Kanye West will bring Sunday Service to Chicago’s Huntington Bank Pavilion at Northerly Island this Sunday, September 8th. Sunday Service will begin at 9am CST. Tickets for Sunday Service will be made available via Ticketmaster at no charge to the public on a first come, first served basis while supplies last. Sunday Service will be simulcast on Chicago radio stations 107.5 WGCI and 103.5 KISS-FM, and will be live streamed on online.
Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.
As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
“Crazy In Love”
“Lift Ev’ry Voice And Sing”
“Sorry”/”Me, Myself and I”
“I Been On”
“Drunk In Love”
“Don’t Hurt Yourself”
“Mi Gente (Remix)”
“You Don’t Love Me (No, No, No)”
“Check On It”
“Déjà Vu”(featuring JAY-Z)
“Run the World (Girls)”
“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)
“Say My Name” (featuring Kelly Rowland and Michelle Williams)
“Soldier” (featuring Kelly Rowland and Michelle Williams)
“Get Me Bodied” (With Solange Knowles dancing)
“Single Ladies (Put a Ring on It)”
“Love On Top”
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).
Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.
With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.
Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.
A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.
After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.
Illustrator: Alejandra Villagra
Tonight, Alison Wonderland will launch her summer U.S. headline tour with a sold-out show at the Ogden Theatre in Denver, CO. A second Denver show has been added on August 4. The run includes concerts at Seattle’s WaMu Theatre (August 10) and Shrine Expo Hall in Los Angeles (August 17). See below for itinerary. Tickets are available at alisonwonderland.com.
The outing follows Wonderland’s performances at numerous festivals. Run The Trap hailed her set at Belgium’s Tomorrowland as “a work of art, unforgettable.” Dancing Astronaut named her as one of the “artists you can’t miss at Spring Awakening” and ran this Q&A with Wonderland. The Chicago Tribune said, “Alison Wonderland, the only woman appearing on a main stage this year, ushered in the evening with a buoyant set that featured her singles ‘Church’ and ‘Easy.’ Billboard ranked her performance among the Top 5 Dance Highlights at Coachella and noted, “Wonderland came to the table with nothing but a home run on the menu.”
Naming her as one of the “breakout musicians ready to rock your summer,” Elle observed, ‘Wonderland’ punctuates lyrics about self-worth and self-care with soul-thumping beats.” She is touring in support of her sophomore album, AWAKE (Astralwerks), which entered Billboard’s Top Dance/Electronic Albums chart at No. 1 a feat she also accomplished with her self-titled 2015 debut album, Run.
Wonderland brought her writing and producing skills to each of AWAKE’s 14 tracks and was joined in the studio by a red-hot roster of collaborators, including Joel Little (Lorde), Illangelo (The Weeknd), Party Favor (Mad Decent) and long-time friend Lido. Features include Chief Keef on “Dreamy Dragon” and Trippie Redd on “High.”
One of the latest remixes from AWAKE is from Valentino Khan. One of EDM’s biggest names, Khan has collaborated with the likes of Diplo, Skrillex and Steve Aoki and regularly flips the biggest tracks from the world’s biggest stars. His thunderous remix of “Good Enough” pushes up the BPM to fever pitch, combining his impeccable production chops with the ghosts of UK bassline and hardcore. Check out Khan’s up for it, rave-ready remix of “Good Enough” HERE.
EDM Tunes praised London-based duo Billion’s ‘dance ready remix’ of “Easy.” Billion comprising Ed Butler and Robbie Lamond are known for their eclectic blend of garage, house and techno and have earned support from the BBC’s Skream, Annie Mac and Mistajam. Download / stream “Easy” (Billion Remix) HERE.
Kaivon who found his audience with a striking series of singles based on the theme of rebirth has also remixed “Easy.” In a track premiere, YourEDM.com said, “Kaivon keeps the emotional tone while pumping up the energy just a bit, turning the more ballad-like original into a future bass climax. It’s not hard to imagine the pyrotechnics that might accompany this track in a set, or the reaction from the crowd when it’s dropped.” Download / stream “Easy” (Kaivon Remix) HERE.
Alison Wonderland North American Headline Tour
8/3 Denver, CO @ Ogden Theatre SOLD OUT
8/4 Denver, CO @ Ogden Theatre Tickets HERE
8/5 Aspen, CO @ Belly Up Tickets HERE
8/10 Seattle, WA @ WaMu Theatre Tickets HERE
8/11 Dallas, TX @ South Side Ballroom Tickets HERE
8/17 Los Angeles, CA @ Shrine Expo Hall Tickets HERE
8/24 Chicago, IL @ Aragon Ballroom Tickets HERE
8/25 San Francisco, CA @ Bill Graham Civic Auditorium Tickets HERE
8/31 Washington, DC @ Echostage SOLD OUT
9/1 Washington, DC @ Echostage Tickets HERE