Posts tagged with "Cold and Black and Infinite North America 2018"

Nine Inch Nails

COLD AND BLACK AND INFINITE NORTH AMERICA 2018.

NEW DATES ADDED DUE TO POPULAR DEMAND.

November 30th and December 1st at The Joint Las Vegas On Sale This Week.

Due to popular demand, Nine Inch Nails have extended their fall tour with the addition of two shows at The Joint in Las Vegas. Tickets for the November 30 and December 1 concerts go on sale 9/20 at 10AM PT. The Jesus and Mary Chain will provide direct support and HMLTD will open.

Nine Inch Nails came out swinging at the COLD AND BLACK AND INFINITE NORTH AMERICA 2018 tour opener in Phoenix, ripping through 1992’s Broken EP in its entirety to begin the show, before diving into deep cuts and classics from the band’s vast catalog. Performances of songs from 2018’s Bad Witch and last year’s Add Violence showcased the unrivaled live acts dynamic range. The surprises in the setlist left expectant fans, many of whom earned the best seats in the house by spending hours in massive lines at the Physical World presale events, wondering what they have to look forward to as the tour barrels through their town.

COLD AND BLACK AND INFINITE NORTH AMERICA 2018 includes sold out, multiple night stand in marquee venues, with six dates at the Palladium in Los Angeles, two nights at Red Rocks, three at Chicago’s Aragon Ballroom, and two at NYC’s Radio City Music Hall. New Orleans, Detroit and more. See below for itinerary. Visit www.nin.com for ticket information. Additional opening acts along the tour route include Kite Base, Daniel Avery, Gabe Gurnsey, (Factory Floor), Death in Vegas, HMLTD and Soft Moon.

The tour comes on the heels of the release of “Bad Witch,”the final volume in a trilogy of releases that NME praised as Nine Inch Nails best release in a decade. The Atlantic noted, “Bad Witch” is enveloping and relentless: satisfyingly terse, built with an ear for energizing rhythm, and as adventuresome as anything Reznor has done. Pitchfork said, “Like his greatest albums, it works best as a whole, played loudly on headphones in a dark room.” The Hollywood Reporter hailed the recent collection of releases as Reznor’s version of David Bowie’s Berlin Trilogy.