Posts tagged with "exhibition"

Tom Burr at the Wadsworth Atheneum

Portraits by Tom Burr Propel MATRIX Exhibition Series at the Wadsworth Atheneum

Connecticut-born sculptor Tom Burr’s expansive body of portraiture takes a different approach to the relationship between the built environment, material, subjectivity, and historical personalities. Coinciding with the 50th anniversary of the Stonewall Riots and the museum’s presentation of two other portrait centered exhibitions, Tom Burr / MATRIX 182 / Hinged Figures unites a selection of the artist’s reclining figures, several of which are portraits of individuals from queer history and American Modernism. Burr began the series in 2005, and MATRIX 182 constitutes the largest museum presentation of the reclining figures to date. The sculptures will be shown both within the MATRIX Gallery and around the museum, in dialogue with specific artists and architectural spaces, and also at the Austin House.

“I wanted to see the figures spread throughout the different spaces in the museum–spaces that resonate with the history of 20th-century art being shown–but also in other, less expected settings, such as Chick Austin’s house,” says Tom Burr. “I wanted to create a constellation of figures and sites that would engage, in a sense, the museum and the house as a total stage set.”

Burr’s sculptures combine Minimalist forms with figures and material attributes, such as books, magazine pages, notecards, tinsel, and a Chanel dress. He is interested in the way certain figures shape and are shaped by the spaces they inhabit. In this MATRIX project, Burr directly addresses the Wadsworth’s prominent role in the history of Modernism in several portrait subjects, including former director A. Everett ‘Chick’ Austin, and two creatives, writer Gertrude Stein and composer Virgil Thomson. They were commissioned in the 1930s to make the opera Four Saints in Three Acts to inaugurate the newly completed Avery Memorial and its purpose-built theater. Two 33 rpm records of the opera and are featured in Burr’s Chicks, 2008

One foot in the grave (reclining), 2010 references photographer Robert Mapplethorpe whose career is embedded in the Wadsworth’s history.A MATRIX artist in 1984, Mapplethorpe’s work has also been presented in exhibitions in 1990, 2015 and will be included in Be Seen: Portrait Photography Since Stonewall opening June 22, 2019. Burr’s portrait of Mapplethorpe (below) includes a postcard featuring one of the photographer’s black-and-white flower images and a small pile of soil evoking a meditation on illness and the AIDS epidemic.

“Tom Burr’s continual engagement with queer historical figures and modernism identified him as a strong choice for an expanded MATRIX project for the summer of Stonewall 50,” says Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth. “Although most of these sculptures were made some years ago, the personas

they evoke resonate with the Wadsworth’s history in terms of collections, exhibitions, and programming. Burr has remarked on the noteworthy inversion of these departed figures’ ‘return’ to the Wadsworth as memories in the form of sculptures.”

Artist Biography

Tom Burr was born in 1963 in New Haven, Connecticut. Burr has exhibited in group and solo shows throughout the world since 1988, in institutions and museums including the SCAD Museum of Art, Savannah, GA; FRAC Champagne-Ardenne, Reims, France; SculptureCenter, New York, NY; Skulptur Projekte, Münster, Germany; Contemporary Arts Museum, Houston, TX; Nacional Centro de Arte Reina Sofia, Madrid, Spain; The New Museum, New York, NY, and the 2004 Whitney Biennial, Whitney Museum of American Art, New York, NY. The works of Tom Burr are included in numerous private & public collections, including the Art Institute of Chicago, Chicago, IL; Hammer Museum, Los Angeles, CA; The Israel Museum, Jerusalem, Israel; Lenbachhaus Museum, Munich, Germany; Museum of Contemporary Art, Los Angeles, CA; Walker Art Center, Minneapolis, MN; Whitney Museum of American Art, New York, NY.

Related Programs

Tom Burr / MATRIX 182 / Hinged Figures opens during Art After Dark, Thursday, June 6 from 5-8pm, and the artist will give a Gallery Talk at 6:30pm. A docent-led Art In Focus tour of Tom Burr’s Chicks (2008) will take place on Friday, August 21 at noon. Curator Patricia Hickson will lead a Gallery Talk on Thursday, August 29 at noon.

About MATRIX

Inaugurated in 1975, MATRIX is the Wadsworth’s groundbreaking contemporary art exhibition series featuring works by artists from around the world. From its inception, MATRIX has been a forum for art that is challenging, current, and sometimes controversial. Through clear explanation and thoughtful engagement with the viewer, MATRIX exhibitions call into question preconceptions about art and increase understanding of its possibilities. Many MATRIX artists, such as Christo, Sol LeWitt, Gerhard Richter, Cindy Sherman, Andy Warhol, and Carrie Mae Weems are now considered seminal figures in contemporary art.

Exhibition and Program Support

MATRIX 182 is generously supported by the Howard Fromson Exhibition Fund.

The MATRIX program is supported by the Wadsworth Atheneum’s Contemporary Coalition. Sustaining support for the Wadsworth Atheneum is provided by Newman’s Own Foundation and the Greater Hartford Arts Council’s United Arts Campaign

About the Wadsworth Atheneum Museum of Art 

Founded in 1842 with a vision for infusing art into the American experience, the Wadsworth Atheneum Museum of Art is home to a collection of nearly 50,000 works of art spanning 5,000 years and encompassing European art from antiquity through contemporary as well as American art from the 1600s to today. The Wadsworth Atheneum’s five connected buildings–representing architectural styles including Gothic Revival, modern International Style, and 1960s Brutalism–are located at 600 Main Street in Hartford, Conn. Hours: Wednesday-Friday: 11am-5pm; Saturday and Sunday: 10am-5pm Admission: $5-15; discounts for members, students, and seniors. Free admission for Hartford residents with Wadsworth Welcome registration. Free “happy hour” admission 4-5pm. Public phone: (860) 278-2670; website: thewadsworth.org.

 Image:

Tom Burr, Chick, 2008. Plywood, paint, steel hinges, canvas medical straitjacket, white rubber, steel drafting lamp, steel ashtray. Installation view. SculptureCenter, 2008. Collection of Shelley Fox Aarons and Philip Aarons. © Tom Burr.

THE ROLLING STONES ARE COMING TO CHICAGO

THE ROLLING STONES ARE COMING TO CHICAGO IN JUNE
CELEBRATING THE 55th ANNIVERSARY OF THE ROLLING STONES 1st RECORDING SESSIONS AT CHESS

Willie Dixon’s Blues Heaven Foundation

presents

A WORLD PREMIERE EXHIBITION

THE ROLLING STONES AT CHESS

PREVIOUSLY UNSEEN PHOTOGRAPHS OF THE ROLLING STONES AND VINTAGE MEMORABILIA OPENING JUNE 5th at 6 PM
2120 S. Michigan Ave.
Chicago

The band has yet to officially announce when the U.S. tour shows will be rescheduled. However, if
you live in or near Chicago, or will be visiting in June for the Chicago Blues Festival in early
June,TIME IS ON YOUR SIDE!
Blues legend Willie Dixon’s Blues Heaven Foundation, which occupies the hallowed ground of the
world famous Chess Records building, at 2120 South Michigan Avenue, in association with Bob Bonis
Museum, Miami and Gallery Schuster, Berlin, are thrilled to announce THE ROLLING STONES AT
CHESS – a World Premiere Exhibition celebrating the 55th anniversary of the first time the Rolling
Stones recorded at Chess.
The exhibition will feature over 50 photographs, many of them unpublished and never seen before
by the public, from these historic recording sessions. There will also be photographs of the Stones
at the Palmer House hotel on their second visit to Chicago in November 1964. Historic collector
memorabilia will also be on display.
The photographs were taken by the late Bob Bonis, an accomplished photographer who also served
as the U.S. Tour Manager for both The Rolling Stones and The Beatles from 1964 through 1966
beginning with both famous bands’ first ever tours of America.

Limited edition portfolios and prints of photographs will be available for sale, with a portion of the
proceeds going to the Blues Heaven Foundation and their efforts to restore the recording studio in
the historic Chess Records building.
The association between the Rolling Stones and the city of Chicago and Chess Records is one of the
most important in the bands’ history and was the spark that connected its founding members,
leading to the formation of the band in 1962. Rolling Stones founder Brian Jones was a Blues
enthusiast who idolized Blues masters such as Muddy Waters, Howlin’ Wolf and other Blues masters
from Chicago.
Mick Jagger and Keith Richards, childhood friends, ran into each other on October 17, 1961 on the
train platform in Dartford, England. Keith, carrying his guitar, noticed that Mick had some record
albums under his arm, Rockin’ at the Hops by Chuck Berry, and The Best of Muddy Waters. Keith
learned that Mick had mail-ordered these albums directly from Chicago’s Chess Records, as they
were unavailable in England. Later they saw Brain Jones playing slide guitar (considered the first
British guitarist to play this style of Blues) and they soon joined forces and the Rolling Stones were
born.
During their first-ever tour of America, Phil Spector helped the Rolling Stones book to record at
Chess on June 10 and 11, 1964 where they met several of their heroes, including Muddy Waters,
who helped them carry their equipment into the studio, and Chuck Berry, who stopped by to
eavesdrop on their recording session, giving them his stamp of approval.
On their second and third tours of America they returned to again record at Chess, on November
10, 1964 and in May of 1965. No photos of those later session are known to exist. Bob Bonis’
photographs from this first visit to Chess are among the only known to exist and will be displayed
at the Blues Heaven Foundation for the entire month of June, 2019.
Larry Marion, curator of the Bob Bonis Archive, a renowned memorabilia expert, will be offering
free appraisals of any vintage Rolling Stones, Blues or other memorabilia during this exhibition.

Glass Artists at Soneva Fushi

RENOWNED GLASS ARTISTS KAREN WILLENBRINK-JOHNSEN AND JASEN JOHNSEN IN RESIDENCE AT SONEVA FUSHI

New York – March 25, 2019

Soneva – the world-leading luxury and sustainable resort operator – will be hosting renowned American glass artists Karen Willenbrink-Johnsen and Jasen Johnsen as guest artists in residence at Soneva Fushi’s Art studio from April 8-29, 2019. During these showcases, guests can watch along as Karen and Jasen create beautiful sculpture out of recycled glass and purchase the artwork from the exhibition. 

Karen Willenbrink-Johnsen’s work is derived from her love of adventure, nature and glass. Raised in Ohio, the naturalist daughter of a naturalist father, Willenbrink-Johnsen is “constantly inspired, revitalized and awed by the power of nature.” After earning her BFA in sculpture from Ohio University, glass quickly became the driving force in Karen’s life. After moving to Washington State in 1987, she began working as an assistant to the legendary glass artist William Morris. Karen’s unique vision and passion for glass is evident in her work, which has been shown extensively in galleries and museums throughout the US and internationally. She co-teaches sculpting classes throughout the world with her husband and collaborator, Jasen Johnsen. Jasen served as the head studio technician at Pilchuck Glass School for nearly 10 years. He worked as teaching assistant for Pino Signoretto and Hank Murta Adams, before beginning to co-teach classes with Karen.

Guests at Soneva Fushi can participate in the resort’s glass recycling program by learning how to blow glass at the glass art studio. Soneva’s experienced team of glass specialists work very closely with guests to create their very own masterpiece to take home. As part of Soneva’s Maker Program, all works created at the Soneva Glass Studio are made using recycled glass bottles from Soneva Fushi and other nearby resorts, which are turned into stunning works of art

For more details about Karen Willenbrink-Johnsen and Jasen Johnsen’s work, wisit www.willenbrinkjohnsen.com. For more information about Soneva, visit www.soneva.com

ABOUT SONEVA FUSHI

In 1995, award-winning luxury resort Soneva Fushi set the standard for all desert island barefoot luxury hideaways in the Maldives. Located in the Baa Atoll, a pristine UNESCO Biosphere Reserve coral reef, Soneva Fushi pairs Robinson Crusoe fantasy with intelligent luxury. Sixty-one private villas with their own stretch of beach are hidden among dense foliage within touching distance of a pristine coral reef. Intuitive service is provided by Mr./Ms. Friday butlers. Highlights include the open-air Cinema Paradiso, counting Saturn’s rings in the high-tech Observatory, the homemade chocolate and ice cream rooms, five hundred wines to choose from, six different restaurants and countless destination dining options. In November 2015, Soneva have launched a floating villa concept, Soneva in Aqua, a treasure trove children’s Den and a multi-purpose facility encompasses a glass gallery, boutique and studio where guests can learn the art of glass blowing. If the experiences are magical, the philosophy is simple: No news, no shoes. No pretensions either.

Prolight x Sound Guangzhou 2019

As the curtain fell on Prolight + Sound Guangzhou 2019 (PLSG), show organisers announced a new record of 1,353 exhibitors who flocked to the annual event from 25 countries and regions, along with 81,154 professional visitors (7% up) from the entire professional lighting, audio, event management, stage design, system integration and AV technology industry chain. Combined with an overall exhibition area of over 130,000 sqm, this marks the largest ever edition of PLSG to date.

Ms Judy Cheung, Deputy General Manager of Messe Frankfurt (HK) Ltd, is delighted with the turnout this year: “PLSG is committed to supporting the industry’s development by offering a first-class business and information exchange platform for the entertainment sector. We wanted our exhibitor showcase and fringe events to cover every corner of the industry’s needs, and to echo the growing trends in media technologies and system integration. We’re proud to be able to capture so many opportunities all under one roof.”

Much to the delight of participants, many key pro audio and lighting brands could be found across all of the halls this year, including Adamson, AKG, Antari, APG, Art Sound, Asystems, Audinate, Audio-technica, Beta Three, Beyma, BIK, BMB, Boray, Bosch, Bose, Broad Future, Celestion, Charming, DAS, Colour Imagination, CD-Stage, d&b Audiotechnik, db Technologies, DMT, Eagle, EM Acoustics, Ezpro, Faitalpro, Fane, FBT, Fidek, Fine Art, Funktion-one, Gonsin, Haimei, Harman International, Hivi, HTDZ, IAG, ITC, Klotz, Konig & Meyer, Kvant, Laserworld, Lavoce, Lewitt, Longjoin, Mascot, Meyer Sound, Mipro, Mode, Montarbo, Nan Yi, Nexo, Nightsun, Pangolin, PCI, Phoenix, Plustruss, Polarlights, QSC, Rainbow, RCF, Redx, Ruisheng, SAE, SE Audiotechnik, Sennheiser, Seikaku, Showven, Shure, Soundking, ST Audio, Star-net, SWS, Taiden, Takstar, Tendzone, Thunderstone, TOA, Top Plot, TW Audio, Viashow, Vue Audiotechnik, Yamaha, Yes-tech and more.

The success of the fair and its increased global brand representation were clearly reflected on the show floor. The event served as an opportunity for brands to showcase their latest innovations to the region for the first time in 2019, many of which have been specifically catered to the Chinese market. The show’s display areas were presented under a new arrangement this year too, with the ‘Media Systems and Solutions’ and ‘Communication and Conference’ halls under the show’s Audio Brand Name halls receiving high praise.

The event’s popularity this year can be attributed to its extensive cooperation with local and overseas industry associations, leading companies and professional media. Each contributed by inviting a number of high quality buyer groups and organising well-attended fringe events. A total of 11 domestic and international visitor groups attended the fair, and local industry media HC360 hosted a product presentation for over 1,000 professional buyers. Elsewhere, increased internationalism was also reflected in the show’s premium buyer groups, some of which came from the China Association of Recording Engineers, the Guangdong Association of Stage Art, the Zhejiang Province Stage and Audio Institute and Entertainment Equipment Industry Technology Association (EEITA) from Taiwan.

In terms of the PLSG fringe programme this year, both attendees and speakers emphasised how each event offered valuable information exchange, networking and educational and training opportunities which added an extra dimension to the show’s offerings. Digital audio networks in particular were heavily discussed, including through a sold out panel discussion on AVIT and how artificial intelligence (AI) solutions can influence the market, as well as the returning Dante Certification courses. Elsewhere, one of the most popular concurrent activities was the series of four Outdoor Line Arrays, which welcomed 41 international and domestic brands and a double-string display, which was ever-busy thanks to the favourable weather conditions.

Meanwhile, the first interactive multimedia display in PLSG, the Lighting and Art Space, was extremely well attended with lots of professional visitors and industry new force across the entertainment, media creative and stage design sectors. The area was established to showcase new media technologies associated with 3D mapping, stage machinery, lighting installation, new media art, stage tech innovations and more. Developed in cooperation with Chinese media giant Visual Jockey, the area featured a total of 18 professional visual and display companies and brands, including Epson, Hecoos, Music Trick Lighting, X Color and more demonstrating their latest projection and display systems, and was bustling with intrigued visitors throughout the show.

Participants admire comprehensive coverage across each sector

Mr Hai Xiang, Area Manager, Beijing Tricolor Technology Co Ltd

(Communication and Conference Hall Exhibitor)

“Right now, the key digitalisation trends of the media systems industry involve more intelligent technology, more AI, and more integrated management systems, which all can be seen here at PLSG. We’re promoting our ‘Apollo’ and ‘CrossMedia’ audio and visual monitoring systems in the Communication and Conference Hall of PLSG, which can be applied for security surveillance. The show has such a strong influence in the industry and every year, there are more exhibitors joining which is testament to the organisers. It also helps us learn from our industry peers to continue improving and developing our products in line with the trends.”

Ms May Song, Vice President, Beijing Oriental Prime Connections Film/TV Technology Co Ltd

(Media Systems and Solutions Hall Exhibitor)

“This year is the 20th anniversary for our company, and we chose to host a press conference on the first day of PLSG because it’s such an influential show associated with our field of work. We’re also here to showcase some of our audio products which have been used in the Olympic Games and at a number of national conferences. The high visitor flow is a huge benefit for us, because a lot of quality buyers have been interested in visiting our booth, including from China, India, the Philippines, Vietnam and Korea. The show acts as a bridge between us and new business opportunities, because clients can discover us for the first time and we can interact with them face-to-face. It also helps us better understand customers’ demands to produce better products.”

Mr Allen Tan, Product Marketing Manager, Bosch (Shanghai) Security Systems Ltd

(Media Systems and Solutions Hall Exhibitor)

“The PLSG show is very influential, has a huge scale, and is the first major exhibition after the Chinese New Year, which helps gather a lot of buyers from both China and overseas. This also makes the show very suitable for us to launch new products and technologies, and showcase the strength of our brand to the right audience. All in all, we’ve met a lot of potential clients already, and the results are very exciting for us.”

Ms Julie Zhu, Vice President of China Region, Kvant Ltd

(Lighting Hall Exhibitor)

“Kvant has exhibited at PLSG for 10 years and manufactures laser display systems. The entertainment industry in China is growing robustly and has huge potential, and even some of the tourist spots here are demanding these kinds of advanced audio and visual technologies for creative performances. The fair always provides us a good chance to further promote our brand and showcase our advanced laser lighting products to buyers. It is one of the most important platforms for us to better understand the Chinese market trends.”

Mr Yosef Levy, Owner, RST Audio Equipment Ltd

(Overseas Buyer)

“I’m here at the show to source new audio equipment and technology from the Asian market, so I can develop my own business in Tel Aviv, Israel. I’ve noticed there are a lot of brands here who are working on integrated solutions and providing systems of international quality. It’s also been very busy, which means there are a lot of opportunities for me to chat with industry peers from all around the world, as well as many domestic and international audio brands. I’d like to follow up my time at the show by placing some orders, and I may meet with my new contacts again at the Shanghai show later this year.”

Mr Eli Wu, System Designer, Shenzhen Ezpro Sound and Light Technology Co Ltd

(Chinese Buyer)

“This is my fourth time to visit PLSG and I’m looking for some audio and lighting related solutions for my company. The fair accommodates both large and small scale exhibitors from local and overseas, and allows visitors to find a wide range of products. It definitely caters to buyers’ needs comprehensively. I’ve met lots of high quality suppliers at the fair, and their products are useful and provide a perfect user experience at the same time. The fair not only allows us to learn the industry latest trends through its well-rounded fringe programme events, but also acts as an important meeting point for the industry.”

Mr Kane Zhang, Senior Application Engineer, Biamp Systems

(Fringe Speaker)

“This is my first time to PLSG, where I’m hosting a session on AVB and also a panel discussion on AVIT. The content and details for these kinds of fringe events offer a face-to-face element and a more intimate setting for people to voice out their thoughts to learn from one another. Only through these platforms can we tap into future technologies and continue developing our industry. To me, PLSG is a huge show with lots of industry experts coming together, which has allowed it to grow into such a good platform to match our industry goals.”

Mr Kevin Gu, Vice President, Shanghai Epean Exhibition Creative Development Co Ltd

(Lighting and Art Space Attendee)

“The new Lighting and Art Space offers a very comprehensive coverage of reflected technology for sound and lighting electronic innovations in an exciting way. The light show for the miniature St Paul’s Cathedral replica is particularly impressive. Nowadays, visitors are looking for more ways to interact with hands-on exhibits, and I believe some of the technologies shown in this space will be part of the industry’s biggest trends in the future, as they can be widely applied to many cultural and creative events such as in art exhibitions and museums. It will help different kinds of innovations become a reality, and makes the experience more fun.”

The 2020 edition of Prolight + Sound Guangzhou will be held from 19 – 22 February 2020 at Area A and B of the China Import and Export Fair Complex in Guangzhou, China. Prolight + Sound Guangzhou is organised by Messe Frankfurt and the Guangdong International Science and Technology Exhibition Company (STE). For more details about the show, visit www.prolightsound-guangzhou.com.

Other shows under the Prolight + Sound brand include:

Prolight + Sound

2 – 5 April 2019, Frankfurt

Prolight + Sound NAMM Russia

12 – 14 September 2019, Moscow

Prolight + Sound Shanghai

10 – 13 October 2019, Shanghai

Prolight + Sound Middle East

15 – 17 October 2019, Dubai

Mob Museum Debuts Tech at the Museum

The Mob Museum, The National Museum of Organized Crime and Law Enforcement located in downtown Las Vegas, this year launched “Organized Crime Today,” a technology-driven exhibition dedicated to present-day topics. Featuring artifacts as well as fully interactive, 17-foot-long touch screen wall, the exhibition enables Museum guests to take a deep dive into the Global Networks of organized crime operating around the world in the 21st century. This elaborate exhibition launched in February of 2018, along with three other brand-new permanent exhibitions the award-winning, American Alliance of Museums-accredited institution debuted this year.

While most of the Museum covers the intriguing history of organized crime and its battle with law enforcement through decades, Organized Crime Today addresses contemporary iterations of this illegal activity. The Global Networks touchscreen wall elaborates on contemporary crime rackets—illegal enterprises that span the globe and profit off everything from drug and human trafficking to product counterfeiting, money laundering and cybercrime. The exhibit addresses the most prominent organized crime groups active in the world today and explores the complexities of organized crime with up-to-the-minute developments pulled from the day’s headlines.

For example, a recent addition to the Global Networks interactive wall spotlights the wildlife smuggling trade in Cambodia, where customs officials recently confiscated 3.5 tons of African elephant ivory—the largest cache of the smuggled contraband ever found in the country. Smugglers have been using Cambodia as a transit hub to feed the demand for ivory in China—which banned ivory sales in 2018—and Vietnam, where it is used in carved artwork, chopsticks and jewelry.

In addition, the screen offers the ability for experts around the world to videoconference into the Museum remotely and offer their analysis and insights into organized crime around the world. These programs are included in the price of general admission and offer Museum visitors the opportunity not only to hear from these experts, but also the chance to ask questions.

Museum visitors encounter other technology-enabled, interactive experiences as well. A Use of Force Training experience uses airsoft versions of police-style handguns and responsive video scenarios to demonstrate the training law enforcement officers receive regarding the use of deadly force. Meanwhile, in the Museum’s Crime Lab, visitors can learn about cause of death investigation with the assistance of life-sized, digitally generated subjects viewed on an interactive, touch-screen “autopsy table.”

Media attending CES 2019 who wish to visit the Museum should send their request tochristina@thevoxagency.com. For more information about the Museum and its Organized Crime Today – Global Networks exhibition, click here.

Olsen Gruin Gallery

Holiday gallery closing: Dec. 22 – Jan 9

Winter group exhibition PENUMBRA opens Tuesday, January 15, 2019
Until Saturday, March 2, 2019
Exhibition reception: Wednesday, January 30, 6-8PM

2019 Olsen Gruin gallery hours: Tuesday – Saturday, 11am – 6pm
Sunday by appointment

Browse available works on our website

 

 

olsengruin.com

Olsen Gruin
30 Orchard St, New York NY 10002
M: +1 646 525 6213
info@olsengruin.com

Tuesday–Saturday 11am–6pm

Behind the lens of renowned Iranian cinematographers

Time Lapse is an exhibition of striking photographs by prestigious Iranian film directors. After enormous success in both London and Tehran, the exhibition will travel to the USA in November, to be shown at The Container Yard in Downtown Los Angeles.

Time Lapse features the work of Cannes Film Festival award-winning directors Jafar Panahi and Abbas Kiarostami, Cannes Film festival award nominee Nasser Taghvai, award-winning documentary maker Kamran Shirdel, San Sebastian International Film Festival award-winning director Majid Barzegar, World Press Photo award-winning Cinematographer Seifollah Samadian and celebrated actor and Cairo film festival award-winning director Hamid Jebeli. The exhibition celebrates Iranian cinema and its international reach, and simultaneously demonstrates the talent of the directors, stretching beyond dynamic filmmaking to the creation of fine art.

CAMA Gallery aims to provide a politically neutral platform on which to showcase the wealth of artistic talent in Iran. CAMA Gallery has three galleries in Iran, a gallery in London, and will soon open a permanent space in Los Angeles.

The exhibition opens with a private view on November 2 from 8pm and runs through November 14, 2018.

Kevin Bourgeois: Wall Of Sound

Olsen Gruin announces Wall of Sound, an exhibition featuring music-inspired multimedia works by Kevin Bourgeois. The anticipated show comprises a curated selection of collage and acrylic compositions on wood panel.

Music has always been an intrinsic element in Bourgeois’ creative process and daily routine. “I consider it a universal cultural language with many diverse incarnations and forms,” he affirms. Wall of Sound turns its focus toward the visual art that complements the vast lexicon of music.

The phrase “Wall of Sound” was originally devised to describe Phil Spector’s production methods. According to Spector, the aim was “to create a dense aesthetic critical shorthand, mixed well enough that the audience would then perceive each of the different combinations as one distinct sound or form.” This concept mirrors the augmenting process Bourgeois implemented in creating this body of work.

Through collage Bourgeois seeks to transform the literal imagery of each album’s formal narrative. His process of embellishment and jigsaw remixing of multiple record jacket sources results in an alternative visual dialogue and imbues an abstracted or figurative aesthetic to be interpreted by the viewer.

Petersen Automotive Museum

The Kenford Truck by Von Dutch

On Saturday, September 29, 2018, the Petersen Automotive Museum will debut the first in a series of “California-themed” exhibititions to kick off its 25th anniversary in 2019. Titled “Auto-Didactic: The Juxtapoz School,” the display will examine a mix of art pieces and automobiles from the artists of “Juxtapoz Magazine,” who have helped redefine the role and imagery of automobiles in contemporary art.

Replacing “The High Art of Riding Low: Ranflas, Corazón e Inspiración” exhibit in the Armand Hammer Foundation Gallery, “Auto-Didactic” will feature more than 50 artists. Artists on display will include skateboarder, designer and OBEY Clothing Founder Shepard Fairey; famous pinstriper of the “Kustom Kulture” movement Von Dutch; and painter, cartoonist and “Juxtapoz Magazine” founder himself Robert Williams.

In addition to the selection of art pieces, the exhibition will highlight notable art cars including the 1932 Ford Roadster named “Prickly Heat” by Robert Williams, “The Orbiton” by Ed “Big Daddy” Roth, “The Kenford Truck” by Von Dutch and the 1959 Cadillac titled “The New and Improved Ultima Suprema Deluxa” by Kenny Scharf.

“Our new exhibit will be unlike any other exhibit we’ve ever curated at the Petersen during the last 25 years,” said Petersen Executive Director Terry L. Karges. “While the focus is still on the automobile, the range of artwork on display will appeal to both car enthusiasts as well as the progressive art connoisseur.”

Launched with the mission of connecting subculture genres such as psychedelic posters, hot rod art, street art and illustration with traditional “highbrow” mediums, “Juxtapoz Magazine” was founded in 1994. Since its inception, the magazine has continuously addressed themes deemed “unsavory” by staunch art critics. It was not until the Laguna Art Museum’s presented its “Kustom Kulture” exhibition in 1993 that the relative interests of underground artists and collectors were presented as a unified group, paving the way for the creation of the magazine.
Preceding the public opening, the Petersen will host a preview reception featuring opening remarks, music and food by Drago on Thursday, September 27, 2018. The VIP ticket includes early access to the exhibit and a copy of the exhibit book. To purchase tickets or learn more about the Petersen Automotive Museum, please visit www.Petersen.org.

Prickly Heat by Robert Williams

Robert Williams; Hot Rod Race, 1976; Acrylic on Board; Collection of Gwynned Vitello

The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The Museum is located at 6060 Wilshire Boulevard (at Fairfax) in Los Angeles, California, 90036. Admission prices are $16 for general admission adults, $13 for seniors and students with ID, $8 for children ages 3 to 12. Active military with ID, personal care attendants and children under three are admitted free. Museum hours are 10 a.m. to 6 p.m. For general information, call 323-930-CARS or visit www.Petersen.org.

Miami Art Week Sneak Peek

The nation’s leading exhibitions and event production, media, and marketer for the global fine art community, Redwood Media Group, announces a unique and newly formed partnership with Mana Wynwood. Together, they will have a permanent new home for its flagship artshows–two of the longest running independent art shows during Miami Art Week.

With a new and long-term location at Mana Wynwood, Spectrum Miami and Red Dot Miami will offer an exceptional and elevated world-class experience for both exhibitors and art enthusiasts during this year’s Miami Art Week, which takes place December 5-9.

The venue featuring ‘Two Shows in One Location” during the art week will cover more than 100,000 square feet of exhibition space and be even more accessible for visitors on foot and by car, all within walking distance from Wynwood’s trendiest restaurants, bars, and retail boutiques.

The new and improved features for his year’s five-day fine art extravaganza will include:

  • low traffic location for easy accessibility
  • hundreds of paved parking spaces on site
  • indoor air conditioning and restrooms
  • café and lounge space with seating
  • easy access to the adjoining PINTA art fair

“We are excited to announce a unique alliance with Mana Wynwood, one of the region’s most progressive organizations in property development and the creative arts. Returning to the Wynwood Arts District for the first time since 2015 perfectly positions Spectrum Miami and Red Dot Miami within one of the country’s leading lifestyle and cultural destinations for both residents and visitors to Miami. Our New indoor location and pristine exhibition space will offer a truly premium experience for exhibitors and art enthusiasts alike. This is a strategic and long-term partnership and location for our flagship shows and we look forward to welcoming the art world to our new home,” says the president of Redwood Media Group, Eric Smith.

Red Dot Miami is a curated gallery-only contemporary art show. Now in its 13th year, it will be located inside Mana Wynwood. Red Dot Miami presents ILLUMINATE as the curatorial theme for this year’s show. From works that inspire awe and wonder to sweeping series that reveal fresh trends to artists who throw light on the roots of imagination through unlimited creativity, Red Dot Miami features more than 75 galleries representing over 500 leading contemporary artists from primary and secondary markets worldwide. The Spotlight Program will be included as it offers a focused look at several cutting-edge galleries chosen by the Redwood Media Group selection committee.

On the other side we have Spectrum Miami, which presents more of an upscale and urban curated contemporary art show. Now in its 8th year, it will be located adjacent to Red Dot Miami at Mana Wynwood. Spectrum Miami will offer special programs and site specific exhibitions that showcase the thriving art landscape of the city, informed by the 2018 curatorial theme ALLURE. Atmospheric abstracts, provocative photographs, seductive sculptures–the allure of contemporary and modern art is mysteriously and undeniable powerful. Spectrum Miami includes Art Labs and Art Talks as well as the Spotlight Program, providing collectors with a focused look at a variety of prominent exhibitors.

Both Spectrum Miami and Red Dot Miami have evolved to become the ultimate destination for the fine art industry where professional and contemporary art enthusiasts who collectively seek a more accessible experience.

The annual Opening Night Preview Party for both will take place from 6 to 10 p.m. on Wednesday, Dec. 5 at Mana Wynwood located at 2217 NW 5th Ave, Miami, FL 33127. It will feature innovative contemporary art together with Louis Jadot Wines, cocktails, hors d’oeuvres, and DJ entertainment. Tickets for this event are priced at $50 by ordering online and will be $60 at the event paying by door,

For ticket ordering/information, visit spectrum-Miami.com and reddotmiami.com

For more information on Redwood Media Group, visit redwoodmg.com.