Posts tagged with "Apple"

How Big Tech Is Destroying Our Press

Ahead of today’s House Judiciary Hearing, the Save Journalism Project held a press call with Rep. Mark DeSaulnier (CA-11); journalists Laura Bassett, laid off by HuffPost; and John Stanton, laid off by BuzzFeed; and Neil Chase, CEO of CalMatters and former executive editor of The Mercury News and East Bay Times.

The monopolistic power of big tech companies like Google, Facebook, and Apple is destroying the economic model of the entire journalism industry, whether its traditional circulation newspapers or digital news outlet.

 This week’s hearing on how digital platforms affect news organizations marks the much-needed return of congressional antitrust scrutiny to big tech companies, which have gained a monopolistic position that lets them dominate the digital advertising marketplace and distribute massive amounts of content from news publishers on their platforms without paying to produce the content. 

Rep. Mark DeSaulnier (CA-11) said, “I don’t think there’s anything more important right now than this issue. Being from the Bay Area, I have been to every big tech company. After meeting with them, I think it’s time to make it easier for licensing like the music and movie industries have done. We are members of Congress, you are journalists, and we have to keep an appropriate Constitutional distance, but there are policy proposals in our legislation that protect the freedom of the press and are necessary to keep the industry alive. When I was first elected to the Concord City Council there was a reporter who was consistently in the front row keeping officials accountable. His presence made local government work, and it is vital that we protect the journalism industry to make sure leaders are kept accountable and communities are informed.”

Laura Bassett, a reporter who was laid off by HuffPost, commented, “In the first few months of 2019, I was one of about 2,400 journalists and media staffers who lost our jobs. Even though I was aware the cuts were coming, it was still shocking to be laid off after nearly a decade in my newsroom. The reason for the mass layoffs, I found out, was that Big Tech companies like Google and Facebook are dominating the digital ad market, swallowing about 60 percent of all revenue and making it difficult for journalism to survive. News publishers are being forced to give a cut of their ad revenue to these companies- revenue that would otherwise go to hiring journalists. Because a well-funded news media is vital to a healthy democracy, the public needs to be aware of Big Tech’s death grip on publishers. At the House Judiciary Hearing today, lawmakers in Congress need to address this bipartisan issue and find legislative solutions that regulate tech giants and restore fairness to the digital ad market. Journalists are taught not to be the story, but as Big Tech’s digital ad monopoly benefits off of our revenue streams, it’s incumbent upon us to fight for the future of our industry. One or two companies should not have the power to cripple the free press.”

“After 20 years of covering Congress and the White House for BuzzFeed, I found out layoffs were coming in a tweet from the Wall Street Journal,” said John Stanton, former Buzzfeed Washington Bureau Chief before being laid off. “Despite the great work my colleagues and I were doing for the publication, there simply wasn’t enough money. Because stories that lead to changes in state and federal law, jailing of criminals and exposing wrongdoing — cost money. Money that is increasingly gobbled up by Google and Facebook. To try to survive, slashes had to be made. To entire desks. The reason advertising revenue has fallen so steeply is that Google and Facebook dominate the digital ad market, consuming more than 60 percent of all revenue. And their share is growing, because they devour nine out of every ten new dollars that are spent on digital advertising. Big Tech’s monopoly has a death grip on publishers. Congress needs to be discussing how to regulate this imbalance and restore competitive fairness in the digital market.”

Neil Chase, CEO of CalMatters and former executive editor of The Mercury News and East Bay Times, added, “We all believe journalism is central to democracy. Newspapers have experienced a decline not in the past five years, not in the past ten or fifteen years, but in the past seventy-five years. Newspapers have been declining since World War II. The problem is that we are essentially sitting on a 200 year-old product, but are trying to compete with new and changing technologies. Newspapers have maintained a monopoly for over 200 years. This is how people historically gained all their information; how they found where to buy clothing, where to buy their groceries, and where they got their news. With the change in how society works, all we have is the news. In order to solve this problem, we need a multi-pronged approach. We need to engage in philanthropy, which my company is already focused on this aspect. We need newspapers with benevolent leaders, not the leaders that we have at some major news organizations now. We need support from legislators. And, we need people paying for the news. We need a lot of support from a lot of different places in order to make this work.”

Save Journalism Project Launches To Protect Our Press From Big Tech

BuzzFeed Reports on Recently Laid Off Journalists Serving  As Spox For New Campaign To Save Journalism From Monopolistic Power of Big Tech Companies

Today, BuzzFeed reports on the Save Journalism Project that’s launching to raise awareness and engagement about the critical need to save journalism as it faces an existential threat—the monopolistic power of big tech companies like Google, Facebook, and Apple destroying the economic model of the entire journalism industry, whether its traditional circulation newspapers or digital news outlets. At the same time, Google and Facebook have made acquisition after acquisition, gaining a monopolistic position that lets them dominate the digital advertising marketplace and distribute massive amounts of content from news publishers on their platforms without paying to produce the content. Just now are Facebook, Google, and other tech giants facing federal government and Congressional antitrust scrutiny.

Two recently laid off reporters will serve as spokespeople for the Save Journalism Project, Laura Bassett  and John StantonLearn More and Join the Fight at SaveJournalism.org and@SaveTheNews.

BuzzFeed: These Reporters Lost Their Jobs. Now They’re Fighting Back Against Big Tech.

“John Stanton and Laura Bassett are warning about what they believe the tech industry is doing to journalism, as thousands have lost their jobs this year alone.

By Rosie Gray”

Two prominent reporters who were recently laid off from digital media outlets are forming a new advocacy group formed to raise awareness about big tech’s impact on the journalism industry.

John Stanton, a longtime congressional correspondent and former BuzzFeed News Washington bureau chief, and Laura Bassett, a former culture and political reporter for nearly 10 years at the Huffington Post, have teamed up to launch a new initiative called the Save Journalism Project. The two have first-hand experience with the troubled state of the news industry: Stanton was laid off from BuzzFeed News during a round of layoffs that affected 200 people company-wide this winter and spurred a unionization drive among the news staff. Bassett lost her job in similar fashion in January after Huffington Post laid off 20 employees as part of larger cuts at its parent company, Verizon Media.

This year has been one of the worst in recent memory for journalism jobs. Across the industry, thousands have lost their jobs: from BuzzFeed News, Vice, CNN, and others across the country at local publications. Media organizations have been imperiled by crashing advertising revenues as Facebook and Google vacuum up available ad dollars.

Their new project will be set up as a nonprofit, according to Eddie Vale, a Democratic consultant whose firm is providing the man-power to launch the effort. Vale pitched Bassett on the idea, and the two of them brought in Stanton. Vale said initial funding had been secured from “someone who doesn’t want to be public so Google and Facebook don’t go after them,” and the group plans to continue to fundraise. So far, the pair have co-authored testimony given to the Senate Judiciary Committee highlighting the tech giants’ impact on the news industry — “since being laid off, we’ve made it our mission to understand how the digital marketplace works and how Big Tech is killing the journalism industry,” they wrote — flown a plane above Google’s I/O conference, and authored op-eds.

A key part of their goal is to get journalists, who aren’t known for showing a keen interest in the business side of their publications or for engaging in advocacy themselves, to take an active role in defending the future of their jobs. In an interview, Stanton said they were “trying to educate the public and members of Congress and also start encouraging our colleagues to speak up.”

“Reporters are not generally super interested in speaking about their own problems and about things that affect them directly because they feel like it becomes a conflict of interest, and in certain ways that’s true,” Stanton said. “But when the future of the free press is being pretty seriously endangered by something, I think it’s incumbent upon us to stand up for ourselves.”

Like many reporters, Bassett said she had “never really had to pay attention to the financial side of journalism.”

But “after getting laid off, I started to become really interested in why all of these amazing news publishers were sort of going under, having to lay off staff, why we were losing local newspapers. It’s a tragedy, it’s really bad for democracy.”

Their effort comes at a time of increased scrutiny of the tech industry on the part of the federal government as well as Congress as public concern mounts over repeated privacy scandals, technology companies’ role in spreading misinformation, and their dominance over certain industries. The Justice Department and the Federal Trade Commission reportedly made a deal to divide potential antitrust investigations between them; Apple and Google will fall under the purview of the DOJ, while the FTC took Facebook and Amazon. The House Judiciary Committee announced it would “conduct a top-to-bottom review of the market power held by giant tech platforms.”

The Save Journalism Project’s founders are hoping to steer the public conversation around the negative effects of Big Tech towards its impact on journalism.

Stanton, who lives in New Orleans, mentioned examples like that city’s local paper, the Times-Picayune, which laid off its entire staff last month. Around the country, Stanton said, “local reporters are so overtaxed. They’re doing as good a job as they can but there’s not enough of them.”

At the moment, Stanton and Bassett are more focused on warning the public and the industry about the issue than on proposing solutions.

“I do think that everyone is starting to see a need to break up and regulate these companies or something along those lines,” Bassett said. “And with regards to how they’re going to make journalism viable again, I don’t frankly know…I think right now we’re starting with just getting this conversation out into the public and making people aware of exactly what’s going on. I do hope at some point we graduate into saying, ‘here’s a list of policy proposals, here’s exactly what needs to happen.'”

Stanton and Bassett plan to interview elected officials, candidates and colleagues in the media about the industry’s crisis, and started with conducting on-camera interviews with Reps. Mark DeSaulnier and Ruben Gallego. They plan to circulate a letter with which media companies can sign on to their cause. And their first official event will be at the annual Congressional Baseball Game, where they plan to distribute a physical newspaper laying out the problems on their agenda.

“The DC press corps is a really powerful constituency within our industry,” Stanton said. “If we can get our colleagues [there] to start talking about this it will help more broadly.”

Jonas Brothers Make History

“Boom. The world’s most famous brothers are back.” Vogue

 “The Jo Bros may not quite be in the year 3000, but “Sucker” nonetheless serves up a grown-up vision of The Jonas Brothers we didn’t know we were expecting.” NPR

“It’s 2019 and there’s a new Jonas Brothers song, and those two things go together a lot better than we ever anticipated.” Billboard

“The Jonas Brothers feel grown up without losing their boy band charm.” Esquire

Those are just the few responses to The Jonas Brothers recent comeback with their music video to “Sucker.”

This week, GRAMMY® Award-nominated multi-platinum powerhouse trio — the Jonas Brothers —reclaim their place at the top of the charts and popular culture with their new single and music video “Sucker.Get it HERE via Republic Records.

Taking the world by storm, it captures #1 on Apple Music, #1 on Spotify, and #1 on iTunes in North America.  Globally, it clinches #1 on Apple Music, #1 on YouTube, #1 on Twitter, and #2 on Spotify. Since its release, it scored over 20 million Spotify streams and is over 50 million YouTube views and counting.  At radio, it emerges as the “#1 Greatest Gainer for Top 40impacting now.

Not to mention, “Sucker” garnered unanimous critical acclaim. Among widespread praise, it was dubbed “an absolute jam” by Billboard, christened “a banger” by Esquire, described as “an impeccably sweet-and-sour pop rock-tune” by Rolling Stone, and best noted as “a grown-up vision of The Jonas Brothers we didn’t know we were expecting” by NPR.

To celebrate the release, the band took over New York City for an intimate and packed secret reunion show. It marked their first time on stage in nearly six years, and they returned with a historic gig that left fans clamoring for more.

Yesterday, the Jonas Brothers announced a partnership with Amazon StudiosPhilymack, and Federal Films– a division of Republic Records, to release an upcoming documentary about the Jonas Brothers, to premiere exclusively on Amazon Prime Video in more than 200 countries and territories.

Anthony Mandler’s director’s cut of the Sucker music video was also released. Watch HERE.

This week, they continue their takeover of The Late Late Show with James Corden. This late-night “residency” spanned everything from their first on-camera interview to a hilarious skit where the host kidnapped the band and reunited them with help from none other than Dr. Phil. You have to see it to believe it. However, there’s more to come.

Watch clips from last night’s episode HERE, and be sure to tune in for more this week.

Jonas Brothers are back and about to have their biggest year yet.

The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they’ve achieved dozens of platinum and gold certifications. Jonas Brothers notably received a GRAMMY® Award nomination in the category of “Best New Artist,” garnered “Breakthrough Artist” at the American Music Awards, won Billboard’s “Eventful Fans’” Choice Award for “Best Concert Tour of the Year, and took home a Mexican Grammy, showcasing their international influence. The tremendous success of the band provided a launch pad for the successful and storied solo careers of Nick JonasJoe Jonas, and Kevin Jonas, who have kept loyal fans yearning for a reunion, until now.

Want to follow the boys? Below are their social medias to keep yourself updated.

 

Te Bote 2

Five of the most influential urban artists of the genre, plus the sensual and unequaled touch of “The Diva of the Bronx” in Jennifer Lopez, give a new “flavor” to one of the most listened to songs of 2018.

“Te Bote 2,” produced by the young Puerto Rican, Young Martino, is a new version of the original song “Te Bote,” which swept downloads on all digital platforms in 2018. In addition, it became the most reproduced from YouTube worldwide this year and now has its “sequel”, a Spanglish style mix, which aims to position the issue in the Anglo-Saxon market.

“La Diva del Bronx” is in charge of giving the single the feminine, sensual, and international touch, making a participation in the song with a letter completely in English, without leaving aside its distinctive Latin flavor. On the other hand, Casper Mágico, Nio García, Wisin, Yandel and Cosculluela contribute a new letter in Spanish, combining the best of Trap and Reggaetón in a musical piece that reaches to 7 minutes.

“Te Bote 2” has its official video in the hands of the renowned director Fernando Lugo. It is now available on YouTube. Check it out here!

The theme is destined to become the new urban anthem of the year 2019, thanks to the “explosive combination” of its performers who invite us to enjoy a good rumba in both English and Spanish.

 

Cadillac CTS-V

By Vaughn Lowery x Reid Urban x Anthony Sovinsky

Cadillac is widely known for being America’s premier luxury vehicle. As for most luxury vehicles, it is focused on a classy, curb-appealing design with a comfort-oriented ride and top of the line technology. As a result, then appeared the 2004 debut of the Cadillac CTS-V, continuing to meet all the previous high-end expectations with some Olympic level athleticism.

The upgraded 2004 CTS-V inherited the Corvette’s 400-hp 5.7 liter V-8 engine and offered it only in a 6-speed manual, which is a unique addition to a unique consumer: the sports car enthusiast. This was a historical step for Cadillac as they now entered the luxury sport sedan realm with the likes of the BMW M5 and the Mercedes E63 AMG. What better way to make a statement than to be featured in one of the best adrenaline pumping car chase scenes of that time as seen in the 2004 movie The Matrix Reloaded.

Fast forward to its second best debut in 2009, which engraved Cadillac in the record books by setting a lap time of 7:59.32 at the Nurburgring for fastest production sedan. This was achieved with a 556hp supercharged 6.2 liter V8, enhanced handling due to the introduction of magnetic ride control, and brembo brakes on all four corners. This catapulted the CTS-V to the top of the ranks of the sport sedan class in performance,  beating the M5 and E63 AMG respectively from zero to 60 mph. 

PRESENT TIME 

The CTS-V will continue its reign in the high performance sport sedan category with the introduction of the astounding new and approved 2019 Cadillac CTS-V.

The front-end greets you with very sharp fighter-jet like lines matched with mesh grills and vents. It is clear the intent of the vehicle is to be as aerodynamic and performance-centric as possible. It features a carbon fiber splitter to redirect wind-drag to down force and keep the vehicle firmly planted for increased traction at higher speeds. The hood is also finished in carbon fiber with functional vents strategically placed to perform a variety of roles including: cooling of the high revving power plant, increased aerodynamics, and a slight weight reduction compared to its stock counterpart.

Moving to the rear of the vehicle, the side profile is reminiscent of a base model CTS until you spot the 19-inch forged premium painted alloy wheels wrapped in sticky Michelin Pilot Super Sport Summer-only low profile tires. Peering through the light weight forged alloy wheels are gargantuan racing-inspired six-piston front, four-piston rear, fixed caliper Brembo performance brakes with vented rotors that remind you to not forget the V. Moreover. The rear features a carbon fiber spoiler and rear diffuser accompanied by sport badging and quad pipes that announce top of the line engineering. The aggressiveness of the body suits the power in perfect synergism.

The various performance aesthetics are functional for two reasons: compliment the driver and compliment the engine. Let’s start with the engine. The boisterous opulent sedan is blessed to be a part of an incredible gene pool that continues to be one of the fittest on the road. Well-endowed with a supercharged 6.2L V8 producing 640 horsepower and 630 pound-feet of torque, it plans to be catapulted by this ostentatious hotrod from 0-60 in 3.7 seconds. The horses are put down to the road with an 8-speed automatic transmission available in several drive modes: from the least powerful but still faster than your Eco Mode, to the keep-both-hands-on-the-wheel Track Option. Track mode will tighten the suspension and open all of the cylinders for more power while the transmission will hold gears and have quicker shifts for increased acceleration.

Suspension has been one of the major highlights of the CTS-V since 2009 with the introduction of magnetic ride control. It’s an important feature that reads the road up to one thousand times a second, allowing for incredibly sharp responses from driver input at the wheel. Supplementing “Mag Ride” are multilink MacPherson struts with independent front-and-rear suspension connected to a light-weight stiffened chassis. Such handling technology is especially important to expand the confidence the driver has on and off-track with a vehicle exhibiting as much power, size, and precision as this one embodies.

Interior finishing further address the performance capabilities, as it is fitted with Recaro racing seats up front that are tastefully badged with the V-series logo. Designed for a glove-tight fit for both driver and passenger, the racing-inspired seats keep you firmly situated to resist lateral G forces while hauling through twist and turns through your favorite canyons. However, also comfortable enough to endure a lengthy road trip or frequenting your executive meetings at the office. Rear seats comfortably sit three full-sized adults allowing for a total of four in tow. Don’t worry! It will take more weight than a cabin full of people to slow this bad boy down. The infotainment system is equally accessible to both passenger and driver for ease of use. Simple and straight forward, controls are all touch sensitive as to make the dash sleek and non-distracting. Additionally, the souped-up caddy is laced with some cool features including automatic window shades for more privacy, a digital rear view mirror that allows for more greater vision surrounding the vehicle, blind spot indicators, and Apple Carplay that is compatible with Siri for ease of use and hands-free connectivity with your super car.

Base models for the CTS-V are priced just at $86,995, which is a great value per dollar of horsepower you receive comparatively to other vehicles in its class. Not only that but you have the option to deck it out and become a real show-stopper with carbon fiber and Recaro seat package, which will put you over the 100k mark with a price tag of $106,000. All-in-all, the 2019 Cadillac CTS-V is one of the best performance sport sedans in the world and deserves a spot in your garage.

360, 360 Magazine, Vaughn Lowery,

360, 360 Magazine, Vaughn Lowery,

Jesse Palter-The Paper Trail

Detroit born, LA based, prolific singer/songwriter Jesse Palter releases debut EP The Paper Trail October 22 on Artistry Music, featuring five tracks of aggressive, piano-pounding pop/rock in the vein of Carole King, Sarah McLachlan and Sara Bareilles. The first single going to radio is “Heavy Is The Crown,” an edgy, incisive pop-rocker examining narcisscism and victim-hood at is best.  Check it out here.

Comments Palter: “All of these songs are paving the way towards establishing myself as an artist and songwriter. My approach throughout this project was to find a way to capture a full snapshot of my life and what I’ve been going through. This is the beginning of what I hope will be a long, fulfilling journey.”

Palter, who launched her career in Detroit and Chicago before moving to Los Angeles to focus on her development as a pop artist, was supported in her sound and overall vision by producer Doug Petty, a veteran keyboardist who has worked with Celine Dion, Britney Spears, Nick Lachey and Lisa Loeb, among others. Petty kept the integrity of Palter’s songs from demo stage through the various layers and textures brought forth to compliment her unique artistry. A high caliber of studio musicians played on the project including bassists Tim Lefebvre and Alex Al and drummers Matt Chamberlain and Aaron Sterling.

With The Paper Trail EP, Palter has committed herself to the discipline of perfecting the craft of songwriting. She focused on strengthening her creative muscles to discover what melodies, lyrics and chord changes work best, allowing herself to be vulnerable, brave and brutally honest at the same time. The songs are autobiographical, representing her life and what’s she’s been through.

Palter launched her jazz career as a teenager, performing oboe and trumpet in the school jazz band. She connected with singer/songwriter Andrew Gold (“Thank You For Being A Friend”), who brought her to Nashville to work on original material and record a demo, which generated interest with several major labels. At 15, she began working with the Grammy-winning production team the Bass Brothers (Eminem). Her skill for improvisational singing and a developing passion for legendary jazz vocalists, led to her shift towards jazz. She studied at the University Of Michigan as a jazz and contemplative studies major.

Her eclectic musical upbringing includes exposure to a wide array of music that inspired her to deeply respect the art of great songs and songwriters, from Carole King and Joni Mitchell, to Prince, Michael Jackson, Stevie Wonder, Smokey Robinson and The Beatles. Music and singing was always in her blood. Her grandmother, Doris Raynor, was once an opera prodigy in NY.

In early 2019, Artistry Music will follow up The Paper Trail EP with the single “Sever The Ties” and a full-length debut album.

Platinum Recording Artist Leroy Sanchez

Critically acclaimed singer-songwriter Leroy Sanchez will embark on a 14-city tour, kicking off October 17 in Los Angeles, CA in support of his new single and video, “Preacher,” set to release in partnership with BroadbandTV (BBTV) on all digital streaming platforms October 19. Select dates are in support of multi-platinum recording artist Andy Grammar’s national “The Good Parts” tour. Tickets are now available at www.leroysanchez.com. 

I have never felt so strongly about a song or the vision for it. It shows a very personal side of me that I’ve never shown before. It’s not easy to be vulnerable in front of an audience, but being honest and facing our weaknesses is what makes us stronger,” says Sanchez.

Preacher premieres on YouTube on October 19 and is now available to pre-save on Spotifyand Apple

Sanchez’s 2017 debut EP “Elevated” has garnered over 10 million digital streams (and growing), earning him two Teen Choice Award nominations and an opportunity to perform with Clean Bandit on the 2017 broadcast. The release of his debut single Man Of The Year received praise from Billboard and People.

In addition to having over 3.8 million subscribers on YouTube, Sanchez’s accolades include two Platinum-certified singles in Spain – Blas Canto’s “El No Soy” and Malu’s “Invisible.”

Over the past 18 months Leroy has grown a devoted fan base performing 100+ shows in over 20 countries, including sold out headline shows in Los Angeles, New York City, Chicago, Toronto, Amsterdam, London, San Francisco, Cologne, Madrid, and San Diego. Additionally, he has toured and worked with many notable industry hit makers, including Machine Gun Kelly, where he’s featured on the rapper’s track “Gone”, and now multi-platinum recording pop artist Andy Grammar. 

Bentley Announces World’s Fastest Wi-Fi

Bentley announced the launch of Advanced Connectivity – the world’s first super-fast, reliable and secure in-car WiFi system.

Customers can now benefit from uninterrupted mobile network coverage while traveling, providing a fully functioning and fully connected executive office on the move.

For example, when using the Advanced Connectivity WiFi system while travelling at speeds of 110 km/h (70 mph), a passenger is able to access a number of simultaneous entertainment and business applications – including high-definition video streaming across multiple devices – with uninterrupted service quality.

The Advanced Connectivity system can be simply accessed via a dedicated app on the customer’s smartphone.

Users will also benefit from Bentley Skype for Business and significant virtual office applications, such as the ability to access and edit files on the go, hold vital video conferences, conduct multiple meetings and be present for crucial discussions, all in a secure virtual environment.

The super-fast and highly reliable connection also offers customers new, unrivalled levels of in-car entertainment. Bentley Advanced Connectivity allows online video services to stream content uninterrupted in the car, for a truly luxury viewing experience.

How Bentley Advanced Connectivity Work

Bentley conducted an exhaustive international search to find the perfect partner for its in-car connectivity requirements, and has enlisted global communications company, Viasat, to provide the world’s best and most secure in-car technology for its customers.

Bentley Advanced Connectivity is a multi-channel virtual private network (VPN), which can aggregate up to three mobile network operators on one super-fast signal. The connectivity system is placed discreetly inside the boot lid, with the router connected to the on-board DC power supply.

The Wi-Fi router links to a broadband connected hub located at a static site. This hub then links the Bentley system to the broadband connection at the host site, for unparalleled connectivity, reliability and security.

Viasat is recognised internationally for having managed 14 million WiFi hotspots; for having operated a managed hotspot network in nearly 30 countries; and for bringing satellite-enabled in-flight WiFi to major commercial and government aircraft worldwide.

This new super-fast Wi-Fi service is available in all Bentley models in 2019.

Captain Morgan Releases New Apple Smash

View some of the pictures from Captain Morgan event down below!

Here are some fun recipes you can try out for yourself:

Captain Morgan Apple Smash & Ginger

  • 1.5 oz. Captain Morgan Apple Smash
  • 4 oz. ginger ale
  • Add ice and stir. Garnish with lime

Captain and Ginger

  • 1.5 oz Captain Morgan Original Spiced Rum
  • 4 oz Ginger Ale
  • Mint Sprig
  • Lime

Tori Kelly Sets Record With New Project Hiding Place

Hiding Place & Grammy-nominated artist Tori Kelly’s new passion project has set the record for the most first-week streams ever for a gospel album.

The collection, which was produced by 12-time GRAMMY Award winner Kirk Franklin, debuted at No. 1 on Billboard’s Top Gospel Albums chart and had the highest-selling week of any 2018 gospel album.

Hiding Place also topped Billboard’s Gospel Streaming Songs and Gospel Digital Song Sales charts plus the Apple Music Christian genre chart.

Tori was joined by Kirk Franklin and a choir last night when she performed the lead single Never Alone on The Late Show with James Corden. View their performance here! She and Franklin will also perform at the Annual GMA Dove Awards, which will be held October 16th in Nashville and air on TBN on Sunday, Oct. 21.

Tickets are on sale now at www.torikellymusic.com for Tori’s Hiding Place tour, which will kick off on Oct. 18 with a sold out concert at The Tabernacle in Atlanta, GA. The headline run includes shows at Warner Theatre in Washington DC (Oct. 28), Nashville’s Ryman Auditorium (Nov. 8), New York City’s Riverside Church (Oct. 30) plus two sold-out nights at the Cathedral Sanctuary at Immanuel Presbyterian Church in Los Angeles (Nov. 16 & 17). See below for itinerary.

Idolator observed, there was always the sneaking suspicion that the 25-year old’s voice could soar even higher, that she could open near heart even wider. That promise finally comes to fruition on Hiding Place. Kelly’s talent transcends genres.

Tori Kelly wants her new album Hiding Place to be a light in the dark for fans,” says PEOPLE magazine

Half of the songs on Hiding Place were penned by Franklin alone while the remaining tracks came from a collaboration between the two artists the first time that Franklin had ever co-written in his decades long career. The collection also features guest artists Lecrae, Johnathon McReynolds, and The Hamiltones.

Tori’s 2015 debut album Unbreakable Smile landed her on Artist to Watch–lists from the likes of Rolling Stone. It entered the Billboard 200 at No. 2 and contained the Gold-certified singles Nobody Love, Should’ve Been Us, and Hollow.

Unbreakable Smile has racked up more than one billion cumulative streams worldwide and sold 1.3 million adjusted albums. Following its release, Tori was nominated for a GRAMMY in the Best New Artist category and received the Billboard Women in Music Breakthrough Artist award.