Posts tagged with "exhibit"

Woodstock At 50

Rock Hall Celebrates Woodstock’s 50th Anniversary with New Exhibit and Special Rock Hall Nights

Relive the Iconic Music Festival with Rock Hall Inductees and Woodstock Performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana on May 1st

The Rock & Roll Hall of Fame is bringing peace, love and music to fans during Woodstock’s 50th anniversary. On May 1st, fans can relive the iconic music festival with a new Woodstock 50 exhibit (open through Fall 2019) and special Woodstock themed Rock Hall Nights with Inductees and Woodstock performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana.

It’s been nearly 50 years since Woodstock generated legendary musical moments and catapulted an entire festival culture. Groups and artists such as Sly & The Family Stone, Jefferson Airplane, The Who, Janis Joplin, Jimi Hendrix and many others defined a new set of sound. Woodstock 50 celebrates the ambition and ingenuity of those who mounted the festival to the performers who played it gaining a deeper understanding of the various faces of Woodstock and how it changed the music industry forever.

The new Woodstock 50 exhibit features rare prints, performance outfits, video footage, tickets, original signage and more. Highlights include:

  • A photo exhibit with rare prints, contact sheets and never-before-seen artifacts from renowned photographer Jim Marshall’s archive including his earliest Leica M4 camera used to photograph Woodstock. Marshall captured the festival’s most raw and intimate moments from the three-day festival. The Rock Hall is the only museum in the country celebrating Woodstock with Marshall’s collection.
  • Jimi Hendrix (1992 Rock Hall Inductee) guitar strap used at Woodstock 1969 to deliver a mesmerizing set featuring his rendition of “The Star-Spangled Banner” to a dwindling crowd of 180,000 who toughed it through the last hours of Woodstock, along with his handwritten lyrics to “Voodoo Chile (Slight Return),” the last song he would ever perform live.  
  • Hand-drawn map of festival grounds with aerial views highlighting prominent locations and a telegram from festival organizer Michael Lang envisioning the event documented from every angle with plans to secure the filming and clearance for showing footage after the festival.
  • Rare video footage from the Rock Hall collection captured during Woodstock ’69 with candid moments offering new perspectives of festival goers.
  • John Sebastian (2000 Rock Hall Inductee) of the Lovin’ Spoonful performance outfit from his unscheduled appearance at Woodstock. He traveled to the festival as a spectator but was asked to appear when the organizers suddenly needed an acoustic performer after a rain break.
  • Billie Joe Armstrong (2015 Rock Hall Inductee) shoes worn at Woodstock ’94, nicknamed “Mudstock” partly due to Green Day’s performance. Days of rain turned the venue into a field of mud and as Armstrong taunted the audience with “I don’t care what you do, I don’t want to be a mud hippie like you,” an enormous mud fight ensued.

Woodstock 50 opens May 1 with a special Rock Hall Nights: Woodstock program that evening from 6 p.m. to 9 p.m. EST. Fan can meet Rock Hall Inductees and Woodstock performers Freddie Stone of Sly & The Family Stone and Michael Carabello of Santana, challenge their friends to Woodstock trivia, explore artifacts from the Rock Hall’s Library and Archives, check out Woodstock 50, Hendrix and San Francisco exhibits, make a flower headband, take pictures in a festival photo booth, and enjoy screenings of Woodstock artist highlights from the Induction ceremony stage as well as a director’s cut of the documentary film Woodstock. This is the last Rock Hall Nights of the season. The monthly program will return in the fall with new themes and activities.

INSIDER TIP

Purchase a special $20 online only ($34 value) Rock Hall Nights ticket which includes access to exhibits between 6 p.m. and 9 p.m., a VIP check-in, complimentary drink voucher and free giveaways. Metered parking is available surrounding the Museum and is free after 6 p.m. daily. Rock Hall Members and City of Cleveland residents (ID required at box office) can attend for free.  

About the Rock & Roll Hall of Fame

Rock Connects Us. Our mission is clear: To engage, teach and inspire through the power of rock and roll. We share stories of the people, events and songs that shape our world through exhibits, innovative programs and concerts. Join the millions who love it as much as you do. Experience us live or online – Visit rockhall.com or Facebook, Twitter and Instagram. Long Live Rock!

Trade Show Displays

7 Different Styles of Trade Show Displays

Trade show displays are the most powerful visual presentation, and they come in varying styles, shapes, and functionalities. The displays make trade shows more interesting than digital marketing and online promos because of the creativity in them. They are easy to set up and attract attention to the available booths. Prices depend on the design and the display creator. The challenge that exhibitors experience is choosing the most appropriate designs. Any design can work as long as the company’s brand and services or products are presented well. Below are seven common styles.

Pop Up Displays

Easy to set up, pop up displays are portable, cheaper to make, and you can customize them according to your preferences. They are designed like a solid-looking wall, but you can add mural panels to make your display more appealing.

Pop ups are popular, and they can be used as graphic murals to send a specific message such as a newly launched product or slashed prices.

Panel Exhibit

A panel exhibit is created from panels and turned into a solid looking wall.  They look like pop up displays but have an addition on top to look like booths. Most of them are large enough to be used as the back wall.

They can be used for large exhibits such as backlighting, for product display, and serve as booths for your counters. Bigger panel exhibits are more expensive.

Table Tops

You can have your products printed on display and attached to a frame with metal fasteners or magnets on the top of a table. Table tops are usually about three-feet high.

When attached on top of the table, they can be about five-feet tall. They are among the easiest displays to set up. What’s more? Those tables are mostly provided by the trade show.

Island Exhibits

If you are looking for trade show exhibits that have a bigger room, island exhibits are a perfect choice. They are usually open and all four sides and measure 20’ x 20’.

The type of tradeshow determines how the structures will be hanged. The promotional units with varying size can be positioned on top of the island exhibit. Before selecting this trade show display, ensure that a professional has crafted your floor plan.

Graphic Tents and Canopies

You have probably seen this everywhere, especially during food exhibitions. The good thing about them is that you can modify a standard canopy tent into a graphic tent and save big.

Logo canopies are normally displayed in grocery stores, special events, festivals, or even trade shows. The benefits of using this kind of stand are that it’s easier to use and it encloses the space appropriately. It also displays your graphics on the back, top, and side walls. Most of these tents operate the same way.

Truss Designs

Truss systems fit better with large booths. The systems help to provide structure and allow many designs. The shape of the truss can be customized to fit anything within the allocated space. You can also hang displays and other elements.

Truss exhibits are mostly used for stages, utilizing shelving, custom flooring, and other design features. You can be the center of attention with a truss display if you have large graphics.

Pipe and Drape

Pipe and drape are a bit complicated when it comes to setting up. To form a booth, you connect hollow metal tubes at the corner and support them with upright bases. The pipes are connected to create an outline of your booth space.

The fabric drape is then hanged along the pipe where exhibition visitors can visualize. Most trade show vendors usually set up their exhibition inside the booth and their graphic display is inside while others do the same but display graphics are hanged on the pipe or drapes.

You must be wondering right now what you should choose. Graphic tents and canopies serve all purposes and are more available, but you get to choose which suit your business. After you make a choice, hire a contractor to design your trade show display and transport it to your stand.

The Daredevil Cameramen of Extreme Sports

First Look: The Daredevil Cameramen of Extreme Sports (Click to Watch)

*Risky Business. Whether scaling a treacherous mountain or going into the belly of the world’s most challenging wave, extreme sports cameramen exhibit remarkable athleticism in pursuit of the perfect shot. Jon Frankel profiles these Evel Knievel-like risk-takers, who display the same bravery as the athletes they cover, taking terrifying risks to capture images of some of the world’s most dangerous sports.

REAL SPORTS WITH BRYANT GUMBEL returns TUESDAY, APRIL 23 at 10:00 p.m. ET/PT on HBO

Producer: Jordan Kronick

Check out the full segment here!

50 Years of the Museum at FIT

Based on a selection of 33 major exhibitions which have consistently pushed beyond the obvious popular appeal of fashion and emphasised its cultural significance, this book is an in-depth introspection into “the most fashionable museum in New York City”, ie. MFIT (the Museum of Fashion Institute of Technology).

Edited by Valerie Steele, one of the foremost fashion historians and curators, Exhibitionism highlights the most influential exhibitions held at MFIT including: Fashion and Surrealism in 1987 on the relationship between art and fashion; The Corset in 2000 which was an exploration of the most controversial garment in fashion history; A Queer History of Fashion: From the Closet to the Catwalk (2013); Fairy Tale Fashion in 2016, a study into the enchanted and emblematic objects as the glass slipper and the red riding hood; Black Fashion Designers (2017).

Each exhibition included in the book is illustrated using installation photos, images of individual garments, and texts that explain the exhibitions’ concepts, scope and influence as well as the objects it featured. Exhibitionism also includes essays about the importance of fashion education at MFIT, highlights the role of hands-on, object- based learning and the inclusivity of minority, or even marginalised, groups.

Furthermore, each author provides an engaging “behind the scenes” look at the process of exhibition making and MFIT’s historic commitment to Fashion.

PETERSEN AUTOMOTIVE MUSEUM PRESENTS

WORLD’S FIRST EXCLUSIVELY ELECTRIC MOTORCYCLE EXHIBIT

On April 6, 2019, the Petersen Automotive Museum debuted the world’s first exhibit dedicated exclusively to electric motorcycles. Located in the Richard Varner Family Gallery, “Electric Revolution” explores the history and current state of the e-bike industry with 21 groundbreaking examples from visionary custom builders and established manufacturers. The exhibit assembles a dynamic mix of custom, prototype, racing and production electric motorcycles from CAKE, Neil Connolly, Curtiss Motorcycles, Alta Motors, Shiny Hammer, Blatant Moto, Joey Ruiter and more. American industry stalwart Harley-Davidson graciously underwrote the exhibit and provided three recent prototypes from their EV program, including the 2020 LiveWire. Other key bikes on display include CAKE’s “Kalk,” Sweden’s innovative, light and stylish off-road e-bike that sold out its first run and has won design awards around the world; Neil Connolly’s “STROM 36,” which was the first-ever electric bike to be featured in the AMD World Championship Custom Show in 2015; and Curtiss Motorcycles’ “Zeus,” which was the company’s debut bike after re-branding in 2018. “The transportation industry is amidst an “Electric Revolution,” and e-bikes represent the future,” said Petersen Automotive Museum Executive Director Terry L. Karges. “Our new exhibit provides an insightful glimpse into this revolution from the perspective of custom e-bike builders and established manufacturers to paint a thorough picture of where the industry has been and where it’s going next.”

The exhibit is guest curated by Motorcycle Arts Foundation (MAF) Co-Founder Paul d’Orleans, who previously guest curated the highly successful “Custom Revolution” exhibit at the Petersen last year. The exhibit is designed by Falcon Motorcycles Founder Ian Barry, features graphics by British artist Nicolai Sclater of Ornamental Conifer, and is produced by MAF and MAF Co-Founder and Chairman, Sasha Tcherevkoff. “Electric Revolution” will close in November 2019. For more information about the exhibit and the Petersen Automotive Museum, please visit Petersen.org

Harley-Davidson Motorcyle Exhibit

Harley-Davidson and the Motorcycle Arts Foundation Announce the Opening of Electric Revolution, the World’s First Museum Exhibit Exclusively Featuring Electric Motorcycles, opening April 6, 2019 at Petersen Automotive Museum in Los Angeles

The Motorcycle Arts Foundation (MAF) and Harley-Davidson announced today the opening of Electric Revolution, the world’s first museum exhibition exclusively featuring electric motorcycles. This exhibit, which is supported by Harley-Davidson, will open at the Richard Varner Family Gallery at the Petersen Automotive Museum in Los Angeles, California on April 6, 2019. Curated by MAF co-founder Paul d’Orléans, the exhibit will explore the history and current state of the electric motorcycle and e-bike industry with 21 examples of 2-wheeled electric vehicles from both custom builders and established manufacturers.

Zero-emission vehicles have become a prominent part of the transportation landscape, and electric motorcycles and e-bikes are one of the fastest growing sectors in this quickly evolving market. The exhibit assembles a dynamic mix of production, racing, prototype and custom electric motorcycles from world renowned manufacturers and builders in the EV space including Harley-Davidson, CAKE, Specialized Bicycle Components, Roland Sands Design, Curtiss Motorcycles, Alta Motors, Joey Ruiter, and Noel Connolly. Harley-Davidson is the lead sponsor for this exhibit and has provided three recent prototypes from their electric portfolio, including the 2020 LiveWire, which will be available to the public in Fall 2019. “We are creating history with the world’s first exhibition of any type to feature two-wheeled electric vehicles exclusively,” states curator Paul d’Orléans. “The electric motorcycle industry is exploding with new players investing in an electric future, and this exhibit will showcase contemporary manufacturers as the trail blazers of the industry and pay homage to electric pioneers.”

“We are thrilled to support the Motorcycle Arts Foundation and participate in the Electric Revolution exhibition at the Petersen Automotive Museum,” states Harley-Davidson Senior Vice President of Marketing and Brand Heather Malenshek. “Harley-Davidson is at the forefront of the changing consumer landscape within motorcycles and we are excited to showcase our halo product, LiveWire, within the powerful narrative this exhibit presents to the public.” The MAF is a 501(c)(3) nonprofit dedicated to the preservation and distribution of motorcycle arts. Electric Revolution will be the second major public project for the foundation. Their first exhibition project, Custom Revolution, just ended its year-long run at the Petersen Museum, and was one of the most important cultural events for motorcycles in the last 25 years. Electric Revolution is produced by the Motorcycle Arts Foundation and Sasha Tcherevkoff.

The opening night VIP and press reception will be held on April 4, 2019 from 6:30-10pm. The event will be attended by the world’s most talented builders, designers, and thought leaders in the electric vehicle industry. The evening will feature exclusive access to the new exhibition, music, food and drinks by the legendary Drago Ristorante, and a live “electrifying” panel discussion moderated by Paul d’Orléans.

MAD MUSEUM

The Museum of Arts and Design (MAD) presents an annual exhibition and sale of one-of-a-kind artisan jewelry called LOOT: MAD About Jewelry. Returning this spring (April 9 – 13), it will feature work from 55 artists from 18 countries (South Korea, UK, Finland, Chile, Scotland, Spain, France, Italy to name a few). These hand-picked artists specialize in different techniques and use unique materials such as glass, wood, metal, embroidery, horse hair and latex. Open to the public during museum hours – April 9th – 13th from 10am – 6pm.

For more information visit their site here.

Petersen Automotive Museum “Winning Numbers” Exhibit

On Saturday, February 23, 2019, the Petersen Automotive Museum opened its newest exhibit featuring 10 groundbreaking race cars, each with a unique story of triumph and victory. Titled “Winning Numbers: The First, The Fastest, The Famous,” the exhibit is comprised of Le Mans winners, land speed record setters, dragsters and road racers from the personal garage of Petersen Founding Chairman Bruce Meyer.

Key vehicles on display include the winningest Ferrari road racer of all time, the 1957 Ferrari 625/250 Testa Rossa, which claimed first prize in more than half of the 50 competitions in which it was raced; the first production 1962 Shelby Cobra, CSX2001; the 1962 Greer Black Prudhomme, which was raced by drag racing legend Don Prudhomme who won 237 of the 241 races in which he piloted the car; the renowned 1952 So-Cal Speed Shop Belly Tank Racer, which was fashioned from a P-38 Lightning fighter belly tank from World War II by hot rod racing icon Alex Xydias; the 1979 Kremer Porsche 935 K3 that took first place overall at Le Mans; and the 1929 Ford “747” Bonneville Racer that Meyer ran 204 mph at Bonneville Salt Flats. 

“Affectionately called ‘the car guy’s car guy,’ Bruce Meyer epitomizes true automotive passion,” said Petersen Automotive Museum Executive Director Terry L. Karges. “The charisma with which Bruce shares his passion is what sets him apart. ‘Winning Numbers’ reflects his discerning tastes as a collector and motorsports enthusiast, and we’re proud to share his fervor for the hobby with the community.”

The exhibit’s public opening was preceded by an evening reception and media preview on February 22, 2019. Guests of the exclusive event were treated to passed appetizers by the Petersen’s exclusive catering partner Drago, a full cocktail bar and a Fireside Chat discussion between Meyer and Karges. 

“Winning Numbers” will run through January 19, 2020.

Petersen Automotive Museum Opens New “Legends of Los Angeles” Exhibit

On November 10, 2018, the Petersen Automotive Museum opened its latest exhibit, “Legends of Los Angeles: Southern California Race Cars and Their Builders,” in the Charles Nearburg Family Gallery presented by Lucas Oil. The display features 12 Los Angeles-built race cars powered by engineering masterminds such as Ed “The Old Master” Pink and Fred Offenhauser and piloted by legends such as Don “The Snake” Prudhomme, Parnelli Jones, Bill Stroppe and Dan Gurney.

“Legends of LA” is highlighted by a stunning180-degree panoramic video, which surrounds the collection of race cars and provides an immersive way to experience the fastest race cars ever built in Los Angeles as they are raced on the region’s famed tracks. Featuring vehicles from every major racing type including midgets, sprint cars, dragsters, off-road cars, IndyCars, land-speed cars and road-racing cars, the panoramic video works alongside the display to take viewers on a visual journey down historic tracks such as El Mirage, Willow Springs International Raceway and Perris Auto Speedway.

Key vehicles on display include a 1963 Ol’Yaller Mark IX, which was one of the last race cars designed and built by Southern California hot rod legend Max Balchowsky; a 1964 Shelby Cobra 289 FIA, one of five FIA-spec factory team cars that competed in the 1964 World Championship and was raced by Dan Gurney in the Targa Florio; a 1967 Long 
“Shelby Super Snake” with an Ed Pink racing engine, which made history when driver Done Prudhomme accomplished four quarter-mile runs in the six-second range at the 1967 NHRA Spring Nationals; and Big Oly, a 1970 Ford Bronco which was raced to a back-to-back victories at the Baja 1000 in 1971 and 1972 by the legendary off-roading team of Parnelli Jones and Bill Stroppe.

“From the early years of auto racing to today, Los Angeles has played a key role in the development and growth of motorsports in North America,” said Executive Director Terry L. Karges. “Our new exhibit honors the region’s rich history through some of the finest examples of race car engineering and design, telling a comprehensive story about the legends that helped establish Los Angeles as the diverse racing destination that is today.”

Preceding the public opening, the Petersen hosted a formal cocktail reception and media preview on Thursday, November 8, 2018. The evening paid homage to LA-based racing icon and race car constructor Parnelli Jones, a motorsports legend known for his victories in nearly every major auto racing event in the United States. Jones, whose voice is featured in the gallery video was praised on stage while guests bid on his signed racing memorabilia during a silent auction.

“Legends of Los Angeles” will run through December 1, 2019. To learn more about the new exhibit or the Peterson Automotive Museum, please click here!

The Petersen Automotive Museum Foundation is a non-profit 501(c)(3) charity. The Museum is located at 6060 Wilshire Boulevard (at Fairfax) in Los Angeles, California, 90036. Admission prices are $16 for general admission adults, $13 for seniors and students with ID, $8 for children ages 3 to 12. Active military with ID, personal care attendants and children under three are admitted free. Museum hours are 10 a.m. to 6 p.m. For general information, call 323-930-CARS or visit here!

Behind the lens of renowned Iranian cinematographers

Time Lapse is an exhibition of striking photographs by prestigious Iranian film directors. After enormous success in both London and Tehran, the exhibition will travel to the USA in November, to be shown at The Container Yard in Downtown Los Angeles.

Time Lapse features the work of Cannes Film Festival award-winning directors Jafar Panahi and Abbas Kiarostami, Cannes Film festival award nominee Nasser Taghvai, award-winning documentary maker Kamran Shirdel, San Sebastian International Film Festival award-winning director Majid Barzegar, World Press Photo award-winning Cinematographer Seifollah Samadian and celebrated actor and Cairo film festival award-winning director Hamid Jebeli. The exhibition celebrates Iranian cinema and its international reach, and simultaneously demonstrates the talent of the directors, stretching beyond dynamic filmmaking to the creation of fine art.

CAMA Gallery aims to provide a politically neutral platform on which to showcase the wealth of artistic talent in Iran. CAMA Gallery has three galleries in Iran, a gallery in London, and will soon open a permanent space in Los Angeles.

The exhibition opens with a private view on November 2 from 8pm and runs through November 14, 2018.