TECH

Plainly Bitcoin

Plainly Bitcoin [PB] is a platform that educates young entrepreneurs on how to diversify their portfolio and tokenize assets. Our experience can help simplify the cryptocurrency space, which is constantly evolving and complex.

In multiple global sectors, such as payments, websites, real estate, financial products, art, music, and content, the blockchain is being utilized to ensure authenticity and prevent duplication.

Julian Schlossberg, former mentor of Harvey Weinstein and producer of Bewitched, via 360 MAGAZINE.

Legendary Broadcaster Julian Schlossberg

Legendary broadcaster and stage and screen producer Julian Schlossberg returns to the studio mic in 2024 with three exciting ventures: a guest interviewer appearance on Turner Classic Movies, a new podcast, and the audiobook release of his recent memoir, Try Not to Hold It Against Me: A Producer’s Life.

Julian Schlossberg, special guest host for TCM’s “A Night With Elaine May,” January 26 at 8PM

On January 26, Schlossberg will appear on Turner Classic Movies (TCM) as a special guest interviewing Elaine May during program of films featuring or written by the legendary artist. First at 8PM, the Schlossberg-produced documentary Nichols and May: Take 2 (1996); at 10:15PM, A New Leaf (1971); at 12:15AM, Mikey and Nicky (1976); and at 2:15AM, Ishtar (1987).. Leading into each film, Schlossberg sits down with May, in a rare interview appearance, to discuss her storied career as a performer, screenwriter and director.

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents classic films, uncut and commercial-free, from the largest film libraries in the world highlighting “where then meets now.”

“Julian Schlossberg’s MovieTalk,” the long-running syndicated radio show, is now a podcast

Fans of Schlossberg’s nationally syndicated radio program, “MovieTalk” can, at last, look forward to a reboot. Starting January 31, “Julian Schlossberg’s MovieTalk” returns as a new podcast produced by Audivita Studios, a podcast and audiobook production company. The podcast is a unique series featuring interviews with stars, writers, directors, producers. Insights into the world of entertainment. In 1974, while working as an entertainment executive, Schlossberg began hosting “MovieTalk,” a nationally syndicated radio program on WMCA and, subsequently, on WOR. Over the next nine years, he interviewed hundreds of stars (many of whom rarely did interviews).

For the podcast reboot, listeners can look forward to Schlossberg’s signature, in-depth interviews with guests including Academy Award winner F. Murray Abraham; President of Sony Classics Michael Barker; acclaimed actor and film director Richard Benjamin; two-time Emmy Award winner Carol Kane; Award winning actor and comedian Robert Klein; four-time Emmy Award winner Marlo Thomas; legendary Casting Director Juliet Taylor, and iconic model, actress, and singer Twiggy.

Starting January 31, listeners can subscribe or access new episodes at Apple Podcasts, Spotify, and other popular podcasts websites. New episodes will be released weekly, every Wednesday.

For those who want even more Julian Schlossberg podcast in their playlist, subscribe to “Tales From Hollywoodland.” Co-hosted by Hollywood vets Arthur Friedman, Steven Jay Rubin and Schlossberg, this fast-paced weekly show business podcast focuses on all genres of movies; classic to current, as well as Broadway, TV, Cable, and Streaming.

Julian Schlossberg records audiobook of his recent memoir

Try Not To Hold It Against Me: A Producer’s Life

Julian Schlossberg records audiobook of his recent memoir

Try Not To Hold It Against Me: A Producer’s Life

Following a successful book release in January 2023, Julian Schlossberg stepped into the studio to record the audio book of his recent memoir, Try Not to Hold It Against MeA Producer’s Life (published, January 2023). The new audiobook, produced by Audivita Studios, is now available from Amazon and other popular online audiobook stores.

A must-read (and now a must-listen) for film, television, and theater enthusiasts alike, Julian Schlossberg’s Try Not to Hold It Against Me is a one-of-a-kind autobiography by one of entertainment’s true insiders. He has negotiated deals with the likes of Al Pacino, Burt Reynolds, and Lillian Hellman. Schlossberg has partied with Barbra Streisand and Liza Minnelli. He has experienced the paranormal with Shirley MacLaine and Betty Hill. He has produced for Bruce Springsteen, Elia Kazan and Woody Allen, Sid Caesar and Orson Welles. He has interviewed legends including Bette Davis, Alfred Hitchcock, Jack Nicholson, Bob Hope and George Burns. He once testified against The Beatles, yet Mike Nichols called him “the nicest man in show business.”

With a foreword by Academy and Tony Award winner Elaine May, Schlossberg’s memoir tells the story of a boy from the Bronx who makes it to Broadway and beyond. Written with engaging humor and self-deprecation, Try Not to Hold It Against Me gives readers a behind-the-scenes pass to Cannes and Las Vegas, the lives and homes of the stars, and the rarely seen but crucial work of the producer in the midst of it all. Schlossberg takes us through the trials and triumphs of work and play in his roles as a Broadway, Off-Broadway, film and TV producer; a radio and TV host; and documentarian.

21 SAVAGE – REDRUM

“Want it all, I won’t leave a breadcrumb.”
21 Savage 

GRAMMY-WINNING GLOBAL SUPERSTAR 21 SAVAGE MAKES LONDON HOMECOMING IN NEW VIDEO
 

WATCH “REDRUM” NOW


3RD SOLO ALBUM ‘AMERICAN DREAM’ OUT NOW 

On the day his third solo LP, american dream, arrives, 21 Savage keeps his foot on the gas with the release of the album’s first music video, for the London On Da Track-produced “redrum.” The video, directed by British director Danny Seth, is set in Savage’s hometown of Brixton in London, UK during Savage’s homecoming trip in December. The trip marked the first time Savage was able to return to the UK since he was 12 years old.

[Watch: “redrum”[1]]

[Get: ‘american dream’ HERE]

[Watch: ‘american dream’: The 21 Savage Story’ trailer]

The video begins with a satirical account of what many consider to be “the real London”: Big Ben, vintage red telephone booths and buggy cabs. The narrator cheekily suggests that “redrum” is the real London, and 21 Savage’s presence is immediately felt as Brixton youth flank the rapper and rally their support, from packed out balconies to bike convoys. London welcomes its native son back with open arms.

american dream is Savage’s third studio album as a solo artist. The GRAMMY winner is up for five awards at this year’s ceremony, including “Best Rap Album” and “Best Rap Song.”’ american dream features Travis Scott, Young Thug, Metro Boomin, Doja Cat, and Summer Walker.


In celebration of 360 MAGAZINE’s 15th Anniversary and 21 Savage’s 3rd Album, they include the British rapper in a fashion editorial.

Model Kaden Olivier, wearing Marcella NYC, captured by celebrity photographer Vaughn Lowery with celebrity make-up artist Rania Zohny at the Bodega in The Bronx for 360 MAGAZINE.

21 Savage Project Club LA via 360 Magazine and BNG.

Streaming as a Teaching Tool in Different Settings 

Evaluating the Effectiveness of Streaming as a Teaching Tool in Different Educational Settings

Integrating technology into educational settings is now essential. Using streaming as a teaching method is a notable innovation that has attracted a lot of interest. This approach offers a dynamic and interactive way of learning, catering to diverse educational needs and settings. Streaming has revolutionized teaching from elementary schools to universities, making learning more engaging and accessible. 

In higher education, the benefits of streaming reach beyond the classroom. They can direct their learning and explore their interests outside the curriculum. With a graduate school essay writing service, DoMyEssay.com, it becomes even easier to complete my assignment, as they always have a trusted academic assistant to ensure all of their essays are completed on time. As a result, digital tools become valuable in complementing students’ academic pursuits. As we delve into the effectiveness of streaming in education, let’s explore how it aligns with and supports various learning objectives and environments.

Streaming in Classroom Settings 

  1. Interactive Learning 

Streaming services have revolutionized how educators present course material, making interactive learning more achievable. Teachers can make learning more engaging by using multimedia elements like videos and animations. This multimedia approach caters to different learning styles, whether visual, auditory, or kinesthetic, ensuring that all students have the opportunity to grasp concepts effectively.

Furthermore, streaming allows for real-time interaction between students and educators. This immediacy enhances understanding and encourages active participation, a key element in successful learning outcomes.

  1. Flexibility and Accessibility

Streaming’s greatest strengths lie in its flexibility and accessibility. Students with different learning needs, schedules, and geographical constraints can benefit from: 

  • Streaming accommodates various schedules, allowing students to learn at their own pace.
  • It overcomes geographical limitations, allowing students in remote or underserved regions to access education. 
  • The availability of recorded sessions allows students to revisit lectures for better comprehension.
  • Streaming platforms typically offer features like closed captions and variable playback speeds for greater accessibility.
  • They support diverse curricular needs, from academic subjects to extracurricular activities.

These advantages ensure that quality education is not limited by physical location, making learning a more inclusive and equitable experience.

  1. Enhanced Collaboration and Engagement

Streaming in education has significantly enhanced collaboration and engagement among students. Platforms that support streaming include tools for group discussions, project collaboration, and peer-to-peer interaction. This helps build a sense of community among learners and encourages the development of critical soft skills like teamwork and communication.

Moreover, streaming can increase student engagement by providing a platform for interactive content, such as quizzes, polls, and interactive exercises. These features keep students actively involved in learning.

Streaming in Professional Education

In professional education fields like medicine, engineering, and the arts, streaming has proved particularly beneficial. For instance, medical students can watch live surgeries and procedures, providing them with a close-up view of practices that would be difficult to observe otherwise. Similarly, engineering students can participate in virtual lab sessions to engage with practical experiments remotely.

For students in the arts, streaming opens up opportunities to attend virtual workshops, performances, and lectures by renowned artists and professionals. This enriches their learning experience and provides exposure to global perspectives and techniques.

Streaming in Continuing Education and Professional Development

Streaming also plays a crucial role in continuing education and professional development. Streaming offers a practical option for working professionals looking to improve their skills or continue their education. It enables them to juggle their work and educational commitments, fostering continuous learning and career growth.

Additionally, many organizations now use streaming for employee training and development. This approach allows for consistent training experiences across different locations and departments, ensuring all employees access the same high-quality resources.

Challenges and Limitations

While streaming offers numerous benefits, it’s not without its challenges:

  • Technical challenges like weak internet connections can impact the effectiveness of streaming. 
  • Not every student has the same access to the required devices or high-speed internet.
  • There is a potential for reduced face-to-face interaction and social skills development.
  • Streaming relies heavily on student self-discipline and time management skills.
  • Teachers may require additional training to effectively use streaming platforms.

Technical issues and disparities in access to technology can impact its effectiveness. Additionally, the shift to a more digital learning environment requires both students and educators to adapt to new modes of interaction and teaching methodologies.

Conclusion

Streaming as a teaching tool offers a multitude of benefits, from enhancing interactive learning to providing flexibility and accessibility in education. However, to fully harness its potential, students and educators must navigate its challenges effectively. For students seeking additional academic assistance, resources like the best assignment writing service can complement their streaming-based learning. As education continues to evolve, streaming is set to play a crucial role in shaping how learning happens in the future.

Author Bio

Nicole Hardy, a renowned journalist with expertise in education and the arts, has earned acclaim for her comprehensive and insightful reporting on performing arts education. With a career spanning over a decade, Hardy has established herself as a respected authority in this field. She is well-regarded for her in-depth analysis and engaging writing style. Hardy holds a Master’s degree in Journalism from the University of Arts, specializing in arts and culture journalism. Presently, she creates exceptional, student-oriented content for News.EssayHub.

A Look Into The Future

Streaming Services Emerging Trends

The landscape of entertainment has undergone a seismic shift over the past decade, primarily driven by the advent and rise of streaming services. These platforms have revolutionized media consumption, offering a convenient and personalized viewing experience. From the early days of Netflix’s streaming service to the multitude of platforms available today, streaming has become a staple of modern life.

This revolution has not just changed how we watch TV shows and movies; it has altered the very fabric of media production and consumption. Streaming services have broken down geographical barriers, made niche content more accessible, and given rise to new forms of storytelling. The impact of these platforms is far-reaching, affecting everything from traditional cable TV to cinema.

As we look to the future, it’s clear that streaming services will continue to evolve and shape our entertainment experience. Understanding these changes is crucial for students who are not only consumers but also the future workforce of this industry. Platforms today, as they answer the “write my essay for me” plea like Essay Service does, provide resources for academic research – and have seen an uptick in students seeking information about the future of streaming services, indicating a keen interest in this dynamic field. Let’s now dive deeper into the topic.

Personalization and AI Integration

One of the most significant emerging trends in streaming services is the increased use of Artificial Intelligence (AI) for content personalization. Streaming giants are investing heavily in AI algorithms to analyze viewing habits and provide tailor-made recommendations to users. This move towards a more personalized viewing experience aims to keep users engaged and reduce the time spent searching for content.

The integration of AI goes beyond just recommendations. It’s used to understand viewer preferences, predict trends, and even influence content creation. AI tools can analyze vast amounts of data to identify patterns and preferences, informing decisions about which content to produce or acquire.

Furthermore, we’re seeing the emergence of interactive content, where viewers can choose how a story unfolds. This technology, powered by AI, is still in its infancy but has the potential to transform storytelling into a more engaging and personalized experience. 

Shows like “Black Mirror: Bandersnatch” have already explored this format, offering a glimpse into what might become a more common feature in streaming content.

The Rise of Niche Streaming Services

While major players like Netflix, Amazon Prime, and Disney+ dominate the market, there’s a growing trend toward niche streaming services. These platforms cater to specific interests, genres, or demographics, offering content that might not find a home on larger, more generalized platforms.

The increasing fragmentation of audiences drives this trend. As viewers’ tastes become more specific, they seek content that aligns closely with their interests. Niche streaming services meet this demand by providing curated content in specific genres such as horror, documentary, or independent films.

These services not only benefit viewers but also content creators. They offer a platform for indie filmmakers, documentarians, and creators of less mainstream content to reach an audience. This content creation and distribution democratization is a significant shift in the entertainment industry, opening doors for diverse voices and stories.

The Integration of Social Media and Streaming

Another emerging trend is the integration of social media features into streaming platforms. This integration aims to make the viewing experience more interactive and social. Features like watch parties, where people can watch content simultaneously and interact with each other, are becoming more common.

This trend is in response to the increasing desire for shared experiences in the digital age. Streaming services are looking to replicate the communal aspect of traditional TV viewing, where people would gather around the TV and discuss shows as they aired. By integrating social features, streaming platforms can enhance user engagement and build a community around their content.

Additionally, social media integration allows for more direct interaction between content creators and viewers. This can lead to more dynamic and responsive content creation, where feedback from viewers can be quickly incorporated into future content or programming decisions.

Final Thoughts

The future of streaming services is marked by personalization, niche content, social integration, and the challenges of content saturation. As these platforms evolve, they will continue reshaping the entertainment landscape, offering new content creation and consumption opportunities.

For students and young professionals interested in media and entertainment, these trends represent both challenges and opportunities. Understanding and adapting to these changes will be crucial for those aspiring to work in this dynamic and ever-evolving industry.

Streaming services have come a long way since their inception, and their journey is far from over. As we look into the future, it’s clear that these platforms will continue to innovate, surprise, and redefine our relationship with media and entertainment.

Author Bio

Nicole Hardy, a renowned journalist with expertise in education and the arts, has earned acclaim for her comprehensive and insightful reporting on performing arts education. With a career spanning over a decade, Hardy has established herself as a respected authority in this field. She is well-regarded for her in-depth analysis and engaging writing style. Hardy holds a Master’s degree in Journalism from the University of Arts, specializing in arts and culture journalism. Presently, she creates exceptional, student-oriented content for News.EssayHub.

P-lo and saweetie new 49ers song via 360 MAGAZINE.

SAWEETIE + P-LO

Ahead of the San Francisco 49ers playoff run, Saweetie and P-Lo are releasing their new song, “Do It For The Bay,” developed in partnership with the San Francisco 49ers. The San Francisco 49ers are proud to join forces with Bay Area artists Saweetie and P-Lo whose careers have gained national acclaim while maintaining a strong connection to their community.

“We’re grateful to iconic Bay Area artists and 49ers Faithful, Saweetie and P-Lo, for creating a song that celebrates our team and gives The Faithful a new song for their gameday soundtracks,” said Allie Dicken, Senior Director of Brand Marketing for the San Francisco 49ers. “We’re lucky to be based in a region that is thriving with talent, diversity, and innovation, and excited that Saweetie and P-Lo were able to capture those values in this new anthem for The Bay.”

Santa Clara-born and Grammy-nominated Saweetie said, “I’m excited to share our new 49ers single designed to hype up the team and The Faithful for this playoffs run! I want to thank the 49ers organization for this opportunity. Shout out to P-Lo for doing what he does. I love that we were able to collaborate and make something that’s so Bay-triotic, as P-Lo would say.”

Bay Area rapper, producer, and patron to local sports teams P-Lo said, “Big thanks to the 49ers for their commitment to bridging sports and Bay Area culture. I’ve been wanting to release music with Saweetie, and with both of us being die-hard 49ers fans, this is a great opportunity to come together and show our pride for The Bay.”

The song includes homages to the 49ers and the Faithful and serves as a new rallying song for the region at an important moment for the organization. In addition, P-Lo’s outfit for the music video was provided entirely by Levi’s®, a call back to the 49ers home at Levi’s® Stadium.

“Do It for The Bay” is available on streaming platforms like Spotify, including the 49ers Official Spotify profile. The music video can be viewed here.

Fans looking for more 49ers content and news can visit 49ers.com.


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Get inspired by Bond’s iconic wardrobe

James Bond is one of pop culture’s most iconic characters. Despite being played by seven different actors (soon to be eight) over 60 years, he’s instantly recognizable. Even without a theme song, everyone can recognize Bond. 

The character is set apart by his cool and collected attitude, his penchant for one liners, his ability to spring into action at a moment’s notice, and his love for a martini – shaken, not stirred. They say it’s the clothes that make the man and in Bond’s case, that’s partly true. His iconic looks have remained effortlessly cool over the decades.

Here are some of the highlights of Bond’s iconic wardrobe for inspiration on how to elevate a look and take it to a whole new level.

The tuxedo

James Bond’s most iconic look is, of course, the tuxedo. And not just any tuxedo – a perfectly fitted, bespoke tuxedo. The fit is essential because it sets Bond apart from anyone else who has just bought a suit off the rack. Having the tuxedo fit perfectly also allows him plenty of range of movement and space to conceal a weapon or two.

In our daily lives, there are very few opportunities to wear a tuxedo. There aren’t many events that call for them and some of the places that used to require black tie as part of their dress code have relaxed things somewhat in recent years. Weddings, New Year’s Eve parties and big events are some of the last places where a tuxedo is appropriate attire. Of course, this also includes casinos – for high rollers like Bond, that is.

The rise of online casinos has lessened the need to get dressed up to play. However, even a few hands at

a blackjack table on LeoVegas or a few spins of a digital slot machine can be made to feel like an occasion if the right outfit is worn.

Gray two- or three-piece suit

When Bond isn’t wearing a tuxedo, he has a range of suits. Some may argue that they are generally styled too tight but that’s obviously the choice of the costume department and it’s impossible to deny that he looks good. A suit cut slightly looser may be more functional for the average person, however. 

While Bond has worn a variety of suits over his career, the gray suit has always been his go-to color. Film buffs have noted that despite the fame of his black tie looks, Bond actually wears a gray suit more often than any other look. This may be because of the versatility of the color. 

One lesson to take from Bond is that classic doesn’t have to mean boring. Over the years, Bond’s gray suits have included different textures and weights to fit the location’s climate, and feature discreet patterns to keep things interesting. 

Classic sweater

James Bond has never been one to shy away from the comfort and style of a heavy sweater. From his black commando sweater in No Time to Die (2021) to his cashmere turtleneck in Die Another Day (2002), all the way back to his burgundy V-neck golfing sweater in Goldfinger (1964), Bond’s sweater game has been strong.

When picturing the iconic spy, his sweater looks are rarely one of the first to come to mind. Yet they are fairly common across the decades. His sweaters are typically dressed down for casual romancing or complete the look when he’s on a mission and needs to be stealthy.

Hoodies, fleeces and sweatshirts may be the layering item of choice for many young people but that doesn’t mean that a sweater is out of place. Having one or two neutral sweaters in different weights in the closet makes it easy to dress up a basic look or keep a button-up and trousers look from feeling too stuffy. 

Linen short sleeve shirt

Many of Bond’s best movies take place in sunny locales and Bond usually ends up spending plenty of time on the beach or out on the water. The swim trunks from Casino Royale (2006) shifted the fashion in men’s swimwear, after all. A more practical summer look from Bond is the linen short sleeve, button-up shirt. 

Linen always has an effortless look to it and when done right, it exudes both class and leisure. Bond, of course, does it right. What’s essential is selecting a shirt in a neutral color or with a simple pattern. Stray too far in the other direction and the look becomes more Tommy Bahama than James Bond. 

Composer Gordon Goodwin via 360 MAGAZINE.

Gordon Goodwin

TWENTY-FIVE TIME GRAMMY® NOMINEE COMPOSER GORDON GOODWIN STRIKES GOLD AGAIN WITH THREE NEW GRAMMY® NOMINATIONS.

The 66th Grammy® Award Nominations were announced on November 10, 2023. The astonishing surprise was three new nominations for Multi Grammy® Emmy Winning Composer/Arranger, Jazz Veteran Gordon Goodwin. 

Nominations

• Best Jazz Vocal Album: Patti Austin Featuring Gordon Goodwin’s Big Phat Band – For Ella 2. 

• Best Instrumental Composition: Quartet San Francisco Featuring Gordon Goodwin’s Big Phat Band – Cutey and The Dragon, Composed by Raymond Scott and Gordon Goodwin.

• Best Arrangement, Instruments, and Vocals: Patti Austin ft. Gordon Goodwin’s Big Phat Band – April in Paris, Arranged by Gordon Goodwin.

Gordon is delighted that his current projects have been considered once again by The Recording Academy. He says, “25, I look at that number and it shocks me every time. I still find it difficult to believe that the members of

the Recording Academy have given me 25 Grammy® nominations for my work. I don’t think you ever get used to it and the three most recent nominations seem somehow more precious than ever. I had the good fortune to be involved in two projects that were close to my heart in the past year, and happily, both were acknowledged by the Recording Academy.”

Gordon is grateful for being nominated twice for his collaboration with Jazz phenom Patti Austin. She is jazz royalty; Patti Austin’s keen interest in being a total entertainer likely started when she stepped onto the stage of the world-famous Apollo Theater in Harlem at the age of four at the urging of music legend Dinah Washington. After a series of much-acclaimed albums for CTI Records,  she signed with her godfather Quincy Jones’ Qwest label and began achieving mainstream success on an international level thanks to the GRAMMY® nominated hit “Baby Come To Me,” her now classic duet with James Ingram and the follow-up duet, the Oscar-nominated “How Do You Keep the Music Playing?” as well as her appearance on albums with Jones on his best-selling album Stuff Like That, his GRAMMY®–winning classic The Dude, and later, his From Q With Love Vols. 1& 2. The GRAMMY® nominated For Ella album opened new doors for Patti as a performer and her embrace by the jazz world was further cemented with her Grammy winning classic CD “Avant Gershwin: Now, after more than two decades of touring, her take on the classic American Song Book has expanded Patti’s appeal and garnered standing ovations all over the USA and Europe. Patti continues her philanthropic work with her mentoring organization, “The Over My Shoulder Foundation” and with Covid hopefully winding down she has resumed her touring schedule to the delight of fans all around the world. 

Gordon is pleased to receive his composition nomination for “Cutey and The Dragon,” from the album Raymond Scott Reimagined, featuring Quartet San Francisco, Take 6 and the Big Phat Band. Goodwin took the unfinished work by Raymond Scott and completed it in a manner that honors Scott’s sophisticated yet playful style. Raymond neither received nor was nominated for a Grammy during his lifetime; the awards were launched in 1958, by which time Scott had largely stopped issuing commercial recordings. Raymond Scott was a composer, inventor, visionary, pianist, engineer, electronic music pioneer, control freak.

Gordon Goodwin was born in Wichita, Kansas, and Goodwin’s parents moved to Southern California when Goodwin was four. After completing his formal music education at Cal State University-Northridge, Gordon began working as a live performer at Disneyland and after a few years, he was commissioned to work on a musical that featured past and present Mouseketeers (including Britney Spears and Christina Aguilera). That exposure led to studio work with the likes of Quincy Jones, Mel Tormé, Ray Charles and legendary vocalist Johnny Mathis.

In 1999, Gordon founded the Big Phat Band for what he thought would be a single performance at his alma mater Cal State at Northridge. Since then, the Big Phat Band has recorded 10 albums, and in the process received 25 Grammy® nominations. Goodwin won a Grammy® for ‘Best Instrumental Arrangement’ for “Incredits” for the film The Incredibles and has been honored with 3 Emmy awards for his work on the Steven Spielberg-produced shows Animaniacs and Pinky and the Brain. His work has been featured/utilized in more than 80 film & TV productions spanning the gamut of pop culture: amplifying the likes of National Treasure, Star Trek: Nemesis, Snakes on a Plane, Get Smart, Remember the Titans, The Sorcerer’s Apprentice, The Majestic (starring Jim Carrey), The Lion King, The Incredibles and Ratatouille.

Gordon has won four Grammy® Awards and three Daytime Emmy Awards and has received twenty-five Grammy® nominations for his compositions and arrangements. 

Grammy® Awards

Best Instrumental Arrangement 

“The Incredits” (2005) 

“Rhapsody in Blue” (2011)

 “On Green Dolphin Street” (2013),

Best Large Jazz Ensemble Album: Life in the Bubble (2014)

Grammy ® Award nominations include

Best Large Jazz Ensemble Album:

XXL (2003)

Act Your Age (2008)

Best Instrumental Composition

“Sing, Sang, Sung” (2000)

“Hunting Wabbits” (2003)

“Hit the Ground Running” (2008)

“Hunting Wabbits 3 (Get Off My Lawn)” (2011)

 “California Pictures for String Quartet” (2013)

 “Life in the Bubble” (2014)

Best Instrumental Arrangement

“Bach 2 Part Invention in D Minor” (2000) “Attack of the Killer Tomatoes” (2006) 

“Yo Tannenbaum” (2007)

“Yesterdays” (2008) 

“Salt Peanuts! (Mani Salado)” (2012)

Best Instrumental Arrangement Accompanying Vocalist(s)

 “Comes Love” (2003)

Best Arrangement, Instrumental or A Cappella 

“Get Smart” (2014)

Best Arrangement, Instruments, and Vocals

 “Party Rockers” (2014) 

“Do You Hear What I Hear?” (2016) 

Best Arrangement, Instruments, and Vocals

 “I Loves You Porgy” / “There’s A Boat That’s Leavin’ Soon For New York” (2017)  

Daytime Emmy Awards

Music Direction and Composition

Animaniacs (1998, 1999)  

Outstanding Music Direction and Composition

Histeria! (2000)

Gordon’s discography includes Swinging For the Fences, XXL,

The Phat Pack, Act Your Age, That’s How We Roll, Life in the Bubble, Wrap This, A Big Phat Christmas, An Elusive Man, Joyful, The Gordian Knot, The Reset, Raymond Scott Reimagined, For Ella 2, w/Patti Austin, Music for Two Pianos (2024).

Gordon is also the host of the popular long-running radio program, “Phat Tracks with Gordon Goodwin,” airing for 5 years on KJAZZ, America’s jazz and blues station, and finishing its 2nd year broadcasting and streaming from its new home on San Diego’s Jazz 88.3 FM (KSDS). The weekly 2-hour show is a mix of music and stories and commentary.  

Pianist, saxophonist, composer, arranger, and conductor – whatever it is Gordon Goodwin touches, it’s all about his love of music. The accolades and awards come, but for Gordon the feeling of gratitude for his life in music is strong, and he wouldn’t want it any other way.

“Listening to Gordon Goodwin’s Big Phat Band, I was immediately taken by Gordon’s contemporary musical viewpoint, the dynamics of his “Big Phat Band,” its bevy of superb soloists, and the exhilaration of its sound.” – Quincy Jones.


Upcoming Shows

Jan 25 – Winter NAMM Show Concert, Anaheim, CA.

Jan 29 – Catalina Jazz Club Patti Austin/BPB Grammy Celebration Concert, Hollywood, CA.

March 2 – Studio Channel Islands Art Center, Camarillo, CA.

March 16 – Bonita Center For the Arts, La Verne, CA.

April 27 – Thousand Oaks Performing Arts Center, Thousand Oaks, CA.

May 4 – The Grape, Ventura, CA.

June 1 – International Trumpet Guild Concert, Anaheim, CA.

June 7 – SF Jazz Concert, San Francisco, CA.

July 30 – Redlands Bowl, Redlands, CA.

August – Blue Note Tokyo.

Patti Austin Album

Music video for Cutey and the Dragon


360 Magazine – Q & A

1. How has your family inspired you as a musician?

Gordon: My parents insisted that I take piano lessons as a little kid and that piano teacher was the first person to suggest I could write music myself. My first compositions, as lame as they were, were produced when I was in first grade. I owe that to my mom and dad, who nudged me in that direction very early.


2. What do the next 5 years look like musically? 

Gordon: For me? I’ll just keep growing, keep playing and composing. If you do that, the rest follows.

3. Talk about any producer you have worked with. 

Gordon: I have worked with some of the best, including Quincy Jones, David Foster and Phil Ramon, and have learned a lot from them all. I produce most of my own records, but have also used Gregg Field and Lee Ritenour as producers, and both of those guys have great chops and great taste.


4. Where do you get your ideas for subject matter for your project development?

Gordon: I mostly get inspired by other people’s efforts, which somehow triggers the urge to sit down and create. I hear someone’s song or symphony or read somebody’s book, or watch somebody’s movie and that inspires me. Creation requires effort – rarely is there a bolt out of the blue with that perfectly formed idea. It usually is a result of hours of craft.

5. What charities are you aligned with and why? 

Gordon: I like to contribute to St. Jude’s because the idea of little kids with cancer really offends me. I also admire Doctors Without Borders and Habitat for Humanity.

6. What music projects will you be involved with in the future? 

Gordon: I have a new record coming out next year called “Music For Two Pianos.” It’s a piano duet record where I play both parts. I created ten original pieces for this record, and the style is a jazz and classical hybrid. It was a blast to do and I enjoyed getting a stronger connection to the piano in the process. Other than that, I am working on a record for my wife Vangie Gunn, with mostly original tunes, I have a film I am scoring and have a new Big Phat Band record to compose and produce. It’s going to be another busy year!

7. Who are your biggest influences? 

Gordon: There are way too many to mention. I believe in exposing yourself to as many people as you possibly can in order to widen your musical worldview. But if I had to make a short list, let’s go with Chick Corea, Michael Brecker, Cannonball Adderley, Bill Evans, John Williams, Igor Stravinsky, Claude Debussy and… this is too hard! Sorry for all of the incredible geniuses I just left out!

8. What advice would you give to a recording artist starting out? 

Gordon: Practice your craft every day, even if it’s only for a short time. Commit to improving and know that it’s a long slow climb. Forget about overnight success. If you are serious about your music, you will realize that it’s a lifetime commitment.

No way can you figure it all out in your 20s, unless your music is based on youth, celebrity, and looks. One thing’s for sure: Mine isn’t!

9. Talk about your training in your early career, who have you trained with and why? 

Gordon: I studied music in college where I learned orchestration, counterpoint, music history, conducting, things like that. But I also played in the jazz band and had a gig at a club every night where we played the music of Stevie Wonder, Earth, Wind and Fire, and other Top 40 stuff. So, I got my education in the classroom and on the bandstand. I believe you need both of those elements. You play music with your brain and also your heart.

10. How do you take care of yourself, your health regime? 

Gordon: Vangie and I walk almost every night. We try to go between 3-4 miles each night, depending on our schedule. Other than that, I do a fair amount of stretching and live a pretty clean life – no drinking, smoking or drugs. I never much liked or needed that stuff.

11. What is it about Raymond Scott that got you to do this current project? 

Gordon: In the 90s I worked for Warner Brothers Animation and, at that time, I took a deep dive into the music of Raymond Scott and Carl Stalling, two compositional legends whose music really informed the style of Bugs Bunny and Daffy Duck Cartoons. So, when Jeremy Cohen offered me the opportunity to revisit this music on the Raymond Scott Reimagined project, I jumped.


12. What musician did you admire as a child?  

Gordon: My first musical hero was Herb Alpert. I loved the Tijuana Brass! I even had my own Tijuana Brass band when I was in 4th grade. And now as an adult, I find myself being friends with Herb and recently wrote some charts for a new record he is releasing. Life is funny that way, and I am amazed when I get a call from this amazing man, knowing that he was such an influence for me at a formidable time in my life.


13. What do you do to relax? 

Gordon: I love Hawaii and try to get there each year or so. I love to read and lately have been digging into podcasts.

14. What other business strategies do you plan on starting to promote your brand? 

Gordon: There’s a tough one. The music business is in terrible shape and when I started the Big Phat Band in 2000, I thought it was bad THEN! Little did we know that almost every category of the music business would continue to degrade. I am less and less optimistic about the future of music in our country because, since consumers have decided, they shouldn’t have to pay for it, there is little reason for people to dedicate their lives to something that will not allow them to make a living and raise a family. We have some serious catching up to do, and it all starts with arts education in the schools, which is on the cutting block in many institutions.

15. What’s the one thing you think everyone could do to make the world a more positive place? 

Gordon: I believe it starts with building empathy for others, and the best way to develop empathy is to gain an understanding of the arts. Music – at least music of content – teaches us how to empathize. Other than that, make it a point to find the good in the world, to find your sense of gratitude for what you have and to do something nice for someone else each day. Pretty simple, as it turns out.

16. What would you be doing if you were not a musician? 

Gordon: I have no earthly idea. I have no other skill set! I do have a pretty good understanding of human behavior, but the thought of not getting up each day and engaging with music? Nope. No way.

17. What was your first memory of hearing great music? 

Gordon: I remember watching The Mickey Mouse Club television program as a really young kid, and that theme song may have been the first time I was aware of a thing called music. After that, probably the Bugs Bunny and Tom and Jerry cartoons I would watch had some amazing music.

18. What do you want to leave as your legacy? 

Gordon: Some projects I do for money. Some projects I do for musical satisfaction. Sometimes those things intersect, but either way, I go in all the way and commit to making the music the best it can be. Sometimes the music is pretty easy to play, other times it is really challenging to play, but I just go where the music demands. I hope people remember my music as being informed by a positive and optimistic worldview.

19. How do you overcome challenges in your career? 

Gordon: It can be frustrating at times, but I remember that I am a lucky man and have had extremely good fortune to have music in my life. On my worst day, when I am composing music that I may dislike, just because a producer or director wants it, I remember that a million people would trade places with me in an instant. Hang on to your gratitude, things always work out!


20. Is there anything in your careers that you wish you could do again? 

Gordon: I never consider this question, except to remember to learn from each experience.

21. What is the best thing about being nominated for another Grammy? 

Gordon: Grammy Nominations are awesome and really gratifying! It is thrilling to see your name on that list! But the truth is that you probably won’t sell more records with a Grammy win, never mind after a nomination. It doesn’t make your music any better, nor does NOT being nominated make your music any worse. But what it can sometimes do, is enable you the chance to keep doing what you are doing – writing more songs, recording more music, doing more gigs. That is the true value of the Grammy experience.

22. What was it like working with Patti Austin? 

Gordon: Patti is a living legend. She is more than a really good singer; she is an extraordinary musician. I have never once seen her get stumped by a musical problem. Plus, she is absolutely hilarious! A real joy to work with and it is one of the great honors of my life that she chose to work with me on “For Ella 2.”

23. What’s it’s like to work with The Big Phat Band? 

Gordon: I started the Big Phat Band in 2000, and since that time, it has brought balance to my life. Having musicians of that quality is a great luxury for a composer, and there has been nothing, not anything at all in 23 years – that they haven’t nailed on the first take. Many of them are lifelong friends and it is a privilege to take the stage with them. 

Marvel's SPIDER-MAN via 360 MAGAZINE.

JONATHAN HICKMAN + MARCO CHECCHETTO

MAKE THE MOST DARING STORYTELLING CHOICE IN SPIDER-MAN HISTORY IN ULTIMATE SPIDER-MAN #1!

Check out R.B Silva’s ULTIMATE SPIDER-MAN #1 Second Printing Variant Cover and Marco Checchetto’s ULTIMATE SPIDER-MAN #1, each spotlighting the bold twist Hickman and Checchetto have introduced in their new run.

SPOILER WARNING FOR ULTIMATE SPIDER-MAN #1, on sale today!

They said it would never happen. They said it couldn’t be done. Yet in today’s ULTIMATE SPIDER-MAN #1, Marvel readers saw Uncle Ben alive and well! The debut issue of Jonathan Hickman and Marco Checchetto’s new ULTIMATE SPIDER-MAN series was packed with startling revelations, including this sharp storytelling turn for one of pop culture’s most famous super hero origin stories and most notable deaths!

In ULTIMATE SPIDER-MAN #1, fans met an older Peter Parker who despite his heroic nature, never became Spider-Man! Instead he’s a devoted husband to Mary Jane, a dedicated father to two kids, and works at the Daily Bugle alongside his beloved uncle—BEN PARKER! Having never fell victim to a burglar’s senseless crime, the Uncle Ben of this new Ultimate Universe plays an active role is his nephew’s adult life, inspiring him in a very different—but no less impactful—way than the late Uncle Ben does for the main universe’s Peter Parker. Now, thanks to intervention from Tony Stark, Peter is reclaiming a life that was stolen from him and beginning his career as Spider-Man. Uncle Ben will be an important figure in the new ULTIMATE SPIDER-MAN saga as Ben, an award-winning journalist, and his trusted partner and friend J. Jonah Jameson pursue the truth of this corrupt world and the unrest that’s stirring around every corner–starting with discovering the identity of the newly emerged Green Goblin!

“This is a Peter Parker who not only didn’t get bit by a spider when he was a teenager, but a Peter Parker who also never lost his Uncle Ben,” Editor Wil Moss said. “Now that he has become Spider-Man when he’s a full-grown adult, how will having Ben in his life affect who he is as a hero? It’s a fundamental shift in the Spider-Man mythos, and Jonathan and Marco are really going to surprise you with how it affects Spider-Man’s journey as a hero, I guarantee.”

ULTIMATE SPIDER-MAN is the first launch in Marvel’s new Ultimate line that was born out of Jonathan Hickman and Bryan Hitch’s Ultimate Invasion series. The saga began with the Maker, one of the final survivors of the doomed Ultimate Universe, travelling back in time on a parallel Earth to create a world without heroes. He succeeded in preventing various iconic heroes from achieving their destiny and ruled this world in secret through various global factions. Now, he’s vanished and a secret war has broken out across the planet to shape what will happen to his kingdom. Some want to control the world. Some want to free it. After discovering the dark truth, a young Tony Stark embarks on a ambitious mission to make things right, starting with gifting a certain genetically enhanced arachnid to a man named Peter Parker! Filled with modern takes on classic Marvel ideas and characters, the new Ultimate Universe is ripe for rich storytelling and a perfect evolution of the Ultimate brand. See it grow and develop in upcoming issues of ULTIMATE SPIDER-MAN, ULTIMATE BLACK PANTHER, and March’s ULTIMATE X-MEN along with more Ultimate titles launching in the months ahead.

The second printing of ULTIMATE SPIDER-MAN #1 will conveniently hit stands on the same day as ULTIMATE SPIDER-MAN #2. Check out R.B. Silva’s new cover, along with the cover for April’s ULTIMATE SPIDER-MAN #4 and preorder, both today at your local comic shop! For more information, visit Marvel.com.