Posts tagged with "design"

Homecoming

Today, Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.

Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.

In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”

Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.

“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102

Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.

Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix

Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.

About Parkwood Entertainment

Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

Shop Beyoncé

SHIFT ARTS FESTIVAL

Kick off summer with live arts and films that explore the human/nature conundrum

Across the globe, humans face enormous questions: how do we find balance in our relationship with Nature? How do we transform what has been a quest for dominance into a sustainable collaboration? 

 

The Hopkins Center for the Art at Dartmouth College launches its second annual SHIFT festival, a 10-day suite of live, arts, film and discussions that explore the push and pull of that Human/Nature bond. Feel humans contend and at times cooperate with the forces of nature in a stage version of Moby-Dick, a spectacle of physical theater by Australian company Circa, and film screenings with special guests that probe the oceans and night skies. Wander among human percussionists interacting with nature world in Inuksuit; celebrate nature in song in a pop-up chorus. The schedule is a mix of free and ticketed events.

 

This year, SHIFT is bookended by concerts by Cory Henry & the Funk Apostles and Iris DeMent—artists who join past and present and speak to what it means to be an American in 2019. It also includes the Dartmouthpremiere of Dance Heginbotham, the acclaimed Brooklyn-based dance troupe led by John Heginbotham, director of the Dartmouth Dance Ensemble.

 

The performances in SHIFT will be enriched by a series of talks and master classes by Dartmouth scholars and visiting artists, who will unpeel various layers of how humans connect and impact the natural world. These include talks on energy, whaling, Melville and Americana music, as well as a discussion between Heginbotham and his collaborator, composer Tyondai Braxton.

 

Along with exploring big questions, SHIFT is also a great way to kick off summer in the Upper Valley, complementing the area’s wealth of opportunities to hike, bike, boat and otherwise enjoy the outdoors.

 

Tickets to SHIFT events go on sale to Hop members on Friday, April 26, and to the general public on Tuesday, April 30. SHIFT runs June 21 through 30 at locations in the Hop and on the Dartmouth campus. Tickets will be available at hop.dartmouth.edu or 603.646.2422.

 

SHIFT events

 

Cory Henry & the Funk Apostles

Friday, June 21, 8 pm

Spaulding Auditorium, $42/32/22

 

“I believe that love will find a way,” sings Corey Henry. And he’ll make you believe, too.

With his supple voice, soulful songwriting and chops on the Hammond B-3 organ, Henry “serves up a sermon of soulful bliss” (Denver Post) of R&B, Afrobeat, gospel and jazz. Graced with Grammy awards for his work with Brooklyn’s Snarky Puppy and his own namesake band, Henry has been called one of the finest organ players of his generation.

 

Moby Dick

Gare St. Lazare Players

Saturday, June 22, 8 pm

Sunday, June 23, 3 & 8 pm

The Moore Theater, $42/32/22

 

“For there is no folly of the beast of the earth which is not infinitely outdone by the madness of men, ” Herman Melville wrote in Moby-Dick. Compressing the novel’s details, characters and gigantic themes into one riveting night of theater, veteran Irish actor reels us into the harsh world of 19th-century whale hunting. In this battle with nature, the humans are determined to win–but at what cost? This engrossing, one-man refresh of Melville’s 1851 novel is backed by 10-string fiddler Caoimhin O’Raghallaigh (of The Gloaming). An American literary anchor splashes on stage.

 

Public talks, 6:30 pm, Top of the Hop, free

June 22: Irving Institute director Elizabeth Wilson on the interconnected histories of energy and whaling

June 23: Professor Donald E. Pease’s acclaimed talk on Melville and the American Renaissance

 

 

A Portal to the Sky: Cinema and Space

Mon, Jun 24, 8 pm 

Loew Auditorium, Free

 

Travel among the moon and stars with an evening of singular short films presented by Professors Jodie Mack and Dan Rockmore. Each film is an artistic celebration of the sky, space and worlds beyond, using real images as the source material.

 

 

Sing For the Earth

Tuesday, June 25, 8pm

Spaulding Auditorium, free

 

Come sing together in gratitude for earth’s abundant beauty!  In this program, you are invited to reflect on the relationship between humans and nature as the group reads through diverse short choral works related to nature, led by Handel Society director Robert Duff 

Recommended for all singers 12 and up; sight-reading skills are helpful but not required.

 

Dance Heginbotham and Alarm Will Sound

Wednesday, June 26

The Moore Theater, $32/22

 

Eight-member Dance Heginbotham brings its celebrated athleticism, humor

and theatricality to live music by the 22-member new music band Alarm Will

Sound (“original, vivid, reckless”-Los Angeles Times). DH is led by John

Heginbotham, who also directs the Dartmouth Dance Ensemble and

choreographed the acclaimed remake of Oklahoma that just moved to

Broadway. The evening includes new Heginbotham choreography to

selections from AWS’s new CD Acoustica—unprecedented acoustic versions

of electronica—as well as his Hop-commissioned new choreography for

composer Tyondai Braxton’s chamber work Common Fate.

 

Heginbotham and Braxton discuss their collaboration, June 26, 6:30 pm, Top of the Hop, free

 

The International Ocean Film Tour

Thursday, June 27, 8 pm

Spaulding Auditorium, $15

 

Swim among seething schools of sharks, ride the waves with adventurers transforming the sport of surfing, or cruise the world’s oceans with some  “anti-Ahab” activists–protecting, not hunting, whales. The subjects of these films inspire you with their ardor for the oceans and adventure. Eco-activist Henry Lystad (formerly MountainFilm Tour Director) introduces each movie with insider details and naturalist knowledge.

 

Humans by Circa

Friday and Saturday, June 28 & 29, 8 pm

Sunday, June 30, 3 pm

The Moore Theater, $47/37/22

 

Body, space, force and balance. In this heart-stopping nouveau cirque adventure that earned rave reviews on several continents, Australian circus artist/athletes test the limits of the human body. Forms fly through the air. Towers emerge and tumble. This virtuosic meditation on the body plays with the laws of physics, ratcheting up the tension between us and the space we move through.

 

Master class with Circa, Tuesday, June 25, details to come

 

Inuksuit

Saturday, June 29, 3 pm

Outdoor location on Dartmouth campus TBA, free

Rain date: Sun, June 30 at 3 pm.

 

Wander through a landscape of instruments–conch shells, gongs, drums, glockenspiels and more–accompanied by the ambient sounds of nature. Named after the stone piles used by native people to orient themselves in Arctic spaces, Inuksuit was created by environmental composer John Luther Adams. This event will involve up to 99 professional and community musicians in an outdoor campus location. As they walk among the musicians, listeners shape their own experience, discovering the listening points that call out most to them. Directed by Dartmouth music lecturer Amy Garapic.

 

Want to clang, whistle or whirr or otherwise play in the band? Go to hop.dartmouth.edu for more information.

 

Iris DeMent

Saturday, June 29, 8 pm

Spaulding Auditorium, $42/32/22

 

Iris DeMent is a voice for an America seeking roots and meaning. As Cory Henry marries retro-funk with Afro-Futurism, so DeMent brings a modern sensibility to the timeless pentecostal gospel twang of her native Ozarks. Twenty-seven years after she pioneered what we now call “Americana” with her debut album Infamous Angel, she is still sharing powerful stories and shining a light into dark places.

 

Dartmouth musicologist Ted Levin discusses DeMent’s place in American music,  June 29, 6 pm, Top of the Hop, free

Gwen Stefani’s Cool gets a synth cover by Strath

STRATH COVERS GWEN STEFANI’S COOL

Most use the California poppies for pretty instagrams.

Fewer use them to film music videos.

Strath falls into the latter.

The 24-year-old Australian artist took full advantage of the super bloom in his debut music video for his latest release “Cool”. The track is a cover of the 2004 Gwen Stefani smash hit. 15 years later, Strath adds new color to the track’s pop virtues, letting his listeners stew in a sea of sweeping 80s synthesizers that smell a lot like Tame Impala.

A real highlight is the brief musical interlude in the song’s middle, where a new guitar/synth melody soars over the tight groove of spank-y drums and walking bass line. A credit to his talents as a producer, the way Strath balances many unique elements in the mix ensure that this track is a real head-bopper.

The nostalgic, slightly haunting feel of the song’s outro leaves it feeling more sombre than the original. But the playful tone of the music video — where Strath sings next to a couple that must have been making out for several hours during production — perhaps suggests otherwise.

Strath affirms in the YouTube video’s description that the video was shot with “care” in the poppy fields. Whilst we hope that was the case, we can confirm with confidence that this track is a real banger.

COOL (Stream/Download):

Spotify | Apple Music

Watch the music video on youtube.

ABOUT STRATH

Strath spent his first 18 years in Melbourne, Australia, writing songs during the day while playing in different jazz and rock bands at night. He moved halfway across the world to go to Harvard, where he spent the next 4 years making movies and even more tracks. After graduation, he relocated to LA, where he’s released a number of singles including “Loops,” “I Know You Too Well” and a cover of the 2004 Gwen Stefani smash hit, “Cool.” He plans on releasing lots of new music in 2019.

COOL (Stream/Download)

Spotify | Apple Music

Watch the music video on youtube.

Follow Strath on Social Media

Instagram I Soundcloud I Spotify

Jay-Z Accepts GLAAD Award Wearing FRÈRE

Legendary Hip Hop Icon, Jay-Z wears a custom FRÈRE suit jacket to accept the GLAAD Vanguard Award

When Beyoncé and Jay-Z accepted the Vanguard Award at last night’s GLAAD Media Awards in Los Angeles, they did so in elegant style. The couple, who was honored for their work promoting equal rights for the LGBTQ community, arrived at The Beverly Hilton in dual takes on tuxedo dressing. They appeared perfectly matched with Jay-Z in a pale pink single-breasted blazer and pleated shirt from FRÈRE and Beyoncé wearing tulle accented heels and a black Alexander Wang mini-dress that mimicked the lines of his tux.

GLAAD president and CEO Sarah Kate Ellis previously said “When Beyoncé and JAY-Z speak, the world becomes inspired and when it comes to LGBTQ people, their voices of acceptance have been heard loud and clear. We could not be prouder to stand with them to send a message of love.” The Carters took to the stage to share their experiences with identity and the LGBTQ family members who helped shape their journey. Jay-Z spoke of his mother Gloria and her coming out, referencing her acceptance speech from last year’s ceremony when she was honored with a special recognition award for the song “Smile.”

Who: Jay-Z, Hip Hop ICON & founder of ROC Nation

Where: Beverly Hills, CA – GLAAD Awards @ the Beverly Hilton

What:  Beyoncé and JAY-Z were the guests of honor at the GLAAD awards. Jay Z wears FRÈRE which has quickly become his go-to designer for his recent large events including, this years’ OSCARS Chateau event, his GRAMMY’s Roc Nation brunch & now the GLAAD awards. Jay & longtime stylist June Ambrose works closely with the Creative Director of FRERE, Davidson Frere to select unique fabrications and never seems to shy from a bright pop of color. The impeccable slim fit is quintessentially FRÈRE.

ABOUT FRÈRE: FRÈRE is the new voice of modern fashion. With an obsessive focus on fit and fabrication the FRÈRE brand elevates classic silhouettes with extensive experience in bespoke suiting. FRÈRE brings the expertise forward to express a continuation of this vision of an expansion into a fashion house with the offerings of ready-to-wear collections and accessories with a global presence. All of FRÈRE ‘s garments are hand-made by the finest artisans in the world using the most luxurious materials.

https://www.frereny.com

 

Rolls-Royce New Head of Design

ROLLS-ROYCE MOTOR CARS ANNOUNCES NEW HEAD OF DESIGN

Rolls-Royce Motor Cars has announced that Jozef Kabaň has been appointed Head of Design. Kabaň, 46, is an experienced and talented designer, having spent the majority of his career at a senior level in automotive design. Kabaň joins Rolls-Royce Motor Cars from the BMW Group where he has been Head of Design Studio BMW since 2017.

Passionate about car design and art from an early age, and with an obsession for detail, Kabaň completed his studies in Bratislava and London, concluding with a Master of Art in Car Design at the Royal College of Art in London. Aged just 20, Kabaň was one of the youngest ever designers to join the VW Group. He progressed rapidly, and in 1998 he was awarded project lead for the Bugatti Veyron, for which he designed the exterior. He gained global recognition for the design, demonstrating his ability, even at this early stage in his career, to combine the automotive world with those of luxury and art.  

His success led to a desire to continue broadening his experience in the automotive field, leading to Head of Exterior roles, first at Audi AG and then Skoda Auto. At Skoda he was recognized for revolutionizing the manufacturer’s design ethos, significantly influencing the design and emotionality of the brand through a broad range of models. Throughout this period of his career he also maintained design responsibility for small volume projects, including limited and special editions and show cars.

Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars, said, “I am delighted to announce that Jozef Kabaň has been appointed Head of Design. He is an exceptionally talented designer with a strong track record and a wide breadth of ability. It is testament to the success of our business that, as the world’s leading luxury house, we are able to attract the world’s very best design talent.” He continued, “This is an exciting time for our brand and I look forward to welcoming Jozef to the Rolls-Royce family.”

Adrian van Hooydonk, Chief Designer, BMW Group, commented, “The Rolls-Royce Design Team creates outstanding motor cars and luxury objects. I am convinced that Jozef Kabaňwill guide this phenomenal team into a very bright future indeed.”

Kabaň is married with a daughter and a son and will be based at the company’s design studios in Goodwood, West Sussex and Munich.

 

Mad About Jewelry

THE MUSEUM OF ARTS AND DESIGN’S ANNUAL EXHIBITION AND SALE OF CONTEMPORARY JEWELRY RETURNS WITH 55 ARTISTS FROM 18 COUNTRIES

LOOT: MAD ABOUT JEWELRY

April 8 – April 13, 2019

Opening Benefit: April 8

Featuring the announcement of the LOOT Acquisition Prize and the presentation of LOOT Awards honoring Adria de Haume and Josie Natori

The Museum of Arts and Design (MAD) presents the nineteenth edition of LOOT: MAD About Jewelry, its annual exhibition and sale of one-of-a-kind contemporary jewelry. Open to the public April 9 through April 13, following the Opening Benefit on April 8, LOOT 2019 showcases the work of fifty-five emerging and acclaimed international jewelry artists and designers, most of whom have never been shown in New York. The event provides the rare opportunity for collectors and jewelry enthusiasts to meet and acquire pieces from some of the most innovative creators in the field.

“The jewelry content of LOOT 2019 is particularly noteworthy in two specific areas,” said LOOT Curator Bryna Pomp. “Firstly, this year’s exhibition presents a great number of outstanding young makers who are already creating groundbreaking work. Secondly, it features a larger presence of jewelry in precious metals, particularly in silver and in gold, often with semi precious and precious stones, that is exceptionally original in design.”

MAD is the only museum in the United States with a gallery dedicated to the display of both special jewelry exhibitions and its permanent collection of contemporary and modern studio and art jewelry. LOOT extends MAD’s commitment to presenting jewelry as an art form, and provides vital support for Museum exhibitions and programs.

“LOOT reflects the core of MAD’s mission to celebrate the creative process and connect audiences to contemporary art and design,” said Marsy Mittlemann, LOOT 2019 Co-Chair. “It presents an extraordinary opportunity for artists and viewers to interact with one another and engage in conversations around the work. I am honored to participate in an event that provides a platform for international talent while supporting MAD’s exciting upcoming initiatives.”

“LOOT is always exceptionally curated, and 2019 promises to be the best edition to date,” said LOOT 2019 Co-Chair Joan Hornig. “No other exhibition in the world brings viewers into contact with the diversity of design and designers showcased each spring at MAD. It is the perfect venue for both serious and first-time collectors to engage with global talent and purchase unique pieces of wearable art at every price point.”

LOOT 2019 features fifty-five artists from eighteen countries and territories: Austria (1), Belgium (1), Chile (2), Finland (1), France (2), Germany (6), Italy (2), Korea (5), Poland (1), Portugal (2), Spain (5), Sweden (1), Taiwan (1), Thailand (1), Turkey (3), the United Kingdom (14), the United States (6), and the US Virgin Islands (1). In addition to a diverse range of artistic practices, the jewelry on display encompasses a wide array of materials, from traditional metals to more unconventional media like leather, glass, porcelain, paper, silicone, resin, textiles, wood, horsehair, recycled skateboards, and ultraviolet-reactive nylon.

ARTIST HIGHLIGHTS

The jewelry artists and designers featured in LOOT 2019 include the following:

  • Italian designer Selvaggia Armani designs and produces textiles, including necklaces and brooches, for home and casual wear. On site at LOOT, she will create a new collection of jewelry made of hand-painted leather, building on her practice of “live” painting and customized bracelets.
  • Japan-born and Massachusetts-based artist Mariko Kusumoto prevails upon fabric to construct forms of elegant simplicity and evocative imagery. Using a proprietary heat- setting technique, she gives the fabric a new identity through reshaping it into three- dimensional forms. Her designs are incorporated into jewelry and sculptural pieces, as well as in collaborations with fashion designers; in January, her work appeared on the Jean-Paul Gaultier catwalk at Paris Haute Couture Spring/Summer 2019.
  • Taiwanese jewelry artist Heng Lee juxtaposes traditional craft technique and cutting- edge technology to explore the relationship between nature and Internet culture. Using downloaded images, laser-cut metal, and hand embroidery, he creates visually striking pieces that are both digital and tactile. In a time when much of our information comes from social media, his work interrogates the divide between experience and technology, and encourages full awareness of the current moment.
  • Scotland-based artist Wanshu Li is largely inspired by the brilliant colors and sensuous movements of sea creatures like jellyfish and sea anemones. With her jewelry, she aims to create a multisensory wearing experience that involves visual enjoyment, tactility, and sound. Li’s fascination with dance culture, laser light shows, and stage performances inspired her to add a further visual dimension to her practice: she experiments with ultraviolet-reactive nylon and fluorescent paints, which combine to produce a remarkable intensity of color when the jewelry is illuminated with UV light.
  • Houston-based designer Mariquita Masterson creates handmade glass pieces that are vivid, unique, and energetic, and that unite the everyday with the exceptional. Masterson uses both recycled glass and glass from companies that produce a variety of colors and textures, and on occasion creates stunning pieces out of the fragments of broken antique vases. Most recently, Masterson has gained attention for the debut of one of her necklaces worn by Speaker of the US House of Representatives Nancy Pelosi during the President’s State of the Union address in February.

This year, LOOT will showcase the work of four 2018 graduates of La Escuela de Arte 3, in Madrid, Spain: Patricia Álvarez, Cristina Armesilla, Sonia Birndt Carrascosa, and Bárbara García. The jewelry of these emerging creators exhibits fresh expressions of color and form, and takes inspiration from music, technology, contradiction, and the city they call home.

In its first year, the LOOT Advisory Committee assists LOOT Curator Bryna Pomp with the selection of artists and designers. The LOOT Advisory Committee for 2019 includes Susan Ach, Michele Cohen, Marsy Mittlemann, and Barbara Waldman.

LOOT ACQUISITION PRIZE

Awarded annually by a jury, the LOOT Acquisition Prize recognizes a LOOT jewelry artist or designer whose work reflects maturity in artistry and concept, exhibits both a superior and an experimental understanding of materials and form, and demonstrates expertise in technique and execution. MAD’s permanent collection includes nearly one thousand pieces of jewelry, spanning the mid-twentieth century to the present day. The LOOT Acquisition Prize formalizes the Museum’s goal of enhancing its collection by acquiring jewelry from artists who have made significant contributions to the field and whose work provides historical context for MAD’s mid- to late-twentieth-century pieces, as well as from emerging artists who are an important force in the contemporary art jewelry scene.

The 2019 jury is chaired by Barbara Paris Gifford and Elissa Auther together with LOOT Co- Chairs Joan Hornig and Marsy Mittlemann, LOOT Curator Bryna Pomp, and Board Chair Michele Cohen. The 2019 LOOT Acquisition Prize will be awarded on April 8 during the Opening Benefit dinner.

In 2018, the prize was jointly awarded to Isabelle Molénat and Sarran Youkongdee. Past LOOT artists who have had works acquired by the Museum include the well-established art jeweler Iris Nieuwenburg and the emerging jewelry artist Casey Sobel. Alena Willroth, who was awarded the inaugural LOOT Acquisition Prize in 2016, will be a returning artist this year.

OPENING BENEFIT AND LOOT AWARD

The LOOT 2019 Opening Benefit takes place on Monday, April 8, beginning with a cocktail hour and reception at 4:30 pm. The evening’s activities include first access to the LOOT exhibition and sale—an exclusive opportunity to meet this year’s artists and acquire their designs—as well as a dinner honoring the recipients of the LOOT Award.

The LOOT Award recognizes luminaries in the field of jewelry, including artists, collectors, and designers. This year’s honorees are jewelry designer and philanthropist Adria de Haume and jewelry and fashion designer Josie Natori. Past recipients include fashion icon Iris Apfel (2013), collector Barbara Berger (2013), jewelry designer Joan Hornig (2016), fashion designer Kay Unger (2016), and artists Joyce J. Scott (2014) and Axel Russmeyer (2012).

The LOOT 2019 Opening Benefit Host Committee comprises Susan Ach, Iris Apfel, Davina Benshetrit, Caroline Blackman, Noreen Buckfire, Marian C. Burke, Kathy Chazen, Michele Cohen, Paolo Costagli, Stacy Creamer, Emily Cutler, Marcia Docter, Patti Dweck, Beth Farber, Sandy Grotta, Joon Han, Jan Huling, Barbara Jacobs, Ann Kaplan, Wendy Tarlow Kaplan, Jane Koryn, Laura Kruger, Luisa LaViola, Bonnie Levine, Pam Levine, Tina Livanos, Jackie Martin, Stacey Mayrock, Ella McHugh, Robert Lee Morris, Edie Nadler, Michelle Perr, Linda Plattus, Andi Potamkin, Barbara Regna, Heidi Rigney, Deborah Roberts, Lela Rose, Jill Ryan, Bette Saltzman, Gail Shields-Miller, Angela Sun, Ted Taylor, Barbara Tober, Isabel and Ruben Toledo, Kay Unger, Barbara Waldman, Janet Winter, Marcia Celis Wirth, Pamela Workman, Jan Wysocki, and Lynn Yaeger.

To purchase tickets to the LOOT 2019 Opening Benefit, to be held on Monday, April 8, visit thestore.madmuseum.org/collections/loot-2019, or contact Rebekka Grossman at 212.299.7712 or rebekka.grossman@madmuseum.org.

PUBLIC EXHIBITION AND SALE HOURS

Tuesday, April 9: 10am to 6pm

Wednesday, April 10: 10am to 6pm

Thursday, April 11: 10am to 6pm

Friday, April 12: 10am to 6pm

Saturday, April 13: 10am to 6pm

Entrance to LOOT is included in the price of Museum admission: $16 general; $14 for seniors; $12 for students; free for MAD members and children under 18 years of age. To purchase tickets online, visit madmuseum.org/visit.

ABOUT CORPORATE SPONSOR: PAOLO COSTAGLI

Paolo Costagli New York returns as corporate sponsor of LOOT. The fine jewelry brand recognized for its sophisticated, modern, and distinctly bold designs, will debut Onde, its new collection of 18kt gold and diamond jewelry at LOOT 2019. The Onde collection, inspired by the waves of the Venetian Lagoon, introduces a variety of rings, earrings, bracelets, and necklaces. Featuring Paolo Costagli’s signature bold geometrics with a touch of fluidity, the collection presents effortlessly chic precious jewelry fit for all occasions, from everyday wear to a formal soirée.

ABOUT THE MUSEUM OF ARTS AND DESIGN

The Museum of Arts and Design (MAD) champions contemporary makers across creative fields and presents the work of artists, designers, and artisans who apply the highest level of ingenuity and skill. Since the Museum’s founding in 1956 by philanthropist and visionary Aileen Osborn Webb, MAD has celebrated all facets of making and the creative processes by which materials are transformed, from traditional techniques to cutting-edge technologies. Today, the Museum’s curatorial program builds upon a rich history of exhibitions that emphasize a cross-disciplinary approach to art and design, and reveals the workmanship behind the objects and environments that shape our everyday lives. MAD provides an international platform for practitioners who are influencing the direction of cultural production and driving twenty-first-century innovation, and fosters a participatory setting for visitors to have direct encounters with skilled making and compelling works of art and design. For more information, visit their website.

PRESIDENT FORD’S PERSONAL PHOTOGRAPHER

EXHIBIT BY PRESIDENT FORD’S PERSONAL WHITE HOUSE PHOTOGRAPHER

TO BE DISPLAYED AT GERALD R. FORD PRESIDENTIAL MUSEUM

Exhibit opens March 25 with ribbon cutting and discussion

featuring David Hume Kennerly and Susan Ford Bales

 

Pulitzer Prize winning and presidential photographer David Hume Kennerly’s exhibit “Extraordinary Circumstances: The Presidency of Gerald R. Ford” will be on display for the first time at the Gerald R. Ford Presidential Museum in Grand Rapids, Michigan.  The exhibit is scheduled to open on March 25 with a ribbon cutting at 5 p.m. and a presentation at 7 p.m. featuring Kennerly and Ford’s daughter Susan Ford Bales.

 “David’s work not only captured historic images of our father’s presidency, but also the personal side of our family,” said Bales. “We are blessed to have this beautiful photography available and open for the public to view.” 

 “Extraordinary Circumstances: The Presidency of Gerald R. Ford” follows Ford’s presidency from the day he was appointed vice president to the end of his presidency. The exhibit is a collection of behind-closed-door images, including the inner workings of the White House, the Ford family, and the end of Ford’s presidency after losing to Jimmy Carter in the 1976 election. 

 “Mr. Kennerly’s unprecedented access to President Ford and his family offers a candid look into historic events surrounding some of our nation’s darkest times while highlighting the president’s efforts to heal the country,” said Elaine Didier, director, Gerald R. Ford Presidential Library and Museum. “We are honored to have these images on display and give the public an opportunity to view history as seen through the eyes of one of the nation’s highest regarded photographers.”

 In 1972, Kennerly was awarded the Pulitzer Prize in Journalism for a portfolio of his photos from the Vietnam War, the Ali-Frazier fight, refugees from East Pakistan in India, and combat in Cambodia. Two years later, at age 27, he accepted an appointment to serve as Ford’s chief presidential photographer. 

 “I photographed every major event during President Ford’s time in office. I think the most important image that emerged from the thousands of photos was a close-up portrait of the president’s humanity,” said Kennerly. “It is a privilege to bring these images to the home of President Ford and allow the community to experience his presidency and the Ford family’s personal side.”

 Kennerly was named “One of the 100 Most Important People in Photography,” by American Photo Magazine. He served as contributing editor for Newsweek for more than a decade and a contributing photographer for Time and Life magazines. Kennerly has published several books of his work: “Shooter,” “Photo Op,” “Seinoff: The Final Days of Seinfeld,” “Photo du Jour,” “Extraordinary Circumstances: The Presidency of Gerald R. Ford,” and “David Hume Kennerly On the iPhone.” He covered the 2016 presidential campaign for CNN, and was a major contributor to the network’s book, “Unprecedented: The Election that Changed Everything.”  His exclusive photo of Trump taken two weeks after he was elected was featured on the cover.

 “Extraordinary Circumstances: The Presidency of Gerald R. Ford” will be on display through Sept. 2, 2019. The March 25 ribbon cutting and presentation are free and open for the public to attend

Moth to a Flame

Adisa Mullings, New York based photographer, content developer and member of GVI Films worked alongside model Modesta Boafo, makeup artist Tatiana Ward, hair stylist Stephanie LaBelle and wardrobe stylist Lunden to create the following photo series.

Gvi Photography (@gviphotog)

Model/Actress: Modesta Boafo (@WestAfricanDol)

MUA: Tatiana Ward (@Beatfacehoney)

Hair Stylist: Stephanie LaBelle “The Hair Galleria” (@ManeInRome)

Wardrobe Stylist: Lunden of “Looks By Lunden” (@LooksByLunden)

About GVI Films

GVI FILMS (pronounced G6 Films) is a collaborative venture that brings together talented professionals who work hard to create inspiring visions, stories and memorable moments through film/video and photography. Their team will go above and beyond your expectations to meet your needs, providing each client with a quality finished product that will best represent you. They are located in Brooklyn, New York and travel worldwide!

Anna Chromy

CHINESE PRESIDENT XI PING ON SILK ROAD MISSION TO ITALY, MONACO AND FRANCE from 22 to 26 March 2019

When the Government of China was looking in 2015 for a symbol of its Official Pavilion at EXPO2015 in Milano, they did not turn to a Chinese artist, but to a European artist who has his sculpture studio in Pietrasanta and Carrara in Tuscany. The reason for this choice was the extraordinary popularity of the sculptor Anna Chromy in China, who is considered in this country as a Cultural Ambassador between Europe and China (Phoenix News).

Anna Chromy used as theme for her Silk Road Sculpture two bionic towers symbolizing the new city developments along the ancient road. The towers end in two stylized hands holding the world between them, as symbols for the Eastern and Western ends of the Road, connecting the two most advanced civilizations of that time. The towers are engraved with ornaments showing the caravans of the ancient trade road, which brought the silk and other goods from China to Europe. On top of the Globe flies the Angel of Peace, as a tribute to the City of Xi’an (“Eternal Peace”), the starting point of the Ancient Silk Road.

Anna Chromy is represented in China by Phoenix Television, with 550 million viewers the global no.1. She is Honorary Fellow of the National Sculpture Academy of China, a Member of the Chinese City Sculpture Committee, the first Western artist to have a solo exhibition in the National Museum of China in Beijing, and to have a permanent work in the Entrance Hall of this prestigious Museum. She has also numerous other works in public locations around China.

A SILK ROAD IN THE PERMANENT COLLECTION OF PHOENIX MEDIA CENTER IN BEIJING

On November 28, 2017, the Founder and Chairman of Phoenix Satellite TV, Mr. Liu Changle, welcomed the Silk Road sculpture of Anna Chromy into the Permanent Collection of the Phoenix Media Center in Beijing. After the ceremony the CEO of Phoenix TV Art and Culture invited Anna Chromy and Wolfgang Stein for a visit to the private parts of the Forbidden City normally reserved for State guest only.

Social media

Facebook

Instagram

Twitter

LinkedIn

Youtube