Posts tagged with "Indira Cesarine"

“Katya Zvereva: Femme Fleur” Solo Show

KATYA ZVEREVA: FEMME FLEUR
A Solo Exhibition Curated by Indira Cesarine
 

OPENING RECEPTION May 14 // 6pm-9pm

THE UNTITLED SPACE

45 Lispenard Street Unit 1W

NYC 10013

The Untitled Space gallery is pleased to present, “Katya Zvereva: Femme Fleur,” a solo exhibition of works by artist Katya Zvereva. Curated by gallery director Indira Cesarine, the exhibit will open on May 14, 2019, and be on view through May 24, 2019. Katya Zvereva is a multidisciplinary visual artist whose works combine raw emotion with vivid colors and deliberate forms. Having participated in a number of successful group shows, this is the artist’s debut gallery solo show. “Katya Zvereva: Femme Fleur” will showcase a wide range of new works by Zvereva, including large scale acrylic and oil paintings, woodcuts, monotypes, drawings, and sculpture. The Untitled Space will premiere Zvereva’s vibrant new body of work that examines raw emotions, women, and relationships with a powerful visual language. 

Katya Zvereva was born in Saint Petersburg, Russia in 1990. She received her Master’s Degree of Architecture from the V. Surikov Moscow State Academy Art Institute in 2013, and her Masters of Fine Art from New York Academy of Art in 2016. Her artwork was first discovered by The Untitled Space’s gallery director, Indira Cesarine, in 2016, at the celebrated Tribeca Ball, where she presented her graduate showcase. She has since exhibited with The Untitled Space in numerous group shows including, “IN THE RAW: THE FEMALE GAZE ON THE NUDE”(2016), “UPRISE/ANGRY WOMEN” (2017), “SHE INSPIRES” (2017), “SECRET GARDEN: The Female Gaze on Erotica” (2017) and “EDEN” at SPRING/BREAK Art Show, 2019. 

Her latest series has evolved from her early monochromatic woodcuts to bold, saturated works on canvas that interrogate a broad spectrum of human emotions and intense interrelationships. States the artist, “I think we all have the same palettes of emotions within ourselves, we may feel them more or less strongly or more or less often, but no matter who we are, we are all exposed to this psychological or physical phenomenon.” Zvereva’s use of color and texture as a storytelling method can be seen throughout her works, both old and new. Her detailed drawings tell complex stories while her color-infused woodcuts engage the viewer with their textured nuances and bold strokes. Pulling inspiration from her female friends, Zvereva uses her new works to explore what kind of woman she is in relation to the most universal emotions of humanity. “My inspiration comes from people whom I love, I think that is one of the most important things, love in particular. I want to create art everyone can identify with. The emotions that I’m showing in my paintings are mostly basic emotions: fear, anger, curiosity, love, pain. I want people to look at my paintings and say ‘I can hear it, I can feel it, it’s part of me.’”

A multidisciplinary artist, Zvereva’s work crosses over into many mediums, from painting, printmaking, drawing, and sculpture, to explorations with object d’art and furniture. In printmaking, she has developed her own unique technique based on monotypes mixed with drawing, which she often prints on multiple layers of fabric or hand-made paper. She creates large-scale installations based on analog woodcuts, which are printed by hand on a multitude of surfaces.  Her bold floral paintings, painted on canvas as well as leather, evoke emotional metaphors of the subconscious. Her artwork has been exhibited in New York City, Los Angles, Moscow, and St. Petersburg and can be found in many private art collections in the United States, France, Germany, and Russia. 

ARTIST STATEMENT

“Through the exploration of many different mediums and techniques, I want to formalize the coincidental and emphasize the subconscious process of composition. My thought process is a culmination of private, subjective, and unfiltered references from my past and future, which are revealed to the viewer as assemblages. My works attempt to communicate a visual dialogue between my private world and reality. I want the viewer to question the dissonance between form and content, and the dysfunctions of language. By demonstrating the omnipresent lingering of ‘inside/out’ I make works that can be considered emotional self-portraits. By contesting the division between the realms of memory and experience, I create my own visual vocabulary which addresses my intimate reality as well as contemporary social and political issues. My works expose bit by bit a fictional and experimental universe. With each installation, I try to express the complete structure of the process, while at the same time allow the viewer to experience their own interpretation. I create art as an act of visual meditation.” – Artist Katya Zvereva 

Zvereva’s exhibition is part a series of solo exhibitions presented by The Untitled Space throughout 2019 featuring artists with an extraordinary body of work that aligns with the gallery’s mission to promote women in art and unique voices that are under-represented. 

ABOUT THE UNTITLED SPACE:

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2014 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of “Women in Art” as well as special events aligned with our creative vision. 

Exhibition Contacts:
The Untitled Space info@untitled-space.com
Website link: http://untitled-space.com/katya-zvereva-femme-fleur-a-solo-exhibition/

Artwork featured in “Katya Zvereva: Femme Fleur” Solo exhibition, The Untitled Space, May 2019, Untitled Space Gallery, New York

Artwork featured in “Katya Zvereva: Femme Fleur” Solo exhibition, The Untitled Space, May 2019, Untitled Space Gallery, New York

Artwork featured in “Katya Zvereva: Femme Fleur” Solo exhibition, The Untitled Space, May 2019, Untitled Space Gallery, New York

 

SARAH MAPLE × “THOUGHTS AND PRAYERS”

SARAH MAPLE, “THOUGHTS AND PRAYERS” 

A Solo Exhibition Curated by Indira Cesarine

OPENING RECEPTION January 22 // 6pm-9pm 

EXHIBITION ON VIEW January 22 – February 3, 2019

THE UNTITLED SPACE 

45 Lispenard Street Unit 1W 

NYC 10013 

The Untitled Space gallery is pleased to present “Thoughts and Prayers” a solo exhibition of works by artist Sarah Maple, curated by gallery director Indira Cesarine, opening January 22, 2019, and on view through February 3, 2019. Sarah Maple is an award-winning visual artist known for her bold, brave, mischievous and occasionally controversial artworks that challenge notions of identity, religion and the status quo. Hailing from Britain, this will be the first solo exhibition of the artist in the United States. Much of Maple’s inspiration originates from being raised Muslim, with parents of mixed religious and cultural backgrounds. “Thoughts and Prayers” will feature many new works, as well as a selection of some of her most notable past works, exploring a wide variety of media including performance, painting, photography, sculpture, collage, installation, and video. Maple’s pro-feminist artwork provokes a dialogue with her sharp humor and satirical eye. She fearlessly addresses what it means to be a Muslim in the Western world. Her taboo-breaking artwork fights against censorship as she investigates themes of politics, violence, freedom, feminism, and the ironies of pop culture. She often employs self-portraiture as a vehicle for her narrative, or engages guerrilla-style performance as a means to convey her message. 

“Using her own image, and drawing on her experience as a Muslim woman, Sarah tackles society’s many taboos, elevating those previously oppressed, and giving voice to those long since silenced.”   i-D Vice 

“Maple has made a name for herself over the years for pushing the boundaries of femininity, and for publicly discussing the convergence of her dual-Muslim heritage with feminism. Rather than crumble, Maple has an impressive resolve in the face of cyber adversity: she tries to laugh instead of cry… Maple hopes to examine where freedom of speech ends and abuse begins.” – Dazed Digital

“Maple could well be the only artist to take on the Kardashians (with her ‘Keeping Up With The Kapulets’ show), stereotypes around Islam (with her ‘I Love Orgasms’ acrylic), and the taboos around menstruation (with her ‘Menstruate With Pride’ triptych). She has received a flurry of glowing reviews – and even more death threats.” – Good Trouble 

“I think we need to be challenged, we need to hear challenging, radical, provocative things, even if we don’t agree with them, as it’s those things that make us react and make us want to bring about change…” Sarah Maple for TEDx

Sarah Maple graduated with BA in Fine Art from Kingston University London in 2007 and in the same year won The Saatchi Gallery’s “4 New Sensations” award for emerging artists. Maple’s artwork, film, and performances have been exhibited internationally at galleries and institutions including Tate Britain, The Barbican, AIR Gallery, and The New Art Exchange, among many others. Maple’s work has been the subject of documentaries including for ARTE and VPRO. In 2015 she released her first book “You Could Have Done This,” a hardback of selected works. The same year she was awarded a Sky Academy Arts scholarship from Sky Arts, which included funding, mentoring and a Sky Arts documentary. In 2017 she gave a TEDx talk in Birmingham, UK on the importance of free speech, titled “The Freedom To Be Challenged.” 

Her work has been featured in numerous international publications, including Vogue, The Guardian, i-D Magazine, The Sunday Times UK, The Independent, People Magazine, Dazed, and the Huffington Post among many others. In 2018 she was invited to make a limited edition cover for Harper’s Bazaar’s art issue alongside artists including Yayoi Kusama, Barbara Kruger, and Linder Sterling. Her artwork is in collections including Soho House, The Hyman Collection and the Ned. Sarah lives and works in Sussex, England. 

ARTIST STATEMENT

“My work is largely motivated by my upbringing as well as my interest in activism and gender politics. Citing current affairs I create works that provoke the viewer through satirical, tongue-in-cheek commentary. My mother is a Muslim from Kenya, who married my British father in the 1970s. She raised me as a Muslim in the UK and sent my siblings and I to a Catholic school. Much of my work examines the duality of my multicultural upbringing and the conflict of identity among young Muslims living in the western world. I began to explore these themes after reflecting on Muslim identity in Britain post 9/11and7/7 and the impact of the Iraq war. Motivated by the current political climate and being from an immigrant background, these subjects are close to my heart as I question notions of identity, belonging, and “otherness” in my works.  

I see many parallels between the UK and the US, especially with Brexit and the Trump election. The gun debate is something especially intriguing to the British. The threat of terror is continually focused on and yet nothing is done about gun laws. When officials offer up “Thoughts And Prayers,” it appears hollow and insincere. I am interested in how a lack of action directly and/or indirectly inflicts suffering and potential violence on its citizens. 

Also inspired by feminism and gender politics, my work aims to challenge deep-seated ideas about what it means to be a woman. I am interested in the role shame plays in women’s lives – how we take up space in the world, our physical appearance, bodily functions and “blame culture.” I explore the ways we can change the visual narrative for women as a form of empowerment. The medium I choose is determined by the strongest way to deliver my message; hence it is constantly evolving across a wide variety of media. Self-portraiture, for example, offers the possibility of taking ownership of our image. When we photograph ourselves, we have complete control over how we want our selves, our gender, our femininity, and our sexuality to be perceived by others. Humor is also an important element in my work. I often use a “Trojan horse” to get my message across and sometimes I just like to point out the obvious as this can be the most direct way to highlight how ridiculous something is. I used to accept a lot at face value but when I discovered feminism it motivated me not only to question the role of women, but also the preconceived ideas relating to all things in society.” – Artist Sarah Maple 

ABOUT THE UNTITLED SPACE:

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2014 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of “Women in Art” as well as special events aligned with our creative vision. 

Exhibition Contacts:

The Untitled Space info@untitled-space.com 

Website link: http://untitled-space.com/sarah-maple-thoughts-and-prayers/

The Untitled Space

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

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“ONLY YOU” A Multimedia Series by Indira Cesarine

The Untitled Space is pleased to present multimedia series “ONLY YOU” by Indira Cesarine at SCOPE Art Show in Basel, Switzerland in partnership with ArtHelix Gallery and SHIM. Cesarine’s medium format photography, welded steel sculpture and video art will be on view in Booth A43 from June 12th to 17th for the duration of the fair.

“ONLY YOU” is a conceptual narrative portrait series chronicling a woman’s emotions as she traverses a metaphorical landscape of love, loss, abuse and betrayal. Each artwork is part of the greater narrative of her story. The series is based on autobiographical experiences of the artist. It was photographed on a medium format RZ camera as well as on HD video. The limited edition photographs and welded steel sculptures were completed in 2017 and unveiled last November at The Untitled Space gallery along with a dance performance by Bryn Cohn + Artists inspired by the series. Photography from the series was additionally featured at CICA Museum, South Korea as part of their January exhibition “Portrait 2018”.

The video art edition of “ONLY YOU” premiered at Art Basel Miami for an exhibition in collaboration with American Friends of The Louvre and Miami Art Museum. The video has additionally been screened internationally at exhibitions including “Factory Project” at London’s Red Bull Studios in collaboration with Graffik Gallery, at an event for Cannes Film Festival in France, and at the Big Screen Plaza in Chelsea, New York.

Indira Cesarine is a multimedia artist who works with photography, video, painting, printmaking and sculpture. A graduate of Columbia University with a triple major in Art History, French and Women’s Studies, she additionally studied art and photography at Parsons School of Design, International Center of Photography, School of Visual Arts, The Art Students League and New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center.

Empowering feminist themes are often the point of departure for Cesarine’s multi-sensory series. Her artwork questions the place of humanity in context with contemporary civilization and is often influenced by autobiographical content and women’s history at large. As a multi-disciplinarian artist she works across several mediums and techniques to convey a rich and diverse narrative, with an emphasis on thematic subject matter that engages a narrative of social discourse and art activism.

Her artwork has been featured internationally at many art galleries, museums and festivals, including The Metropolitan Museum of Art, Mattatuck Museum, CICA Museum, Getty Images Gallery, French Embassy Cultural Center, Museum of Contemporary Art San Diego, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a few. In 2014, her public art sculpture, “The Egg of Light” was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt. Her work was recently auctioned at Sotheby’s New York for the annual “Take Home A Nude” art benefit.

“ONLY YOU, No 10″

ARTIST’S STATEMENT

“’ONLY YOU’ is an autobiographic series that I photographed and directed, working with a model to reenact sentiments I was feeling. This series tells the story not just of my emotional trauma, but that of many women who have been abused and betrayed by people they trusted, and how difficult it can be to process those emotions. In light of the #MeToo movement, many women are finding the strength to tell their stories. I have had many experiences that have crossed the line, in my personal life as well as throughout my career, and this series resonates with me as particularly relevant, a metaphorical mirror of how many women are feeling right now. You can feel the emotions in this series—they range from anger to sadness to disbelief to shame…frustration, fear— It’s an emotive series that focuses on the eyes as a portal.” – Indira Cesarine

“ONLY YOU, No 26”

ABOUT ARTHELIX + SHIMArtHelix, located in Bushwick, Brooklyn, presents solo and group art exhibitions and hosts lectures, symposia, and other cultural events. ArtHelix creates a meta-art space, a place where art is not only displayed and offered for sale, but also where it can be openly discussed and challenged, a hub or “helix” from which culture can be reimagined.

SHIM is a full service arts management company that helps artists present professional quality exhibitions by and for themselves without gallery commissions or lease. SHIM’s flagship location exists within ArtHelix gallery in Bushwick, Brooklyn.

For more info visit SCOPE-ART.COM

ONE YEAR OF RESISTANCE

Critically acclaimed exhibition ONE YEAR OF RESISTANCE returns this April with a benefit auction hosted by ARTSY. Celebrate art for activism with works by more than 65 emerging and mid-career artists including Ann Lewis, Grace Graupe-Pillard, Rebecca Leveille, Michelle Pred, Indira Cesarine, Signe Pierce and Parker Day, among many others. Every work sold goes toward supporting the American Civil Liberties Union (ACLU) and its mission to defend and preserve the rights and liberties guaranteed by the constitution of the United States. 

The ARTSY benefit auction features artwork across all mediums addressing the issues our society has been confronted with such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control and more. It will additionally feature many new works by artists of the ONE YEAR OF RESISTANCE exhibition.

Bidding opened today at 12 noon and will close on April 19th at 5pm! Head over now to bid and help raise funds for the ALCU. 

ONE YEAR OF RESISTANCE BENEFIT AUCTION ARTISTS: 

Alexandra Rubinstein, Alyson Provax, Ann Lewis, Anna Rindos, Annika Connor, Anya Rubin, Bradford Scott Stringfield, Cabell Molina, Camilla Marie Dahl, Danielle Siegelbaum, Daryl Daniels, Desdemonda Dallas, Desire Moheb Zandi, Dessie Jackson, Diana Casanova, Dolly Faibyshev, Domenica Bucalo, Eleni Giannopoulou, Elisa Garcia de la Huerta, Elise Vazelakis, Erin Victoria Axtell, Fahren Feingold, Gabriela Handal, Grace Graupe Pillard, Hannah Stahl, Indira Cesarine, James Hsieh, Jamia Weir, Jamie Martinez, Jen Dwyer, Joanne Leah, Joel Tretin,Kate Hush, Katya Kan, Kristin Malin, Kristin O’Connor, Leah Schrager, Leslie Kerby, Leslie Sheryll, Lola Jiblazee, Lola Ogbara, Manju Shandler, Marne Lucas, Mary Tooley Parker, Michael Reece, Michele Pred, Miss Meatface, Nichole Washington, Olga Filippova, Olive Allen, Panteha Abareshi, Parker Day, Rada Yakova, Rebecca Leveille, Rosary Solimanto, Rosemary Meza-DesPlas, Rute Ventura, Sarah Dillon, Signe Pierce, Stephanie Hanes, Tatana Kellner, Tommy Mitchell, Touba Alipour, Valerie Carmet, Valery Estabrook, Vanessa Teran, Yuri Murphy

VIEW AUCTION CATALOGUE

BID NOW ON ARTWORKS

 

 SELECT PRESS ON
“ONE YEAR OF RESISTANCE”

Vogue 
“The Untitled Space Gallery Checks In With Nasty Women, One Year Later

CNN
“Artists mark Trump’s inauguration anniversary with day of protest art”

The Guardian
“One Year of Resistance: the exhibit chronicling the year in anti-Trump art” 

INTERVIEW
“What One Year Of Resistance Looks Like In The Art World”

New York Daily News
“Trump’s America reflected in ‘One Year of Resistance’ art show” 

Good Trouble
“White Lies: One Year of Resistance”

Metro News
“80+ artists commemorate ‘One Year of Resistance’” 

 

 

ONE YEAR OF RESISTANCE

ONE YEAR OF RESISTANCE

A Group Exhibition Curated by Indira Cesarine

A Portion of Proceeds to Benefit ACLU Foundation

OPENING RECEPTION January 16th

Press + VIP Preview 4pm – 6pm // Opening Reception 6pm – 9pm

More events to be announced

EXHIBITION ON VIEW

January 17–  February 4, 2018

THE UNTITLED SPACE GALLERY

45 Lispenard Street Unit 1W NYC 10013

This January, The Untitled Space gallery is pleased to present ONE YEAR OF RESISTANCE group exhibition, curated by gallery director and artist Indira Cesarine, featuring the work of more than 80 contemporary artists responding to the political climate in America since the election of President Donald Trump. Opening January 16th, and on view through February 4th, ONE YEAR OF RESISTANCE marks the one year anniversary of the inauguration of one of the most controversial presidents in American history. In a follow up to the gallery’s critically acclaimed group show “UPRISE / ANGRY WOMEN,” which opened during the week of the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women’s rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past year. ONE YEAR OF RESISTANCE celebrates art as activism, giving voices to contemporary artists from all backgrounds, ages and genders. Through works inspired by the controversial policies and practices of our current president, the exhibition sheds light on the challenging issues of contemporary culture in the face of the current presidential political agenda.

EXHIBITING ARTISTS 

Alexandra Rubinstein, Alfonse Pagano, Alison Jackson, Alyson Provax, Ann Lewis, Anna Rindos, Annalisa Iadicicco, Annika Connor, Anya Rubin, Cabell Molina, Camilla Marie Dahl, Cara De Angelis, Danielle Siegelbaum, Daryl Daniels, Desire Moheb Zandi, Desdemonda Dallas, Dessie Jackson, Diana Casanova, Dolly Faibyshev, Domenica Bucalo, Eleni Giannopoulou, Elisa Garcia de la Huerta, Elise Vaselakis, Elizabeth Wentling, Erin Victoria Axtell, Fahren Feingold, Gabriela Handal, George Lorio, Grace Graupe Pillard, Haley R Hatfield, Hannah Stahl, Indira Cesarine, James Hsieh, Jamia Weir, Jamie Martinez, Janet Braun-Reinitz + Sarah Maple, Jen Dwyer, Joanne Leah, Joel Tretin, Joyce Ellen Weinstein, Kat Toronto aka Miss Meatface, Kate Hush, Katya Kan, Kiley Ames, Kristin Malin, Kristin O’Connor, Leah Schrager, Leslie Kerby, Leslie Sheryll, Linda Bond, Linda Friedman Schmidt, Lola Jiblazee, Lola Ogbara, Manju Shandler, Marne Lucas, Mary Tooley Parker, Michael Reece, Michele Pred, Nichole Washington, Olga Filippova, Olive Allen, Panteha Abareshi, Parker Day, Rada Yakova, Rebecca Goyette, Rebecca Leveille, Rosary Solimanto, Rosemary Meza-DesPlas, Rute Ventura, Sarah Dillion, Signe Pierce, Stephanie Hanes, Tatana Kellner, Tommy Mitchell, Touba Alipour, Valerie Carmet, Valery Estabrook, Vanessa Teran, Vittorio Ottaviani, Yuri Murphy

“This is an important time to reflect upon the last year and how Trump’s presidency has impacted our society. Since the election, we have been faced with extremes living in a country which has become increasingly divisive and threatening to civil and human rights. We live in a country facing sexism, racism and discrimination across all fronts. Last January, I was honored to partner with the ERA Coalition to present exhibition UPRISE / ANGRY WOMEN, one of the first exhibitions of the Resistance movement. Now, one year later, it is important to show continued solidarity in light of the issues our society continues to grapple with. It is impossible to sit back and watch as our rights crumble before our eyes. In the past year, our culture has dealt with continuous turmoil, mass shootings, increasingly disturbing accounts of gross sexual misconduct, threats to the rights of immigrants, reproductive rights, transgender rights, threats against our rights to health care, against gender and racial equality, against the protection of our environment, of internet neutrality, as well as attacks against Planned Parenthood, the EPA, the NEA and global organizations such as UNESCO. It is extremely disturbing that our cultural foundation is being rocked by the very platform that is meant to protect and serve our nation. The exhibition ONE YEAR OF RESISTANCE give voices to artists from all backgrounds, genders and ages in light of these controversial issues that have brought millions to the streets in protest. Throughout history, art has always played a significant role when it comes to representing the sentiments of the populace. It is crucial for the voices of the people to continue to be heard. The Untitled Space is honored to raise funds through this exhibition for the ACLU and support their mission to uphold civil rights and liberties in accordance to the constitution of the United States.”

– Curator Indira Cesarine

Official Exhibit Website: http://untitled-space.com/one-year-of-resistance-group-show

The Untitled Space

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FORBES / VOGUE / W MAG / i-D Mag & More

ABOUT THE UNTITLED SPACE:

The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2014 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of “Women in Art” as well as special events aligned with our creative vision

FAHREN FEINGOLD Solo Exhibit To Open September 26th at The Untitled Space

The Untitled Space gallery is pleased to present a debut solo exhibition of works by artist Fahren Feingold opening September 26 and on view through October 8, 2017. The exhibition, curated by gallery director Indira Cesarine, will feature over fifty watercolors by the artist, who will be presenting a new series of large-scale watercolor paintings along with many of her signature works. Touted as “a trailblazing artist on a meteoric rise” by Vogue, watercolor artist Fahren Feingold brings an ethereal state to her unique paintings depicting the female form. Her watercolors featuring bold feminine nudes reference imagery from early 20 century French erotica, 70s & 80s American vintage magazines, and today’s Internet girls.

The Los Angeles native moved to New York at the age of seventeen to study at the Parsons School of Design. After earning her BFA between Parsons and Glasgow School of Art, she worked as a fashion designer for top brands including Ralph Lauren, Nicole Miller, and J.Crew, among others. In 2016, her dreamy watercolors caught the eye of the legendary Nick Knight, who commissioned her to illustrate Paris Fashion Week for SHOWStudio. Between 2016 – 2017, her work has been featured in numerous international exhibitions, including “Moving Kate” curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, “The Vulgar” at The Barbican, London curated by Judith Clark and Adam Phillips, “Red Hot Wicked” at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows “UPRISE / ANGRY WOMEN” and “SECRET GARDEN” curated by Indira Cesarine and “LIFEFORCE” curated by Kelsey and Remy Bennett.
Over the past few years, her watercolors have steadily gained recognition from collectors and critics alike for their sensitive, dreamlike colors, graceful brush stokes and rendition of the female nude. Vice Creators praised her work stating, “Feingold’s watercolors appear to swim on paper. Her figures bloom and radiate with ethereal energy, and the occasional splash of bright colors imbues them with life.” V Magazine noted her as a “particular standout” while the Huffington Post said, “Fahren Feingold captures the space where the ethereal meets the erotic…Her artwork is an attempt to undo the centuries of censorship, shaming and patriarchal politics that clouds the simple beauty of a naked body.” Through her erotic depictions, Feingold gives new voices to women of the past and present, while exploring larger notions of female constructs in today’s society. With her palette of bright pastels and soft colors blending together, she invites the viewer to step inside her dreamlike erotic world.
“Nude paintings are a beautiful part of our history in art and culturally.  Yet there still remain a lot of people who are frightened by nudity (their own and others). I paint the female figure as others before me, and continue to push boundaries by exploring current political constructs of feminism through erotic imagery.  My brushstrokes are languid as I paint in a ‘wet’ style of watercolors, using many complimentary colors, which wash together in an almost ghostly spirit.  This soothing technique, normally used for flowers and landscapes, I manipulate as a veil to present my direct and often bold messages about female sexuality, empowerment and equality. 
When I paint a woman, I imagine giving back her emotional voice, where she may have felt stifled otherwise. I don’t look to paint people as they look, but rather as I feel them, which is why viewers will often not know the natural skin color – since I paint in watery aura like dreamy colors. When someone stands in front of my painting, I hope they really take a moment with it. I want my viewers to see feminine humanity, intimate beauty, and fearless ethos above all else – because that is the core of all women.” – Artist Fahren Feingold
All artwork by Fahren Feingold, courtesy of The Untitled Space
ABOUT THE UNTITLED SPACE:
The Untitled Space is an art gallery located in Tribeca, New York in a landmark building on Lispenard Street. Founded in 2014 by Indira Cesarine, the gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking, photography, video and performance art. The gallery is committing to exploring new ideas vis-à-vis traditional and new mediums and highlights a program of “Women in Art” as well as special events aligned with our creative vision.

Visit us online at http://untitled-space.com

A Solo Exhibition
Curated by Indira Cesarine

OPENING SEPTEMBER 26TH
EXHIBIT PREVIEW  5pm – 6pm
OPENING RECEPTION 6pm – 9pm
RSVP events@untitled-space.com
EXHIBITION ON VIEW
September 27th – October 8th
Hours: Daily from 12 – 6pm

THE UNTITLED SPACE 
45 Lispenard Street Unit 1W, NYC 10013

THE UNTITLED SPACE: SECRET GARDEN

On Thursday July 20th, join The Untitled Space NY for a Reception and Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with SECRET GARDEN exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan Renee.

Drinks will be served from 6-7pm, with the talk from 7pm – 8:30 and conversation and drinks served afterwards. Space is limited as this is a seated event, please RSVP. 

The Untitled Space gallery is pleased to present “SECRET GARDEN” a group exhibition of female identifying artists exploring figurative works of nudes and erotic art. Curated by Indira Cesarine, the exhibit will be on view from June 27 – July 30 and will include works of painting, drawing, photography, printmaking, pottery, sculpture, collage, mixed media and video. The exhibit title is inspired by the book, “My Secret Garden”, published in 1973 by sex positive feminist author Nancy Friday who was instrumental in addressing taboos revolving around female sexuality in the early 70s and an important figure of the feminist sexual liberation movement. 

Through historical works of pioneering feminist artists such as Betty Tompkins and Joan Semmel, to that of emerging contemporary female artists such as Andrea Mary Marshall, India Munuez, Myla Dalbesio, Katie Commodore, and Leah Schrager, Alexandra Rubinstein, Andrea Mary Marshall, Annika Connor, Betty Tompkins, Brittany Maldonado, Brittany Markert, Cabell Molina, Danielle Sigler, Dara Vandor, Dominique Vitali, Elisa Garcia de la Huerta, Ellen Jong, Fahren Feingold, Hiba Schahbaz, India Menuez, Indira Cesarine, Jacqueline Secor, Janine Gordon, Jeanette Hayes, Jessica Litchtenstein, Joan Semmel, Julia Fox, Kat Toronto, Katie Commodore, Katya Zvereva, Kelsey Bennett, Kristin O’Connor, Kristin Prim, Lauren Rinaldi, Leah Schrager, Maia Radanovic, Mairi-Luise Tabbakh, Maisie Willoughby, Marne Lucas, Mary Theinert, Meredith Ostrom, Miza Coplin, Myla Dalbesio, Natasha Wright, Rebecca Leveille, Renee Dykeman, Rowan Renee, Signe Pierce, Suzanne Wright, Taira Rice, Tafv Sampson; SECRET GARDEN presents works by taboo shattering artists who fearlessly address sexual themes in their art and celebrate freedom of expression. 

Since the inception of the sexual liberation movement women have been faced with polarizing views on sexuality, including pornography and erotica, and it’s place within feminism. Through the highly documented feminist sex wars, which many historians believe attributed to the decline of second wave feminism, came the rise of the sex positive movement, which embraced women’s sexual freedom as central to women’s liberation. While the women’s liberation movement is often been equated with sexual liberation, the fight continues against the double standards that inhibit women from enjoying their sexuality freely and without judgment. 

Despite decades of “liberation” contemporary feminist artists today continue to address these themes, to explore the dichotomies of contemporary society and challenge the double standards that linger. The battle with censorship may have shifted from film to the internet, yet artists continue to grapple with to the constraints of conservative positions on depictions of nudity and sexually explicit works. Through their own visual narrative, the artists of SECRET GARDEN explore works that challenge stereotypes, celebrate femininity and reclaim sexual independence. The female perspective on the theme is at once visible through the subtle details as these artists define in their own terms the language of “erotic” through a female lens. They engage a dialogue of sexual self-empowerment that pushes social and political boundaries with artworks that exemplify a new wave of women’s sexual liberation in art. 

“I feel it is an important time to present an exhibition of female artists who are resisting oppressive structures and climates by championing sex positive feminism. With the new political right, we have ushered in a conservative era, which attempts to challenge many liberties we have grown accustomed to including women’s reproductive rights and the legality of birth control. The importance of censorship-free, sexually liberated art has regained significance as women today continue to battle for equality and freedom of expression. We were saddened that we were forced to censor many of the artworks featured in the exhibit in our promotions due to regulations of social media platforms and online services such as Mailchimp. We are looking forward to a society that accepts artworks of all kinds, including those depicting nudity as “safe” content for everyone.” – Curator Indira Cesarine