Posts tagged with "Carl Sturken"

Kandace Springs

“Prince’s protoge spreads her wings on breathtakingly eclectic second album

An accomplished pianist with a sensuous, smoky voice”

MOJO

the soulful pianist and vocalist is self-assured, distinctive and strikingly contemporary.

WALL STREET JOURNAL

Singer and pianist Kandace Springs has released her remarkable second album Indigo (Blue Note), a 13-track LP of originals and choice covers that showcases the full breadth of Kandace’s artistry from smoldering R&B (People Make the World Go Round , 6 8) to gorgeous jazz ballads (Unsophisticated, featuring Roy Hargrove) to the pop songcraft of “Breakdown” and Don’t Need The Real Thing. All but two tracks are produced by drummer/producer Karriem Riggins (Common, Erykah Badu) with additional production by Jamie Hartman (Rag’n’Bone Man), Jimmy Hogarth (Amy Winehouse, Corinne Bailey Rae), Jimmy Harry (Madonna, P!nk), and Evan Rogers and Carl Sturken (Rihanna). Indigo is available on vinyl, CD, download, and streaming services.

For Kandace it boils down to a question that connects past to present: “What would Nina Simone do if she had the technology of today? You could never put Nina in a boxߞshe would do a blues followed a classical piece, a jazz standard and then a Beatles cover. This LP took a lot of inspiration from that it’s a mix of everything that I am.” Indigo offers a fairly plausible answer to that impossible query: songs that swirl classical composition with quiet-storm cool, jazz poise with hip-hop swing, tropical warmth with soulful depth, and earthen groove with airy psych.

Given that diverse palette, Karriem was exactly the right person to work with Kandace to catalyze the best parts of various interests into something new. “I love crossing genres and the direction on Indigo was to marry all the different things to tell her story”, says Karriem, who tracked his drums at various studios while on the road with Diana Krall, and chopped and reassembled his and Kandace’s recordings into what you hear. “It sounds organic because everything was built around the songwriting. She says so much on the piano, and her voice is amazing it’s the focal point of the whole sound.”

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Kandace will embark on a U.S. headline tour beginning September 28 that includes album release shows in Los Angeles (Troubadour, October 1), New York (Sony Hall, October 28), and a hometown Nashville show (City Winery, November 4), followed by performances in Europe and Asia. See below for a full list of tour dates and visit kandacesprings.com for ticket info.

Kandace Springs ߝ Tour Dates:

September 28 Musical Instrument Museum Phoenix, AZ

September 29 Voodoo Room @ House of Blues San Diego, CA

September 30 – The Parish @ House of Blues Anaheim, CA

October 1 The Troubadour Los Angeles, CA

October 2 Swedish American Hall San Francisco, CA

October 4 The Jack London Revue Portland, OR

October 5 Benaroya Hall Seattle, WA

October 7 – Vancouver International Jazz Festival Vancouver, BC

October 24 City Winery Boston, MA

October 25 Daryl’s House Club Pawling, NY

October 27 – Iron Horse Music Hall Northampton, MA

October 28 – Sony Hall New York, NY

October 29 World Cafe Live Philadelphia, PA

October 30 The Hamilton Washington, DC

November 2 Stage Door Theater Charlotte, NC

November 3 City Winery Atlanta, GA

November 4 City Winery Nashville, TN

November 13 Forum Leverkusen Leverkusen, Germany **with WDR Big Band**

November 16 New Morning Paris, France

November 17 Queen Elizabeth Hall London, England

November 19 Paradiso Amsterdam, Netherlands

November 20 Quasimodo Berlin, Germany

November 27 Tokyo International Forum Tokyo, Japan

November 28 Sankei Hall Breeze Osaka, Japan

December 1 Blue Note Beijing Beijing, China

December 2 Blue Note Beijing Beijing, China

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Prince once said that Kandace “has a voice that could melt snow.” The music icon heard her cover of Sam Smith’s “Stay With Me” online in 2014 and invited her to perform with him at Paisley Park for the 30th anniversary of Purple Rain, becoming a mentor to the young singer and pianist. Kandace’s 2014 self-titled EP turned even more heads and led to performances on Letterman, Kimmel and Fallon, as well as the Afropunk and Bonnaroo festivals. Okay player called her as “a vocal force to be reckoned with” and Afropunk dubbed her “a versatile and vital artist”

Kandace draws much of her musical inspiration from her father, Scat Springs, a respected session singer in Nashville. It was due to him that Kandace grew up surrounded by music, and he encouraged her to take piano lessons after he watched her peck out melodies on the instrument when she was 10. Yet as a girl, she was equally interested in other creative outlets, especially visual art and, more unexpectedly, automobiles. “My dad gave me a Matchbox car, and my mom gave me a Barbie,” she says. “I drew a mustache on the Barbie and never played with it again, and I still have the Matchbox car.” (Her obsession with cars, which she collects, rebuilds, and resells, continues to this day.)

Something deeper in the young musician was sparked when she heard Norah Jonesߣ 2002 Blue Note debut, Come Away With Me. “The last song on the record is ߢThe Nearness of Youߣ and that song really inspired me to learn to play piano and sing. It was just so soulful, simple and stripped down. That really moved me and touched me. It’s when I realized, This is what I wanna do.”

Kandace began gigging around Nashville, and eventually an early demo she recorded caught the ears of Evan Rogers and Carl Sturken, the production team who have written hits for Shakira, Christina Aguilera, and Kelly Clarkson, and are best known for discovering Rihanna as a teen and signing her to their production company SRP. Rogers flew to Nashville with an offer to sign Kandace. Still only 17 years old at the time she and her family decided that it wasn’t the right time to pursue a recording career, instead taking a job at a downtown Nashville hotel where she valet parked cars by day and sang and played piano in the lounge at night.

A few years later, Kandace was talking about going to automotive design school, but her mother suggested that she get back in touch with Rogers and Sturken. She instead moved to New York and started working seriously on new songs and demo recordings. She eventually landed an audition with Blue Note President Don Was at the Capitol Records Tower in Los Angeles, winning him over with a stunning performance of Bonnie Raitts “I Can’t Make You Love Me” (the original of which he had coincidentally produced).

If you listen closely to Indigo, you’ll hear a nod to Prince in the lyrics of “Fix Me” but the best tribute she could pay to him, Ms. Simone, and the humble legacy of the man who introduced her to music, her father, is by, as Karriem words it, “creating something that adds to the art form.” With Indigo, an album that couldn’t have been made by anyone but her, Kandace Springs does exactly that.

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