Argentine singer, songwriter, rapper and provocateur Nathy Peluso won 3 Latin GRAMMYs at this year’s ceremony in Miami. She won “Best Alternative Song” for “El Dia Que Perdi Mi Juventud (Feat. Blood Orange),”“Best Rap/Hip-Hop Song” for “Aprender A Amar” and “Best Long Form Video” for the GRASA film.
Nathy has now won 5-career Latin GRAMMYs, tied with Mercedes Sosa for the most awards for an Argentine female artist. She is also the first woman to ever win “Best Rap/Hip-Hop Song.”
This news follows Nathy’s recent GRAMMY 2025 nomination for ‘GRASA’ in the “Best Latin Rock or Alternative Album” category. Nathy kicked off her ‘GRASA‘ world tour with a powerful performance at Auditorio Nacional in Mexico City in the beginning of the month. Her headline European tour is set to launch next February with a headline show at Roundhouse, London.
“This tour is all about embracing who we are and celebrating it with every beat,” Nathy shares. “It’s raw and full of energy. I can’t wait to share these unforgettable moments with all of you!”
Nathy recently released the ‘CLUB GRASA‘ EP, her first-ever remix project with handpicked producers re-interpreting 8 ‘GRASA‘ album songs into their own original style. The song “MENINA,” which features Spanish-Brazilian break-out star Lua de Santana, was remixed by Grammy-winning British producer Mura Masa.
The acclaimed album ‘GRASA‘ was released via 5020 Records / Sony Music Spain. All 16 album tracks are accompanied by video vignettes conceptualized by Nathy, directed by Agustín Puente and produced by The Movement by Landia – watch HERE!
‘GRASA‘reveals a more mature and emboldened Nathy who asserts her unique capabilities as a songwriter and performer, seamlessly navigating rap, ballads, and tropical genres. For the first time, the Argentine-born, Spain-based artist reveals a more intimate and personal side in her lyrics, unafraid to open up about the growing pains and creative crises that come with fame, success and the pressures of modern stardom.
In Spanish, ‘GRASA‘ evokes many different meanings and cultural subtexts, especially in her native Argentina, where the word can mean “tacky”, “tasteless” or “vulgar”. But Nathy, like her music, doesn’t want to limit herself to one definition: it could be how she proudly flaunts her body that doesn’t fit the mold of heteronormative expectations while publicly revering a slice of pizza or pasta on her social media feeds. Or it could evoke the richness of her musical arrangements, or even her zealous, all-in attitude of getting her hands dirty, in everything she does. She wants to reclaim the word and make it part of her universe: “For me it’s a state of mind, a lifestyle,” she says.
Nathy co-produced and co-wrote the 16 tracks in the album. Most tracks are the result of a close collaboration with Venezuelan musician and producer Manuel Lara (Kali Uchis, Bad Bunny) who also serves as executive producer with Nathy. ‘GRASA‘ draws visual and stylistic inspiration from a diverse array of references – the cinematic grandeur of mafia lore, 1970s NYC salsa, current icons like Kendrick Lamar – but grounded in a contemporary sound. The album feels like the soundtrack of Nathy’s current moment as she pushes boundaries and defies expectations in her craft. It’s also the triumphant result of a deeply personal journey.
In an industry often characterized by superficiality, Nathy’s authenticity shines through, reminding us that you can be an ambitious powerful woman while also showing vulnerability and being open about navigating life’s challenges.
Nathy’s critically acclaimed 2020 debut album ‘Calambre’ catapulted her to fame and success, winning “Best Alternative Album” at the 2021 Latin GRAMMYs, scoring hits with Bizarrap, C. Tangana and Tiago PZK, playing Coachella, selling out two Movistar Arenas in Buenos Aires and touring all over Spain. But her signature zeal and grueling work ethic came at a personal cost. In between performing, brand deals and releasing new music, in 2022 and 2023 she quickly got to work in the writing and production of new material that would serve as a follow up album. “It’s rooted in me, I’m a strong woman, but I lost track of my own humanity,” she says of her self-imposed high standards, which coupled with the pressures of the industry, and a series of romantic heartbreaks, compromised her mental health and left her emotionally unfulfilled. “I was like a robot telling myself, ‘I’m a gladiator’. But I had to relearn how to enjoy simple things in life that were not work.’
NATHY PELUSO – GRASA TOUR DATES
9th February 2025 – Milan, Italy – Fabrique
11th February 2025 – Berlin, Germany – Columbiahalle
13th February 2025 – Amsterdam, Netherlands – Melkweg
15th February 2025 – Paris, France – Salle Pleyel
16th February 2025 – Brussels, Belgium – Cirque Royal
19th February 2025 – London, UK – Roundhouse
5th March 2025 – Miami, FL – Fillmore Miami Beach
7th March 2025 – Washington, DC – 9:30 Club
8th March 2025 – Brooklyn, NY – Brooklyn Paramount
12th March 2025 – Chicago, IL – The Vic
15th March 2025 – Los Angeles, CA – The NoVo
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