Posts tagged with "film"

Homecoming

Today, Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.

Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.

In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”

Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.

“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102

Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.

Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix

Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

About Parkwood Entertainment

Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

Shop Beyoncé

SHIFT ARTS FESTIVAL

Kick off summer with live arts and films that explore the human/nature conundrum

Across the globe, humans face enormous questions: how do we find balance in our relationship with Nature? How do we transform what has been a quest for dominance into a sustainable collaboration? 

 

The Hopkins Center for the Art at Dartmouth College launches its second annual SHIFT festival, a 10-day suite of live, arts, film and discussions that explore the push and pull of that Human/Nature bond. Feel humans contend and at times cooperate with the forces of nature in a stage version of Moby-Dick, a spectacle of physical theater by Australian company Circa, and film screenings with special guests that probe the oceans and night skies. Wander among human percussionists interacting with nature world in Inuksuit; celebrate nature in song in a pop-up chorus. The schedule is a mix of free and ticketed events.

 

This year, SHIFT is bookended by concerts by Cory Henry & the Funk Apostles and Iris DeMent—artists who join past and present and speak to what it means to be an American in 2019. It also includes the Dartmouthpremiere of Dance Heginbotham, the acclaimed Brooklyn-based dance troupe led by John Heginbotham, director of the Dartmouth Dance Ensemble.

 

The performances in SHIFT will be enriched by a series of talks and master classes by Dartmouth scholars and visiting artists, who will unpeel various layers of how humans connect and impact the natural world. These include talks on energy, whaling, Melville and Americana music, as well as a discussion between Heginbotham and his collaborator, composer Tyondai Braxton.

 

Along with exploring big questions, SHIFT is also a great way to kick off summer in the Upper Valley, complementing the area’s wealth of opportunities to hike, bike, boat and otherwise enjoy the outdoors.

 

Tickets to SHIFT events go on sale to Hop members on Friday, April 26, and to the general public on Tuesday, April 30. SHIFT runs June 21 through 30 at locations in the Hop and on the Dartmouth campus. Tickets will be available at hop.dartmouth.edu or 603.646.2422.

 

SHIFT events

 

Cory Henry & the Funk Apostles

Friday, June 21, 8 pm

Spaulding Auditorium, $42/32/22

 

“I believe that love will find a way,” sings Corey Henry. And he’ll make you believe, too.

With his supple voice, soulful songwriting and chops on the Hammond B-3 organ, Henry “serves up a sermon of soulful bliss” (Denver Post) of R&B, Afrobeat, gospel and jazz. Graced with Grammy awards for his work with Brooklyn’s Snarky Puppy and his own namesake band, Henry has been called one of the finest organ players of his generation.

 

Moby Dick

Gare St. Lazare Players

Saturday, June 22, 8 pm

Sunday, June 23, 3 & 8 pm

The Moore Theater, $42/32/22

 

“For there is no folly of the beast of the earth which is not infinitely outdone by the madness of men, ” Herman Melville wrote in Moby-Dick. Compressing the novel’s details, characters and gigantic themes into one riveting night of theater, veteran Irish actor reels us into the harsh world of 19th-century whale hunting. In this battle with nature, the humans are determined to win–but at what cost? This engrossing, one-man refresh of Melville’s 1851 novel is backed by 10-string fiddler Caoimhin O’Raghallaigh (of The Gloaming). An American literary anchor splashes on stage.

 

Public talks, 6:30 pm, Top of the Hop, free

June 22: Irving Institute director Elizabeth Wilson on the interconnected histories of energy and whaling

June 23: Professor Donald E. Pease’s acclaimed talk on Melville and the American Renaissance

 

 

A Portal to the Sky: Cinema and Space

Mon, Jun 24, 8 pm 

Loew Auditorium, Free

 

Travel among the moon and stars with an evening of singular short films presented by Professors Jodie Mack and Dan Rockmore. Each film is an artistic celebration of the sky, space and worlds beyond, using real images as the source material.

 

 

Sing For the Earth

Tuesday, June 25, 8pm

Spaulding Auditorium, free

 

Come sing together in gratitude for earth’s abundant beauty!  In this program, you are invited to reflect on the relationship between humans and nature as the group reads through diverse short choral works related to nature, led by Handel Society director Robert Duff 

Recommended for all singers 12 and up; sight-reading skills are helpful but not required.

 

Dance Heginbotham and Alarm Will Sound

Wednesday, June 26

The Moore Theater, $32/22

 

Eight-member Dance Heginbotham brings its celebrated athleticism, humor

and theatricality to live music by the 22-member new music band Alarm Will

Sound (“original, vivid, reckless”-Los Angeles Times). DH is led by John

Heginbotham, who also directs the Dartmouth Dance Ensemble and

choreographed the acclaimed remake of Oklahoma that just moved to

Broadway. The evening includes new Heginbotham choreography to

selections from AWS’s new CD Acoustica—unprecedented acoustic versions

of electronica—as well as his Hop-commissioned new choreography for

composer Tyondai Braxton’s chamber work Common Fate.

 

Heginbotham and Braxton discuss their collaboration, June 26, 6:30 pm, Top of the Hop, free

 

The International Ocean Film Tour

Thursday, June 27, 8 pm

Spaulding Auditorium, $15

 

Swim among seething schools of sharks, ride the waves with adventurers transforming the sport of surfing, or cruise the world’s oceans with some  “anti-Ahab” activists–protecting, not hunting, whales. The subjects of these films inspire you with their ardor for the oceans and adventure. Eco-activist Henry Lystad (formerly MountainFilm Tour Director) introduces each movie with insider details and naturalist knowledge.

 

Humans by Circa

Friday and Saturday, June 28 & 29, 8 pm

Sunday, June 30, 3 pm

The Moore Theater, $47/37/22

 

Body, space, force and balance. In this heart-stopping nouveau cirque adventure that earned rave reviews on several continents, Australian circus artist/athletes test the limits of the human body. Forms fly through the air. Towers emerge and tumble. This virtuosic meditation on the body plays with the laws of physics, ratcheting up the tension between us and the space we move through.

 

Master class with Circa, Tuesday, June 25, details to come

 

Inuksuit

Saturday, June 29, 3 pm

Outdoor location on Dartmouth campus TBA, free

Rain date: Sun, June 30 at 3 pm.

 

Wander through a landscape of instruments–conch shells, gongs, drums, glockenspiels and more–accompanied by the ambient sounds of nature. Named after the stone piles used by native people to orient themselves in Arctic spaces, Inuksuit was created by environmental composer John Luther Adams. This event will involve up to 99 professional and community musicians in an outdoor campus location. As they walk among the musicians, listeners shape their own experience, discovering the listening points that call out most to them. Directed by Dartmouth music lecturer Amy Garapic.

 

Want to clang, whistle or whirr or otherwise play in the band? Go to hop.dartmouth.edu for more information.

 

Iris DeMent

Saturday, June 29, 8 pm

Spaulding Auditorium, $42/32/22

 

Iris DeMent is a voice for an America seeking roots and meaning. As Cory Henry marries retro-funk with Afro-Futurism, so DeMent brings a modern sensibility to the timeless pentecostal gospel twang of her native Ozarks. Twenty-seven years after she pioneered what we now call “Americana” with her debut album Infamous Angel, she is still sharing powerful stories and shining a light into dark places.

 

Dartmouth musicologist Ted Levin discusses DeMent’s place in American music,  June 29, 6 pm, Top of the Hop, free

Filmmaker Ethan Paisley is Breaking the Mold and Reshaping Hollywood

Photo by @AndresHernandez

Ethan Paisley is a force to be reckoned with. He is a filmmaker driven by social change with over twenty film and TV projects under his belt that are being distributed internationally. Paisley is currently hosting and executive producing a six-part episodic project for DVD Netflix (a Netflix company) titled Set Life and hopes to inspire young artists into their passions with the release of the show. This new endeavor will add “host” to Paisley’s extensive resume of talents, which include writing, directing, producing, and acting. Even though he is busy making headlines with his on-camera work, Paisley is even busier breaking down barriers with his recent film and TV projects. Last year, he was the inaugural recipient of the Best Young Director Award for his film Indelible at the Young Entertainer Awards, an awards show that included nominees Peyton List and Anthony Gonzales. He recently produced two short films now in post-production titled Tell Me When To Forget and Go with the Flow, and will begin shooting his third feature film Turn Out later this year along with a Manhattan-based TV Series titled Screwed. Learn more about Ethan Paisley, and do not miss out on his upcoming releases. For all things Ethan Paisley go HERE.

KUNG FU PANDA SPECTACULAR LIVE

to Hold Global Premiere at 
The Venetian Theatre in Macao
 

Five-Time Tony Award® Winner Susan Stroman Leads 
Star-studded Global Creative Team

Broadway Asia, one of the largest production, management and distribution companies in the global markets, led by Executive Producers Simone Genatt and Marc Routh, and DreamWorks Theatricals, a division of Universal Theatrical Group, today announced the launch of DreamWorks’ Kung Fu Panda Spectacular Live – a thrilling new live action entertainment at The Venetian Theatre in Macao. It combines the best of Hollywood, Broadway and circus. The five-time Tony Award® winner Susan Stroman will bring her legendary talents to one of the most successful animated films of all time, Kung Fu Panda.
 
DreamWorks’ Kung Fu Panda Spectacular Live is set to transform the entertainment landscape in Macao. Building on the globally successful franchise of the beloved Kung Fu Panda films, the production has the wisdom, heart and humor of the world-renowned franchise, combined with the high-level design and impact of a major live action immersive spectacular resident show. “The production will be an exciting new experience for audiences of all ages – as it incorporates storytelling, state-of-the art projection mapping and video design, immersive aerial and acrobatics as well as extraordinary puppetry and martial arts,” said director and choreographer Susan Stroman. “The hilarious and heart-warming characters from the films will come to life in an extraordinary action filled live performance.”
 
Award-winning artist Susan Stroman has assembled a brilliant creative team including some of the most sought-after and acclaimed live entertainment artists around the globe. Co-conceived by Susan Stroman and David Thompson (the writer of Broadway’s longest running revival, Chicago), the live action show features character costumes and puppetry designed by the renowned Michael Curry (Broadway’s The Lion King and Frozen, the Sochi 2014 Winter Olympics opening and closing ceremonies, as well as the Super Bowl XLVI), and six-time Tony Award® winning costumer designer William Ivey Long. The large-scale attraction incorporates the best scenic design by STUFISH/Ray Winkler (Las Vegas installation of Ka, the Beijing 2008 Summer Olympics, and many famous concert tours including Madonna and the Rolling Stones), lighting design by Ken Billington (designer of over 100 Broadway productions), and projection and video design by 59 Productions (Tony Awards® and Olivier Award Winners for An American in Paris and War Horse). The production also features the original film score composed by GRAMMY® and OSCAR® Winner Hans Zimmer.
 
Performances are scheduled to commence in late December 2019 at The Venetian Theatre in Macao, with casting information and ticket details to be announced soon. Be first in the line for tickets – register at: www.kungfupandaspectacular.com

About Broadway Asia
Broadway Asia is among the largest production, management, distribution and licensing companies of live entertainment in the global market, and its founders Simone Genatt and Marc Routh are two of the most active commercial Broadway producers throughout the global market. Over the last 20 years, theatrical productions by Broadway Asia partners have played in over 400 cities in more than 40 countries on five continents and have garnered in excess of 50 global theatrical awards. Select international productions include many Broadway Tony Award-winning musicals and other live entertainment attractions: An American in Paris; The Sound of Music; The Producers; Hairspray; Amelie, Legally Blonde; Cinderella; Rock of Ages; Stomp; Cookin’/Nanta; The Great Comet; Fuerzabruta; Jay Chou’s The Secret; Ice Age Live, A Mammoth Adventure; and currently on Broadway, Anastasia. 
 
About DreamWorks Theatricals
DreamWorks Theatricals, a division of Universal Theatrical Group, was established to develop and produce live stage productions inspired by the studio’s acclaimed animated films, including Shrek The MusicalMadagascar Live!, and The Prince of Egypt. UTG, the live theatre division of Universal Pictures, is currently represented by the musical phenomenon Wicked, which has been seen by over 50 million people worldwide, making it one of the most successful theatrical ventures of all time. Universal’s critically acclaimed musical adaptation of Billy Elliot, which won four Olivier Awards and ten Tony Awards®, including Best Musical, concluded its 11 year run in the West End and continues to play worldwide. Recently, Universal produced the Broadway premiere of Irving Berlin’s Holiday Inn with Roundabout Theatre Company and the Tony-nominated Broadway production of Bring It On: The Musical.
 
About Susan Stroman
As the most celebrated director/choreographer working on Broadway today, Susan Stroman holds the distinction of winning five Tony Awards® for her direction and choreography, two Laurence Olivier Awards, five Drama Desk Awards, eight Outer Critic Circle Awards, two Lucille Lortel Awards and a record five Astaire Awards. She is the recipient of the George Abbott Award for Outstanding Achievement in the Theater. Stroman is the first choice for Broadway producers because of her inventive choreography, her terrific sense of comedy, and her story-telling genius. She led The Producers to its own record of receiving the most Tony Awards® in Broadway history, and created the brilliant dance piece Contact which won three Tony Awards® including Best Musical. Other career highlights include directing and choreographing the 10-year run of A Christmas Carol at Madison Square Garden, choreographing Liza With a Z for Radio City Music Hall, collaborating with the legendary Kander and Ebb on The Scottsboro Boys, and creating major new ballets for New York City Ballet and the Martha Graham Dance Company and helping to re-invent the classics Show Boat and Oklahoma! with exciting new choreography. Her frequent collaborators include significant talent from Hollywood (Mel Brooks, Woody Allen, Liza Minelli) and Broadway (Harold Prince, Kander & Ebb and Nathan Lane). Additional credits include Crazy For You, BigThe Music Man, Young Frankenstein, Big Fish and Bullets Over Broadway. She is a distinguished member of the Theater Hall Of Fame.

Women In Media

Women’s Media Center Releases 2019 Status of Women in U.S. Media Report:

Men dominate news, entertainment and digital media

94 studies — including new research from WMC — detail the shape and scope of women’s participation in media

Click here to read the full report.

The Women’s Media Center (WMC) today released its 2019 report on the status of women in U.S. media, which shows that despite some gains, men still dominate in every part of news, entertainment and digital media.

“The Status of Women in the U.S. Media 2019” is comprised of 94 studies, including original research by WMC and aggregated research from academia, industry and professional groups, labor unions, media watchdogs, newsrooms and other sources.

Julie Burton, president of the Women’s Media Center, said the data in the report paints a stark picture. “The media is in a state of great disruption, but despite all of the change, one thing remains the same: the role of women is significantly smaller than that of men in every part of news, entertainment and digital media. It is clear that a cultural, systemic shift is necessary if all parts of the U.S media are to achieve gender and racial parity and move toward a world where stories fully represent the voices and perspectives of diverse women,” she said. “Research spotlighted in this report shows that diversity boosts corporate profits. When boardrooms, newsrooms, studios and tech companies fully reflect the faces, genders and myriad talents of our society, we’re all exceedingly better served.”

The report includes several original WMC studies, including “Divided 2019: The Media Gender Gap,” an assessment of where women stand as media writers, reporters, correspondents and anchors in the major news media platforms, including the prime-time broadcast news programs, print publications, wire services and online news sites. Across all media platforms, men receive 63 percent of bylines and credits; women receive only 37 percent.

“Women have been fighting for greater parity and equality in the news media for decades,” said Maya Harris, co-chair, Women’s Media Center. “This report shows that more work needs to be done to level the playing field. Women and our male allies will not rest until we see wholesale change.”

“When we watch the evening news, we’re not seeing an America that truly reflects all voices,” said Pat Mitchell, co-chair, Women’s Media Center. “Too often, the voices we hear and the images we see are men’s. Men largely are reporting and telling the story even though women represent more than half the U.S. population.”

The report is inclusive and also features WMC’s “The Status of Women of Color in the U.S. News Media 2018,” which offers a rare look at where women journalists of color are — and aren’t — in legacy print, radio, TV, and digital news.

“Missing women of color in the newsrooms of this country is an injustice in itself, and an injustice to every American reader and viewer who is deprived of great stories and a full range of facts,” said Gloria Steinem, WMC co-founder. “Inclusiveness in the newsroom means inclusiveness in the news. Racism and sexism put blinders on everyone.”

In an expanded section on tech, social media, gaming and engineering, “Status 2019” also spotlights the growing threat online to women in media and the perils of failing to protect free and safe speech.

“As part of their day-to-day work, women journalists often face a torrent of harassment, denigration, and threats. The point of this hostility is to silence women, most frequently women of color,” said Soraya Chemaly, director of WMC’s Speech Project. “The onus continues to fall on women’s shoulders as individuals.  Media companies have to develop institutional responses to these threats if they are serious about building inclusive organizations.”

Here are the Status report highlights in traditional print and online-only, radio and television, news consumption, entertainment media and technology, social media, gaming and engineering:

In news media: print and online-only:

  • The American Society of News Editors’ latest tally found that women comprised 41.7 percent and people of color 22.6 percent of the overall workforce in those responding newsrooms.
  • Sports desks at 75 of the nation’s newspapers and online news sites earned a “B+” for racial diversity, a “D+” for gender and racial diversity, combined, and a sixth consecutive “F” for lack of gender equity. (Associated Press Sports Editors)
  • Editors of the nation’s 135 most widely distributed newspapers are overwhelmingly male and White. (Columbia Journalism Review)
  • 69 percent of news wire bylines (AP and Reuters) are snagged by men, 31 percent by women; 63 percent of TV prime-time news broadcasts feature male anchors and correspondents; 37 percent feature women; 60 percent of online news is written by men, 40 percent by women; 59 percent of print news is written by men, 41 percent by women. (Women’s Media Center)

In news media: radio and television:

  • A record number of women are employed in TV news, including as news directors, but fewer women and people of color work in radio news. (Radio Television Digital News Association)
  • Women owned 7.4 percent of the nation’s commercial TV stations. (Federal Communications Commission)

In entertainment media: film, TV & online streaming:

  • Over 12 years, through 2018, men accounted for 93.4 percent, or, 654, of the 704 individual directors of the highest-grossing films. Women accounted for 6.6 percent, or, 46 of those 704. (University of Southern California’s Annenberg Inclusion Initiative)
  • The number of women working on-screen in television and online streaming entertainment shows declined 2 percentage points from 2016-17 to 2017-18, when 40 percent of all speaking characters were female and 60 percent were men. (San Diego State University’s Center for the Study of Women in Television & Film)
  • The share of women among nominees in the Oscars’ 19 non-acting categories rose slightly from 23 percent to 25 percent from 2018 to 2019, but women were shut out of nominations for cinematography, directing, editing, original score and visual effects. (Women’s Media Center)
  • The proportion of lesbian, gay, bisexual, transgender and/or queer regular (LGBTQ) characters cast during the 2018-19 broadcast TV season — 8.8 percent of 857 regular characters — was the highest tallied in 14 years. (Gay & Lesbian Alliance Against Defamation)

In tech, social media, gaming, engineering:

  • 45 percent of U.S. gamers were female, reflecting continued, year-over-year increases in female gamers. (Entertainment Software Association)
  • Over a decade, there was no significant rise in the number of female tech workers and Black tech workers. (U.S. Government Accountability Office)
  • 53 percent of women and 16 percent of men said they had been harassed at work. (Women Who Tech)

Click here to read the full report.

About The Women’s Media Center

The Women’s Media Center, founded by Jane Fonda, Robin Morgan, and Gloria Steinem, is an inclusive and feminist organization that works to make women visible and powerful in the media. We do so by promoting women as decision-makers and as subjects in media; training women to be effective in media; researching and exposing sexism and racism in media; and creating original online and on-air journalism.

Elle Fanning Sings “Lights” in New Movie

Watch the Official Trailer for TEEN SPIRIT, featuring Elle Fanning performing “Lights” by Ellie Goulding HERE

LD Entertainment & Bleecker Street will release TEEN SPIRIT in select theaters April 5

Written & Directed by: Max Minghella

Starring: Elle Fanning, Rebecca Hall, Zlatko Buric, Agnieszka Grochowska

Produced by: Fred Berger (La La Land)

Violet (Elle Fanning) is a shy teenager who dreams of escaping her small town and pursuing her passion to sing. With the help of an unlikely mentor, she enters a local singing competition that will test her integrity, talent and ambition. Driven by a pop-fueled soundtrack, Teen Spirit is a visceral and stylish spin on the Cinderella story.

Featuring Elle Fanning performing music by Robyn, Ellie Goulding, Tegan & Sara, Annie Lennox, Orbital, Sigrid, Carly Rae Jepsen & Jack Antonoff. Additional music by Ariana Grande, Katy Perry, Grimes, The Undertones, Aqua, Alice Deejay, Whigfield, Major Lazer and No Doubt

For more info:

Official Site | Facebook I Instagram I Twitter

#TeenSpiritMovie

Anne Hathaway and Rebel Wilson in The Hustle

Metro Goldwyn Mayer Pictures presents the FIRST OFFICIAL TRAILER and POSTER for THE HUSTLE Starring Anne Hathaway and Rebel Wilson


TRAILER
YouTube


Want to see how this trailer made its way online? Check out how Joanne the Scammer helped Anne and Rebel get their hands on the trailer!

See the Joanne The Scammer Video HERE.

THE HUSTLE is in theaters EVERYWHERE May 10, 2019
#HustleMovie

THE HUSTLE

In the hilarious new comedy THE HUSTLE, Anne Hathaway and Rebel Wilson star as female scam artists, one low rent and the other high class, who team up to take down the dirty rotten men who have wronged them.

Director: Chris Addison
Screenplay By: Stanley Shapiro & Paul Henning and Dale Launer and Jac Schaeffer
Producers: Roger Birnbaum p.g.a., Rebel Wilson p.g.a.
Cast: Anne Hathaway, Rebel Wilson, Alex Sharp
Distributor: MGM

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Who Will Win The Grammys

In light of the music industry gathering Sunday for the 61st annual Grammy Awards, a new Morning Consult/The Hollywood Reporter survey reveals Americans expect film soundtracks to win big at this year’s ceremony.

The survey, conducted among 2,000 U.S. adults, asked consumers who they think should win some of the most popular categories, including Best New Artist and Best Rap Song.

INTERACTIVE REPORT

Key Highlights:

Americans expect Kendrick Lamar, Lady Gaga to win big at the Grammys: Respondents could play each nominated song, or each nominated album or artist’s most popular song, before voting in the poll. Americans were most likely to predict Kendrick Lamar and Lady Gaga as winners in the album, record, and song of the year categories. Full list:

  • Album Of The Year: Various Artists (Kendrick Lamar) ‘Black Panther: The Album’
  • Record Of The Year: Lady Gaga & Bradley Cooper ‘Shallow’
  • Song of The Year: Lady Gaga & Bradley Cooper ‘Shallow’
  • Best New Artist: Luke Combs
  • Best Rap Song: Drake ‘God’s Plan,’
  • Best R&B Song: Toni Braxton ‘Long As I Live’
  • Best Rock Song: Greta Van Fleet ‘Black Smoke Rising’
  • Best Country Song: Blake Shelton ‘I Lived It’

Meanwhile, younger consumers think differently: Young adults (18-29) were more likely to predict Cardi B and Childish Gambino as winners in the major categories. Full list:

  • Album Of The Year: Cardi B ‘Invasion of Privacy’
  • Record Of The Year: Cardi B ‘I Like It’
  • Song Of The Year: Childish Gambino ‘This Is America’
  • Best New Artist: Dua Lipa
  • Best Rap Song: Drake ‘God’s Plan’
  • Best R&B Song: Ella Mai ‘Boo’d Up’
  • Best Rock Song: Twenty One Pilots ‘Jumpsuit’
  • Best Country Song: Dan + Shay ‘Tequila’

Media contact: T. Anthony Patterson, anthony@morningconsult.com, 347-422-3105

Methodology

This poll was conducted from Dec. 7-9, 2018 among a national sample of 2,201 U.S. adults. The interviews were conducted online and the data were weighted to approximate a target sample based on age, race/ethnicity, gender, educational attainment, and region. Results from the survey have a margin of error of +/- 2 percentage points.

About Morning Consult

Named one of the fastest growing technology companies in North America by Deloitte, Morning Consult is revolutionizing ways to collect, organize, and share survey research data to transform how global leaders in business and government make decisions.

Morning Consult provides research, news, and brand-tracking technology for over 200 of the world’s biggest companies and industry associations. Additionally, Morning Consult conducts regular surveys for major media organizations including POLITICO, The Hollywood Reporter, Bloomberg, and The New York Times.

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