Posts tagged with "exhibition"

Prolight x Sound Guangzhou 2019

As the curtain fell on Prolight + Sound Guangzhou 2019 (PLSG), show organisers announced a new record of 1,353 exhibitors who flocked to the annual event from 25 countries and regions, along with 81,154 professional visitors (7% up) from the entire professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Combined with an overall exhibition area of over 130,000 sqm, this marks the largest ever edition of PLSG to date.

Ms Judy Cheung, Deputy General Manager of Messe Frankfurt (HK) Ltd, is delighted with the turnout this year: “PLSG is committed to supporting the industry’s development by offering a first-class business and information exchange platform for the entertainment sector. We wanted our exhibitor showcase and fringe events to cover every corner of the industry’s needs, and to echo the growing trends in media technologies and system integration. We’re proud to be able to capture so many opportunities all under one roof.”

Much to the delight of participants, many key pro audio and lighting brands could be found across all of the halls this year, including Adamson, AKG, Antari, APG, Art Sound, Asystems, Audinate, Audio-technica, Beta Three, Beyma, BIK, BMB, Boray, Bosch, Bose, Broad Future, Celestion, Charming, DAS, Colour Imagination, CD-Stage, d&b Audiotechnik, db Technologies, DMT, Eagle, EM Acoustics, Ezpro, Faitalpro, Fane, FBT, Fidek, Fine Art, Funktion-one, Gonsin, Haimei, Harman International, Hivi, HTDZ, IAG, ITC, Klotz, Konig & Meyer, Kvant, Laserworld, Lavoce, Lewitt, Longjoin, Mascot, Meyer Sound, Mipro, Mode, Montarbo, Nan Yi, Nexo, Nightsun, Pangolin, PCI, Phoenix, Plustruss, Polarlights, QSC, Rainbow, RCF, Redx, Ruisheng, SAE, SE Audiotechnik, Sennheiser, Seikaku, Showven, Shure, Soundking, ST Audio, Star-net, SWS, Taiden, Takstar, Tendzone, Thunderstone, TOA, Top Plot, TW Audio, Viashow, Vue Audiotechnik, Yamaha, Yes-tech and more.

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented under a new arrangement this year too, with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.

The event’s popularity this year can be attributed to its extensive cooperation with local and overseas industry associations, leading companies and professional media. Each contributed by inviting a number of high quality buyer groups and organising well-attended fringe events. A total of 11 domestic and international visitor groups attended the fair, and local industry media HC360 hosted a product presentation for over 1,000 professional buyers. Elsewhere, increased internationalism was also reflected in the show’s premium buyer groups, some of which came from the China Association of Recording Engineers, the Guangdong Association of Stage Art, the Zhejiang Province Stage and Audio Institute and Entertainment Equipment Industry Technology Association (EEITA) from Taiwan.

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

Meanwhile, the first interactive multimedia display in PLSG, the Lighting and Art Space, was extremely well attended with lots of professional visitors and industry new force across the entertainment, media creative and stage design sectors. The area was established to showcase new media technologies associated with 3D mapping, stage machinery, lighting installation, new media art, stage tech innovations and more. Developed in cooperation with Chinese media giant Visual Jockey, the area featured a total of 18 professional visual and display companies and brands, including Epson, Hecoos, Music Trick Lighting, X Color and more demonstrating their latest projection and display systems, and was bustling with intrigued visitors throughout the show.

Participants admire comprehensive coverage across each sector

Mr Hai Xiang, Area Manager, Beijing Tricolor Technology Co Ltd

(Communication and Conference Hall Exhibitor)

“Right now, the key digitalisation trends of the media systems industry involve more intelligent technology, more AI, and more integrated management systems, which all can be seen here at PLSG. We’re promoting our ‘Apollo’ and ‘CrossMedia’ audio and visual monitoring systems in the Communication and Conference Hall of PLSG, which can be applied for security surveillance. The show has such a strong influence in the industry and every year, there are more exhibitors joining which is testament to the organisers. It also helps us learn from our industry peers to continue improving and developing our products in line with the trends.”

Ms May Song, Vice President, Beijing Oriental Prime Connections Film/TV Technology Co Ltd

(Media Systems and Solutions Hall Exhibitor)

“This year is the 20th anniversary for our company, and we chose to host a press conference on the first day of PLSG because it’s such an influential show associated with our field of work. We’re also here to showcase some of our audio products which have been used in the Olympic Games and at a number of national conferences. The high visitor flow is a huge benefit for us, because a lot of quality buyers have been interested in visiting our booth, including from China, India, the Philippines, Vietnam and Korea. The show acts as a bridge between us and new business opportunities, because clients can discover us for the first time and we can interact with them face-to-face. It also helps us better understand customers’ demands to produce better products.”

Mr Allen Tan, Product Marketing Manager, Bosch (Shanghai) Security Systems Ltd

(Media Systems and Solutions Hall Exhibitor)

“The PLSG show is very influential, has a huge scale, and is the first major exhibition after the Chinese New Year, which helps gather a lot of buyers from both China and overseas. This also makes the show very suitable for us to launch new products and technologies, and showcase the strength of our brand to the right audience. All in all, we’ve met a lot of potential clients already, and the results are very exciting for us.”

Ms Julie Zhu, Vice President of China Region, Kvant Ltd

(Lighting Hall Exhibitor)

“Kvant has exhibited at PLSG for 10 years and manufactures laser display systems. The entertainment industry in China is growing robustly and has huge potential, and even some of the tourist spots here are demanding these kinds of advanced audio and visual technologies for creative performances. The fair always provides us a good chance to further promote our brand and showcase our advanced laser lighting products to buyers. It is one of the most important platforms for us to better understand the Chinese market trends.”

Mr Yosef Levy, Owner, RST Audio Equipment Ltd

(Overseas Buyer)

“I’m here at the show to source new audio equipment and technology from the Asian market, so I can develop my own business in Tel Aviv, Israel. I’ve noticed there are a lot of brands here who are working on integrated solutions and providing systems of international quality. It’s also been very busy, which means there are a lot of opportunities for me to chat with industry peers from all around the world, as well as many domestic and international audio brands. I’d like to follow up my time at the show by placing some orders, and I may meet with my new contacts again at the Shanghai show later this year.”

Mr Eli Wu, System Designer, Shenzhen Ezpro Sound and Light Technology Co Ltd

(Chinese Buyer)

“This is my fourth time to visit PLSG and I’m looking for some audio and lighting related solutions for my company. The fair accommodates both large and small scale exhibitors from local and overseas, and allows visitors to find a wide range of products. It definitely caters to buyers’ needs comprehensively. I’ve met lots of high quality suppliers at the fair, and their products are useful and provide a perfect user experience at the same time. The fair not only allows us to learn the industry latest trends through its well-rounded fringe programme events, but also acts as an important meeting point for the industry.”

Mr Kane Zhang, Senior Application Engineer, Biamp Systems

(Fringe Speaker)

“This is my first time to PLSG, where I’m hosting a session on AVB and also a panel discussion on AVIT. The content and details for these kinds of fringe events offer a face-to-face element and a more intimate setting for people to voice out their thoughts to learn from one another. Only through these platforms can we tap into future technologies and continue developing our industry. To me, PLSG is a huge show with lots of industry experts coming together, which has allowed it to grow into such a good platform to match our industry goals.”

Mr Kevin Gu, Vice President, Shanghai Epean Exhibition Creative Development Co Ltd

(Lighting and Art Space Attendee)

“The new Lighting and Art Space offers a very comprehensive coverage of reflected technology for sound and lighting electronic innovations in an exciting way. The light show for the miniature St Paul’s Cathedral replica is particularly impressive. Nowadays, visitors are looking for more ways to interact with hands-on exhibits, and I believe some of the technologies shown in this space will be part of the industry’s biggest trends in the future, as they can be widely applied to many cultural and creative events such as in art exhibitions and museums. It will help different kinds of innovations become a reality, and makes the experience more fun.”

The 2020 edition of Prolight + Sound Guangzhou will be held from 19 – 22 February 2020 at Area A and B of the China Import and Export Fair Complex in Guangzhou, China. Prolight + Sound Guangzhou is organised by Messe Frankfurt and the Guangdong International Science and Technology Exhibition Company (STE). For more details about the show, visit www.prolightsound-guangzhou.com.

Other shows under the Prolight + Sound brand include:

Prolight + Sound

2 – 5 April 2019, Frankfurt

Prolight + Sound NAMM Russia

12 – 14 September 2019, Moscow

Prolight + Sound Shanghai

10 – 13 October 2019, Shanghai

Prolight + Sound Middle East

15 – 17 October 2019, Dubai

Mob Museum Debuts Tech at the Museum

The Mob Museum, The National Museum of Organized Crime and Law Enforcement located in downtown Las Vegas, this year launched “Organized Crime Today,” a technology-driven exhibition dedicated to present-day topics. Featuring artifacts as well as fully interactive, 17-foot-long touch screen wall, the exhibition enables Museum guests to take a deep dive into the Global Networks of organized crime operating around the world in the 21st century. This elaborate exhibition launched in February of 2018, along with three other brand-new permanent exhibitions the award-winning, American Alliance of Museums-accredited institution debuted this year.

While most of the Museum covers the intriguing history of organized crime and its battle with law enforcement through decades, Organized Crime Today addresses contemporary iterations of this illegal activity. The Global Networks touchscreen wall elaborates on contemporary crime rackets—illegal enterprises that span the globe and profit off everything from drug and human trafficking to product counterfeiting, money laundering and cybercrime. The exhibit addresses the most prominent organized crime groups active in the world today and explores the complexities of organized crime with up-to-the-minute developments pulled from the day’s headlines.

For example, a recent addition to the Global Networks interactive wall spotlights the wildlife smuggling trade in Cambodia, where customs officials recently confiscated 3.5 tons of African elephant ivory—the largest cache of the smuggled contraband ever found in the country. Smugglers have been using Cambodia as a transit hub to feed the demand for ivory in China—which banned ivory sales in 2018—and Vietnam, where it is used in carved artwork, chopsticks and jewelry.

In addition, the screen offers the ability for experts around the world to videoconference into the Museum remotely and offer their analysis and insights into organized crime around the world. These programs are included in the price of general admission and offer Museum visitors the opportunity not only to hear from these experts, but also the chance to ask questions.

Museum visitors encounter other technology-enabled, interactive experiences as well. A Use of Force Training experience uses airsoft versions of police-style handguns and responsive video scenarios to demonstrate the training law enforcement officers receive regarding the use of deadly force. Meanwhile, in the Museum’s Crime Lab, visitors can learn about cause of death investigation with the assistance of life-sized, digitally generated subjects viewed on an interactive, touch-screen “autopsy table.”

Media attending CES 2019 who wish to visit the Museum should send their request tochristina@thevoxagency.com. For more information about the Museum and its Organized Crime Today – Global Networks exhibition, click here.

Olsen Gruin Gallery

Holiday gallery closing: Dec. 22 – Jan 9

Winter group exhibition PENUMBRA opens Tuesday, January 15, 2019
Until Saturday, March 2, 2019
Exhibition reception: Wednesday, January 30, 6-8PM

2019 Olsen Gruin gallery hours: Tuesday – Saturday, 11am – 6pm
Sunday by appointment

Browse available works on our website

 

 

olsengruin.com

Olsen Gruin
30 Orchard St, New York NY 10002
M: +1 646 525 6213
info@olsengruin.com

Tuesday–Saturday 11am–6pm

Behind the lens of renowned Iranian cinematographers

Time Lapse is an exhibition of striking photographs by prestigious Iranian film directors. After enormous success in both London and Tehran, the exhibition will travel to the USA in November, to be shown at The Container Yard in Downtown Los Angeles.

Time Lapse features the work of Cannes Film Festival award-winning directors Jafar Panahi and Abbas Kiarostami, Cannes Film festival award nominee Nasser Taghvai, award-winning documentary maker Kamran Shirdel, San Sebastian International Film Festival award-winning director Majid Barzegar, World Press Photo award-winning Cinematographer Seifollah Samadian and celebrated actor and Cairo film festival award-winning director Hamid Jebeli. The exhibition celebrates Iranian cinema and its international reach, and simultaneously demonstrates the talent of the directors, stretching beyond dynamic filmmaking to the creation of fine art.

CAMA Gallery aims to provide a politically neutral platform on which to showcase the wealth of artistic talent in Iran. CAMA Gallery has three galleries in Iran, a gallery in London, and will soon open a permanent space in Los Angeles.

The exhibition opens with a private view on November 2 from 8pm and runs through November 14, 2018.

Kevin Bourgeois: Wall Of Sound

Olsen Gruin announces Wall of Sound, an exhibition featuring music-inspired multimedia works by Kevin Bourgeois. The anticipated show comprises a curated selection of collage and acrylic compositions on wood panel.

Music has always been an intrinsic element in Bourgeois’ creative process and daily routine. “I consider it a universal cultural language with many diverse incarnations and forms,” he affirms. Wall of Sound turns its focus toward the visual art that complements the vast lexicon of music.

The phrase “Wall of Sound” was originally devised to describe Phil Spector’s production methods. According to Spector, the aim was “to create a dense aesthetic critical shorthand, mixed well enough that the audience would then perceive each of the different combinations as one distinct sound or form.” This concept mirrors the augmenting process Bourgeois implemented in creating this body of work.

Through collage Bourgeois seeks to transform the literal imagery of each album’s formal narrative. His process of embellishment and jigsaw remixing of multiple record jacket sources results in an alternative visual dialogue and imbues an abstracted or figurative aesthetic to be interpreted by the viewer.

Petersen Automotive Museum

The Kenford Truck by Von Dutch

On Saturday, September 29, 2018, the Petersen Automotive Museum will debut the first in a series of “California-themed” exhibititions to kick off its 25th anniversary in 2019. Titled “Auto-Didactic: The Juxtapoz School,” the display will examine a mix of art pieces and automobiles from the artists of “Juxtapoz Magazine,” who have helped redefine the role and imagery of automobiles in contemporary art.

Replacing “The High Art of Riding Low: Ranflas, Corazón e Inspiración” exhibit in the Armand Hammer Foundation Gallery, “Auto-Didactic” will feature more than 50 artists. Artists on display will include skateboarder, designer and OBEY Clothing Founder Shepard Fairey; famous pinstriper of the “Kustom Kulture” movement Von Dutch; and painter, cartoonist and “Juxtapoz Magazine” founder himself Robert Williams.

In addition to the selection of art pieces, the exhibition will highlight notable art cars including the 1932 Ford Roadster named “Prickly Heat” by Robert Williams, “The Orbiton” by Ed “Big Daddy” Roth, “The Kenford Truck” by Von Dutch and the 1959 Cadillac titled “The New and Improved Ultima Suprema Deluxa” by Kenny Scharf.

“Our new exhibit will be unlike any other exhibit we’ve ever curated at the Petersen during the last 25 years,” said Petersen Executive Director Terry L. Karges. “While the focus is still on the automobile, the range of artwork on display will appeal to both car enthusiasts as well as the progressive art connoisseur.”

Launched with the mission of connecting subculture genres such as psychedelic posters, hot rod art, street art and illustration with traditional “highbrow” mediums, “Juxtapoz Magazine” was founded in 1994. Since its inception, the magazine has continuously addressed themes deemed “unsavory” by staunch art critics. It was not until the Laguna Art Museum’s presented its “Kustom Kulture” exhibition in 1993 that the relative interests of underground artists and collectors were presented as a unified group, paving the way for the creation of the magazine.
Preceding the public opening, the Petersen will host a preview reception featuring opening remarks, music and food by Drago on Thursday, September 27, 2018. The VIP ticket includes early access to the exhibit and a copy of the exhibit book. To purchase tickets or learn more about the Petersen Automotive Museum, please visit www.Petersen.org.

Prickly Heat by Robert Williams

Robert Williams; Hot Rod Race, 1976; Acrylic on Board; Collection of Gwynned Vitello

The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The Museum is located at 6060 Wilshire Boulevard (at Fairfax) in Los Angeles, California, 90036. Admission prices are $16 for general admission adults, $13 for seniors and students with ID, $8 for children ages 3 to 12. Active military with ID, personal care attendants and children under three are admitted free. Museum hours are 10 a.m. to 6 p.m. For general information, call 323-930-CARS or visit www.Petersen.org.

Miami Art Week Sneak Peek

The nation’s leading exhibitions and event production, media, and marketer for the global fine art community, Redwood Media Group, announces a unique and newly formed partnership with Mana Wynwood. Together, they will have a permanent new home for its flagship artshows–two of the longest running independent art shows during Miami Art Week.

With a new and long-term location at Mana Wynwood, Spectrum Miami and Red Dot Miami will offer an exceptional and elevated world-class experience for both exhibitors and art enthusiasts during this year’s Miami Art Week, which takes place December 5-9.

The venue featuring ‘Two Shows in One Location” during the art week will cover more than 100,000 square feet of exhibition space and be even more accessible for visitors on foot and by car, all within walking distance from Wynwood’s trendiest restaurants, bars, and retail boutiques.

The new and improved features for his year’s five-day fine art extravaganza will include:

  • low traffic location for easy accessibility
  • hundreds of paved parking spaces on site
  • indoor air conditioning and restrooms
  • café and lounge space with seating
  • easy access to the adjoining PINTA art fair

“We are excited to announce a unique alliance with Mana Wynwood, one of the region’s most progressive organizations in property development and the creative arts. Returning to the Wynwood Arts District for the first time since 2015 perfectly positions Spectrum Miami and Red Dot Miami within one of the country’s leading lifestyle and cultural destinations for both residents and visitors to Miami. Our New indoor location and pristine exhibition space will offer a truly premium experience for exhibitors and art enthusiasts alike. This is a strategic and long-term partnership and location for our flagship shows and we look forward to welcoming the art world to our new home,” says the president of Redwood Media Group, Eric Smith.

Red Dot Miami is a curated gallery-only contemporary art show. Now in its 13th year, it will be located inside Mana Wynwood. Red Dot Miami presents ILLUMINATE as the curatorial theme for this year’s show. From works that inspire awe and wonder to sweeping series that reveal fresh trends to artists who throw light on the roots of imagination through unlimited creativity, Red Dot Miami features more than 75 galleries representing over 500 leading contemporary artists from primary and secondary markets worldwide. The Spotlight Program will be included as it offers a focused look at several cutting-edge galleries chosen by the Redwood Media Group selection committee.

On the other side we have Spectrum Miami, which presents more of an upscale and urban curated contemporary art show. Now in its 8th year, it will be located adjacent to Red Dot Miami at Mana Wynwood. Spectrum Miami will offer special programs and site specific exhibitions that showcase the thriving art landscape of the city, informed by the 2018 curatorial theme ALLURE. Atmospheric abstracts, provocative photographs, seductive sculptures–the allure of contemporary and modern art is mysteriously and undeniable powerful. Spectrum Miami includes Art Labs and Art Talks as well as the Spotlight Program, providing collectors with a focused look at a variety of prominent exhibitors.

Both Spectrum Miami and Red Dot Miami have evolved to become the ultimate destination for the fine art industry where professional and contemporary art enthusiasts who collectively seek a more accessible experience.

The annual Opening Night Preview Party for both will take place from 6 to 10 p.m. on Wednesday, Dec. 5 at Mana Wynwood located at 2217 NW 5th Ave, Miami, FL 33127. It will feature innovative contemporary art together with Louis Jadot Wines, cocktails, hors d’oeuvres, and DJ entertainment. Tickets for this event are priced at $50 by ordering online and will be $60 at the event paying by door,

For ticket ordering/information, visit spectrum-Miami.com and reddotmiami.com

For more information on Redwood Media Group, visit redwoodmg.com.

Blood Money

Blood Money, on view from 8/10 – 8/19, opens this week with delightfully deviant experiences on Friday 7-10p and Saturday 5-8p. Proceeds from the show will go to Lysistrata. Must be 18+ to enter.

Summer of Love by 5ivefingaz and friends* with historic work by 5ivefingaz, Sugacane Danger, Uncutt Art, Miranda Maxwell, Hash Harper, Darcy Briks (congrats on your new little bundle of joy!), Paulie Nassar and Action Jackson still available on our e-comm.

UPCOMING OPENINGS

Thurs Aug 23 + on view thru Sept 2

You Look Good (ugly): Visual scenarios of love, lust, sex, envy and social anxiety by Jaya Suartika and Rex. Wed Sept 5 + on view through Oct 7

Ophelia (I feel ya) curated by Yana Toyber

With Yana Toyber, Lindsay Jones, Natalie Krim, Alisa Minyukova, Rawan Rihani, Claudia Santiso, Etta Shon, Sarah Sweeney and more TBA.

Thurs Oct 18 + on view thru 11/11

A solo exhibition by Jen Dwyer. Photos from Breaking the Grass Ceiling by Maverick Inman and Virginia Stroh on 7/26/18 and a note from the Stacie Lucas:

Breaking the Grass Ceiling: Women Making An Impact on 7/26 was an incredible evening with an exceptional attendance. I would like to personally thank Maya Shaw of Shaw.BK and Solie Burnett-Loucas of Humblebloom for co-producing a historic moment with us. Much gratitude to kind and mega-talented reiki master Christina Lovely, who grounded us before we dove into a pragmatic talk surrounding the War On Drugs, incarcaration reform and what we all can do now to support marginalized communities.

Thank you to our panelists: Keira Duarte of Mary Magazine, Brittany Carbone of Tonic CBD, Amanda Reyes of Cannabis Cultural Association and Safon Floyd of Estrohaze for your openness and expertise. And, thank you to all who came out to share and to learn.

Stay tuned for more experiences like this one!

About Lucas Lucas

An ethical art gallery and retail concept rooted in social impact, #LucasLucas rotates artwork by emerging and contemporary artists, as well as rare jewelry, books and objects. The gallery is in constant transformation; the retail-level gallery morphs to accommodate installation, wellness practice, live music, community gatherings, fundraisers, and film and photoshoot production.

57 Conselyea Street at Lorimer Street in Brooklyn, New York – one block from the Lorimer L/G.

Gallery Hours: Walk-ins all the time, by appointment and online.

The Art World in Haiti

AYITI Gallery is pleased to present the works of seven talented Haitian artists carefully selected for their ingenuity, their originality, their narrative and their artistic potential. Our artists represent the new wave of International Inspirational artists that is currently flowing the market. They respond to the rising demand of new art that inspires and educates. They invite the viewer to think deeply and explore a new visionary realm. Our artists are messengers and healers. They express a state of consciousness that transcends a reality. Intuitive, they speak with their soul and push the boundaries commonly known of the art world. Their creative imagination rooted in their identity has preserved the authenticity of their art and freed them from the western norms. Fresh, elegant, avant-garde, colourful and mindful, their art has a unique voice. The quality and originality of their work reminds us Picasso, Dali, Basquiat, Bosch, Breton, or Bruegel the Elder. All are dedicated to an established and mature style and create masterpieces after masterpieces. All have the potential to be the art masters of tomorrow. They are permanently exhibiting in the UK.

AYITI Gallery is a brand name of THE smARTest PROJECT LTD, a certified social art enterprise founded in 2015 that initially supports (isolated) genius artists from Haiti to exhibit and sell their work to a global audience, live and thrive from their art. Over the years, we have pioneered with success the introduction of Haitian art in London. We have increased the visibility of our artists and the value of their art. We have revealed up-and-coming masters and highlighted the emergence of a new trend. We have shown that other form of creativity exist beyond the mainstreamed art. We have created a precedent that revealed a huge niche market for our artists, and furthermore for International Inspirational artists. The potential is significant and the supply of rare and fascinating art is endless. We are present in two thriving markets (African art and its diaspora; and Outsider art) which are triggering a breakthrough in the global art market encouraging collectors to invest now in our artists. We have a long-term vision that goes beyond Haiti, aiming to change the life of thousands through arts, and exploring new collaboration in and beyond the art world to further the vision of our artists and diffuse more Inspirational art in our daily life.

Despite their undeniable talent and their unique sense of creativity, an infinite number of International Artists have limited access to the International Art scene. Their geographic location, their economic situation, their anonymity, the absence of art education background, the nonconformity of their art and their disconnection with the art world isolate these artists from the main international art hubs. The art market has become somehow elitist and conservative. It favours artists who have sufficient financial means to show their work, artists who are able or are enough proactive to market themselves online and offline, artists who have pursued art studies, artists who follow trends and respond to the commercial demand of the market, or artists who live in western countries. It brings artists to compete with one another on an economic basis and rejects a vast majority of talented artists worldwide. It limits the endless variety and originality that International Artists could show to the world, it distorts the true meaning that originates from the creation of art, it narrows the notion of art itself influencing the regard, the taste and the decisions of the general public, and it promotes the duplication of art and artists. The art market has created a replicable business model that runs out of steam and seeks new inspiration. Art is more than a product. It’s a vision, the introspection of a soul, a universal language connecting cultures and individuals together. Art is an invitation to travel. We are meant to bring change and explore alternatives to nurture the infinite potential of International Art and the creative vision of Inspirational Artists.

▪ We believe in artists first

▪ We believe in art as an act of self-expression, with no rules, intuitive, expressive, initiatory, meaningful, and the inner soul as the main driving source of inspiration

▪ We believe in an art that inspires, instructs and provides emotions to people, that opens minds and mentalities, that influences practices and policies, that expresses a message, a feeling, a state of consciousness, that transcends a reality

▪ We believe in equal opportunities for all talented, creative and inspiring artists to show their work worldwide no matter their origin, their background, their status, their renown or their connection to the art world

▪ We believe that the renown of an artist be based on his/her talent, originality, creativity, the aesthetic of his/her work, the deepness and pureness of his/her inspiration

▪ We believe in new technologies to bring the vision of Inspirational Artists to life

▪ We believe in collaboration instead of competition, bringing in diversity into unity, encouraging the collective rather than the individual

▪ We believe in more Inspirational Art in our daily life to stimulate collective consciousness, taking art out of the traditional art premises.

The Untitled Space × Defining Form

DEFINING FORM
A Group Show of Sculpture Curated by Indira Cesarine

RECEPTION: July 11, 2018
VIP + PRESS PREVIEW (by invitation) 4pm – 6pm //
OPENING RECEPTION 6pm – 9pm

EXHIBITION ON VIEW
July 11, 2018 – August 1, 2018

THE UNTITLED SPACE

45 Lispenard Street Unit 1W New York, NY 10013

The Untitled Space is pleased to present “DEFINING FORM,” a group exhibition of contemporary artists exploring 2 and 3-dimensional sculpture opening on July 11, 2018 and on view through August 1st, 2018. Curated by Indira Cesarine, “DEFINING FORM” takes a comprehensive look at the manifestations of contemporary sculpture today, engaging a dialogue of the narratives resonating amongst sculptors through works in mediums such as metal, stone, clay, wood, glass, textiles, recycled and repurposed materials, as well as mixed media.

DEFINING FORM presents figurative and abstract works by over 50 emerging and established artists. The group show investigates progressive themes in sculpture, including contemporary feminism, gender identity and political art, as well as new technologies in digital sculpture, with an emphasis on originality and innovative usage of materials. Technological advances in fabrication and digital sculpture have had a massive impact on the art form over the past few decades. Classic techniques such as chiseling stone and casting in bronze have shifted towards new technologies such as 3-D printing, materials such as silicone, plastics, and textiles as well as found, recycled and re-purposed materials. The domination of large-scale works has given way to delicate and intimate pieces as well as a wave of sculptural installations that deconstruct notions of space and form. Artists are pushing the boundaries of the art form integrating components of sound, video, light and performance as well as painting, photography and other mediums.

As the art form evolves in new directions with the impact of contemporary culture, it has transcended from the conventional portrait to works that challenge the status quo, address gender identity and racial stereotypes, LGBTQ ideologies and queer constructs, explore themes of the resistance movement as well as progressive feminist narratives and activism. Exhibit DEFINING FORM presents the new narrative of sculpture with works that interrogate ideologies of the art form, pushing forward experimental works that engage all of our senses and ignite fresh dialogues.

EXHIBITING ARTISTS

Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Cristin Millett, Daria Zhest, Desire Rebecca Moheb, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murell, Jen Dwyer, Jennifer Garcia, Jess DeWahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kacy Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, Whitney Vangrin, Zac Hacmon

CURATORIAL STATEMENT

“What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. Recycled materials are celebrated along with works engaging new digital technologies. The exhibit displays works that are politically charged, contrasted with those full of satire and humor. In the investigation of new tendencies, I felt it was important to juxtapose figurative works with the abstract, new materials with the classics, creating an immersive exhibit that defines new trends in sculpture and contemporary constructs of the art form.” – Indira Cesarine

Official Exhibit Website: http://untitled-space.com/defining-form-a-group-show-of-sculpture

The Untitled Space

www.untitled-space.com

Follow The Untitled Space:

Artsy | Facebook |twitter| Instagram | Google+