Posts tagged with "3D"

World’s First 3D Wooden Maps

Enjoy The Wood debuts on KickStarter the newest 3D wooden world maps (each map consists of 55 self-assembling pieces) for your home or office interior. Easy to assemble in less than an hour, the new edition includes additional wooden inscriptions, names of locations on the map in any language, gift keychains and illuminations. Rewards for the campaign are essentially a heavy discount for the 3D Travel Wooden Map and instructions for assembly. The difference lies in the sizes of the map, which come in Medium (M), Large (L), Extra Large (XL), and Extra-extra Large (XXL).

The maps are hand-made of birch plywood and have three-layered, stylishly designed pieces available in natural, gray, blue colors or any other color of your choice! The maps are made of very detailed, precision-cut wood using high-quality techniques as well as eco-friendly materials. The exclusive feature is that you can mark all countries you’ve visited or future destinations that you might have! Maps already have tiny holes, so that you can simply put a pin in any location on the map. The world’s 15 most popular sightseeing marvels, such as Taj Mahal, Big Ben, Eiffel Tower, and others are available as beautiful push pins.

It is a high-quality minimalist 3D wooden map, created with laser-cut precision and love of tender hands. You have an option of illuminating the continents. The neon RGB LED lights glow in seven main light options and a couple of illuminations. You can regulate the brightness of the light using a compact remote control. The trendy stylish design makes it a unique wooden wall décor for your home, office or as a gift for vivid travelers!

Key features:
– All pieces are handmade of birch plywood.
– Wooden wall compass, airplanes and boats are included.
– Easy installation in under an hour as each map piece has a number that matches a template, part of the included installation instructions.
– Includes special sticky tape / double-sided removable adhesive that doesn’t ruin your walls (however do not adhere to wallpaper).
– This is not a true geographical map in that we don’t include all countries and islands. However, if you wish to have certain islands or countries added, please contact us and we gladly add it to your order. Many islands are omitted due to the size of the map. You can order more islands as add-ons.
– Comes already gift wrapped, ready for gift giving.
– 3 layers for different countries.
– 4 different colors of wood pieces (light, brown, dark brown and light brown, blue, gray or any color of your choice).
– New wooden push pins of 15 different sightseeing from all over the world
– Ocean names options.
– RGB LED (Neon colors) option, lights that glow in 7 main light options and couple of its illuminations. You can regulate the brightness of the light using a compact remote control.
– Lights are behind the continents.
– Map is placed on the acrylic background ready to be placed on the wall. So you just have to place it on the wall and connect.
– Some of the islands (the smallest) are without acrylic background and without light. You will have to stick them with tape. (which is included)
– Easy installation under 2 hours with the instruction video. Everything, including framing nails, is included (only for LED option Map).
– Works on 110V/220V. EU/US electrical plugs are available.

Fun pins for landmarks:
– Coliseum
– Eiffel Tower
– Sagrada Familia
– Burg Khalifa
– Pagoda
– Pisa Tower
– Big Ben
– Pyramids
– Parliament of Budapest
– The Great Wall
– Taj Mahal
– Machu Picchu
– Statue of Liberty
– Sidney Opera House
– Statue Jesus

Availability: The maps come in sizes: M (100x60cm/39×24”), L (150x90cm/59×35”), XL (200x120cm/79×47”) and XXL (92x66x20 cm/36x26x8 in). The maps can now be ordered on KickStarter at 30-40% discount until June 9, 2019. The prices start at 129$.

Toyota Alludes to All-New 2020 Highlander

Toyota Partners with Brooklyn Artist to Create Illusion Ahead of NY Auto Show

Toyota has partnered with with augmented reality artist Michael Murphy to create an out of this world illustration that will have people guessing if what they are seeing is real at all. The 3D illusion of the fourth-generation 2020 Toyota Highlander will be debuted at the New York International Auto Show. as well as in the sky, projected on buildings throughout the city, on April 17.

Watch how it all came together in the time lapse video here.

The project took Murphy nearly 2 months to create in his Brooklyn studio. He painted each piece of the illusion by hand and later worked with a team to place the 200 pieces carefully to have them appear as if floating in air, reminiscent of a giant mobile.

The installation capitalizes on the design elements of the Highlander that will be sure to stand out. The piece captures the model’s power in a modern and sophisticated way.

Check out the 3D illusion in hidden areas all around New York City, online here, or on a livestream of the press conference here.

About Michael Murphy

Augmented reality artist Michael Murphy creates full-blown 3D illusions from pieces of paper and poster board. Ohio-born and working in New York City, Murphy’s “Perceptual Art” installations, can be seen around the world. His pieces play with viewers’ perception and forces them to investigate further.

Follow Michael Murphy on Social Media

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BEYOND THE CAPE!

April 16 through October 6

Why call this new museum show Beyond the Cape? Compared to so many other exhibitions around the world about comic books, this original and unconventional take soars beyond just superheroes.

Beyond the Cape! Comics and Contemporary Art shows how some of the most currently sought-after contemporary artists are influenced by graphic novels and comic books.

The artworks in this pioneering show making its world premiere at the Boca Raton Museum of Art take viewers on a deeper dive into adult realms, tackling some of today’s thorniest issues: politics, divisiveness, immigration, racial prejudice, planetary climate armageddon, feminism, LGBTQ rights, religion, gender, and more.

Grouped together for the first time in this new way, the exhibition at the Boca Raton Museum of Art features prominent artworld superstars, including:

Kumasi J. Barnett, George Condo, Renee Cox, Liz Craft, Kota Ezawa, Chitra Ganesh, Mark Thomas Gibson, Trenton Doyle Hancock, Christian Marclay, Kerry James Marshall, Takahasi Murakami, Elizabeth Murray, Yoshitomo Nara, Joyce Pensato, Raymond Pettibon, Peter Saul, Kenny Scharf, William T. Wiley, David Wojnarowicz, and Michael Zansky.

Some of the most acclaimed underground comic book artists are also front-and-center, including: R. Crumb, Aline Kominsky-Crumb, and Mimi Pond.

Also featured in the exhibition are artists from The Hairy Who: Gladys Nilsson, Jim Nutt, and Karl Wirsum.

The show features more than 80 works by 40 artists: paintings, video, photography, sculpture, prints, drawings, and tapestries.

Rare comics will also be shown, plus contemporary animation and rarely seen historic cartoons from the early 1900s on vintage TVs.

This exhibition is curated by Kathleen Goncharov, Senior Curator at the museum. She recruited as her ‘muse’ for this exhibition Calvin Reid, the Senior News Editor at Publishers Weekly and a leading expert in the field of comics.

Reid was one of the first critics to recognize comics as a literary form for adults, and selected the comic books and graphic novels in the reading room where the public can comfortably lounge and enjoy reading (many from Reid’s own private library).

“Beyond the Cape delves into the world of comics and graphic novels and their influence on contemporary artists. Their work defies commonalities, but come together to present a boldly visual, eye-opening mirror of our contemporary world and present issues,” said Irvin Lippman, the executive director of Boca Raton Museum of Art.

Some of the surprising twists and turns visitors can see at Beyond the Cape!

Elizabeth Murray began working with comic imagery in the 1970s, when minimalism dominated the art scene. Her personal, colorful work proved that painting was still relevant and ripe for innovation, and set the stage for a return to figurative work in the 1980s. As a child she drew from newspaper comic strips, and even sent a sketchbook to Walt Disney.

Kerry James Marshall’s work is currently at the very top of the art market. Known for his flat, colorful paintings of contemporary Black America, for the past 20 years he has been working on his comic series Rythm Mastr (set in the Black community where his Chicago studio is located).

The genesis of Rythm Mastr began with the demolition of public housing and the spike of violence in Chicago in the 1990s. He grew up in the Watts area of South-Central Los Angeles, and the Civil Rights and Black Power movements impacted this artist’s work.

Most assume comics are primarily intended for children, usually featuring super heroes as evidenced by today’s popular films – but this exhibition is decidedly for adults.

The only references to superheroes in this show are by Renee Cox (whose Jamaican anti-racist avenger Raje does not wear a cape), and Luca Buvoli’s animation Not-a-Superhero.

Art that is flat, graphic and colorful (like the art in graphic novels and comics), is taking center stage in the Instagram age. Artists, galleries and collectors are turning to social media as the place to promote their art and find art to purchase.

Looking beyond the 1960s Pop Art movement led by big name New York artists, this show features the “other” art movements from the 60s and 70s such as Bay Area Funk Art and the Chicago Imagists (who called themselves Hairy Who).

These artists rebelled against the formalist New York style, and during their youth, they were belittled as ‘provincial regionalists’ by the New York-centric art world of the time.

The Chicago artists in Hairy Who (Jim Nutt, Gladys Nilsson, and Karl Wirsum) have greatly influenced younger artists of today.

A nod to Japanese Manga comics and graphic novels features two major artists: Takashi Murakami and Yositomo Nara.

Almost all of the artists in this exhibition are living artists, except for three: Elizabeth Murray, H.C. Westermann and David Wojnarowicz.

Two works by the Indian-American artist Chitra Ganesh. One is titled City Inside Her, (2014), and another is Manuscript, (2018),

a giant 3-D hand with projected henna designs used by women in India and the Middle East

Chitra Ganesh is an Indian-American artist who combines the iconography of Hinduism, Buddhists and South Asia pictorial traditions with the contemporary popular visual language of comics, illustration and science fiction.

Her work will include a giant 3-D hand with projected henna designs used by women in India and the Middle East. She will also show a series of work loosely based on the comic book series Amar Chitra Katha (Immortal Illustrated Stories).

Ganesh’s original comic book premiered in India in 1967 and was intended to teach children traditional historical and religious stories. Unfortunately, the original series reinforced the caste system with its attendant issues of race and gender. In her work, Ganesh flips the script by highlighting alternative feminist narratives.

California artist Peter Saul, 85, was not taken seriously outside of California until relatively recently. Today his work is in great demand and is a major influence on young artists. Similar to comics, his work is irreverent, idiosyncratic, colorful and political.

Koto Ezawa’s comics-inspired animation tells the story of the Isabella Stewart Gardner museum art heist.

Michael Zansky, the son of Louis Zansky who drew the early “Classic Comics” in the 1940s, is a painter and multi-media artist whose monumental large cut, burnt and carved wood panels feature mysterious hybrid creatures inspired by comics, ancient art and works from the Western art canon.

Another family connection is Jody Culkin who is a descendant of Harriet Hosmer, a prominent neo-sculptor who lived in Rome in the 19th century. Hosmer was a scholar, an inventor, writer and feminist. She wrote a play set in London and in the then-future (1977) in which mummies come to life in the British Museum. Featured in this exhibition is the rarely seen animated comic Culkin made about this play.

Kumasi Barnett uses actual comic books in his work to create new characters such as The Amazing Black-Man. His nine works featured in this show will be encased in plastic, the way rare comics are sold.

Moreover, there’s an emerging artist community within Mississauga, Ontario. Hopefully, these types of installations and many more will come with the assistance of Precondo.

THE IKEA READING ROOM

An extensive reading room designed by IKEA features hundreds of graphic novels and comics for the public to comfortably peruse in a relaxed setting.

Selected by Calvin Reid, Senior News Editor at Publishers Weekly, the 200+ comic books and graphic novels include many from his own personal library.

The public can enjoy reading works by Lynda Barry, Allison Bechdel, Roz Chast, R. Crumb, Aline-Kominsky Crumb, Mimi Pond, Trina Robbins, Art Spiegelman, George Takei and Ronald Wimberly, and many others.

Reid began writing in the 1980s, about the same time Art Spiegelman and R. Crumb, alumni of the underground RAW comics, emerged as serious figures in the comic world. Spiegelman’s MAUS is probably the first graphic novel to reach a wide audience.

A goal in providing the reading room is to inspire fans of graphic novels who may not be prone to visit a museum to take the leap, walk into a museum and experience works of art in person. Rare comics and a series of contemporary and historic animation works will also be on view.

Support for this exhibition is generously provided by the Museum’s Leadership Fund, with major funding from: Estate of Ardele L. Garrod, Isadore & Kelly Friedman Foundation, PNC Bank, Jody H. & Martin Grass, Anne & Scott P. Schlesinger, Jennifer & Marc Bell, Dalia & Duane Stiller, Susan & Eric Kane and Laurence W. Levine Foundation, Angela & John DesPrez III, El Ad National Properties and Alina Properties, Joy & Richard Blakeman and Lisette Model Foundation, Karen Mashkin, Patricia Savides, Schmidt Family Foundation, the Museum’s Friends Auxiliary, and those who wish to remain anonymous.

In-kind corporate support for the exhibition is generously provided by IKEA.

— Jellyfish Eyes, by Takashi Murakami, (2003), collection of Beth Rudin DeWoody

Bloom: Open Space

Open to the public now, Bloom: Open Space is a new mixed reality generative music experience created by musician, producer, visual artist, and thinker Brian Eno and longtime collaborator, musician/software designer Peter Chilvers. For just five days, guests to The Transformatorhuis (Trafo House) at Westergasfabriek in Amsterdam can explore this unique MR installation that blurs the lines between the physical and virtual.

 
Based upon their highly acclaimed, award-winning app of the same name, the installation explores uncharted territory in the realms of both applications and generative art. Guests can use the Microsoft HoloLens to physically experience Bloom – tapping the air around them to create elaborate patterns and unique melodies with the simplest of gestures.

 
Says Eno, “I have always been interested by the possibilities that new technologies offer, particularly that subset which falls under the heading ‘things nobody ever thought of doing before.’ This offer was an opportunity to explore the possibilities of Bloom further and augmented reality further.”

 

Bloom: Open Space seeks to inspire creativity in line with Brian Eno’s innovations, while the HoloLens allows the audience to directly participate and become part of the total experience. Eno has consistently pushed the boundaries of music, sound, and visual art, continually challenging both himself and those who experience his work. Eno and
Chilvers have been experimenting with generative systems for about 15 years, and as well as Bloom, have also released a number of other apps including Scape, Trope, and most recently, Reflection.

A part of the Microsoft Music x Technology program, this collaboration transforms the way we experience and create music. The installation is open to the public in Amsterdam through February 25th, 2018. For those unable to travel to Amsterdam, you can get an inside look at Bloom: Open Space here: bloomopenspace.com

 

Event Details :
Bloom: Open Space
A mixed reality installation by Brian Eno + Peter Chilvers
Open now – Sunday 25 February, 2018

The Transformatorhuis (Trafo House) at Westergasfabriek
Klönneplein 2
1014 DD Amsterdam

 

Luxury Architecture Firm IR Architects Launches Architecture VR/AR Studio AVR

Los Angeles-based architecture firm IR Architects today announced the launch of its sister company AVR (Architectural Virtual Reality) Studio, a virtual reality (VR) studio specializing in architecture. Led by CEO Ignacio Rodriguez and AVR’s team of professional VR developers, seasoned architects and interior designers, AVR will produce interactive VR walkthroughs of real-estate properties, ranging from concepts to in-progress previews, for their upscale clientele. The virtual renderings of properties will also incorporate detailed interior designs, providing a virtual staging of the space and most accurate representation of a finished blueprint. The VR property models allow clients to experience a new property prior to breaking construction ground, allowing for approvals, edits and additions, ultimately saving out-of-pocket costs and time on future revisions.

AVR Studio stems from the needs of IR Architects’ clientele, who required a better way to visualize their property beyond traditional renderings, in order to cut down on costly revisions. Clients, developers and financial investors can experience future properties at their leisure with a VR head-mounted display. Viewers are immersed in a fully interactive three-dimensional environment that provides a virtual representation of the building as a whole, including every room and hallway, down to pieces of furniture within. Some of the highest-level VR models allow viewers to maneuver throughout the property and open doors, turn on the television, experience future poolside and city views. With expert guidance and collaboration from the lead interior designer on a project, the virtual environment can also provide textile choices, countertops, floor designs, and other specific decor features that bring the space to life. AVR’s models will illustrate every detail of a property, from the countertops and floors to lighting and property planning, while also providing accurate scale, depth, and spatial awareness.

Click HERE to watch an informative video of AVR’s design and business practices.

“AVR Studio is going to radically change how client’s design, review, and approve projects in the future,” notes Founder of IR Architects and AVR Studio, Ignacio Rodriguez. “The challenge that many people feel when trying to understand two-dimensional architectural plans will no longer be an obstacle, as with VR, we are all speaking the universal language of volume and space.”

AVR Studio also collaborates with leading real estate agencies in the Los Angeles region to produce VR models of their current and future property listings to communicate the design to potential clients and beyond.

Rodriguez is a self-made and visually-driven architect with an impressive slate of multi-million dollar properties and estates throughout the Hollywood Hills and Southern California that are amongst the largest properties in America. He is a vigorous force in the highly-competitive world of Los Angeles luxury residential architecture and is pushing to disrupt long standing architecture and real estate business models with the use of innovative technology.

About AVR

Fusing cutting-edge technology with luxury architecture and interior design, AVR Studio is a virtual reality (VR) studio generating comprehensive VR property inspections. Driven to showcase finished exterior and interior designs of high-end real estate models to clients prior to breaking ground, AVR leverages the power of immersive technology to benefit clients and ease the complex construction process. The futuristic company offers cost-saving efficiency combined with clarity on the proposed designs to clients, developers and financial institutions.

AVR Studio and its reality-based VR techniques are at the helm of the architectural industry, making them well poised to disrupt the status quo and make virtual inspections the new standard for development projects.

“impulses, restraints, tones”

“impulses, restraints, tones” New Compositions by Hannah Quinlivan

Opening Reception: March 1, 2018, 6-8pm
Exhibition Dates: March 1 – April 20, 2018

February 16, 2018 (New York, NY) – JanKossen Contemporary is pleased to present impulses, restraints, tones an exhibition by Australian contemporary artist, Hannah Quinlivan. impulses, restraints, tones is the artist’s first exhibition in New York and will be on view from March 1 – April 20, 2018 with an opening reception on March 1 from 6-8pm.

Best known for her work within the movement of experimental drawing, Quinlivan expands upon the medium to create drawings that employ wire, steel, salt, yarn, shadow, and LED light, constantly evolving and dissecting the elements of a drawing to investigate the confines of the line itself. Twisted wire structures are the basis for her shadow drawings, which Quinlivan later develops further into sculptures; 2D drawings turn into 3D drawings, that are then turned back into 2D drawings. With a deep commitment to the exploration of and innate response to her materials, Quinlivan composes lyrical artworks that stitch together a response to the passing of time. Each element of the work is endlessly translated into an infinite looping web; traveling through our consciousness and drawing attention to the subjectivity of the phenomena of recollection and forgetting.

impulses, restraints, tones exhibits brand new “Spatial Drawings,” as well as two delicate, yet powerful, site-specific and interactive installations that respond to the gallery space and flux of bodies within it. The well-known “Spatial Drawings” walk the line between sculptural weaving and graphic mark making and explores concepts of temporal reality and memory. Quinlivan’s “Spatial Drawings” performance develops from wire armatures suspended from the ceiling. The shadows of these wire armatures are the basis for Quinlivan’s live and in-person crystalline salt drawings that will be developed over the course of three weeks during exhibition.

This work, shown for the first time in New York City, forms part of a series of site-specific ephemeral drawings Quinlivan has been making in Cambridge, Berlin, Hong Kong, Australia, and Colorado from since 2016.

Curator Marguerite Brown, explains “Linear threads and their manipulation have for millennia been symbolically connected to notions of time. The Moirai of ancient Greek mythology, also known at the Fates, were three goddesses who through the act of spinning thread with distaff and spindle, controlled the life of every person from birth to death, when their thread was abruptly cut. Similar female deities exist in Roman, Norse and Slavic mythologies, where thread is consistently wielded as a manifestation of destiny. As such, a simple strand and the way it is stretched, allotted and truncated, became an ancient way of comprehending the movement of a human life through time.”

ABOUT HANNAH QUINLIVAN
Hannah Quinlivan, named by BMA Magazine as one of the Six Canberra Artists to watch in 2018, was a finalist for the 2014 Alice Prize and has received such prestigious accolades as the Canberra Critic Circle Award, Shire of East Pilbara Residency Award, Cox Prize, Don Moffat & Cecilia Ng award, People’s Choice Award, Megalo Print Studio and Gallery Residency Award, and the Jan Brown Drawing Prize. She has exhibited major presentations at Canberra Museum and Art Gallery, Canberra; National Portrait Gallery, Canberra; Colorado State University, Fort Collins; Cambridge University, London, Pembroke College, Cambridge; Deakin University, Melbourne; The Hong Kong Harbourfront, Hong Kong; and Kuala Lumpur Biennale, National Art Gallery of Malaysia, Kuala Lumpur. She is in such prestigious public collections as National Gallery of Australia, Gregory Allicar Museum, The Australian High Commission (Singapore), Philip Cox Collection, Deakin University, The Australian National University, KPMG Art Collection, Gaw Capital collection, Colorado State University, Megalo Print Studio + Gallery, Shire of East Pilbara, Ormond College Collection. She was recently selected by the curators of Urban Art Projects to create a major public art commission where her work will be featured on the glazed screen of every platform of the Canberra Light Rail network.

ABOUT JanKossen
JanKossen Contemporary, founded in 2009 by Dr Jasmin Kossenjans, is an international dealer of contemporary art representing artists working across disciplines. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, large scale installation, and performance. Aside from its represented artists, the gallery collaborates directly on exhibitions and projects with other artists and guest curators. The gallery is committed to presenting its artists’ work in an international context and to firmly establishing their contributions to the cannon of art history. Gallery artists are in the collections of, and have been part of exhibitions at, many museums around the world. Their works have been widely published as artist monographs, in art journals, and among critical theory texts. The gallery operates in Basel, Switzerland; Venice, Italy; New York, NY; and will open a new exhibition space in Hong Kong in 2019.

Related Events
Opening Reception
March 1, 2018
6-8pm

Daily Performances
March 1 – 17, 2018
1-3pm

Artist Talk and Final Performance
March 17, 2018
6-8pm

Location
JanKossen Contemporary
529 W 20th Street, 7th floor, 7W
New York, New York 10011

Gallery Contact
Karen Gilbert
Karen.gilbert@jankossen.com

Media Contact
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com