encore of his ‘circus of style.’

Each outfit was styled with one of Garroudi’s famous leather handbags, an accessory the designer is well known and loved for. Pink, blue and gold acted as the main color pallet, but certainly didn’t limit his use of other shades. Hair and make-up only added to the beautiful chaos of Garroudi’s fashion performances taking theatrical make-up to new levels , leaving any sign of minimalism truly outside the doors of the hotel.

Want to get to know the designer?

Now based in London, Pierre Garroudi was founded in New York City 1993. Garroudi is formerly known for mastering the techniques of draping and his attention to fabrication, shape, and detail. His design inspirations derived from futuristic elements experimenting with new shapes and fabric manipulations–appealing to those who are interested in the aesthetics of a futuristic world. With 12 collections, Pierre Garroudi has showcased at fashion weeks in New York, Paris, and London. His international experience enabled him to become more creative and original.

The Official Lineup for NETFLIX at NYCC 2018

Something spooky this way comes…Well, according to Netflix’s 2018 New York Comic Con lineup, of course.

The world’s leading entertainment service will present a weekend of panels including Big Mouth and Marvel’s Daredevil. Additionally, Netflix will feature the highly anticipated freshman series The Umbrella Academy, The Haunting of Hill House, The Dark Crystal: Age of Resistance and Chilling Adventures of Sabrina inside their Netflix & Chills Mega Block Panel.

Additional details for the Netflix panels can be found below (talent appearances are subject to change):

NETFLIX PRESENTS: BIG MOUTH

Friday, Oct. 5– 4:00PM – 5:00PM

Javits Convention Center (Room 1A06)

Get comfortable being uncomfortable with your favorite puberty-driven animated series Big Mouth! Join Nick Kroll, John Mulaney, Jessi Klein, and Jason Mantzoukas, along with executive producers as they take on NYCC with an exclusive live read form a new episode of the highly-anticipated second season. Hilarity is sure to ensue as the show takes on all things borderline raunchy.

Talent: Nick Kroll, John Mulaney, Jenny Slate, Jessi Klein, Jason Mantzoukas, and Executive Producers Andrew Goldberg, Jen Flackett, and Mark Levin.

NETFLIX & CHILLS

Friday, Oct. 5– 7:30PM – 9:30PM

Javits Convention Center (Mainstage)

The midnight hour is close at hand with Netflix’s Mega Block of chills, thrills, and everything else of the other worldly variety. Join the casts of The Umbrella Academy, The Haunting of Hill House and Chilling Adventures of Sabrina as they descend upon New York Comic Con to discuss their highly anticipated series’. Plus, get a first look at The Dark Crystal: Age of Resistance before anyone else. The conversations will leave you sleeping with the lights on and texting your friends about the surprises along the way!

MARVEL’S DAREDEVIL

Saturday, Oct. 6– 1:30PM – 2:45PM

The Theatre at Madison Square Garden

Witness New York Comic Con’s highly anticipated return of Daredevil, Marvel’s first superhero on Netflix! Join the series’ Charlie Cox, Elden Henson, Deborah Ann Woll, Vincent D’Onofrio, Joanne Whalley, Wilson Bethel, Jay Ali, series showrunner, Erik Oleson, and Executive Producer and Marvel’s Head of Television, Jeph Loeb for what promises to be an epic panel full of surprise reveals.

The Favorite Airline in Africa

Trazee Travel, a unique interactive web-based publication for millennial travelers, names South African Airways (SAA) as the “Favorite Airline in Africa” for the fourth consecutive year.

The honorable airline is honored with the accolade at the annual The Trazee awards, which was hosted by Global Traveler magazine during the 2018 Global Business Travel Association Convention on Tuesday, August 14th of 2018 in San Diego.

Trazee Travel, created by Global Travelers’ parent company FX Express Publications, is designed for travelers aged 18-35 years as a one-stop online resource for news, tips, and reviews for travel products around the world.

The annual The Trazees celebrates excellence with the top travel companies and include airlines, airports, hotels, tourism destinations, and other travel providers. Nominations are collected via online ballot completed by their subscribed readers where the winners are chosen by a panel of travel experts.

“This important recognition by Trazee Travel strengthens SAA’s commitment to providing the very best service on our flights to Africa,” says Vice President of Sales of North America for South African Airways, Marlene Sanan.

“The sought-after millennial traveler seeks unique experiences and once-in-a-lifetime opportunities, South Africa is the perfect destination to fulfill that wanderlust for the 10-35 year old traveler,” says Francis X Gallagher, publisher and CEO of FXExpress Publications Inc.

South African Airways offers the most flights from the U.S. to South Africa with daily non-stop service from New York-JFK Airport and daily direct service from Washington, D.C.-Dulles.

On board, SAA provides an inflight experience designed for pure comfort for long-haul travel. Customers enjoy fully-flat seats in Premium Business Class, industry-leading legroom in Economy Class, gourmet cuisine and a selection of complimentary spirits and award-winning South African wines and generous checked baggage allowance.

What’s also included are individual audio/visual entertainment systems that deliver an extensive menu of first-run movies and music choices.

Alongside with their regional partners, SAA links the world to over 75 destinations across Southern Africa and Africa’s Indian Ocean islands.

For SAA reservations and flight information, customers should visit www.flysaa.com, call SAA Reservations at 1-800-722-9675 or contact their professional travel consultant to experience what makes SAA the favorite airline in Africa.

 

 

AirHelp’s New Campaign

AirHelp launches a Passenger Rights Awareness Month.

Alarmingly, there has been in increase in the amount of travelers left at airports due to flight disruptions.

According to a survey authorized by AirHelp, 75% of US travelers confirm that they feel uninformed by airlines about their rights.

As a solution, AirHelp launches a Passengers Rights Awareness Month. By this, a platform is created for worldwide travelers to connect with specially-picked global experts and consumer advocates to inform them about their travelers’ rights. Travelers will also receive helpful information if they ever find their flights to be delayed or cancelled, or if they are denied boarding.

Through this, passengers will always find it useful to learn about their rights to protect themselves for future trips.

Along with this change, AirHelp is opening up its social media platforms to travel connoisseurs and passenger rights advocates from all areas of the world.

The implementation of this is because in the U.S., less than 25% of travelers were on a disrupted flight actually filed a claim, and travelers from other countries are also leaving their issues unclaimed. This clearly shows that the EC 261 regulation is not widespread enough and that further actions must be considered as solutions.

“It is crystal clear that air passengers still feel powerless against airlines and many miss out on the compensation they’re owed by not filing a claim. And if airlines will not play their part to inform and educate their passengers, we will,” says Henrik Zillmer, CEO of AirHelp

With the launch of Passenger Rights Awareness Month, Zillmer hopes this will help improve their efforts in informing travelers of their rights.

For delayed or cancelled flights, or even the denial of boarding, passengers may be entitled to financial compensation of up to $700 per person in certain cases. The conditions for this state that the departure airport must be within the EU, or the airline carrier mist be based in the EU and landing  in the EU.

It is important to keep in mind that for situations deemed as “extraordinary circumstances” such as storms or medical emergencies are exempt when it comes to compensating passengers–they do not qualify for flight compensation.

AirHelp is the world’s leading flight compensation company, helping passengers understand their rights and receiving compensation accordingly are why they are here to help. It has helped more than seven million people process airline compensation claims worth nearly $930 million in total. AirHelp offices are available across the world in 30 countries, supports in 16 languages, and employs more than 500 employees globally. They have served well in the past years and continue to serve on for years to continue.

The Economist x Midterms

Today The Economist launched its first real-time midterm model, which uses statistical forecasting to predict how many seats in the House of Representatives each party is likely to win in this year’s US midterm elections.

View the model here:

Applying cutting-edge machine-learning techniques to political science, the model combines information from polling, past elections, special elections, fundraising, ideology and “fundamental” factors like the economy and incumbency.  It has been trained on every election cycle since 1942 and nearly 6,500 historical district races. The model will conduct 4.35 million simulated elections every day until the vote, live-updating to incorporate up-to-the-minute data.

The Economist’s midterm model currently predicts that Democrats have a 2 in 3 (or 65%) chance of taking the House, and holding an average of 222 seats, or 4 more than is needed for a majority.  It shows that there is a 95% chance that the Democrats will hold between 206 and 241 seats.

The Economist’s data team plans to launch a similar model to forecast Senate results later in the year once primaries are complete and more polls become available.

Find out more about The Economist’s midterm model here.

AMAZON’S THE GRAND TOUR

Has a show or movie ever energized you to seek adventure beyond the screen? The Grand Tour, a Prime Original that follows three intrepid former car journalists on their high speed escapades around the world, has attracted fans ready to hit the road for their own adrenaline fueled adventures. Amazon uncovered a few fun facts about Prime members who have streamed The Grand Tour, and we’re spreading the word on where to get inspiration for your next trip to the great outdoors. These trends were obtained by comparing the purchase behavior of a sample of 100K Grand Tour viewers on Amazon to that of 100K Non-Grand Tour viewers.

Amazon learned Grand Tour viewers are more likely to seek extreme outdoor hobbies and live in areas known for adventure in the great outdoors than those Prime members who haven’t streamed the show yet. In 2017, Grand Tour viewers spent 24% more in Amazon’s Sports & Outdoor store than an average non-Grand Tour viewer. And these Grand Tour viewers are not just novices of the outdoors; they purchased more brands for top outdoor athletes and serious outdoor enthusiasts including GoPro, Black Diamond, Osprey, Patagonia and Thule than did non-Grand Tour viewers. The largest percentage differences in spend on outdoor equipment between Grand Tour viewers and non-Grand Tour viewers were on cycling gear (53%), rock climbing gear (45%) and skiing and snowboarding gear (44%).

It is no surprise Grand Tour viewers in the US are living in places that are known as gateways to adventure. Washington – home of Mt. Rainier, Olympic National Park and neighbor to the Pacific Ocean, andColorado – land of the Rocky Mountains and Mesa Verde National Park, had the highest number of Grand Tour season two viewers per capita in the US. These states have an abundance of activities for those seeking an outdoor and adventurous lifestyle.

Grand Tour viewers are more likely to drive cars that are compact and adventure-ready and steer clear of the family cars. When purchasing automobile parts in Amazon’s Automotive store, customers can add information about their current car to the Amazon Garage for shopping parts and accessories designed specifically for that vehicle. The Subaru Impreza was the top car model that was more likely to be added to a Grand Tour viewer’s garage than a Non-Grand Tour viewer’s in 2017.

If you have been looking for motivation to dust off your bike, climb a new route, wax your skis or take the family camping, check out The Grand Tour for some adventure inspiration and see you in the great outdoors!