NEWS

TEE GRIZZLEY & SKILLA BABY RELEASE NEW MUSIC VIDEO FOR "AIN'T GOTTA LIE" via 360 MAGAZINE.

TEE GRIZZLEY + SKILLA BABY

TEE GRIZZLEY & SKILLA BABY RELEASE NEW MUSIC VIDEO FOR “AIN’T GOTTA LIE.”

WATCH IT HERE

STREAM “CONTROVERSY” BY TEE GRIZZLEY & SKILLA BABY

ABOUT TEE GRIZZLEY: 

With a soulful flow, cinematic storytelling, and a whole lot of heart, Tee Grizzley has quietly affirmed himself as one of Detroit’s most impactful, impassioned, and impenetrable voices. He has notched three consecutive entries on both the Top 10 of the Billboard Top R&B/Hip-Hop Albums Chart and US Rap Albums Chart and three straight Top 20 debuts on the Billboard Top 200 with Activated [2018], Scriptures [2019], and Built For Whatever [2021]. In addition to the breakout gold-certified My Moment mixtape, his catalog encompasses a string of multiplatinum, platinum, and gold anthems, including the quadruple-platinum “First Day Out” [with Meek Mill], double-platinum “From the D to the A” [feat. Lil Yachty], and gold-certified “No Effort” and “Satish.” Along the way, he has earned acclaim from the likes of Pitchfork, The FADER, and many more in addition to appearing on MSNBC’s The Beat with Ari Melber, among other television shows. At the same time, he also helms his own Grizzley Gang label and has built an audience of 879K-plus on Twitch as a highly sought-after streamer. However, Tee Grizzley tells a story for the ages on his 2022 visual album, Chapters of the Trenches, representing the culmination of his journey so far and hinting at an even brighter future for Detroit’s strongest spitter today. 

ABOUT SKILLA BABY: 

Skilla Baby is one of the most enthralling young stars emerging from Detroit, Michigan. The 24-year-old rapper has accumulated over 76M views on YouTube and collaborated with the likes of Kash Doll, Peezy and Tay B. In December 2022, Skilla released his EP We Eat The Most via Geffen, which peaked at #19 on the iTunes Hip-Hop/Rap charts. A protégé of hometown hero Sada Baby, Skilla is carving out a lane as one of the Motor City’s most distinct voices. The MC has amassed an impressive body of work, beginning with Push That Shit Out Skilla,his careening debut album from 2019. In fact, We Eat the Most is Skilla’s third tape of 2022, following Detroit Raised Me and Crack Music 2, giving him what is possibly the most unassailable resume in hip-hop this year. 

CONNECT WITH TEE GRIZZLEY:

INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

CONNECT WITH SKILLA BABY:

INSTAGRAM | TIKTOK | TWITTER | YOUTUBE

Whitney Peak covers Elle Canada via 360 MAGAZINE.

Whitney Peak × Elle Canada

KO MÉDIA REVEALS AN IN-DEPTH MAY ISSUE OF ELLE CANADA.

KO Média is thrilled to unveil the May issue of ELLE Canada, our green issue featuring Whitney Peak, the Ugandan-Canadian star of the Gossip Girl revival. The new face of Chanel’s Coco Mademoiselle fragrance tells us about how her family’s relocation changed her future: “In Uganda, I would never have thought of doing this job. Not because it doesn’t happen there, but because it’s as if, in my mind and in my family’s mind, we already had a completely different path mapped out for our lives. Instead, Canada has opened up new opportunities for me that I could not have imagined.”

We speak to plenty of passionate women in this issue, including actor Simone Kessell from the second season of everyone’s favorite survivalist series, Yellowjackets. Music and fashion double threat Lexie Liu maps her journey to stardom, Priyanka Chopra Jonas lets us in on her globe-conquering ambitions, ice scientist Alison Criscitiello explains how Canada’s deep-freeze regions can tell us about our climate’s past and future and Sana Javeri Kadri shows us how she’s dreaming up a better spice trade.

In the style department, we peek at trompe l’oeil pieces that will have you double-checking your eyesight, while a Toronto trio of Bangladeshi-Canadians tells us about redefining the “Made in Bangladesh” label and spring sees designers playing with sheer layers on the runway. OddBird Co. rises to the top as an inclusive slow-fashion brand, six sustainable fashion pros tell us about their eco-responsible ways, and we take a critical look at whose voice matters in the era of democratized online fashion expertise. We’re wild for Virginie Viard’s latest animal-inspired Chanel haute-couture collection, along with the season’s eye-popping colors, including home design’s pink-meets-green trend that’s a match made in heaven.

Our editors examine how the beauty industry can improve its carbon footprint by avoiding landfills and turning toward upcycling. We also present a spread of our favorite ethically made products, examine how to reset skincare routines, and provide a full how-to guide for clean beauty that breaks down the product lingo. And Marc Jacobs tells us about his fashion and beauty staying power.

When it comes to lifestyle, we dive into hopeful movements in this era defined by crisis and ask experts about how these times are shaping our financial, work, and relationship habits. To be at the top of our game, we look at how to harness the pay-transparency movement and take notes from fitness expert Val Desjardins about the benefits of a functional training approach. We also learn about citizen scientists teaming up with ocean conservationists in Antarctica before kicking back on a 48-hour tour of Toronto and visiting May’s top local and international art shows. For a bookish bent, we talk to journalist Mellissa Fung, whose new work, Between Good and Evil, follows the lives of three Nigerian girls kidnapped by Boko Haram, and sit down with modern-romance author Emily Henry to hear about her writing process. Plus, superstar Emily Ratajkowski lets readers in on how she controls her own narrative in her first essay collection, My Bodyand we are teased with recipes from beloved Montreal restaurant Elena in its team’s first cookbook, Salad Pizza Wine: And Many More Good Things From Elena.

The May issue of ELLE Canada will hit newsstands and Apple News+  on April 17, 2023.  

READ THE DIGITAL ISSUE

KO Média also publishes ELLE Decoration, ELLE QuébecMagazine VÉROdi Stasio, and K pour Katrine magazines.

Post Malone releases Chemical song via 360 MAGAZINE.

POST MALONE – CHEMICAL

POST MALONE IS BACK WITH “CHEMICAL”

New Single + Video Available Now

About Republic Records

A division of Universal Music Group, the world’s leading music company, Republic Records has been recognized by Billboard as the industry’s #1 label over the last 10 years. It is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Billy Porter, Bo Burnham, Ciara, Clairo, Coi Leray, Conan Gray, Daddy Yankee, Drake, Eddie Vedder, G Herbo, Glass Animals, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, Jimmy Fallon, John Legend, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Kim Petras, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Swedish House Mafia, Taylor Swift, The Weeknd, Twice, TXT, and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Federal Films, HYBE, Imperial, JYP, Lava Records, Mercury Records, Republic Records: Kids & Family, Republic Nashville, Universal Arabic Music, Uptown Records, Victor Victor, Wicked Money Family, XO, Young Money, among others.

PM on TikTok

Lamborghini Revuelto: the first super sports V12 hybrid HPEV via 360 MAGAZINE.

Lamborghini Revuelto

Lamborghini Revuelto: the first super sports V12 hybrid HPEV

  • • The new paradigm for super sports cars: presenting the first Lamborghini High Performance Electrified Vehicle delivering 1015 CV
  • • Revolutionary architecture, with naturally-aspirated V12 engine combined with eight-speed, double-clutch transverse gearbox and three electric motors
  • • 13 drive modes, and all-wheel drive also available in fully-electric mode for the absolute driving experience
  • • Aerodynamics and design express the maximum synergy between efficiency, functionality and style
  • • Fully immersive experience for driver and passenger with the new Lamborghini Infotainment System

Sant’Agata Bolognese, 29 March 2023 – In the marque’s 60th anniversary year, Automobili Lamborghini presents Revuelto1, the first super sports V12 hybrid plug-in HPEV (High Performance Electrified Vehicle). Revuelto defines a new paradigm in terms of performance, sportiness and driving pleasure from its unprecedented new architecture; innovative design; maximum-efficiency aerodynamics; and a new carbon frame concept. An output of 1015 CV is delivered from the combined power of an entirely new combustion engine together with three electric motors, alongside a double-clutch gearbox that makes its debut on a 12-cylinder Lamborghini for the first time.

The powertrain combines high specific power elements: the new 127 CV/liter combustion engine works synergically with two front axial flux motors that deliver an outstanding weight-to-power ratio, with a radial flux electric motor positioned above the first eight-speed double-clutch gearbox debuting on a 12-cylinder Lamborghini. The three electric motors are powered by a lithium-ion high specific power (4500 W/kg) battery pack that also supports a fully-electric drive mode.

“The new Revuelto is a milestone in the history of Lamborghini, and an important pillar in our Direzione Cor Tauri electrification strategy,” said Stephan Winkelmann, Lamborghini Chairman and CEO. “It is a unique and innovative car but at the same time faithful to our DNA: the V12 is an iconic symbol of our super sports heritage and history. Revuelto was born to break the mold, combining a new 12-cylinder engine with hybrid technology, creating the perfect balance between delivering the emotion that our clients want with the necessity to reduce emissions.”

Carbon fiber, produced via artisan craftmanship in the Sant’Agata Bolognese factory, is the principal structural element within the new car, used not only in the monofuselage and frame but also for many elements of the bodywork. The extensive use of carbon fiber and lightweight materials, combined with the potent engine power, contributes to achieving the best weight-to­power ratio in the history of Lamborghini: 1.75 kg/CV.

The new Revuelto combines these attributes to deliver performance figures at the peak of its segment: acceleration from 0-100 km/h in only 2.5 seconds and a top speed of more than 350

km/h. These numbers combine with its exceptional dynamism thanks to the introduction of electric torque vectoring, and four-wheel drive available also in fully-electric drive mode, ensuring the Revuelto super sports car expresses its amplified qualities both on track and in daily driving.

“With Revuelto we take the experience of driving a Lamborghini to a superior level,” said Rouven Mohr, Lamborghini Chief Technical Officer. “Revuelto takes a significant step forward in terms of reactivity and responsiveness to ensure the most emotive and natural driving in every environment. Revuelto is a car delivering the highest performance but our objective right from the start was to confirm it at the very summit of driving emotions.”

Design

Revuelto brings the future of Lamborghini design to the road today. It staysconstant to theexclusive Lamborghini design DNA but establishes an entirely new stylistic language. It links with the iconic and legendary Lamborghini V12 cars of the past throughout the new shape, while the new proportions open the door towards the future.

While Revuelto delivers a quantum leap in an all-new car design, both externally and internally, theinspiration of previous V12 legends is still clear. Starting with the 1971 Countach prototype and its perfect proportions developed on a single longitudinal line, this car was responsible for creating a pure and essential style contextualized in the Space Age era. Itdefined the Lamborghini V12 super sports car DNA and introduced one of the most distinctive Lamborghini V12 elements: the vertically-opening scissor doors, which contribute to creating the character of Revuelto.

The new car also defers to the inimitable proportions of the Diablo and the floating blade on the rear fender, while the muscularity and inclined front of the Murciélago is evident.

“The Revuelto is adrenaline made visible,”saysMitja Borkert, Lamborghini Head of Design. “The design of the new Lamborghini Revuelto opensa fascinating door towards the future of our unique design language. From first sight, Revuelto is an intriguing next-generation Lamborghini V12, with all lines embracing the monocoque and celebrating a free view towards the V12 HPEV powertrain.

“The unique and recognizable Y-shape light signature is significant in this new era of our most iconic flagship car, and the interior is a dramatic leap forward in defining the new design direction of Lamborghini. Our philosophy of “feel like a pilot” is vivid and visible in every detail: the driver and passenger are deeply integrated in the very lightweight Y-shape design of dashboard and center console, replicating the sensations of being in a race car but with a perfect intuitive balance between digital and physical controls.”

With the Revuelto, Lamborghini launches a new Space Race, ushering in a design language that adapts to the challenges imposed by electrification, and presaging the shapes and proportions of super sports cars of the near future. The design is inspired by aerospace elements, characterized by sculpted surfaces encompassed by two lines that start from the front and embrace the cabin and engine, tapering down to the hexagonal-shaped exhausts.

The aerospace elements blend harmoniously with an animalistic muscularity starting at the front: the shark-nose section modeling of the broad monolithic carbon-fiber hood conveys a sense of power and speed. This is matched by the headlamp clusters with Y-shape daytime running lights-a distinctive stylistic feature of contemporary Lamborghini design – framed by aerodynamic blades that connect the splitter to the hood itself. The side fins, located behind the front wheel arches, channel the airflow along the sides and the pronounced concavities of the doors to the side air intakes, which feature sharp edges that echo the arrows on the front.

The roof combines more headroom with aesthetic qualities and specific aerodynamic functions. The recessed profile channels air to the rear wing but at the same time allows more headroom in the cabin for both the driver and passenger.

The rear is a tribute to the hybrid V12. The fully-exposed longitudinal engine highlights the mechanical heart of the Revuelto, visually connecting it to the double hexagonal exhaust surmounted by the geometrically profiled wing, framed by headlamp clusters with the Y­shape light signatures.

The “Y” is also the hallmark of the driver-oriented interior design influenced by the “feel like a pilot” philosophy. The interior mirrors the all-new futuristic design of the exterior: every aspect of the cockpit is clearly Lamborghini, combining a perfect balance between a digital and physical experience both in daily driving and track environments. The visual center of the cabin houses a pronounced carbon-fiber profile, with a “space-ship” design that encloses the central air vents and the 8.4” vertical touchscreen, the technological heart of the car.

With Revuelto Lamborghini initiates a new immersive, shared driving experience, where pilot and co-pilot can simultaneously view the same information on the displays located in the 12.3” digital cockpit on the driver’s side and on the 9.1” display installed on the passenger-side dashboard. Revuelto introduces the “swipe” function in a Lamborghini, allowing the pilot and co-pilot to move applications and information from the central display to the side displays with the same intuitive, gestural ease as using a smartphone. The three digital screens not only respond to the need for stylistic cleanness that enabled most of the physical buttons to be eliminated, but implement new features that allow the driver to concentrate fully on driving, just as ina race car.

The steering wheel was inspired by the racing world and the experience of the Essenza SCV12. The four rotors located on the spokes are used for selecting both the driving modes and the car’s lifting system and rear wing tilt. The intuitive design of the cockpit and controls deliver a distinctive Lamborghini feeling: buttons are used to activate the turn signals and the launch control among other functions, while allowing the driver to maintain an optimal grip on the steering wheel at all times.

The Revuelto juxtaposes its personality as a track-inspired super sports car with a character designed for everyday driving with exceptional functionality. Significant attention was given in the design stages to ensure the cabin is roomy and practical as well as perfectly equipped for track-day outings. The roof design offers 26 mm more headroom than theAventador Ultimae, while the new monofuselage provides 84 mm more legroom, leaving additional space behind the seats to accommodate luggage up to the size of a golf bag. This space is in addition to the compartment under the front hood, which can hold two cabin trolleys. Moreover, to make life on board even more comfortable, functional elements such as storage compartments located under the center dashboard and between the two seats have been included, as well as a cup holder built into the passenger-side dashboard.

Personalization

Revuelto is the production Lamborghini model that offers the most potential for personalization. In fact, 400 bodywork colors are offered together with many more personalization options at the client’s disposal allowing the creation of an entirely individual super sports car. The sustainable sportiness of Revuelto does not stop at the technical specification of the plug-in hybrid: all the paints used are water based rather than solvent based.

‘Sustainability’ continues throughout the car’s interior, reflecting the company’s attention to avoiding waste that has become the modus operandi of the Lamborghini universe. This includes upholstery materials, cut in the Lamborghini ‘selleria’ utilizing latest-generation machinery: this limits waste as much as possible without affecting the craftmanship and embroidery processes, in which ‘hand-made’ continues as a point of excellence within Lamborghini.

The cabin is characterized by the presence of visible carbon fiber used on the dashboard, in the hexagonal air vents and to frame the dashboard and central vents. The upholstery combines fine leathers with the new ultralight Corsa-Tex fabric in Dinamica® microfiber, made of recycled polyester via a water-based production process. The customer can customize the interior of his car by opting for a balanced mix of leather and Corsa-Tex, or favor one material depending on his preference, with 70 color options available.

Aerodynamics

Function and style share a singular mission on the Lamborghini Revuelto: aerodynamic efficiency. The new layout of the super sports car has different design requirements compared to the Aventador, which influenced the car’s aerodynamic development. The development was based on four pillars: efficiency; synergy between the components; integration between the components; and design.

Optimum efficiency was achieved by combining high downforce and minimized drag. One of the key elements in this strategy is the new active rear wing, created to ensure the best aerodynamic performance in all driving conditions. For this reason, entirely new actuators have been developed, managing the load optimally in every situation thanks to three different settings.

The position of the wing changes according to the driving mode and dynamics, or it can be changed manually by the driver according to his or her preferences using the dedicated rotor on the steering wheel. The “closed” position (low drag) ensures minimum resistance, for example when driving in electric mode. This position is also the most suitable for fuel economy. It improves top speed values while still ensuring stability. The “high downforce position” on the other hand, maximizes downforce by optimizing the agility and handling of the Revuelto.

The front section of the new super sports car from Sant’Agata is distinguished by a carbon fiber splitter with a radial leading edge in the central part and slanted in the lateral part, generating vortices that increase frontal load and deflect the air, avoiding the wheels. The central area has a shape that channels the flow to four rear vortex generators, consisting of narrow curved blades positioned in the underbody that are essential for increasing the energy of the airflow that strikes the car at the bottom. This, in turn, generates additional downforce and directs the airflow toward the diffuser, which has never been so extreme in a V12. The diffuser performs aerodynamic functions by extracting the incoming flow from the underbody via a differentiated channeling system between the central part with low slant (11° vs. the 7° of the Aventador Ultimae) and the lateral part with high slant (15° vs. 8° of the Aventador Ultimae). The diffuser also performs a structural and cooling function for the engine compartment.

In summary, the new design approach enabled the Revuelto to increase the front aerodynamic load by 33% and the rear load by 74% compared to the Aventador Ultimae (under maximum load conditions).

The synergy between components is evident in the focus placed on the cooling pattern that distinguishes the new Lamborghini Revuelto. The front radiator generates hot air that must be managed in the correct way so as not to impair the performance of the side radiators. Outward­facing louvers on the front radiator outlet grille direct the flow of hot air away from the wheel and away from the side radiators, while fins located on either side of the front bumper reduce aerodynamic drag.

All the elements have been designed and engineered to optimize airflow. Even the door handles perform an aerodynamic function thanks to the Y-section wing profile: a solution that allows them to divert the flow of fresh air they receive from the front hood to one of the horizontal fins located along the side, directing it toward the radiator.

The maximum integration between the components is evident in the cooling pattern of the brake system, where aerodynamics becomes part of the system. The pair of front suspension deflectors and the grille inside the wheel arches are designed to improve not only the cooling of the front brakes – the deflectors draw air from the front diffuser and channel it to the brake – but they are shaped to reduce resistance inside the wheel well, limiting any compression phenomena while increasing the load at the front.

At the rear end, the two NACA ducts located in front of the rear wheels collect flow from the underbody and direct it to the rear brake cooling duct.

The carbon fiber roof also plays an important aerodynamic role with a structural function that improves interior roominess. The wing profile design with a hollowed-out central part directs air to the rear air intakes, and consequently to the inverter and electric motor located on the gearbox, while the roof’s side volumes provide more headroom for both driver and passenger.

Lamborghini Revuelto: the first super sports V12 hybrid HPEV via 360 MAGAZINE.
Lamborghini Revuelto: the first super sports V12 hybrid HPEV via 360 MAGAZINE.
Rolls-Royce marks the 160th anniversary of the birth of co-founder Sir Henry Royce via 360 Magazine.

SIR HENRY ROYCE

(1863 – 1933)

DRIVEN BY PERFECTION

  • Rolls-Royce marks the 160th anniversary of the birth of co-founder Sir Henry Royce
  • A look back at his remarkable life and work reveals a driven, even obsessive character and a relentless work ethic forged in childhood poverty and frequent adversity
  • The quest for perfection extended to every aspect of Royce’s professional and personal life
  • His famous maxim “Strive for perfection in everything you do. Take the best that exists and make it better” still informs and inspires the company’s activities today

“Sir Henry Royce bequeathed to the world an extraordinary legacy of engineering innovation and achievement. He also left us, his successors at Rolls-Royce Motor Cars, an unequivocal instruction: ‘Strive for perfection in everything you do. Take the best that exists and make it better’. Sir Henry himself lived out this maxim in every aspect of his personal and professional life. Today, as we mark the 160th anniversary of his birth, his challenge still informs and inspires everything we do. It serves as a constant reminder that perfection is a moving target: it is never ‘done’. There is always something we can refine, adjust, rework, reinvent or innovate in our pursuit of perfection; and that is what makes our life and work here so exciting.”

Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars

Sir Henry Royce’s uncompromising command, “Strive for perfection in everything you do. Take the best that exists and make it better” is one of the most famous quotations in automotive history. It is also a maxim that rings down the ages, and still inspires and informs the company that bears his name.

A LOT TO IMPROVE ON

As Rolls-Royce marks the 160th anniversary of Sir Henry’s birth, we look back at his remarkable life and career in search of the origins of his most celebrated and oft-repeated exhortation. What drove his own lifelong striving for perfection; and how did his relentless, some might say obsessive, desire to improve and refine manifest itself in both his work and domestic spheres?

Royce’s early life was one of hardship, poverty, and disadvantage. The youngest of five children, he was born in 1863 into a family in perilous financial circumstances. Matters worsened considerably when his father, a miller, was finally declared bankrupt and, under the law of the time, ended up in prison.

It was against this unpromising backdrop that Royce’s character was formed. Yet he was determined to make a better life for himself, and by the age of just 10 was working in London, first as a newspaper seller and later as a telegram delivery boy.

Things appeared to be moving his way when in 1879, with financial support from his aunt, he secured a coveted apprenticeship at the Great Northern Railway (GNR) workshops in Peterborough. Instantly and obviously in his element, his natural aptitude for design and innate skill with tools and materials quickly become apparent. One early indicator of his talent was a set of three miniature wheelbarrows he made in brass; these pieces clearly demonstrate the exemplary standard of workmanship and quest for excellence he would maintain throughout his life.

Royce’s drive for self-improvement came to an abrupt halt after two years, when his aunt was unable to pay his annual apprenticeship fee. Undaunted, Royce returned to London and, in 1881, began work at the fledgling Electric Lighting & Power Generating Company (EL&PG).

His decision to forsake traditional engineering for the emerging field of electricity was essentially a pragmatic one. Electricity was then so new it had no governing body or professional institutions, and thus no examinations to pass or standards to attain. Unlike in engineering, therefore, Royce’s lack of formal qualifications was no barrier to his progress.

His fascination for the subject, already formidable work ethic and commitment to study (he attended evening classes in English and Mathematics after work) meant that in 1882, the EL&PG, by now renamed the Maxim-Weston Electric Company, sent him to work for its subsidiary in Lancashire as First (Chief) Electrician, responsible for street and theatre lighting in the city of Liverpool. Yet again, however, circumstances conspired against him: through gross mismanagement in its acquisition of patents, the company abruptly went into receivership, and Royce, aged only 19, found himself unemployed once more.

TAKING CHARGE

Although the parent company of his erstwhile employer chose to salvage what it could rather than sell off the remaining resources, Royce had had enough. Impelled by his innate drive, clear appetite for (calculated) risk and the abundant self-assurance noted by his contemporaries, he started up in business on his own.

In late 1884, he founded F H Royce & Co (he was christened Frederick Henry) in Manchester. Initially producing small items such as battery-powered door bells, the company progressed to making heavy equipment such as overhead cranes and railway shunting capstans.

But while the business was thriving, Royce himself was not. By 1901, his years of overwork and a strained home life were taking a severe toll on his health, which had probably been fundamentally weakened by the privations of his childhood.

His doctor persuaded him to buy a De Dion quadricycle as a way to escape the office and enjoy some fresh air; but before long, Royce’s health collapsed. A major contributing factor was his growing concern that the company was heading into financial problems; something that would perhaps have had particular significance for him given his father’s experiences.

The company owed its dwindling fortunes to an influx of cheap, or at least cheaper, electrical machinery from Germany and the USA that was able to undercut Royce’s prices. Ever the perfectionist, Royce himself was not prepared to enter a race to the bottom or compromise the quality of his products.

Complete rest was required, and he was eventually persuaded to take a 10-week holiday to visit his wife’s family in South Africa. On the long voyage home, he read ‘The Automobile – its construction and management’. The book would change his life – and ultimately, the world.

MAKING THE BEST BETTER

On his return to England, Royce ­– now fully revitalised both mentally and physically – immediately acquired his first motor car, a 10 H.P. Decauville. Given the still-parlous state of his company’s finances, this might have seemed a frivolous squandering of precious funds; but in fact, this purchase was a shrewd and calculated one that, in his mind, held the key to the company’s future prosperity.

The story usually goes that this first car was so poorly made and unreliable that Royce decided he could do better. In fact, his holiday reading had already focused his mind on producing his own car from scratch; he had already supplied a limited number of electric motors for the ‘Pritchett and Gold’ electric car. So contrary to the received wisdom, he chose the Decauville precisely because it was the finest car available to him, in order to dismantle it and then, in his most famous phrase, “take the best that exists and make it better”.

He began by building three two-cylinder 10 H.P. cars based on the Decauville layout. That he was the only person who believed this new direction could save the company is another sign of his tenacity and self-belief. Just as importantly, his attention to detail in design and manufacture, accompanied by a continuous review of components after analysis, set the production template he would follow until his death.

These first examples were followed by the three-cylinder 15 H.P., four-cylinder 20 H.P. and six-cylinder 30 H.P. – each of which represented significant advances in automotive design. In 1906, two years after the founding of Rolls-Royce, Managing Director Claude Johnson persuaded Royce to adopt a ‘one model’ policy. In response, Royce designed the 40/50 H.P. ‘Silver Ghost’, the car that rightly earned the immortal soubriquet “the best car in the world”.

The Silver Ghost demonstrated Royce’s almost uncanny instinct for using the right materials for components, long before scientific analysis could provide reliable data. He also worked out that the properties of fluids alter with speed, so designed the Silver Ghost’s carburettor with three jets that came into play at different throttle openings, thereby eliminating ‘flat spots’.

HOME AND AWAY

By 1906 it was obvious that Rolls-Royce’s Cooke Street works in Manchester could no longer accommodate the company’s rapidly expanding motor car production. Rolls-Royce acquired a site on Nightingale Road in Derby, where Royce designed and oversaw the building of a brand-new, purpose-built factory. He undertook this enormous and technically complex task on top of his normal workload, and demanded his customary exacting standards from all concerned, not least himself.

Given the relentless volume and pace of his work, Royce’s second serious health crisis in 1911 came as little surprise. Rest was again prescribed, and during the summer and autumn, Johnson drove him on a road trip that extended as far as Egypt. On the return journey, they stopped in the south of France, where Royce took a strong liking for the tiny hamlet of Le Canadel, near Nice. Ever the man of action, Johnson bought a parcel of land and commissioned a new house for Royce, plus a smaller villa for visiting draughtsmen and assistants. Royce himself naturally took a keen interest in the building work, basing himself in a nearby hotel.

His health, however, remained fragile. After a relapse which led to emergency surgery in England, he returned to the now-finished house to recuperate. For the rest of life, he (very sensibly) spent his winters at Le Canadel and the summers in the south of England.

From 1917, his English residence was Elmstead, an 18th-Century house in the village of West Wittering on the Sussex coast, just eight miles from the present-day Home of Rolls-Royce at Goodwood. Elmstead had some adjoining land, where Royce resumed his long-standing interest in fruit farming. Inevitably, he brought his desire for perfection to this activity, too, and he quickly became a leading expert in many aspects of farming and horticulture.

His domestic life at Elmstead throws further light on his perfectionist nature, which focused his attention on even the smallest actions of others. For example, any aspiring cook would be employed only if they boiled potatoes in the ‘right’ way – just as an unfortunate labourer in the Cooke Street works was once admonished and shown how to use a broom correctly.

A REMARKABLE LEGACY

Whether he was designing car components or aircraft engines, Royce’s search for perfection never waned; yet even he acknowledged that it was, in fact, unattainable. His mantra for his drawing-office staff was ‘Rub out, alter, improve, refine’, and that process of constant improvement and development led to some of his greatest engineering achievements. Under his direction, the Buzzard aero engine built in 1927 with an initial output of 825 H.P. was transformed in just four years into the Schneider Trophy-winning ‘R’ engine that, in its final form, was capable of producing 2,783 H.P. And his outline design for a V12 engine would appear almost unaltered in the Phantom III of 1936, three years after his death. An instinctive, intuitive engineer, he was a firm believer that if something looked right, it probably was right. His extraordinary ability to assess components by eye alone proved infallible time and time again.

Royce’s tendency to overwork, often at the expense of his own health, was a symptom of his quest for perfection, and a will to achieve it forged in hardship and adversity. He was a highly driven – some might say obsessive – man who overcame many setbacks and misfortunes, and applied his meticulous engineer’s eye, inquisitive mind and relentless work ethic to every aspect of his life. And such is the power of his ethos and legend, they still inform and inspire the company that bears his name 160 years after his birth.

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The NFTY via 360 Magazine.

Introducing The NFTY Award

The Academy of Digital Art, Sciences, & Culture (ADASC) founding member Chris J. Snook and E! Entertainment Television founder Larry Namer recently announced the pre-eminent Web3 innovation awards show gala, The NFTYS. Today, the duo unveiled the striking NFTY Award that will be presented at the inaugural awards gala at The NIKO Theatre at Worre Studios in Las Vegas on June 14, 2023. 

The NFTY award, designed by New Jersey-based artist Connor McLoughlin, known for his branding and design work for Master & Dynamic, Netflix, Peacock, Nike, Puma and Timberland, will be 3D printed in clear polymer that will be filled with lead and resin. The award manufacturing process is a blend of environmentally friendly and 3D printed methodologies, with each award costing thousands of dollars to produce standing over 12 inches tall and weighing approximately 6 pounds. The ribbons of the award design will be hand-painted, making each a one-of-a-kind, unique work of art. The 3D model design is by TurboSquid.com/Nn_Man. The official teaser can be found here.

“The NFTY is an iconic reflection on the historical depth that culture has always played in moving society into its next revolution or evolution,” comments Snook about the award design. “The award is a representation of the bold and bright future that lies ahead because of the creatives and innovators that earn her recognition.” 

“Our goal with the presentation of the NFTY Award is to become a true career highlight for its winners, and a genuine keepsake befitting of the honor it bestows on its recipients,” adds Namer

Each NFTY will be simultaneously minted as a digital twin when awarded to the recipient on the XRP Ledger as part of the support received from the Ripple Creator Fund, with an enhanced and vibrantly animated 3D digital twin and model of itself with each winner’s metadata. This will be stored on the Arweave PermaWeb to ensure an immutable historical record of the awards. 

Additionally, the NFTY Award pays a special homage on its base to Satoshi Nakamoto the inventor of Bitcoin in 2009 which launched the world into web3. The inscription reads “With Gratitude from Us All Who Stand on Your Shoulders to Satoshi Nakamoto.”

The NFTYS is the first ever live global broadcast show of its kind recognizing the cultural innovators who are redefining fashion, art, music, entertainment, and technology across the Metaverse. Nominations for the 2023 NFTYS will remain open until midnight PST on April 15, 2023. Nominate A Project to a NFTY — NFTYS.org | Academy of Digital Art, Sciences, & Culture and the shortlist of finalists in each category will be announced on May 15, 2023.  

ABOUT THE ACADEMY OF DIGITAL ART, SCIENCES, & CULTURE (ADASC) – ADASC is a social benefit diversified DAO advancing the benevolent use of breakthrough technology innovation across Art, Sciences, and Culture. Its membership includes a variety of invite-only and public tiers that form the decentralized and diverse nomination committee of awardees and grants at its annual public celebration and broadcast of The Annual NFTY Awards Gala. For more information about membership to the Academy and nominations for The NFTYS please visit https://nftys.org 

Puerto Rican singer-songwriter, Justin Quiles, joins forces with Natti Natasha and Omar Courtz to release a hot new party track “En Bajita" via 360 MAGAZINE.

JUSTIN QUILES ×
NATTI NATASHA × OMAR COURTZ

UNITE FOR NEW COLLAB
“EN BAJITA”

TO LISTEN CLICK HERE

TO WATCH THE VIDEO CLICK HERE

Esteemed Puerto Rican singer-songwriter, Justin Quiles, joins forces with Natti Natasha and Omar Courtz to release a hot new party track “En Bajita.” With infectious urban beats and featuring three heavy-hitting urban artists with distinct styles, “En Bajita” is a bonafide hit. The king of collaborations, Justin Quiles has recently been featured on “LA HORA Y EL DÍA” with Reggaeton icon Daddy Yankee and Dalex, and in “OJOS FERRARI” alongside megastar Karol G. Justin Quiles continues to push himself creatively and is breaking barriers. “En Bajita” is now available on all streaming platforms.
 

Produced by Dimelo Flow and Jvy Boy, “En Bajita” is the next great party track. The track brings together three of Latin music’s hottest urban artists, Justin Quiles, Natti Natasha and Omar Courtz. Omar Courtz’s fresh verses, Justin Quiles’ singular flow and Natti Natasha’s unparalleled vocals come together to create this track that will have everyone dancing. In the official music video, the three superstars are seen dancing the night away in a nightclub, as they live their lives to the fullest.
 

“I had a blast in the studio with Natti and Omar, who are two very talented and incredible artists I’ve been wanting to work with. Everyone brings their A game and their unique flair to this track, and I know fans are going to love dancing to this song,” said Justin Quiles.
 

Justin and Omar are moving our art form forward, and it’s been a pleasure working with them on this song. I think fans will love the track just as much as we loved making it,” said Natti Natasha.
 

“For me to be able to collaborate with NATTI & JUSTIN on this single is another goal achieved. I am always grateful for all the artists who believe in my talent and see the vision of what I offer our fans. This song is sure to be a worldwide hit,” said Omar.
 

These collaborations with heavy hitters are a testament to Justin Quiles and his ability to bring out the best in his fellow artists. Already in the first three months of 2023, Justin Quiles has released some of the most popular tracks alongside some of the most iconic artists.

ABOUT Justin Quiles

Justin Rafael Quiles Rivera, better known as Justin Quiles, was born in Bridgeport, Connecticut and raised in Puerto Rico. The immensely talented trendsetter has cemented himself as one of Latin music’s leading forces and most highly-sought after collaborators, creating some of the biggest hits of the last decade. Quiles’ songwriting abilities are second to none, as he’s written some of the most successful songs performed by the biggest names. At such a young age, he’s written for and collaborated with some of the hottest acts in music such as Karol G, Daddy Yankee, Maluma, J Balvin, Anitta, Natti Natasha, Wisin & Yandel and Farruko, among many others.
 

Over the course of the last 10 years, Quiles has penned some of the biggest hits such as “Bichota” by Karol G, “Saoko” by Rosalía, “Mamiii” with Becky G and Karol G, “La Ola” by Daddy Yankee, “Las Nenas” featuring Natti Natasha, Cazzu, Farina, La Duraca, and “Loco Contigo” by DJ Snake, J Balvin and Tyga, just to name a few.
 

As a multi-talented singer-songwriter and producer, Justin Quiles has already reached career milestones that many dream of. He’s been nominated for five Latin GRAMMY® Awards including two 2022 nominations for “Best Urban Song” with his work on “Mamiii,” as well as “Album Of The Year” for Rosalia’s “Motomami (Digital Album).” He also received three nominations over the last several years for Latin GRAMMY® Awards for “Best Reggaeton Performance” for “Porfa” with Feid, “Downtown” with J Balvin and Anitta and “Best Urban Song” for “ROJO” alongside J Balvin.
 

Justin Quiles continues to prove time and again that he is one of the most illustrious and versatile artists in the industry. This year alone he has received a myriad of accolades and nominations including several nominations for the 34th annual Premio Lo Nuestro Awards. Nominations included “Urban – Song of the Year” for his hit song “Loco” with Zion & Lennox and Chimbala, “Urban – Collaboration of the Year” for “Dime Donde” alongside Cazzu, “Urban – Album of the Year” for his album “La Ultima Promesa,” and a nomination for “Urban – Male Artist of the Year.” He was also nominated for three Premios Juventud awards for ‘Artista Masculino – On The Rise,’ ‘Track Viral Del Año’ for “Envolver (Remix)” with Anitta and “Medallo” with Blessd and Lenny Tavárez.
 

Over the last two years, Justin Quiles has traveled the globe performing in many of the world’s most prestigious venues. He headlined at Baja Beach Fest for two consecutive weekends in Rosarito, Mexico before kicking off his completely sold-out European tour. The seven-city tour had stops in LondonGranadaCanary IslandsBenidormBarcelonaBilbao, and Madrid. He also performed his hit song “La Botella” on The Late Late Show with James Corden, breaking another barrier for Latin artists.
 

This year alone has proven to be an action-packed one for Quiles as he released singles from his upcoming studio album such as “Gucci Fendi” featuring Eladio Carrion and “AEIOU,”  as well as “La Esquina del Mall” featuring Carin León which reached #1 on radio Monitor Latino (Pop) in Mexico. This Spring he toured throughout the U.S., entertaining thousands of fans in cities like New York, Washington DC, Philadelphia, Boston and Las Vegas. In May, he wrapped up his North American tour in Puerto Rico with an electrifying show at the Coca-Cola Music Hall with special appearances from AnittaMiky Woodz, and Chimbala. Recently he also took Europe by storm, where he played in many cities across Spain. Having attended New York Fashion Week 2022, the Puerto-Rican superstar is also a fashion trendsetter, known to take risks and sport a distinctly avant-garde style.
 

Throughout the course of his career Justin Quiles has broken many records, having accumulated over 8.5 billion combined streams to date. His unparalleled songwriting abilities have taken him to new heights. His third studio album ‘La Última Promesa,’ reached #1 on several charts including #1 on Apple Music’s “Top Album Charts,” #1 BTS video on Apple Music’s “Top Video Charts,” #3 Top Album Debut in the U.S. on Spotify and #1 on iTunes. The album garnered 1 million streams on the first day of its release on Apple Music alone, and over 980 million combined streams across all digital platforms. Justin Quiles is currently working on his next studio album which will be released in the near future.

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Vanessa Hudgens at 2023 Academy Awards wearing Roberto Coin jewelry, styled by Jason Bolden Photo Courtesy of Getty Images via 360 MAGAZINE.

VANESSA HUDGENS OWNS OSCARS

WEARING ROBERTO COIN ON THE CHAMPAGNE CARPET

EVENT: 95th Academy Awards

WHERE: Los Angeles

WHEN: Sunday, March 12

DETAILS: “Countdown to the Oscars” host Vanessa Hudgens dazzled wearing Roberto Coin jewelry and just about stole the show. The “High School Musical” alum was stunning wearing the Cento Collection: Fiore Couture Necklace ($69,560.00) Fiore Couture Ring ($15,200.00), and Stelle stud earrings ($59,600.00)

For more information on the Roberto Coin jewelry, please visit HERE

ABOUT ROBERTO COIN

Roberto Coin has been an icon in the jewelry industry for more than 30 years. His designs include his signature Appassionata Collection, the new Pois Moi Collection and the Roberto Coin Cento Diamond Collection. His collection is available in Roberto Coin Boutiques and over 400 stores nationwide including guild jewelry and specialty stores.

Since 1977, Venetian jewelry designer Roberto Coin has devoted his life to a passion for innovative design, based on a deep knowledge of Italian art and craftsmanship tradition. Finding inspiration in the most unlikely of places, experimenting with light, texture, color, and pattern, Coin’s style is ever evolving. His diverse collection, designed to fit every woman’s uniqueness, is defined by a common thread—a thoughtful balance of elegance and creativity. Included in every piece of Roberto Coin jewelry is his signature ruby. The ruby symbolizes peace, prosperity, and happiness and is a special wish from the designer.

Vanessa Hudgens at 2023 Academy Awards wearing Roberto Coin jewelry Styled by Jason Bolden Photo Courtesy of Getty Images via 360 MAGAZINE.
Vanessa Hudgens at 2023 Academy Awards wearing Roberto Coin jewelry, styled by Jason Bolden. Photo Courtesy of Getty Images via 360 MAGAZINE.

Photo Courtesy of Getty Images

Seun Kuti and Vic Mensa release Badman Lighter via 360 MAGAZINE.

Badman Lighter

As the suffix hints, this is a new and revamped version of “Badman Lighter [Remix],” one of the standout cuts from the groundbreaking African Dreams, released in December 2022. This true meeting of minds united the Grammy-nominated Afrobeat ambassador/sociopolitical powerhouse Seun Kuti and arguably one of the greatest MCs alive today, legendary The Roots frontman/poet laureate Black Thought, over an electrifying synthesis of Afrobeat and hip-hop.

The empowering, socially conscious EP caused a worldwide stir, with significant radio and media support, millions of streams across all platforms, a coveted place on the FIFA 23 game soundtrack, and a dedicated billboard in Times Square, not to mention fulfilling its ultimate purpose: aligning with the powerful Kuti family mantra “music is the weapon” by engaging with and provoking reactions amongst Africans and the African diaspora.

Without a moment of respite, the pair have decided to reignite the flame, continuing the momentum with this release of the fiery “Badman Lighter 2.0,” inviting fellow progressive rapper/activist Vic Mensa to join them on the journey. Fresh off his revolutionary Black Star Line Festival in Ghana, Mensa delivers a scorching verse that serves as the cherry on top of an already formidable composition.

Alongside the incredible vocal performances, every musical element found in this high-energy production has been lifted from Seun Kuti’s critically acclaimed albumBlack Times, carefully spliced, and woven back together. The hybrid Afrobeat/hip-hop formula uses driving beats to tie together the very best of both worlds, from the iconic Egypt 80 horn section and signature call-and-response chorus to a classic saxophone solo that serves as the masterpiece’s finishing touch, underpinning its powerful messages.

So we ask, on March 10, 2023, who’s got the Badman Lighter?

“Badman Lighter 2.0”
Primary Artists: Seun Kuti, Black Thought 
Featuring: Vic Mensa 
Producer: Molotov 
Writers/Authors: Seun Anikulapo Kuti, Tariq Trotter, Alex Jennings, Victor Kwesi Mensah 
Mixed & Mastered by Forest DLG for KMJ45 
Genre: Hip-hop/Afrobeat 
Release Date: March 10, 2023 
Digital Release
Vic Mensa appears courtesy of Roc Nation Records

Seun Kuti & Egypt 80 2023 Tour
4/15 – Apollo Theater, New York (US) 
5/23 – Pumpehuset, Copenhagen (Denmark) 
5/25 – Afro-Pringsten Festival, Winterthur (Switzerland) 
5/27 – World Village Festival, Suvilahti TBA, Helsinki (Finland) 
5/28 – Les Petites Folies, Théâtre de Verdure, Lampaul-Plouarzel, (France) 
6/23 – Nuits Carreers Festival, Esplanade Du Pré Des Pêcheurs, Antibes Juan-les-Pins (France) 
6/30 – Arsenal Festival, Kragujevac (Serbia) 
7/15 – Sherwood Festival, Park Nord Stadio Euganeo, Padua (Italy) 
7/22 – Colours Of Ostrava, Ostrava – (Repubblica Ceca) 
7/28 – Uppsala Reggae Festival, Uppsala (Sweden) 
8/4 – Festivalle, Valle dei Templi, Agrigento (Italy) 
8/10 – Locus Festival, Masseria Ferragnano, Locorotondo (Italy) 
8/12 – Color Fest, Agriturismo Costantino, Lamezia Terme (Italy) 
8/16 – Overjam Festival, Tolmin (Slovenia)

London Electric Vehicle Company (LEVC) TX via 360 MAGAZINE.

LONDON ELECTRIC VEHICLE COMPANY

There are now more LEVC (London Electric Vehicle Company) TX electric taxis on the streets of London than diesel TX4s, as the capital’s transition to a clean, green EV black cab fleet continues to accelerate.

Highlighting the transition away from fossil fuel, LEVC’s TX taxi – the world’s most advanced electric taxi – now represents more than 40% of official black cabs, with over 6,000 vehicles operating in the capital.

As sales continue to increase, so does the positive contribution LEVC’s TX is making to air quality. Powered by its revolutionary eCity technology, LEVC’s electric TX taxi has traveled more than 534 million miles globally and prevented 162,000 tonnes of CO2 being emitted into the atmosphere, since it was introduced in 2018.

Alex Nan, CEO of LEVC, commented: “We are witnessing a significant tipping point in the push towards cleaner transportation, with the TX overtaking the diesel-powered TX4 as the cab of choice in London. There are now more than 6,000 TX electric taxis operating in the capital, accounting for over 40% of the black cab fleet.

“Since LEVC launched the revolutionary TX taxi, it has successfully delivered an unrivalled sustainable mobility solution, perfectly suited for urban environments. With each new TX on the road, we are preventing thousands of tonnes of harmful emissions, helping to create healthier and happier cities.”

Helen Chapman, Transport for London’s Director of Licensing and Regulation, said: “It is great to see that almost half of the entire taxi fleet is now zero emissions capable and there are now more LEVC TX taxis than any model of diesel black cabs in the capital. Alongside reductions to emissions these modern vehicles deliver a really comfortable experience for both driver and passenger.    

“London’s taxi drivers are rightfully proud to be at the vanguard of cleaning up the city’s toxic air. The step change in the taxi fleet moving to zero emissions capable is an important part of the bold action the Mayor is taking to deal with the public health crisis that is being caused by deadly pollution, and for tackling the climate emergency.”

The TX taxi is an accessible and inclusive vehicle for all, regardless of age or disability. Featuring flexible space for up to six passengers, the vehicle includes an integrated wheelchair ramp enabling the TX to accommodate a forward-facing wheelchair – the only taxi of its kind to do so.

LEVC has recently announced a new brand strategy to become a leading zero-carbon mobility technology company. LEVC’s new direction will see it grow beyond manufacturing the world’s most advanced taxi, the TX, and commit to delivering smart, green, safe, and accessible mobility solutions to more people than ever before.

To find out more, please visit LEVC.com.