My name is Brian Taborda. I am a 24-year-old with an affinity for putting pen to paper and creating magic. Ever since I was a child I’ve always found myself drawn to drawing. As the years went by, I narrowed my artistic focus and began honing my skills as a cartoonist. Growing up, I always admired the artwork when I would watch my favorite cartoons on T.V. I chose to pursue this style because I was attracted to the freedom that this genre of art offered. Cartoons tend to be funny and ironic. Cartoons are one of the oldest forms of animated entertainment and, despite technological advancement, cartoons have maintained the classic and simplistic design elements that have set the style apart from other forms of artistic expression. These last few years, the political and economical climate in my home country of Venezuela has worsened tremendously. The present situation has motivated me to further develop my illustration skills. I know that if I improve, I will be able to achieve whatever I set my mind to. Choosing to focus on my art means working for commission so that I can earn enough money to escape this socialist dictatorship in Venezuela. I’ve been able to work towards fulfilling my dreams because of the the support that I receive from my family, my girlfriend and my friends. I specialize a style of cartoon illustration that was popular in the 1930’s, however, I like to add a bit of an “underground” or “urban” vibe to the final products. I work primarily using Adobe Illustrator. I typically use the brush and pen tools and draw with the mouse. I hope to one day illustrate using more modern tools but, since the economy of my country is so bad, I can’t afford the proper equipment so I have to use what I have. Fans of my art can look forward to seeing my name agin in the future future as I hope to, one day, release my own clothing line, with stickers, skateboards, etc. that will have my illustrations on them. Of course, I would keep on doing commissions of my drawing for clients who ware interested. My goal is to get more people to start loving and appreciating cartoons, especially the older ones that were the pioneers of this timeless genre. They are the base of everything we have now animation wise.
Strenger left his mark on Porsche with a design language that continues to bear his signature to this day.
This book showcases a first-ever comprehensive collection of Strenger’s work, created over the course of his collaboration with Porsche between 1951 and 1988. Strenger was instrumental in influencing and molding the image of the Porsche brand as we know it today
Erich Strenger (1922-1993), an author, photographer, designer, and illustrator, left his mark on the look of Porsche during the company’s formative years in the early ’50s and ’60s with a design language that, for the most part, continues to bear his signature to this day. He also created countless print products for this successful sports car maker, including Christophorus Zeitschrift für die Freunde des Hauses Porsche, the brainchild of Erich Strenger and Richard von Frankenberg. Over the course of a collaborative relationship with Porsche spanning more than thirty years, the graphic artist, who started out working alone, founded an advertising agency in the heart of Stuttgart with a staff of up to eleven permanent employees. There, Strenger would later create countless racing posters, much like those he had designed in his early days working for Dr. Ing. h.c. F. Porsche AG as a freelancer in the early ’50s.
Strenger was instrumental in influencing and molding the image of the Porsche brand as we know it today. This book showcases a first-ever comprehensive collection of his work, created over the course of his collaboration with Porsche between 1951 and 1988. This monographic and monothematic publication brings the noteworthy highlights of his work to the forefront, focusing attention on the designer’s approaches and methods.