Posts tagged with "Basel"

“ONLY YOU” A Multimedia Series by Indira Cesarine

The Untitled Space is pleased to present multimedia series “ONLY YOU” by Indira Cesarine at SCOPE Art Show in Basel, Switzerland in partnership with ArtHelix Gallery and SHIM. Cesarine’s medium format photography, welded steel sculpture and video art will be on view in Booth A43 from June 12th to 17th for the duration of the fair.

“ONLY YOU” is a conceptual narrative portrait series chronicling a woman’s emotions as she traverses a metaphorical landscape of love, loss, abuse and betrayal. Each artwork is part of the greater narrative of her story. The series is based on autobiographical experiences of the artist. It was photographed on a medium format RZ camera as well as on HD video. The limited edition photographs and welded steel sculptures were completed in 2017 and unveiled last November at The Untitled Space gallery along with a dance performance by Bryn Cohn + Artists inspired by the series. Photography from the series was additionally featured at CICA Museum, South Korea as part of their January exhibition “Portrait 2018”.

The video art edition of “ONLY YOU” premiered at Art Basel Miami for an exhibition in collaboration with American Friends of The Louvre and Miami Art Museum. The video has additionally been screened internationally at exhibitions including “Factory Project” at London’s Red Bull Studios in collaboration with Graffik Gallery, at an event for Cannes Film Festival in France, and at the Big Screen Plaza in Chelsea, New York.

Indira Cesarine is a multimedia artist who works with photography, video, painting, printmaking and sculpture. A graduate of Columbia University with a triple major in Art History, French and Women’s Studies, she additionally studied art and photography at Parsons School of Design, International Center of Photography, School of Visual Arts, The Art Students League and New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center.

Empowering feminist themes are often the point of departure for Cesarine’s multi-sensory series. Her artwork questions the place of humanity in context with contemporary civilization and is often influenced by autobiographical content and women’s history at large. As a multi-disciplinarian artist she works across several mediums and techniques to convey a rich and diverse narrative, with an emphasis on thematic subject matter that engages a narrative of social discourse and art activism.

Her artwork has been featured internationally at many art galleries, museums and festivals, including The Metropolitan Museum of Art, Mattatuck Museum, CICA Museum, Getty Images Gallery, French Embassy Cultural Center, Museum of Contemporary Art San Diego, Art Basel Miami, Cannes Film Festival and the International Festival Photo Mode to name a few. In 2014, her public art sculpture, “The Egg of Light” was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt. Her work was recently auctioned at Sotheby’s New York for the annual “Take Home A Nude” art benefit.

“ONLY YOU, No 10″

ARTIST’S STATEMENT

“’ONLY YOU’ is an autobiographic series that I photographed and directed, working with a model to reenact sentiments I was feeling. This series tells the story not just of my emotional trauma, but that of many women who have been abused and betrayed by people they trusted, and how difficult it can be to process those emotions. In light of the #MeToo movement, many women are finding the strength to tell their stories. I have had many experiences that have crossed the line, in my personal life as well as throughout my career, and this series resonates with me as particularly relevant, a metaphorical mirror of how many women are feeling right now. You can feel the emotions in this series—they range from anger to sadness to disbelief to shame…frustration, fear— It’s an emotive series that focuses on the eyes as a portal.” – Indira Cesarine

“ONLY YOU, No 26”

ABOUT ARTHELIX + SHIMArtHelix, located in Bushwick, Brooklyn, presents solo and group art exhibitions and hosts lectures, symposia, and other cultural events. ArtHelix creates a meta-art space, a place where art is not only displayed and offered for sale, but also where it can be openly discussed and challenged, a hub or “helix” from which culture can be reimagined.

SHIM is a full service arts management company that helps artists present professional quality exhibitions by and for themselves without gallery commissions or lease. SHIM’s flagship location exists within ArtHelix gallery in Bushwick, Brooklyn.

For more info visit SCOPE-ART.COM

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com