Posts tagged with "hollywood"

Total Bellas, 360 magazine,

Total Bellas Renewed

The hit series “Total Bellas,” following the lives of WWE® Superstars Nikki Bella® and Brie Bella®, has been greenlit for a fifth season on E!  Season four of “Total Bellas” featured Nikki exploring life as a newly single woman, Nikki and Brie expanding their brands, Brie and husband WWE Superstar Daniel Bryan® juggling work and parenthood,  and the Superstar twins’ return to the ring leading up to WWE’s first-ever all women’s pay-per-view event, Evolution®.  The fifth season of “Total Bellas,” will consist of 10, hour-long episodes premiering in early 2020.

“Nikki and Brie have never shied away from revealing every aspect of their lives to our viewers,” said Amy Introcaso-Davis, Executive Vice President, Development and Production, E! “They’re strong women who are incredibly relatable and connect deeply with our audience.”

“We’re at a really exciting point in our lives, and can’t wait to take the Bella Army on this journey as we continue to work hard and inspire them to live their dreams,” said Brie Bella.  “We’re looking forward to sharing our triumphs and challenges with our fans this season, and hope they all have as much fun as we’re having along the way,” added Nikki Bella.

The fourth season of “Total Bellas” ranked as a Top 3 program for E!, with an average of 783K total viewers.  Sunday night premieres of the series consistently ranked among the Top 10  programs in Primetime across ad-supported cable networks among W18-34.  “Total Bellas” ranked as a Top 2 most social Cable Reality series in Primetime on each of its premiere nights, averaging 151K Total Interactions across Facebook, Instagram and Twitter each Sunday night.  The series also averaged 3MM engagements across all social media platforms (Facebook, Instagram, Twitter, YouTube) each week. “Total Bellas” currently has 1.3MM social followers, up +18% vs. season three. Nikki and Brie Bella have a combined following of more than 34MM social followers across Facebook, Instagram, Twitter and YouTube.

“Total Bellas” is produced by WWE and Bunim/Murray Productions with Gil Goldschein, Russell Jay and Farnaz Farjam Chazan serving as Executive Producers for Bunim/Murray Productions and Kevin Dunn  and Chris Kaiser serving as Executive Producer for WWE. Nikki Bella and Brie Bella also serve as Executive Producers.

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About E! Entertainment

E! is the only global, multi-platform brand for all things pop culture. The network is currently available to 91 million cable and satellite subscribers in the U.S and 161 countries globally. E! programming includes popular series “Keeping Up with the Kardashians,” “Very Cavallari,” “Revenge Body with Khloé Kardashian,” “Total Divas,” “Total Bellas,” “Botched,” “Dating #NoFilter” and “Hollywood Medium with Tyler Henry;” topical series “Nightly Pop” and “Ladygang;” and new series “Flip It Like Disick” and “Relatively Nat & Liv.” “E! News” airs nightly on the network and is the leading multi-platform publisher delivering breaking entertainment news and pop culture coverage 24/7 across EOnline.com and all digital and social media. The brand’s robust digital programming slate includes “E! News’ The Rundown,” “Face Forward” and “What The Fashion” on Snapchat. E!’s “Live from the Red Carpet” signature events keep fans connected to their favorite stars on pop culture’s biggest nights and E! is also home to the “E! People’s Choice Awards,” the only award show for the people, by the people. E! is a network of NBCUniversal Cable Entertainment, a division of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news and information to a global audience. For more corporate information, visit www.nbcuniversal.com.

About WWE

WWE, a publicly traded company (NYSE: WWE), is an integrated media organization and recognized leader in global entertainment. The company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family-friendly entertainment on its television programming, pay-per-view, digital media and publishing platforms. WWE’s TV-PG, family-friendly programming can be seen in more than 800 million homes worldwide in 28 languages. WWE Network, the first-ever 24/7 over-the-top premium network that includes all live pay-per-views, scheduled programming and a massive video-on-demand library, is currently available in more than 180 countries. The company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, London, Mexico City, Mumbai, Shanghai, Singapore, Dubai, Munich and Tokyo.

Additional information on WWE (NYSE: WWE) can be found at wwe.com and corporate.wwe.com. For information on our global activities, go to http://www.wwe.com/worldwide/.

About Bunim/Murray Productions

Bunim/Murray Productions (BMP) is the leading producer of innovative entertainment content. The Emmy Award-winning company is widely credited with creating the reality television genre with its hit series The Real World, which recently moved to Facebook after 32 seasons on MTV. BMP continued to innovate with the first reality game show, Road Rules (MTV), in 1995; the first reality sitcom, The Simple Life (E!), in 2003; and the first reality soap opera, Starting Over, in 2003. BMP’s current programming includes Keeping up with the Kardashians, Total Divas and Total Bellas (E!), The Challenge (MTV), Born This Way (A&E), Earth Live (National Geographic), The Real World and Ball in the Family (Facebook Watch), Endless Summer and Growing Up is a Drag (Snapchat), Miz and Mrs. (USA Network), and Family or Fiance (OWN). BMP has also produced They Call Us Monsters (PBS), Valentine Road (HBO), Pedro (MTV) and the Emmy Award-winning Autism: The Musical (HBO) for BMP Films. Based in Glendale, CA, the company was founded in 1987 by Jonathan Murray and the late Mary-Ellis Bunim, who were inducted into the Television Academy’s Hall of Fame in 2012. The company joined Banijay Group in 2010.

Chanel West Coast drops a New Single

America’s bad ass sweetheart Chanel West Coast drops her new single/video “Old Fashioned” today featuring Nessly. The Quentin Tarantino-esque Wild West themed hip hop video was directed by Edgar Stevens and produced by Riveting Entertainment.

Comments West Coast:  “Old fashioned is a song I made about keepin’ it classy like they used too. There’s something about old Hollywood glamour that I respond too. Back in the day when people got together, spoke to one another and experienced life outside the worlds of our phone. Having values in which you come home for dinner, a man opens a car door, and finding love was going out on dates, not just sliding in DM’s. My whole upcoming project I’m taking it back to things that warm my heart, inspire me, and have a little nostalgia. But don’t get it twisted, I’m about women’s rights and leaps and bounds we as women have made.

Just want to see some real gentlemen and women out there keep it classy and sexy. At least part of the time lmfao!”

Check it out here.

Watch out for updates @chanelwestcoast

Love It!

Love It is an up-tempo, Hip-hop trap anthem for the ladies that will definitely have you up dancing and feeling yourself in the first 30 seconds! Rappers like Gunna and Lil Baby were Serayah’s inspiration for this record! 

Serayah on “Love It:”

“I appreciate the new social media epidemic, but with that comes a lot of flexing and fake attitudes. I walked in the studio and I told Jabari let’s make a song about “New Hollywood”. Let’s shine a light on how unimportant it is to acquire all the materialistic things and create a real purpose for what we do, after all the world is watching.”

Marchesa Donates Crazy Rich Asians Gown

Marchesa Donates Crazy Rich Asians Gown to the Smithsonian at Los Angeles Event

Dress Joins Collections in the National Museum of American History

Marchesa is donating the iconic blue dress that played an integral role in the Warner Bros. Pictures film Crazy Rich Asians to the National Museum of American History. The dress will be presented May 18 during “The Party: A Smithsonian Celebration of Asian Pacific Americans,” a Los Angeles event hosted by the Smithsonian’s Asian Pacific American Center at City Market Social House. “The Party” will celebrate and recognize the many contributions of Asian Pacific Americans to history and culture across industries, including music, film, sports and culinary arts. Tickets are available at Smithsonianapa.org.

This blue gown is part of a pivotal moment in the film’s plot in which Rachel Chu, played by actress Constance Wu, attends a high-profile wedding in defiance of her boyfriend’s disapproving mother Eleanor Young, played by Michelle Yeoh. The gown is a floor-length Grecian-style dress made of light blue tulle with floral applique, a deep V-neck and a cinched waist. The original version of the dress designed by Marchesa for its fall 2016 collection featured long sleeves, but they were temporarily removed by the film’s production for aesthetic purposes. The museum will receive the altered sleeveless version that appeared in the film.

“The film’s use of fashion is not merely decorative or secondary,” said Theodore S. Gonzalves, curator in the Division of Culture and Community Life at the National Museum of American History. “The cast’s clothing plays a crucial role in marking social class among its characters—from multi-generational moneyed elites of Peranakan (Straits-born Chinese immigrants), to the nouveau riche strivers of Singapore, to working class Chinese immigrants in the United States and their Asian American model minority progeny.”

Crazy Rich Asians is notable for having a mostly East Asian cast, the first Hollywood film to do so since The Joy Luck Club in 1993. The Warner Bros. film grossed $238 million worldwide, making it the highest-grossing romantic comedy in a decade. The Crazy Rich Asians Marchesa gown joins a rich collection of museum artifacts with origins in film and entertainment such as Dorothy’s Ruby Slippers from The Wizard of Oz, Batman’s cowl from Batman and Robin and a handmaid’s costume from The Handmaid’s Tale TV show. The museum’s Archives Center also has a number of other theatrical scripts, video and audiotapes in its Luther Davis Collection.

“Representation of Asian Pacific Americans in film and media is critical to the visibility of a community who has made many contributions to the arts,” said Lisa Sasaki, director of the Smithsonian Asian Pacific American Center. “By collecting the film’s iconic dress, the Smithsonian is better able to present these contributions to the world.”

Marchesa is an American brand specializing in women’s wear based in New York City. Georgina Chapman and Keren Craig established it in 2004.

From its establishment in 1997 as an initiative critical to the mission of the Smithsonian until today, the vision for the Smithsonian Asian Pacific American Center has been to enrich the American story with the voices of Asian Pacific Americans. Asian Pacific America is the story of a vibrant, diverse and resilient set of communities that have been part of the American experience for more than 200 years. The center believes that people’s understanding of America and America’s standing in the world is richer, more compelling and more powerful when it includes the Asian Pacific American story. “The Party” also marks the launch of the Smithsonian Asian Pacific American Keystone Initiative, which is designed to rally support for the first permanent Asian Pacific American Gallery within the Smithsonian. The Smithsonian Asian Pacific American Center serves as a dynamic national resource for discovering why the Asian Pacific American experience matters every day, everywhere and all of the time.

Through incomparable collections, rigorous research and dynamic public outreach, the National Museum of American History explores the infinite richness and complexity of American history. It helps people understand the past in order to make sense of the present and shape a more informed future. The museum is located on Constitution Avenue N.W., between 12th and 14th streets, and is open daily from 10 a.m. to 5:30 p.m. (closed Dec. 25). Admission is free. For more information, visit http://americanhistory.si.edu. For Smithsonian information, the public may call (202) 633-1000.

Endgame? We’re Just Getting Started!

AVENGERS: ENDGAME SOUNDTRACK AVAILABLE TODAY

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Homecoming

Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

Shop Beyoncé

DROGO D110

With the final season of Game of Thrones starting this weekend, Arkonik have named their latest build in honour of their favourite character. Drogo, Khal of Khals may be gone, but he is certainly not forgotten!

This Defender will shortly cross the sea to conquer the rocky mountain trails and canyon lands of western USA. Arkonik Defenders are undefeated in their dominion over other off-road restorations and DROGO will continue to lead the charge. This Coniston Green D110 is ready for a nomadic life beneath sun and stars, equipped with Baja Designs® LED spotlights and Trucklite® twin-cat headlamps. The Front Runner® roof rack will carry everything required, whilst the Terrafirma® suspension with 2” lift-kit and Safari® wading kit are ready for whatever terrain lies ahead.

King Design at LA Fashion Week

by Tara McDonough

Now a permanent feature on the international fashion week circuit, LA Fashion Week held their three-night event at the Petersen Automotive Museum this past weekend, March 22 through March 24. On the third and final night of LA Fashion Week, the events began with the unveiling of King Designs Fall/Winter Collection by female designer Jessica King.

Billie Eilish’s “Bury A Friend” vibrated through the speakers as the first two models made their way down the runway in both black and green versions of King’s Python One Shoulder Swimsuit.

The collection is full of waterproof holographic and reflective prints, python reminiscent patterns, hand dyed bralettes, leather bottoms, velvet and chains. The line combines streetwear, swimwear and sportswear in a unique and enthralling way. The body types of each model varied, reflecting the clothing line’s range of sizes from X-small to X-large and the designers inclusive views on fashion. No two models looked alike, bringing a fresh air of diversity to the runway.

Jessica King herself graciously received her applause at the end of the show in an all black ensemble featuring a one shoulder top from the Fall/Winter collection and chainwork hanging from her belted ankle-length skirt.

Shop Fall/Winter 2019 HERE.

About LA Fashion Week

LA Fashion Week® is an organization dedicated to raising the profile of fashion in the United States with focus on the emergence of Los Angeles as one of the most important cultural cities in the world. It is a leader in supporting the growing community of artists and designers that are a part of the cultural renaissance in Los Angeles and bringing them to the world stage. Based in Hollywood, LA Fashion Week hosts shows unlike any other fashion events on the international calendar- as a leader in edgy Streetwear, Red Carpet Looks, & Custom Contemporary, it represents a fashion authority on the West Coast of the United States.

Follow King Design on Instagram

KUNG FU PANDA SPECTACULAR LIVE

to Hold Global Premiere at 
The Venetian Theatre in Macao
 

Five-Time Tony Award® Winner Susan Stroman Leads 
Star-studded Global Creative Team

Broadway Asia, one of the largest production, management and distribution companies in the global markets, led by Executive Producers Simone Genatt and Marc Routh, and DreamWorks Theatricals, a division of Universal Theatrical Group, today announced the launch of DreamWorks’ Kung Fu Panda Spectacular Live – a thrilling new live action entertainment at The Venetian Theatre in Macao. It combines the best of Hollywood, Broadway and circus. The five-time Tony Award® winner Susan Stroman will bring her legendary talents to one of the most successful animated films of all time, Kung Fu Panda.
 
DreamWorks’ Kung Fu Panda Spectacular Live is set to transform the entertainment landscape in Macao. Building on the globally successful franchise of the beloved Kung Fu Panda films, the production has the wisdom, heart and humor of the world-renowned franchise, combined with the high-level design and impact of a major live action immersive spectacular resident show. “The production will be an exciting new experience for audiences of all ages – as it incorporates storytelling, state-of-the art projection mapping and video design, immersive aerial and acrobatics as well as extraordinary puppetry and martial arts,” said director and choreographer Susan Stroman. “The hilarious and heart-warming characters from the films will come to life in an extraordinary action filled live performance.”
 
Award-winning artist Susan Stroman has assembled a brilliant creative team including some of the most sought-after and acclaimed live entertainment artists around the globe. Co-conceived by Susan Stroman and David Thompson (the writer of Broadway’s longest running revival, Chicago), the live action show features character costumes and puppetry designed by the renowned Michael Curry (Broadway’s The Lion King and Frozen, the Sochi 2014 Winter Olympics opening and closing ceremonies, as well as the Super Bowl XLVI), and six-time Tony Award® winning costumer designer William Ivey Long. The large-scale attraction incorporates the best scenic design by STUFISH/Ray Winkler (Las Vegas installation of Ka, the Beijing 2008 Summer Olympics, and many famous concert tours including Madonna and the Rolling Stones), lighting design by Ken Billington (designer of over 100 Broadway productions), and projection and video design by 59 Productions (Tony Awards® and Olivier Award Winners for An American in Paris and War Horse). The production also features the original film score composed by GRAMMY® and OSCAR® Winner Hans Zimmer.
 
Performances are scheduled to commence in late December 2019 at The Venetian Theatre in Macao, with casting information and ticket details to be announced soon. Be first in the line for tickets – register at: www.kungfupandaspectacular.com

About Broadway Asia
Broadway Asia is among the largest production, management, distribution and licensing companies of live entertainment in the global market, and its founders Simone Genatt and Marc Routh are two of the most active commercial Broadway producers throughout the global market. Over the last 20 years, theatrical productions by Broadway Asia partners have played in over 400 cities in more than 40 countries on five continents and have garnered in excess of 50 global theatrical awards. Select international productions include many Broadway Tony Award-winning musicals and other live entertainment attractions: An American in Paris; The Sound of Music; The Producers; Hairspray; Amelie, Legally Blonde; Cinderella; Rock of Ages; Stomp; Cookin’/Nanta; The Great Comet; Fuerzabruta; Jay Chou’s The Secret; Ice Age Live, A Mammoth Adventure; and currently on Broadway, Anastasia. 
 
About DreamWorks Theatricals
DreamWorks Theatricals, a division of Universal Theatrical Group, was established to develop and produce live stage productions inspired by the studio’s acclaimed animated films, including Shrek The MusicalMadagascar Live!, and The Prince of Egypt. UTG, the live theatre division of Universal Pictures, is currently represented by the musical phenomenon Wicked, which has been seen by over 50 million people worldwide, making it one of the most successful theatrical ventures of all time. Universal’s critically acclaimed musical adaptation of Billy Elliot, which won four Olivier Awards and ten Tony Awards®, including Best Musical, concluded its 11 year run in the West End and continues to play worldwide. Recently, Universal produced the Broadway premiere of Irving Berlin’s Holiday Inn with Roundabout Theatre Company and the Tony-nominated Broadway production of Bring It On: The Musical.
 
About Susan Stroman
As the most celebrated director/choreographer working on Broadway today, Susan Stroman holds the distinction of winning five Tony Awards® for her direction and choreography, two Laurence Olivier Awards, five Drama Desk Awards, eight Outer Critic Circle Awards, two Lucille Lortel Awards and a record five Astaire Awards. She is the recipient of the George Abbott Award for Outstanding Achievement in the Theater. Stroman is the first choice for Broadway producers because of her inventive choreography, her terrific sense of comedy, and her story-telling genius. She led The Producers to its own record of receiving the most Tony Awards® in Broadway history, and created the brilliant dance piece Contact which won three Tony Awards® including Best Musical. Other career highlights include directing and choreographing the 10-year run of A Christmas Carol at Madison Square Garden, choreographing Liza With a Z for Radio City Music Hall, collaborating with the legendary Kander and Ebb on The Scottsboro Boys, and creating major new ballets for New York City Ballet and the Martha Graham Dance Company and helping to re-invent the classics Show Boat and Oklahoma! with exciting new choreography. Her frequent collaborators include significant talent from Hollywood (Mel Brooks, Woody Allen, Liza Minelli) and Broadway (Harold Prince, Kander & Ebb and Nathan Lane). Additional credits include Crazy For You, BigThe Music Man, Young Frankenstein, Big Fish and Bullets Over Broadway. She is a distinguished member of the Theater Hall Of Fame.