Posts tagged with "Fine Art"

Jackson Hole Fine Art Fair, JHAF, 360 MAGAZINE, Image Courtesy of Lucas Ayoub

Jackson Hole Fine Art Fair

Jackson Hole Fine Art Fair (JHFAF) closed its first edition on Sunday, September 15, 2019, with strong sales and high attendance. Over the four-day event, JHFAF reports about 2,000 visitors with $2 million in sales. JHFAF brought out some of Jackson Hole’s most prominent locals, as well as new visitors, all excited to see the museum-quality fair presented within Jackson Hole’s thriving arts community.

The fair presented 50 exhibitors who brought works that they felt matched the personal aesthetics of the Jackson Hole community. Works ranged in genre and price from world-renowned artists like Maynard Dixon, Ed Mell, Billy Schenck, Eanger Irving Couse, Thomas Hart Benton, Andy Warhol, Alexander Calder, Ed Ruscha and Sam Francis. 

Fair Director Rick Friedman said, “Because JHFAF was the first international fine art fair in town, I think both collectors and exhibitors did not know what to expect. I’m so happy to report that all attendees I spoke to said it was far beyond their expectations. We heard the repeated comments, ‘loved it, fantastic, and terrific’ by fairgoers as they left the fair. We produced a multi-genre fair, with works within the Contemporary, Modern, Native American and Wildlife genres, with many of the early to mid 20th century pieces finding new homes. I see this as a breakthrough event that presented world-class and museum quality offerings across all of our showcased genres and I think the sales prove that. It was the wealthiest collectors as a percentage of the attendance of any of my fairs ever, over 10 years. ” 

Exhibitors reported strong sales with  Redfern Gallery, Nieto Fine Art, Mark Sublette Medicine Man Gallery, Montana Trails and Mongerson Gallery reporting mostly sold out booths. 

Throughout the weekend, guests were treated to special programs and events including artist Q&A’s with Barbara Van Cleve, Donald Martiny, Larry Pirnie and Sarah Winkler. During the fair, JHFAF also produced a silent auction, which raised money for its institutional partner, The National Museum of Wildlife Art. 

JHFAF presented several awards throughout the weekend including the 2019 Lifetime Achievement Award to the late John Nieto and the 2019 Art Collectors of the Year Award to Anne Phillip, the 2019 Sculptor of the Year award to Bart Walter and the Contemporary Artist of the Year award to Paul Villinski. Quotes from Galleries:

Local dealer, Miriam Diehl of Diehl Gallery said, “It’s been incredibly exciting to see an art fair of this caliber in Jackson Hole. It’s been wonderful to have so many like-minded dealers and the camaraderie among them has been amazing and encouraging. It’s been tremendously successful for us and we look forward to the second edition.”

John Nieto Gallery who was awarded the 2019 Lifetime Achievement Award for the late John Nieto said, “The visitors have been very quality. They know the work and the artist’s history. We’ve even had a lot of collectors who own Nieto’s work come by. There have been many great conversations about art.” 

Rey Redfern of Redfern Gallery said, “The show has been much more than I expected. I’ve met a lot of people and I’ve sold a lot of paintings. They’ve been paintings I’ve had tucked away for a long time, but they’re high quality and that’s why they sold.” 

Brenda Linscott from Endeavor Fine Art said, “We had a chance to bond with our space and develop a sampling of five of our artists who we’ve worked with for many years. It’s been so nice for us to see our artists in a visual conversation with other artists at the fair. To walk through the show and see what everyone else brought has been really incredible too. There really is room for everyone.” 

Thomas Paul of Thomas Paul Fine Art said, “JHFAF did a great job putting this  fair together with such an excellent variety of artists on display. It was so nice to see such a powerful exhibition of contemporary art  brought to Jackson Hole.” 

2019 Galleries: 917 Fine Arts (Miami Beach), Abend Gallery (Denver), Addison Rowe Fine Art (Santa Fe), NM Andrew Smith Gallery (Tucson), Bill Hester Fine Art (Santa Fe) Bonhams (LA, NYC, London), Calabi Gallery (Santa Rosa) Childs Gallery (Boston), Diehl Gallery (Jackson), The Directed Art Modern Gallery (Miami), Elizabeth Gordon Gallery (Santa Barbara), Endeavor Fine Art (Nashville), Faust II (Santa Fe, Scottsdale),Gail Severn Gallery (Ketchum), Gallery 1261 (Denver), Gary Snyder Fine Art (NYC, Bozeman),GF Contemporary (Santa Fe), Green River Stone Company (Logan), HG Contemporary Art (Flushing), ILIAD (New York), Imago Galleries (Palm Desert), J Klein Gallery (Scottsdale), James Compton Gallery (Santa Fe), K Contemporary (Denver), Kiechel Fine Art (Lincoln), L.A. Design (Missoula), Legend Nano Gallery (Carlsbad), Mai Wyn Fine Art (Denver), Mark Sublette Medicine Man Gallery (Tucson), Matthew Rowe Fine Art (Santa Fe), Maynard Dixon Museum (Tucson), Melissa Morgan Fine Art (Palm Desert) Mike Clark Fine Art (Billings), Nieto Fine Art (Rockwall), Patricia Qualls Contemporary Art (Carmel Valley), Peace Waters Collective (San Diego), Prescott Gallery & Sculpture Garden (Santa Fe), Redfern Gallery (Laguna Beach), Rehs Contemporary Galleries, Inc., (New York), Seagrave Gallery (Santa Cruz), Steidel Contemporary (Lake Worth), Stevens Fine Art (Phoenix), Studio Greytak (Missoula),T.H. Brennen Fine Art (Scottsdale), Tayloe Piggott Gallery (Jackson), Thomas Paul Fine Art  (West Hollywood),Timothy Yarger Fine Art (Los Angeles), Waddell Gallery (Scottsdale), Walker Fine Art, LTD (New York), Wilde Meyer Gallery (Scottsdale), Woolff Gallery (London).2019 Sponsors: American Art Collector, artnet,​ Art Collector’s Athenaeum, Bonhams Auction House, Family Management Corporation, George B. Stroer Foundation, Grand Teton National Park,  Jackson Hole Community Radio, Jackson Hole Conservation Alliance, Jackson Hole Public Art, Montanya Distillers, Mountain Living, 96.9 The Mountain KMTN Radio, The National Museum of Wildlife Art, Snow King Hotel, Teton Distillery, Wyoming Arts Council, Young’s Market  
Venue: Snow King Sports and Events Center (100 E Snow King Ave)

About Jackson Hole Fine Art Fair
The Jackson Hole Fine Art Fair is the latest addition to the luxury, regional fairs produced under the leadership of Fair Director, Rick Friedman. Other fairs produced by Friedman include: the Hamptons, Aspen, Houston, San Francisco, Palm Springs, Silicon Valley and Philadelphia. JHFAF is excited to contribute to Jackson Hole’s vibrant arts community. 2019 Sponsors: American Art Collector, artnet,​ Art Collector’s Athenaeum, Bonhams Auction House, Family Management Corporation, George B. Stroer Foundation, Grand Teton National Park,  Jackson Hole Community Radio, Jackson Hole Conservation Alliance, Jackson Hole Public Art, Montanya Distillers, Mountain Living, 96.9 The Mountain KMTN Radio, The National Museum of Wildlife Art, Snow King Hotel, Teton Distillery, Wyoming Arts Council, Young’s Market 

Image Courtesy of Lucas Ayoub. 

Tom Burr at the Wadsworth Atheneum

Portraits by Tom Burr Propel MATRIX Exhibition Series at the Wadsworth Atheneum

Connecticut-born sculptor Tom Burr’s expansive body of portraiture takes a different approach to the relationship between the built environment, material, subjectivity, and historical personalities. Coinciding with the 50th anniversary of the Stonewall Riots and the museum’s presentation of two other portrait centered exhibitions, Tom Burr / MATRIX 182 / Hinged Figures unites a selection of the artist’s reclining figures, several of which are portraits of individuals from queer history and American Modernism. Burr began the series in 2005, and MATRIX 182 constitutes the largest museum presentation of the reclining figures to date. The sculptures will be shown both within the MATRIX Gallery and around the museum, in dialogue with specific artists and architectural spaces, and also at the Austin House.

“I wanted to see the figures spread throughout the different spaces in the museum–spaces that resonate with the history of 20th-century art being shown–but also in other, less expected settings, such as Chick Austin’s house,” says Tom Burr. “I wanted to create a constellation of figures and sites that would engage, in a sense, the museum and the house as a total stage set.”

Burr’s sculptures combine Minimalist forms with figures and material attributes, such as books, magazine pages, notecards, tinsel, and a Chanel dress. He is interested in the way certain figures shape and are shaped by the spaces they inhabit. In this MATRIX project, Burr directly addresses the Wadsworth’s prominent role in the history of Modernism in several portrait subjects, including former director A. Everett ‘Chick’ Austin, and two creatives, writer Gertrude Stein and composer Virgil Thomson. They were commissioned in the 1930s to make the opera Four Saints in Three Acts to inaugurate the newly completed Avery Memorial and its purpose-built theater. Two 33 rpm records of the opera and are featured in Burr’s Chicks, 2008

One foot in the grave (reclining), 2010 references photographer Robert Mapplethorpe whose career is embedded in the Wadsworth’s history.A MATRIX artist in 1984, Mapplethorpe’s work has also been presented in exhibitions in 1990, 2015 and will be included in Be Seen: Portrait Photography Since Stonewall opening June 22, 2019. Burr’s portrait of Mapplethorpe (below) includes a postcard featuring one of the photographer’s black-and-white flower images and a small pile of soil evoking a meditation on illness and the AIDS epidemic.

“Tom Burr’s continual engagement with queer historical figures and modernism identified him as a strong choice for an expanded MATRIX project for the summer of Stonewall 50,” says Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth. “Although most of these sculptures were made some years ago, the personas

they evoke resonate with the Wadsworth’s history in terms of collections, exhibitions, and programming. Burr has remarked on the noteworthy inversion of these departed figures’ ‘return’ to the Wadsworth as memories in the form of sculptures.”

Artist Biography

Tom Burr was born in 1963 in New Haven, Connecticut. Burr has exhibited in group and solo shows throughout the world since 1988, in institutions and museums including the SCAD Museum of Art, Savannah, GA; FRAC Champagne-Ardenne, Reims, France; SculptureCenter, New York, NY; Skulptur Projekte, Münster, Germany; Contemporary Arts Museum, Houston, TX; Nacional Centro de Arte Reina Sofia, Madrid, Spain; The New Museum, New York, NY, and the 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY. The works of Tom Burr are included in numerous private & public collections, including the Art Institute of Chicago, Chicago, IL; Hammer Museum, Los Angeles, CA; The Israel Museum, Jerusalem, Israel; Lenbachhaus Museum, Munich, Germany; Museum of Contemporary Art, Los Angeles, CA; Walker Art Center, Minneapolis, MN; Whitney Museum of American Art, New York, NY.

Related Programs

Tom Burr / MATRIX 182 / Hinged Figures opens during Art After Dark, Thursday, June 6 from 5-8pm, and the artist will give a Gallery Talk at 6:30pm. A docent-led Art In Focus tour of Tom Burr’s Chicks (2008) will take place on Friday, August 21 at noon. Curator Patricia Hickson will lead a Gallery Talk on Thursday, August 29 at noon.

About MATRIX

Inaugurated in 1975, MATRIX is the Wadsworth’s groundbreaking contemporary art exhibition series featuring works by artists from around the world. From its inception, MATRIX has been a forum for art that is challenging, current, and sometimes controversial. Through clear explanation and thoughtful engagement with the viewer, MATRIX exhibitions call into question preconceptions about art and increase understanding of its possibilities. Many MATRIX artists, such as Christo, Sol LeWitt, Gerhard Richter, Cindy Sherman, Andy Warhol, and Carrie Mae Weems are now considered seminal figures in contemporary art.

Exhibition and Program Support

MATRIX 182 is generously supported by the Howard Fromson Exhibition Fund.

The MATRIX program is supported by the Wadsworth Atheneum’s Contemporary Coalition. Sustaining support for the Wadsworth Atheneum is provided by Newman’s Own Foundation and the Greater Hartford Arts Council’s United Arts Campaign

About the Wadsworth Atheneum Museum of Art 

Founded in 1842 with a vision for infusing art into the American experience, the Wadsworth Atheneum Museum of Art is home to a collection of nearly 50,000 works of art spanning 5,000 years and encompassing European art from antiquity through contemporary as well as American art from the 1600s to today. The Wadsworth Atheneum’s five connected buildings–representing architectural styles including Gothic Revival, modern International Style, and 1960s Brutalism–are located at 600 Main Street in Hartford, Conn. Hours: Wednesday-Friday: 11am-5pm; Saturday and Sunday: 10am-5pm Admission: $5-15; discounts for members, students, and seniors. Free admission for Hartford residents with Wadsworth Welcome registration. Free “happy hour” admission 4-5pm. Public phone: (860) 278-2670; website: thewadsworth.org.

 Image:

Tom Burr, Chick, 2008. Plywood, paint, steel hinges, canvas medical straitjacket, white rubber, steel drafting lamp, steel ashtray. Installation view. SculptureCenter, 2008. Collection of Shelley Fox Aarons and Philip Aarons. © Tom Burr.

Behind the lens of renowned Iranian cinematographers

Time Lapse is an exhibition of striking photographs by prestigious Iranian film directors. After enormous success in both London and Tehran, the exhibition will travel to the USA in November, to be shown at The Container Yard in Downtown Los Angeles.

Time Lapse features the work of Cannes Film Festival award-winning directors Jafar Panahi and Abbas Kiarostami, Cannes Film festival award nominee Nasser Taghvai, award-winning documentary maker Kamran Shirdel, San Sebastian International Film Festival award-winning director Majid Barzegar, World Press Photo award-winning Cinematographer Seifollah Samadian and celebrated actor and Cairo film festival award-winning director Hamid Jebeli. The exhibition celebrates Iranian cinema and its international reach, and simultaneously demonstrates the talent of the directors, stretching beyond dynamic filmmaking to the creation of fine art.

CAMA Gallery aims to provide a politically neutral platform on which to showcase the wealth of artistic talent in Iran. CAMA Gallery has three galleries in Iran, a gallery in London, and will soon open a permanent space in Los Angeles.

The exhibition opens with a private view on November 2 from 8pm and runs through November 14, 2018.

Spectrum Miami and Red Dot Miami at Miami Art Week

Redwood Media Group, the nation’s leader in exhibitions and event production, media, and marketing for the global fine art community, is excited to announce a unique and newly formed partnership with Mana Wynwood, together with a permanent new home for its flagship art shows— two of the longest running independent art shows during Miami Art Week.

Spectrum Miami and Red Dot Miami will return to Wynwood Arts District starting in 2018, with a new and long-term location at Mana Wynwood – offering an exceptional and elevated world-class experience for both exhibitors and art enthusiasts during this year’s Miami Art Week, taking place December 5—9. The only venue featuring “Two Shows in One Location” during Miami Art Week will cover more than 100,000 square feet of exhibition space and be even more accessible for visitors on foot and by car, all within walking distance from Wynwood’s trendiest restaurants, bars and retail boutiques. New and improved features for this year’s five-day fine art experience will include:

• Low traffic location for easy accessibility

• Hundreds of paved parking spaces on-site

• Indoor air conditioning and restrooms

• Dedicated café and lounge space with seating

• Easy access to the adjoining PINTA art fair

“We are excited to announce a unique alliance with Mana Wynwood, one of the region’s most progressive organizations in property development and the creative arts,” says Eric Smith, president of Redwood Media Group. “Returning to the Wynwood Arts District for the first time since 2015 perfectly positions Spectrum Miami and Red Dot Miami within one of the country’s leading lifestyle and cultural destinations for both residents and visitors to Miami. Our new indoor location and pristine exhibition space will offer a truly premium experience for exhibitors and art enthusiasts alike. This is a strategic and long-term partnership and location for our flagship shows and we look forward to welcoming the art world to our new home.”

Spectrum Miami and Red Dot Miami form the acclaimed contemporary and fine art experience that collectively presents some of today’s most coveted national and international galleries and artists from the U.S and around the world. Redwood Media Group exclusively produces the two art shows housed in one location—considered to be the only multi-show production of its kind during Miami Art Week.

Red Dot Miami, a curated gallery-only contemporary art show, now in its 13th year, will be located inside Mana Wynwood. Red Dot Miami presents [ILLUMINATE] as the curatorial theme for 2018. From works that inspire awe and wonder to sweeping series that reveal new trends to artists who throw light on the roots of imagination through fearless creativity, Red Dot Miami illuminates the best the contemporary art world has to offer. This theme forms a common thread throughout the special exhibits and programming that showcases exhibitors, art industry professionals, and select nonprofits and institutions. Red Dot Miami features more than 75 galleries representing over 500 leading contemporary artists from primary and secondary markets throughout the world. The five-day show attracts more than 35,000 visitors and high-net-worth collectors who interact with the specially curated programming, which includes the Spotlight Program, a focused look at several cutting-edge galleries chosen by the Redwood Media Group selection committee; Art Labs, a series of outstanding projects by leading galleries, art institutions, and art collectives within the show; and Art Talks, an inside look at the artistic experience by way of panel discussions, conversations, and provocative artistic discourse with leading artists, curators, designers, and art industry professionals. The complete Red Dot Miami program will be announced in November.

Spectrum Miami, an upscale and urban curated contemporary art show, now in its 8th year, will be located adjacent to Red Dot Miami at Mana Wynwood. Spectrum Miami presents special programs and site-specific exhibitions that showcase the thriving art landscape of the city, informed by the 2018 curatorial theme [ALLURE]. Atmospheric abstracts. Provocative photographs. Seductive sculptures. The allure of contemporary and modern art is mysteriously and undeniably powerful. Spectrum Miami is where contemporary meets extraordinary, featuring the works of more than 160 exhibiting artists and galleries from the Florida region, the U.S. and around the globe. Known for its urban and upscale works of art, Spectrum Miami includes Art Labs and Art Talks as well as the Spotlight Program, providing collectors with a focused look at several prominent exhibitors, each creating a site-specific exhibition, and the LaunchPad Artist Program, showcasing an emerging and unrepresented artist who is selected to create an exhibition at the show, selected from a collaboration among local art institutions, galleries, and Spectrum Miami. Spectrum Miami will also include [FOTO SOLO], a stand-alone exhibit, introduced at Artexpo New York in 2016, that features up to 10 artists from various continents who have been chosen for their exemplary photographic fine art. The complete Spectrum Miami program will be announced in November.

Spectrum Miami and Red Dot Miami have grown to become the ultimate destination for the fine art industry professional and contemporary art enthusiast who collectively seek a more accessible experience with exhibits showcasing the world’s most progressive portfolios by some of today’s elite artists, galleries, and emerging talents. With more than 35,000 attendees flocking to see the artwork of the 1,000+ artists showcased by over 200 exhibitors, these are two non-stop, not-to-be missed destination Miami Art Week shows.

The annual Opening Night Preview Party for Spectrum Miami and Red Dot Miami will take place from 6 to 10 p.m. on Wednesday, Dec. 5, at Mana Wynwood, 2217 NW 5th Ave., Miami, FL 33127, and will feature innovative contemporary art together with Louis Jadot Wines, cocktails, hors d’oeuvres, and DJ entertainment. Tickets for the Opening Night Preview Party are priced at $50 by purchasing online or $60 at the event. A General Admission 1-day Pass for Spectrum Miami and Red Dot Miami is $25 by purchasing online or $30 at the event. A 5-day Pass that includes the Opening Night Preview Party is $75 by purchasing online or $85 at the event.. Tickets grant access to both Spectrum Miami and Red Dot Miami.

UTA Signs Common In All Areas

United Talent Agency (UTA) is proud to announce it now represents multi-award-winning artist, actor, activist and producer, Common in all areas worldwide.
Common’s work in the critically acclaimed film Selma earned him an Academy Award, a Grammy Award, a Golden Globe Awardand a Critics’ Choice Award for his single, Glory, featuring John Legend. He most recently was nominated for an Academy Award, a Grammy Award and a Critics’ Choice Award for his song, Stand Up For Something, which he co-wrote alongside Diane Warren. Throughout his career, he has been nominated for 20 Grammy Awards, winning three of them and an NAACP Image Award for Outstanding Supporting Actor.
Common co-founded Freedom Road Productions with his longtime manager Derek Dudley. Freedom Road executive produced the critically-acclaimed Showtime series, The Chi and has many projects slated for 2019. On the music front, he recently formed the hip hop supergroup, August Greene, a collaboration with producers Robert Glasper and Karriem Riggins. The trio took home a Primetime Emmy Award for Outstanding Original Music and Lyrics for their song, Letter to the Free.
Common is widely known for his commitment to philanthropy and activism and is the founder of the Common Ground Foundation, a non-profit that seeks to empower underprivileged youth to be strong citizens of the world. Common joined musician Andra Day in performing their Oscar and Grammy-nominated track, Stand Up For Something, at the March For Our Lives anti-gun violence rally in Washington, D.C. He is also a part of the Recording Academy’s newly formed Diversity Task Force led by former Chief of Staff to Michelle Obama, Tina Tchen.
Additionally, Common has appeared in multiple roles in both major films and television series. His previous features include John Wick: Chapter 2 alongside Keanu Reeves, Selma with David Oyelowo, Suicide Squad alongside Will Smith, Viola Davis, and Margot Robbie and Barbershop: The Next Cut with Ice Cube. On the television side, he has appeared in The Chi,The Mindy Project, and The Simpsons. Common has a busy Fall with two major studio projects set for release; Warner BrosSmallfoot and the highly-anticipated Fox film, The Hate U Give. His film Three Seconds is set for release in early 2019.
Common continues to be represented by manager Derek Dudley and legally by David Fox of Myman Greenspan Fox.
ABOUT UTA
Leading global talent and entertainment company United Talent Agency represents many of the most acclaimed figures across film, television, news, music, sports, theater, fine art, literature, video games, podcasts and other social and digital content. A passionate advocate for artists, creators and innovators, the company also is recognized in the areas of film finance and packaging, branding, licensing and endorsements. UTA is known for its dedicated digital media group helping clients from A-list talent to Fortune 500 companies capitalize on a rapidly changing entertainment, media and business landscape. The agency’s worldwide presence includes its Los Angeles headquarters and offices in New York, London, Nashville, Miami and Malm Sweden.

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

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BEYOND THE VEIL × ADAM KNIGHT

BEYOND THE VEIL

CURATED BY ADAM KNIGHT

EMILY KAME KNGWARREYE
EVELYN PULTARA
GABRIELLA POSSUM NUNGARRAYI
GAYLA PWERLE
POLLY NGALE
THE WOMEN’S COLLABORATIVE

Opening Reception:

May 16, 6-8PM

Exhibition:
May 16 – Jul 8, 2018

Emily Kame Kngwarreye
Untitled, 1991
Synthetic polymer paints on Belgian linen
58.8 x 35.2 ”  (149.4 x 89.4 cm)

Evelyn Pultara
Bush Yam, 2015
Synthetic polymer paints on Belgian linen
35.8 x 48.4 ”  (90.9 x 122.9 cm)

Olsen Gruin is pleased to present Beyond the Veil, a group exhibition of Western Desert Paintings curated by the President of the Aboriginal Art Association of Australia, Adam Knight. The anticipated show features select works by Emily Kame KngwarreyeEvelyn Pultara, Gabriella Possum NungurrayiGayla PwerlePolly Ngale, and the Women’s Collaborative comprising Beverly Cameron; Kathy Marinkga, Imitjala Curley, and Tjangili George, and will be on view from May 16 – July 8, 2018.

Beyond the Veil celebrates the divine use of dots by Australian Aboriginal artists. It honors the unique method of layering and the shimmering presence of dots throughout the whole of each canvas by the true inventors of this now praised artistic style. As Aboriginal art further secures its place as a significant movement in the international art world, it is undeniable that non-indigenous artists from around the globe will find inspiration within these prized works.

It is widely accepted that Australian Aboriginals have the oldest continuous culture on the planet. The rise of contemporary Australian Aboriginal art was described by art critic and writer Robert Hughes, as “the last great art movement of the twentieth century.” Whilst the works are considered contemporary, they are derived from a cultural awareness and sacred knowledge that remains preserved by artists such as those exhibited here.

Beyond the Veil aims to remind viewers of the cultural narrative that celebrates the presence of the dot and acknowledges the genius of its use by its originators: the artists from Australia’s first people.

For further information please contact the gallery at info@olsengruin.com or at +1.646.525.6213.  All images are subject to copyright. Gallery approval must be granted prior to reproduction.

Emily Kame Kngwarreye
Untitled, 1993
Synthetic polymer paints on Belgian linen
23.6 x 35 ”  (59.9 x 88.9 cm)

olsengruin.com

Olsen Gruin

30 Orchard St, New York NY 10002

M: +1 646 525 6213

emerald@olsengruin.com

Wednesday–Sunday 11am–6pm

AVANT GALLERY

On Thursday, March 8, Avant Gallery joined art collectors and VIPs for an artful evening welcoming Spring at the gallery’s seasonal location in Aventura Mall. Guests were given an exclusive first look at Avant Gallery’s forthcoming ERTH® collection, and previewed new works throughout the 3,000 square foot space from the gallery’s roster of esteemed artists including: Skyler Grey, DAIN, Alec Monopoly, BNS, Santlov, Chie Hitotsuyama, Tom Fruin, Nick Veasey, Florian Eymann, Miya Ando, and Tim Bessell + Andy Warhol. 

DJ Aloona created an electric atmosphere with lounge beats while attendees indulged in bites and refreshments by LaMuse Café and Rosé Piscine. Avant Gallery is based at the EPIC Hotel in Downtown Miami, while Avant Gallery Aventura is located in the center court on the main level of the mall through May 2018.

RYAN MOSLEY × “Spotted Pyjamas”

Ryan Mosley

Spotted Pyjamas

15″ x 10.7″, archival pigment print

Signed edition of 50

$150

BUY NOW

Blending together art historical themes, styles, and movements with a unique sense of deadpan humor, Ryan Mosley’s paintings exist as contemporary tragicomedy. Mosely works through a spontaneous process, eschewing sketches and blueprints in favor of expressive brushstrokes and instinctual fields of color, resulting in scenes that reverberate with immediacy. Typically working to render trippy theatrical spaces filled with a carnivalesque juxtaposition of whimsy and melancholy, we have collaborated with Mosley to publish a print edition of Spotted Pyjamas, a focused portrait of an imagined character reminiscent of iconographic Byzantine motifs with a knowing wink. As Jennifer Higgie writes in Frieze Magazine, “Comedy — dark, light, and in-between — is never far off. Many of these paintings are like cartoons without a punchline and none the less for it.”

Ryan Mosley has recently mounted solo shows at Eigen+Art (Leipzig, Germany), Anatomy and the Wall (Alison Jacques Gallery (London, UK), Tim Van Laere Gallery (Antwerp), Susanne Vielmetter Los Angeles Projects, and Tierney Gardarin (New York). Selected group exhibitions include Museums Sheffield (Sheffield, UK), Josh Lilley Gallery (London, UK), Brand New Gallery (Milan, Italy), Sadie Coles HQ (London, UK), Galerie Mikael Andersen (Copenhagen, Denmark) and Royal Academy of Arts (London, UK). Mosley was included in publications such as Vitamin P3 New Perspectives in Painting, published by Phaidon, Painter’s Painters, published by Saatchi Gallery, Picturing People, published by Thames and Hudson and 100 Painters of Tomorrow, published by Thames and Hudson. Ryan Mosley currently lives and works in Sheffield, UK.

FOLLOW EXHIBITION A

Josh Smith at David Zwirner

SHOP EXHIBITION A

Clockwise from top left:

Ryan Mosley, Kimia Ferdowsi Kline, Alice Tippit, and Sharon Madanes.

Photo credit: Arte Fuse

DANYSZ GALLERY

Shanghai | Gallery

Alain Delorme

Exhibition Murmuration

January 26 to March 16, 2018

Born in 1979, Alain Delorme lives and works in Paris, France. Graduated from the Gobelins’s school, he then pursued a master’s degree in photography at the University of Paris VIII. The photographic work of Alain Delorme is particularly concerned with depicting the phenomena of normalization and standardization conveyed by our consumer society. The artist delivers photographs in graphic and colorful worlds oscillating between realism and fiction.

A distant rustle, puffs of air : a swarm forms and rises in the breeze, drawing elegant arabesques in a sky full of shimmering reflections of light. At first, the works of Alain Delorme capture the magic of the first fleeting beauty of a flock of birds, a Murmuration. However, this initial charm soon vanishes when the viewer takes a closer look, notices the clever deception, and discovers what is really behind the graceful flocks, the sometimes aquatic, sometimes calligraphic shapes : thousands of plastic bags, meticulously arranged by the artist, their massive presence threatening to asphyxiate the horizon. This work is located at the crossroads between various visual cultures and diverse artistic heritage, primarily cinematic : Murmuration seems like an improbable blend of the sight of the plastic bag which in American Beauty (1999) swirls around almost hypnotically, and the vision of The Birds in Hitchcock’s great classic from 1963. Both play with the reversal of perspective: the Master of Fear builds his plot on the inexplicable aggression of actually harmless animals, while the scene captured by the amateur filmmaker seems to unveil the beauty and delicacy of an otherwise ungainly object.

More generally, Delorme’s digital creations echo land art installations – presenting natural spaces that have been physically transformed in order to question their fate and vulnerability. In this work, Alain Delorme revisits accumulation, a recurrent theme of the new realists also leveraged in Delorme’s previous series – using absurdity to bring attention to the excesses of modern society.

By choosing such a common and universal artifact, the commentary takes on a global relevance. The context of the images is only hinted at, without explicit geographic positioning. The outline of our proud industrial societies, factory chimneys and power lines stand out as shadows playing against a sky that is bathed in a twilight that seems to announce the end of an era. Because the plastic bag poses a truly universal threat : it invades urban surroundings, litters natural habitats, paves seabed, and takes over deserts.

Through this “trompe l’oeil”, Alain Delorme steps away from any militant position, favoring the process of gradual awareness. He cuts out, assembles and arranges the elements of both a fictional and probable reality into one image that projects the sunsets of our tomorrow.

Practical informations

January 26 to March 16, 2018

Danysz Gallery

256 Beijing East Road x Jiangxi Road – Shanghai

Singapore | Curatorial

Exhibition Art From The Streets

at ArtScience Museum

Exhibition since January 13 to June 3, 2018

ArtScience Museum – The world’s most iconic street artists present provocative works for the first time in Southeast Asia. From 13 January 2018, the galleries of ArtScience Museum will be invaded by some of the world’s top street artists in one of the boldest exhibitions to be shown at the museum in years. Art from the Streets traces 40 years of Street Art, from its countercultural beginnings to its extraordinary rise as a major phenomenon in contemporary art.

The show features the world’s best known street artists including Banksy, Shepard Fairey (aka Obey), Futura, Invader, JR, Blek le Rat, Swoon and Vhils among others .

Curated by Street Art expert and gallerist Magda Danysz, Art from the Streets reflects the evolution of street art, charting the diverse artistic techniques employed by artists through the decades and showing how technology has created new expressive avenues for artists.

One of the highlights of Art from the Streets will be a series of live paintings and installations created on – site by iconic names from the field. Nearly a dozen artists, including upcoming new street art sensation, Felipe Pantone from Spain, have been invited to take over the galleries of the museum, creating new art works especially for the show. Illustrating the vitality of and diversity of the movement, the show also includes large – scale mural paintings, installations, videos, prints, archival material, drawings and sketches.

As well as bringing some of the leading international names in Street Art to Singapore for the first time, Art from the Streets also shines a spotlight on urban art in South east Asia. The show includes major new works by local and regional artists, including Speak Cryptic (Singapore), Yok & Sheryo (Singapore) and Eko Nugroho ( Indonesia ) .

“ArtScience Museum is thrilled to be presenting some of the biggest names in Street Art in this daring and provocative new show. What started out as acts of rebellion on the streets of US cities in the 1970s, has since expanded into a major international cultural movement. Art from the Streets shows how street art has evolved beyond the early days of graffiti and tagging, and is now recognised as one of the most important artistic genres of the 21st century. Our visitors will see how artists have restyled the look and feel of cities around the world, through captivating, thought – provoking works that range from small interventions, to massive murals. This is an exhibition that celebrates the energy and dynamism of the streets, by encouraging some of the most exciting artists in the field to transform our galleries into living urban artworks,” said Honor Harger, Executive Director of ArtScience Museum, Marina Bay Sands.

“Street Art is one of the most important art movements to have emerged in the 21st century. This exhibition celebrates the vitality of a movement many of us can witness as part of our everyday experience. It is very important at this stage to mark the 40 year history of the movement and recognize Street Art as a coherent and valuable art movement,” added Magda Danysz, a curator and writer based in Paris and Shanghai. Having witnessed the rise of graffiti and urban art from its beginnings, Magda Danysz became an expert in the movement, writing books about the history of Street Art, curating major institutional group shows and over 50 solo shows with artists including Shepard Fairey (aka Obey), Invader, JR and Vhils.

Practical informations

since January 13 to June 3, 2018

Art Science Museum

6 Bayfront Ave – Singapore

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