Posts tagged with "art Basel"

Zachary Balber: Tamim

Miami Revs Up for Art Basel!

Nov. 20th through March of 2020

The Jewish Museum of Florida-FIU, in South Beach, at 301 Washington Avenue. 

Zachary Balber uses portrait photography to uncover the camouflaged identity of some of Judaism’s most unconventional Jews, in his series Tamim.

The photographer, a rising star in Miami’s art scene who is fast gaining national acclaim, is Jewish himself and connected strongly with the men he photographed. Through this series, he re-connected with his own heritage.

This is the first time these photographs have been exhibited in full color, some are new and have never been shown.

Some of the monumental images were printed as large as possible, to show the subjects at two or three times their human scale.

Since many of these men have serious tattoos, this creates the effect of transforming a portrait into a landscape experience for the viewer ‒ the markings across their flesh forge an explicit landscape. 

MORE ABOUT THE ARTIST ZACHARY BALBER:

Zachary Balber was born in Pittsburgh in 1983 and moved to Miami at the age of thirteen, where he received his first camera. Years later, while attending New World School of the Arts, he was hired to assist the fashion photographer Bruce Webber, assisting Webber in his campaigns for Abercrombie and Fitch, Vera Wang, and Vanity Fair Magazine.

He attended New World School of the Arts, graduating Summa Cum Laude, majoring in creative photography. His work has been exhibited at: Art Basel, The Nerman Museum of Contemporary Art; The American Jewish University (LA); The Frost Art Museum FIU; MOCA NOMI; FAU Museum OCCA; (CIFO) Cisneros Fontanals Art Foundation; Locust Projects; Spinello Gallery; Fredric Snitzer Gallery; The Armory; Art Hong Kong; Primary Projects, and Center for Fine Art Photography (CO); Hinge Gallery (Chicago); among many others. www.gingerphotoinc.com.

LOUIS VUITTON × OBJETS NOMADES

Louis Vuitton celebrated the new Objets Nomades collection during Design Miami/ 2018 at Cecconi’s Soho Beach House on Tuesday, December 4th.  Guests in attendance included Michael Burke (CEO/Chairman of Louis Vuitton), designers of Objets Nomades including Alberto Biagetti and Laura Baldassari (of Atelier Biagetti), Humberto Campana, Patrick Reymond (of Atelier Oi), as well as Bailey Beckstead, Nathan Browning, Carolina Daur, Isaac Hindin-Miller, Sue Hostetler, Poppy, Olympia Scarry, Fiona Scarry, and Beau Wrigley.

Photo Credit: Louis Vuitton / David X Prutting / BFA.com

 

For Design Miami/ 2018, Louis Vuitton exclusively introduced three new objects: Italian design studio Atelier Biagetti’s Anemona Table, Atelier’s Oï’s Serpentine Table, and Tokujin Yoshioka’s Blossom Vase, along with a selection of existing objects. In addition to these brand new additions, new variations of two select Objets Nomades were also presented: The Campana Brothers’ Cocoon swing chair and André Fu’s Ribbon Dance chair. The new collection of Objets Nomades and Les Petits Nomades are showcased at both Design Miami and our Miami Design District store alongside a special curation of our most exquisite and one-of-a-kind exotic offerings. 

LOEWE × ‘CHANCE ENCOUNTERS IV’ EXHIBITION

LOEWE Foundation’s Chance Encounters IV exhibition opening took place last night with works by Anne Low, Andrea Büttner, and Ian Godfrey on display at the LOEWE store in the Miami Design District. Artist Anne Low joined LOEWE Creative Director Jonathan Anderson to celebrate the fourth series; guests in attendance included Boris Izaguirre, Caroline Daur, Casey Spooner, Craig Robins, Chloe Wise, Danié Gómez-Ortigoza, Gracie Mansion, Nicole Warne, Pari Ehsan, and Stefano Tonchi.

 

The works will be exhibited from December 4th – January 31st at the LOEWE Miami Design District store.

ART BASEL × JEWISH MUSEUM

A WINNING TRIFECTA

FOR ART BASEL SEASON AT

THE JEWISH MUSEUM OF FLORIDA-FIU

Alexander Calder, Environment and Evolution, 1973

The Jewish Museum of Florida-FIU delivers a winning trifecta with three original exhibitions for Art Basel season: a show especially curated for art lovers who are yearning to see works by some of the world’s most acclaimed modern masters, the fashion world’s electrifying new star, and a heartwarming remembrance of a beloved painter that brings to life South Florida’s artistic history.

Marc Chagall … Lee Krasner … Roy Lichtenstein … Alexander Calder … and Peter Max! The Art of the Lithograph (on view through March 3), features world- renowned modern masters. Daniel Chimowitz: Walking Canvases (through February 3), is the first- ever museum show by the fashion designer/graffiti artist. Edna Glaubman: Retrospective (through December), is a tribute to the late artist, one of Florida’s most revered painters.

The works in The Art of the Lithograph are on loan from some of America’s leading private and public collections, including: The Metropolitan Art Museum and The New York Historical Society, the Collection of Lori Gold and Alan Hall of Miami Beach, and Hebrew Union College-Jewish Institute of Religion.

Marc Chagall, The Promenade, 1918, Loan of Lori Gold and Allan Hall of Miami Beach

Thirty gorgeous prints explore the history of the lithography process, taking the visitor from lithography stones to off-set and computer-to-plate printing. The Art of the Lithograph features printmaking works by Alexander Calder, Marc Chagall, Jim Dine, Don Eddy, R.B. Kitaj, Lee Krasner, Roy Lichtenstein, Peter Max and Camille Pissarro, among others.

These striking works will be exhibited alongside actual litho stones, and materials that showcase the step-by-step process of lithography making.

Roy Lichtenstein, Mermaid, 1978

Daniel Chimowitz Headlines This Triple-Threat

Headlining Art Basel Season at the Jewish Museum of Florida-FIU is Daniel Chimowitz: Walking Canvases (through February 3). This world premiere marks the first-ever museum show by the celebrated fashion designer and international graffiti artist. Known for creating walking canvases of painted images on hand-sewn and upcycled clothing, Chimowitz combines art with the energy of street art and fashion.

For this new exhibition, Chimowitz has created all new works, never before seen, along with site-specific murals and installations. The artist will make a special appearance to greet the public at the museum on December 9 at 10:00 a.m. for the museum’s annual Sunday brunch during the week of Art Basel Miami Beach. “I design to empower men and women to be warriors in their own right,” said Daniel Chimowitz. “All fashion is about confidence. The more confident you are, the more willing you are to stand out and be original,” adds Chimowitz.

Daniel Chimowitz

Daniel Chimowitz, Installation at Jewish Museum of Florida-FIU

Walking Canvases features seven murals by Chimowitz, 32 new fashion ensembles, two paintings by Chimowitz, two murals by Miami graffiti artist Freddy Aquino, and a selfie-booth by Miami artist Evo Love.

In Chimowitz’s textiles, colors are combined with the punk DIY fashion of London, studs from Spain, and the influences of his two mothers: one mother had Polish/Jewish heritage, and his other mom was Tlinglit (indigenous peoples of the Pacific Northwest).

There are even outfits that look different in photos when photographed using a flash: made from reflective material inspired by emergency first-responders. His fashions have been shown on the runways in Paris, London, Beijing, New York, Los Angeles, San Francisco and Miami, and he has worked with designer Patricia Field.

Installation image, fashion creations by Daniel Chimowitz at the Jewish Museum of Florida-FIU

Installation image, fashion creations by Daniel Chimowitz at the Jewish Museum of Florida-FIU

As a graffiti artist since he was a teenager, the “street style” is clearly evident in his work. Chimowitz was born in London in 1976 and raised in San Francisco by his two mothers, Sylvia and Rachel.

He grew up among the LGBT community, a child of San Francisco’s Castro District where he learned to be who you truly are, and not to be afraid to express oneself. Chimowitz recently returned from Poland where he spent time researching the history of his last name, from the Jewish half of his heritage. The artist learned that what was originally Chaimowitz has become Chimowitz over time, and he feels very connected to his Jewish roots and is proud to have his first-ever exhibition at a Jewish museum.

Also on view during Art Basel Season is the new exhibition Edna Glaubman: Retrospective (through December).

Edna Glaubman, Last Sunset, Florida, 1986, Estate of Rod Glaubman

This new museum retrospective includes 29 works by the late artist (1919-1986), including many works never shown before to the public. She was revered and beloved in Florida as one of the community’s favorite artists for portraits and landscapes.

Her subjects varied widely and included intimate family moments and social gatherings that are now part of the fabric of Jewish history in South Florida’s culture.

“The timeless quality of Edna Glaubman’s art, and her ideas and creative awakenings are as fresh and exciting today as they were when she created them,” said Susan Gladstone, the Executive Director of the Jewish Museum of Florida-FIU.

“Our three exhibitions this year for Art Basel season are all original, new shows created by the Jewish Museum of Florida-FIU,” adds Susan Gladstone.

“They represent the past, present and future of our Jewish Museum. These are works of art that all of our audiences are yearning for and thrilled to see, including the thousands of visitors from all over the world who are in town for Art Basel and our locals from Miami Beach and South Florida.”

Edna Glaubman, Rod and Joe, Blue Springs, circa 1970 Estate of Rod Glaubman

SPECIAL APPEARANCE BY DANIEL CHIMOWITZ: Sunday, Dec. 9 at 10:00 a.m.

On Sunday, December 9 the museum reprises its popular Annual Art Basel, Lox & Cream Cheese Brunch from 10:00 a.m. – 12:00 p.m. for Art Basel week. This year, Daniel Chimowitz will be featured as guest-speaker and will present an exclusive fashion show. RSVP required in advance for December 9: RSVP here at this link ($25 for non-members / $18 for museum members, free for Art Basel VIP Cardholders).

The event will also feature a live performance by the internationally acclaimed Jazz pianist Tal Cohen. His unique piano style owes its roots to the Jewish folk songs and classical music he played in his formative years growing up in Gedera, Israel. Cohen was the winner of the Freedman Fellowship Award and won the Barry Harris Piano Competition in the United States. His recent album ‘Gentle Giants’ has received overwhelming attention including a 4 star review from the acclaimed Downbeat Jazz Magazine. Cohen has become a regular performer with iconic jazz figures and continues to tour the world performing his unique brand of improvised music.

David Castillo Gallery Announces Major News Art Basel

David Castillo Gallery celebrates a pivotal moment during Art Basel this year, with trailblazing news: for the first tie in more than a decade, Art Basel Miami Beach has vetted a gallery from Miami into the exclusive Galleries Section, where only the leading 200 galleries in the world are showcased. The gallery’s singular success story is exemplified by being chosen for this honor, and this year the stars are aligned.

The gallery’s booth at Art Basel (Booth F26) presents a stellar group of artists from throughout the U.S. and abroad, featuring works in sculpture, painting, photography, installation, and paper by the artists Belkis Ayon, Sanford Biggers, Adler Guerrier, Quizqueya Henriquez, Pepe Mar, Glexis Novoa, Xaviera Simmons, Shinique Smith, and Vaughn Spann. This marks the gallery’s sixth year in the art fair and its first in the established Galleries section.

David Castillo at his art gallery with dog (Harry), works by Pepe Mar. Photo by Mateo Serna Zapata. Courtesy David Castillo Gallery.

 

David Castillo is recognized in the art industry for his long-term nurturing of artists, many represented by Castillo since the beginning of their careers.

“Our artists help to shape the most current vision of contemporary art,” says David Castillo. “My passion for their artistic evolution, and our gallery’s singular trajectory of success, have led up to this pivotal year. We are thrilled to have been invited to the Galleries section at Art Basel.”

 

Kalup Linzy, Conversations Wit De Curen: IX XI XII Days of Our Ego

 

During Miami Art Week, the gallery’s headquarters on Lincoln Road (ideally located near the main Art Basel location at the Convention Center), will also present the new group exhibition The Strangeness Will Wear Off, featuring the artists Melissa Brown, Cynthia Cruz, Maria de los Angeles RJ, Natalie Frank, Tomashi Jackson, Pepe Mar, Jillian Mayer, Robert Melee, Eamon Ore-Giron, Shinique Smith, and Wendy White. The opening reception is on Saturday, December 8th, from 7:00-10:00 p.m., located at Lincoln Road on Miami Beach.

The Strangeness Will Wear Off characterizes the enduring legacy of Modernism as a radical and boundary-pushing form into the contemporary moment. The exhibition probes at how artists break with conventions in uncompromising ways, while borrowing pointedly from the past, the new twenty first century avant garde that looks to history as a catalyst for what is to come.

 

Eamon Ore-Giron, Infinite Regress LV, 2018, Flashe on linen. Courtesy David Castillo Gallery.

 

More about the artists at David Castillo Gallery’s Booth in Art Basel 2018:

Belkis Ayon’s visual vocabulary is sober yet sumptuous, capturing haunting ghost-like figures in stark contrasts of bright whites and deep blacks.

Deeply enmeshed within the origins, rituals and teachings of Afro-Cuban religions, the moody penumbral magic of Ayon’s work carries with it the mystical legacies that so fascinated her before her untimely death.

 

Sanford Biggers, Parallaxadaisical, 2017, antique quilt birch plywood, gold leaf. Courtesy David Castillo Gallery.

 

Sanford Biggers plays with the broad scales of time and culture in works that collage histories both far and recent.

His floor sculpture marries his interest in participatory works and geometry: while his quilt constructions tell the uneasy histories of America’s violent racial past through the aspirations of Afrofuturism.

 

Alder Guerrier, Untitled (longevity has its place), 2017, graphite, color pencil, enamel paint and solvent transfer on paper. Courtesy David Castillo Gallery.

 

Adler Guerrier’s work across collage and print mines the cultural make-up of Miami–and of the artist’s own background as a Haitian American living in one of the largest centers of the Haitian diaspora–drawing out themes of collectivizing belonging, seeking refuge, and claiming place.

 

Quisqueya Henriquez, Lyubov Popova/Jackie Winsor, 2014, inkjet print on Dibond and a frame inside a frame. Courtesy David Castillo Gallery.

 

Quisqueya Henriquez boldly claims the history of art for her own, actively mining and recombining references from Conceptualism and the greater lineage of Modernism to reframe this often staid history along new terms. She inserts herself into pictorial modes that largely excluded the voices of those who are Other: women and Latin Americans.

 

Pepe Mar, Checkerboard, 2018. Photo by Zach Balber/Courtesy David Castillo Gallery.

 

Pepe Mar’s fabric paintings tell of a contemporary folklore between past and present, place, and time.

His curiously collaged works that draw from the artist’s own oeuvre; much of the fabrics used in these pieces are printed from photographs from along Mar’s own fifteen-year career, creating new contexts for these past works from combining and re-combining these imageries.

 

Glexis Novoa, Timba, 2017, graphite on Carrara marble (marble recovered from Havana.) Courtesy David Castillo Gallery.

 

Glexis Novoa sources fragments of Carrara marble from the crumbling edificies of Cuban buildings and draws upon them aspirational images of future cities; grand and gleaming architectures in stark contrast to the current realities of Cuban life. Novoa imagines urban infrastructure as a broad political message and one that pulls at the opposing tensions of what is and what could be.

 

Xaviera Simmons, Velvet, 2018, acrylic on wood. Installation view, Renaissance Society, Chicago/Courtesy David Castillo Gallery.

 

Xaviera Simmons’ new body of text paintings, photographs, and sculptural furniture play with ideas of nomadism and the enduring legacies on which the contemporary American narratives is founded; histories of racial inequality, perseverance and unyielding calls for change. Simmons often inserts herself into her works, aligning with the disparate pasts to obscure the boundaries between them and now, us and them.

 

Shinique Smith, Sometimes I wonder, 2016, acrylic, ink, fabric, collage, ribbon and objects on canvas over wood panel. Courtesy David Castillo Gallery.

 

Shinique Smith’s body of work takes form across modes of production that collage found objects, second-hand clothing, and references to the flows of global commerce; how goods are produced in the Global South, transported to the West and then used, discarded, and returned to those countries from which they originated for recycling. Her paintings are often of sweeping swirling forms incorporating Eastern calligraphic traditions.

 

Vaughn Spann, Siren, 2018, polymer paint, dye, prisma marker, fabric, terry cloth on stretcher bars. Courtesy David Castillo Gallery.

 

Vaughn Spann creates evocative and at times deeply personal paintings that blend abstract formalism with the today’s uneasy social nuance.

The visual vocabulary of his Dalmatian series, which brings together black-and-white patters, examines the shifting associations of various geometries and forms across his childhood, recent history and deeper past.

 

More about the David Castillo Gallery:

Wendy White, Jeart (Mello Yello)

 

David Castillo Gallery opened over thirteen years ago under sole ownership after transforming a dilapidated warehouse in Miami, Florida into a 5,000 square foot gallery. After a decade in the Wynwood Arts district, David Castillo relocated for its second decade to Miami Beach’s Lincoln Road and has produced more than 116 fine art exhibitions to date. The gallery’s focus is on conceptual curatorial models as they relate to art historical, cultural, and personal investigations of identity. The gallery works with artists committed to the integrity of their individual histories and studio practices as agents of contemporary climate.

Since opening in Miami in 2005, David Castillo Gallery has become one of the nation’s preeminent galleries in the identification, development, and presentation of groundbreaking artists of color and queer artists, spearheading a far-reaching national and international impact on cultural and critical spaces.

 

Jillian Mayer, I Am Your Grandma

 

Gallery Represented Artists:

Sanford Biggers, Kate Gilmore, Adler Guerrier, Lyle Ashton Harris, Quisqueya Henriquez, Kalup Linzy, Belkis Ayon, Pepe Mar, Jillian Mayer, Robert Melee, Glexis Novoa, Xaviera Simmons, Shinique Smith, Wendy White.

The gallery as effectively advocated for the inclusion of its artists in dozens of museum solo shows and hundreds of museum group exhibitions, including: The Museum of Modern Art (New York); MCA Chicago; Fondazione Trussardi (Milan); Harvard University (Cambridge); ICA Boston; The Nasher (Durham); National Museum of Women in Arts (D.C.); Barnes Collection (Philadelphia); Walker Art Center (Minneapolis); MFA Houston; MoMa P.S.1 (New York); Whitney Museum (New York); Metropolitan Museum (New York); The Guggenheim (New York); and the American Academy in Rome among others.

David Castillo holds degrees in History and Art History from Yale University and the Angelicum in Rome. Since 2000, he has dealt in important Latin American, European, and American secondary market works. Castillo has held positions at museums, including the Yale University Art Gallery’s American Decorative Arts curatorial department. He continues to assist private clients in building their collections in addition to managing David Castillo Gallery And has lectured on various topics in art.

 

Vaughn Spann, Canyon Run

“YOUNG THUG AS PAINTINGS” EXHIBIT

During Miami Art Basel, Young Thug is teaming up with Netherlands-based artist, Hajar Benjida for their SCOPE Miami Beach installation, “Young Thug As Paintings,” an iteration that Benjida originated on Instagram (@YoungThugAsPaintings).
Originally a school project, Benjida’s “Young Thug As Paintings” pays homage to the cultural capital of Thug, by juxtaposing him with some of history’s most revered works of art. Each combination offers a glimpse into Young Thug’s fluid sense of style and musicality. “I jokingly answered an interview question with “I hope to discuss renaissance paintings with Thug someday.” 1.5 years later and I’m bringing my project to life together with Young Thug himself,” stated Benjida.
The exhibit will be available for viewing December 4th through December 9th at the 18th Annual SCOPE Miami Beach Art Fair. SCOPE is one of the most important satellite art fairs that takes place during Miami Art Basel. The exhibit is sponsored by Young Stoner Life Records and 300 Entertainment. “Young Thug is one of the most profound artists of this generation and we’re going to continue to celebrate him in the most innovative ways. Hajar Benjida’s display of Thug’s influence through art disruption is incredible. This is also a celebration of Hajar’s talent and her appreciation of the culture,” says Rayna Bass, Head of Cultural Marketing at 300 Entertainment.
Thug’s exhibit comes shortly after the release of his latest EP, On the Rvn, which featured surprise appearances from Elton John, Jaden Smith, 6lack, and Offset.
Check out his INSTAGRAM HERE

GRAND BASEL

Global debut of the ultimate show for automotive masterpieces

 

Grand Basel is the ultimate global show for automotive masterpieces, with the vision of ‘Celebrating Excellence in Motion’. The show is not just an exhibition, but a platform for automotive culture: a forum, a market place and a space for discussion. Its debut show in Basel marks the beginning of a global tour.

 

The show focuses on collectors’ pieces from the past and present, as well as on new cars of exceptional value and impeccable quality. The exhibition brings together a limited number of carefully-selected, top-of-the-range automobiles – not just the most dignified and luxurious classic cars, but also one-off contemporary editions and technically-advanced concept cars.

What makes Grand Basel unique is that these automotive masterpieces have been carefully selected with special consideration for each car’s cultural meaning, conceptual innovation, condition, provenance, rarity and value.

Grand Basel is also the world’s first and only show to present the automobile in contexts of art, design, architecture and lifestyle; bringing together significant automobiles in an unrivalled, pioneering setting. The show is a completely new approach to exhibiting, discussing and honoring the car.

A global show for a diverse audience

“Grand Basel presents international connoisseurs, experts and collectors with the epitome of automotive culture,” explained Global Director, Mark Backé. “It will appeal to a broad enthusiast audience interested in automobile aesthetics, technological sophistication, art and culture.”

As well as showcasing exclusive and rare cars of the highest calibre, Grand Basel presents cultural highlights and – at the inaugural show – even a world premiere.

While visiting the show, guests will also be able to appreciate the tension between architecture, design, art and the automobile in a range of special exhibitions. Several of these areas have been specially curated by members of the advisory board – a unique set of cultural connoisseurs who have helped to shape the direction of the inaugural Grand Basel.

With their input and support, Grand Basel is a truly open and connected show, relevant to the contemporary and the classic, the analogue and the digital.

Grand Basel in Basel

One of the special features at the first show in Basel will be six curated frames that display individual cars and associated objects, each chosen by a member of the advisory board. While the rest of the exhibits will represent a ‘hive mind’ of consideration, these six frames will showcase very personal interpretations of automotive culture.

The advisory board includes: contemporary artist, Sylvie Fleury; renowned creative entrepreneur and founder of Garage Italia, Lapo Elkann; founder of the Goodbrands Institute for Automotive Culture and chairman of Grand Basel’s advisory board, Prof. Paolo Tumminelli; cultural commentator and author, Stephen Bayley; design theoretician, Prof. Dr. Michael Erlhoff; and world-renowned ‘car designer of the century’ Giorgetto Giugiaro.

“It is no coincidence that for Grand Basel’s debut show in Basel, we have an advisory board made up of leading European voices on the automobile, art and architecture,” explained Mark Backé. “Each Grand Basel will be uniquely relevant to the region where it is taking place, and so for our future shows in the North America and Asia, you may see different perspectives and personalities shaping the presentation.”

The show’s exhibits are carefully selected to just 113 cars, spread over a total show space of 32,000 square metres. A separate ‘Collectors Lounge’ displays a selection of 8 vehicles, set over 7,000 square metres. Exceptional cars have travelled to the show from Germany, Switzerland, Austria, Belgium, the UK, Italy and the USA, and are being exhibited not just by dealers, but by private collectors, museums, manufacturers and coachbuilders.

Exhibition inspired by architecture

Grand Basel’s show style is a bold deviation from the often-nostalgic ambience of established car events. It has a striking, homogenous design, inspired by contemporary architecture. This chosen structure allows exhibits to be presented and admired in a surrounding reminiscent of modern museums, with exceptional automobiles shown in ‘frames’, honouring these cars as the masterpieces they are.

Grand Basel’s world tour

The format of Grand Basel was conceived so that presentation of the show in various locations around the world is part of the agenda. The automobile influences – and is influenced by – society and culture in every part of the globe, and so the discussions at Grand Basel will always have relevance.

The inaugural Grand Basel show in Basel takes place from 6 to 9 September 2018. It is the prelude to a global tour, with a future show in Miami Beach already in development. Every show will have a distinct identity, with the Grand Basel team setting regional and national priorities, and continually reviewing and refining their intercultural aspirations.

 

About Grand Basel

Grand Basel is the ultimate show for automotive masterpieces. Showcasing a top-of-the-range selection of cars from the past, present and future, Grand Basel is the first and only show to present the automobile in the cultural context of art, design, architecture and lifestyle.

Grand Basel addresses a discerning audience of collectors, restoration and conservation experts, dealers, manufacturers and connoisseurs, offering a global platform for exchange. The show is being organised by the MCH Group, a leading international live-marketing company headquartered in Basel, which is also responsible for Art Basel. Following its premiere in Basel in September 2018, further shows in other parts of the world are being planned.

www.grandbasel.com

Artist Pension Trust Announces Art Display

Carefully curated works are featured throughout the New York City building, including in Danny Meyer’s Union Square Hospitality Group’s newest spaces, Manhatta and Bay Room

Artist Pension Trust (APT) is pleased to announce its new project at 28 Liberty Street, a 60-story skyscraper, located in Manhattan’s Financial District. APT artist works will be featured throughout Fosun International’s 28 Liberty building, including at Manhatta, the Danny Meyer-run Union Square Hospitality Group’s (USHG) newly-opened restaurant and bar, as well as Bay Room, USHG’s first-ever event space, both of which occupy the 60th floor of the building.

“Art has always been essential part of our restaurant designs,” says Meyer. “We are thrilled to include over 100 pieces of artwork from Artist Pension Trust in Manhatta and Bay Room, both by top local talent and established international artists. We love APT’s mission of helping artists and fostering a community between them, and we feel privileged to benefit from their meaningful work, and to share it with our guests.”

Featured artists in the space include Logan Grider, an Oregon-based artist and Theresa Hackett, a Los Angeles-based artist, who will both have their works featured inside Manhatta and Bay Room. Hackett’s work incorporates non-conventional materials to create hybrid landscapes while Grider’s pieces showcase an abstract theme.

“This partnership between APT, Fosun, and USHG is an exciting opportunity for our artist community,” says Zohar Elhanani, CEO of Artist Pension Trust. “We constantly seek new and exciting avenues to highlight the works of APT’s artists and the opportunity to showcase selected art throughout 28 Liberty and in both Manhatta and Bay Room, art that has been personally selected by Danny Meyer, will serve as fantastic exposure for our artists.”

Founded in 2004, APT (Artist Pension Trust) is a unique social initiative, designed to bring financial security and international exposure to a select group of emerging and established artists around the world. APT acts as a mutual assurance program, allowing participating artists to benefit from the sale of each other’s work — in essence, ensuring that the big-name artists behind blockbuster shows can support the work of talented peers still gaining art world recognition.

Since its foundation, APT has worked with some of the world’s leading contemporary artists, from Turner Prize winners to recipients of prestigious awards including the Prix de Rome and Deutsche Bank’s Artist of the Year. Works by APT artists have been loaned for exhibitions at the world’s leading institutions and have been prominent features of events including Art Basel and the Venice Biennale.

See some of the works that will be featured here: https://www.mutualart.com/apt/

About Artist Pension Trust

Artist Pension Trust (APT) was established in 2004 to provide artists with added financial security at every stage of their career, through a unique, patented model that allows participants to benefit from one another’s success. The APT model ensures that 72% of the net proceeds from the sale of an artwork goes back to its artist and their peers: 40% to the artist who created the work, and 32% shared among artists in their regional group.

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com

PARADISE PLAZA

MIAMI DESIGN DISTRICT INAUGURATES PARADISE PLAZA

During Art Basel week 2017, the Miami Design District debuted the much anticipated Paradise Plaza, which doubled the Miami Design District’s retail and culinary offerings via the new open air piazza and extension of Paseo Ponti connecting Paradise Plaza to the existing Palm Court.  Paradise Plaza is Miami Design District’s latest multi-level urban park and retail plaza anchored by an iconic architectural structure designed by Johnston Marklee, as well as with works by renowned architectural firms FreelandBuck, Tolila+Gilliland, and MOS. Hosted by Craig Robins, guests of the celebration included Jeffrey Deitch, Curator; Sharon Johnston, Principal Architect and co-founder of Johnston Marklee; Sarah Arison, President of Arison Arts Foundation; Ronan Bouroullec, Designer; Urs Fischer, Artist; Nicholas Gilliland, Principal Architect and cofounder of Tolila + Gilliland; Gaston Tolila, Principal Architect and co-founder of Tolila + Gilliland; Daniel Toole, Architect; Andre Herrero, Principal, Architect of Charlap Hyman & Herrero; Nasir and Nargis Kassamali, Founder of Luminaire; Chad Oppenheim, Owner of Oppenheim Architecture and Design.

In addition to the debut of a number of pop-up exhibitions and art installations throughout the neighborhood, Paradise Plaza also hosted a number of pop-up Art Week pop-ups exhibitions including WWD, goop GIFT and Social Studies. Also housed in the plaza are recent retail openings including Creed, which opened their third U.S. boutique in Miami Design District alongside seventh generation perfumer, Erwin Creed, and Gucci whose Miami Design District location offers two location exclusive bags as part of the brand’s collaboration with artist Coco Capitan: a drawstring backpack and belt bag.

SOCIAL STUDIES AT MIAMI DESIGN DISTRICT

On Wednesday, December 6, Baque Creative and the Miami Design District celebrated the launch of Social Studies Miami, a four day retail pop-up experience exclusively developed by Angelo Baque. Concurrent to Art Basel Miami Beach 2017, Social Studies featured an eclectic mix of innovative brands and collaborators including Virgil Abloh of Off White TM, Nike, Union Los Angeles, 032c Magazine, No Vacancy Inn, Some Ware, ELECTION REFORM!, Odwalla1221 and Awake NY, with a pop-up retail component and a series of education programs and curatorial workshops led by the creatives behind participating brands. Focusing on themes of tangibility and accessibility, the space was open to the public as a social and creative meeting place during Art Week.
To launch the event, renowned photographer and Social Studies collaborator, Shaniqwa Jarvis, was on hand to debut her eponymous publication, while close friend Zuri Marley treated guests to an extraordinary live performance. The self-titled book, the first published by Baque Creative Press, is designed by Stephen Serrato and includes a forward by Ryan McGinley.

CHROME HEARTS + BACCARAT, MIAMI DESIGN DISTRICT CELEBRATE ART WEEK WITH THE MIAMI SYMPHONY ORCHESTRA AT PALM COURT

Laurie Lynn Stark of Chrome Hearts + Craig Robins of DACRA hosted friends & family for an evening of music helmed by Maestro Eduardo Marturet with performances by Jesse Jo Stark and pianist Mary Anne Huntsman alongside the Symphony Orchestra. Starting the evening with a champagne reception at Chrome Hearts Miami to celebrate the opening of the exhibition this time, this place curated by Theo Niarchos with Laurie Lynn Stark & Matt DiGiacomo, guests including Jordan Barrett, Presley Gerber, Virgil Abloh, Elle Macpherson, Gloria Estefan, Theo Niarchos and David Adjaye progressed down to the nearby Palm Court for a live musical program ranging from Classical to Broadway to Rock ‘n Roll.