DESIGN

SHAGGY – Wah Gwaan?!

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GRAMMY-winning, certified diamond-selling music icon Shaggy kicks into high gear in anticipation of his new studio album Wah Gwaan?! – out next Friday, May 10 via The Cherrytree Music Company, Brooklyn Knights Entertainment and 300 Entertainment. Pre-order is available this Friday, May 3.

Today (May 2), Shaggy will debut the album’s latest single “You” featuring the 19-year-old Canadian singer-songwriter Alexander Stewart with a performance on The Late Late Show with James Corden on CBS. Next week, the duo will grace the stage of ABC’s Good Morning America on Wednesday, May 8 followed by performances on Live with Kelly and Ryan on Tuesday, May 14 and Strahan & Sara on Friday, May 17. Tune in to hear the song that Billboard calls an “irresistibly upbeat EDM/dancehall fusion.”

Wah Gwaan?! is Shaggy’s most personal album to date and an emblematic display of his rich sound influenced by all styles of music. He embodies his Jamaican roots on dancehall tracks like “Caribbean Way,” “Frenemy,” “Ketch Mi Up” and “Money Up” ft. Noah Powa. Shaggy balances the seductive energy of rising dancehall superstar Shenseea and GRAMMY-nominated R&B powerhouse vocalist Stacy Barthe on “Super Natural.” His musical worlds collide on “Body Good” ft. Nicky Jam, one of the biggest acts out of the urban Latino scene. Shaggy continues to spread his contagious joy on “Use Me” and “Makeup Sex” ft. Nyanda and reveals his introspective side on “Wrong Room,” an ode about his mother. The artist expands his global reach with the irresistible smash “You” ft. Alexander Stewart and “When She Loves Me” ft. Rayvon. Shaggy and Rayvon have a long hit-making history, spawning ‘90s & ‘00s mega anthems “In The Summertime,” “Angel” and “Big Up.” Shaggy also taps a diverse range of producers including the legendary dancehall brothers Tony CD Kelly and Dave Kelly, Martin Kierszenbaum (Sting, Lady Gaga), iLLWayno (Nicki Minaj, Nas, 2 Chainz), Kizzo and Costi Official. Wah Gwaan?! represents a robust musical journey by a musician/songwriter/entertainer/armed forces veteran that invites the listener in with vibrancy, urgency and hope. Most of all, it captures the Caribbean-forged, energy-infused, adventure-informed musical impulses of a one-of-kind original: Shaggy.

Shaggy will tour throughout the spring and summer. He will also join Sting for a series of shows spanning across the UK in late May performing songs off their recent GRAMMY winner for Best Reggae Album, entitled 44/876, as well as their own respective greatest hits, together. See full list of Shaggy’s tour dates.

Eminem SSLP20 Capsule

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TO CELEBRATE 20 YEARS OF THE SLIM SHADY LP EMINEM HAS LAUNCHED THE SSLP20 CAPSULE; MERCHANDISE FEATURING NEVER BEFORE SEEN PHOTOS AND ILLUSTRATIONS FROM ORIGINAL COLLABORATORS, PHOTOGRAPHER DANNY HASTINGS AND ARTIST SKAM!

CHECK IT OUT HERE

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Homecoming

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Netflix released Homecoming: A Film by Beyoncé, which presents an intimate look at her historic 2018 Coachella performance that paid homage to America’s historically black colleges and universities (HBCUs). Interspersed with candid footage and interviews detailing the preparation and powerful intent behind her vision, Homecoming gives a peek into the process and emotional physical sacrifices it took to conceptualize and execute a performance of that magnitude that became a cultural movement. This stand-alone Netflix original is now available globally on Netflix.

As the first black woman to headline Coachella, Homecoming recognizes the African American visionaries who inspired Beyoncé, including HBCU alums Toni Morrison, Alice Walker, activist Marian Wright Edelman, and scholar W.E.B. Du Bois, in addition to cultural luminaries such as Nina Simone, Maya Angelou, Chimamanda Ngozi Adichie, and Audre Lorde. Beyoncé’s personal knowledge of the relevance and celebration of HBCUs started with her father, Mathew Knowles, an alumnus of Fisk University.
Shot over eight months, the film follows the global entertainer as she returns to the stage after the birth of her twins, highlighting the comprehensive preparation involved in creating her groundbreaking performance, which included four months of band rehearsals followed by four months of dance rehearsals with over 150 musicians, dancers, and other creatives, — all of whom were hand-picked by the artist herself.
In juggling dual roles as both the director of her live performance and the film that captured the process of making it, Beyoncé says, “It was one of the hardest jobs I have taken on but I knew that I had to push myself and my team to go beyond great to legendary. We knew nothing like this was ever done on a festival level before and it needed to be iconic beyond compare. The performance was an homage to an important part of African American culture. It had to be true to those who know and entertaining and enlightening to those who needed to learn. In making the film and re-telling the story, the purpose remained the same.”
Many in the cast; band, singers, dancers and steppers are former HBCU students, immersed in the HBCU marching band tradition. They joined Beyoncé’s own group of performers, some who have toured with her for years. Viewers not only get to see the intense dance rehearsals and talent of these amazing artists, but hear their personal journey from HBCU student to artist and the lifelong impact that comes with performing alongside Beyoncé in this historic concert.
“So many people who are culturally aware and intellectually sound are graduates from historically black colleges and universities, including my father,” she says in the film. “There is something incredibly important about the HBCU experience that must be celebrated and protected.”
As a treat to her fans, the film also includes, in the end credits, her remake of “Before I Let Go” by Frankie Beverly and Maze, a 1981 R&B classic that’s commonly performed at HBCU games. The single will be available on the film’s soundtrack, Homecoming: The Live Album, available today from Parkwood Entertainment and Columbia Records. smarturl.it/BH9102
Homecoming: A Film by Beyoncé was directed and produced by Beyoncé Knowles-Carter. Longtime collaborator Ed Burke served as co-director. Steve Pamon and Erinn Williams are executive producers.
Set List

“Crazy In Love”

“Freedom”

“Lift Ev’ry Voice And Sing”

“Formation”

“Sorry”/”Me, Myself and I”

“Kitty Kat”

“Bow Down”

“I Been On”

“Drunk In Love”

“Diva”

“Flawless” (Remix)

“Feeling Myself”

“Top Off”

“7/11”

“Don’t Hurt Yourself”

“I Care”

“Partition”

“Yoncé”

“Mi Gente (Remix)”

“Mine”

“Baby Boy”

“You Don’t Love Me (No, No, No)”

“Hold Up”

“Countdown”

“Check On It”

“Déjà Vu”(featuring JAY-Z)

“Run the World (Girls)”

“Lose My Breath” (featuring Kelly Rowland and Michelle Williams)

“Say My Name” (featuring Kelly Rowland and Michelle Williams)

“Soldier” (featuring Kelly Rowland and Michelle Williams)

“Get Me Bodied” (With Solange Knowles dancing)

“Single Ladies (Put a Ring on It)”

“Love On Top”

About Netflix
Netflix is the world’s leading internet entertainment service with over 148 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
About Parkwood Entertainment
Parkwood Entertainment is an entertainment and management company founded by entertainer and entrepreneur, Beyoncé in 2010. With headquarters in New York City the company houses departments in music and video production, management, marketing, digital, creative, philanthropy, fashion, publicity and a record label. Under its original name, Parkwood Pictures, in 2008, the company released the film Cadillac Records (2008), in which Beyoncé starred and co-produced. The company also released the film, Obsessed (2009), with Beyoncé as star and executive producer. Parkwood Entertainment produced The Mrs. Carter Show World Tour (2013-2014) and The Formation World Tour (2016), and co-produced the ON THE RUN TOUR (2014) and ON THE RUN II (2018).

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

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Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

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Casio G-Shock Introduces New MT-G

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CASIO G-SHOCK INTRODUCES A NEW CONNECTED MT-G IN VIBRANT RED COLORWAY

Latest Model Unveils New Band and Case Structure with Colorful Accents for Spring  

Today, Casio G-SHOCK announces the latest timepiece to join its luxury men’s MT-G line. The MTGB1000B-1A4 features an all-new bright red urethane band, as well as black IP case with silver and red accents on the dial to provide a combination of style, toughness and practicality.

G-SHOCK’s premium MT-G line adds a hint of sophistication to any look, with the latest watch from the series offering striking red details, the brand’s Tough Movement technology and a lightweight core guard structure, featuring box frame with a carbon-fiber reinforced resin case for a design that can comfortably be worn from day to night.

The MTGB1000B-1A4 includes Two-Way Time Sync technology, which combines self-adjusting Multi-Band 6 Atomic timekeeping and Bluetooth connectivity, which pairs with the G-SHOCK Connected App for an accurate hour/date display virtually anywhere on the globe. The timepiece also boasts tough solar technology for self-charging capabilities and premium features found within all MT-G models, including Triple G Resist to guard against shock, vibration and centrifugal forces, and sapphire crystal to enhance scratch resistance.

The MTGB1000B-1A4 comes equipped with G-SHOCK technology including:

  • 200M water resistance and shock resistance
  • Super Illuminator
  • Dual Dial Display
  • Super Illuminator LED Light
  • Stopwatch and countdown timer
  • Daily alarm
  • Full auto calendar
  • World time (39 TZ + 27 cities)

The MTGB1000B-1A4 will retail for $900 and be available for purchase beginning in May at select high-end jewelers and gshock.com.

About G-SHOCK

CASIO’s shock-resistant G-SHOCK watch is synonymous with toughness, born from the developer Mr. Ibe’s dream of ‘creating a watch that never breaks’. Over 200 handmade samples were created and tested to destruction until finally in 1983 the first, now iconic G-SHOCK hit the streets of Japan and began to establish itself as ‘the toughest watch of all time’. Each watch encompasses the 7 elements; electric shock resistance, gravity resistance, low temperature resistance, vibration resistance, water resistance, shock resistance and toughness. The watch is packed with Casio innovations and technologies to prevent it from suffering direct shock; this includes internal components protected with urethane and suspended timekeeping modules inside the watch structure. Since its launch, G-SHOCK has continued to evolve, continuing to support on Mr. Ibe’s mantra “never, never give up.” www.gshock.com

About Casio America, Inc.

Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to realize its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit http://www.casio.com/home.

SHIFT ARTS FESTIVAL

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Kick off summer with live arts and films that explore the human/nature conundrum

Across the globe, humans face enormous questions: how do we find balance in our relationship with Nature? How do we transform what has been a quest for dominance into a sustainable collaboration? 

 

The Hopkins Center for the Art at Dartmouth College launches its second annual SHIFT festival, a 10-day suite of live, arts, film and discussions that explore the push and pull of that Human/Nature bond. Feel humans contend and at times cooperate with the forces of nature in a stage version of Moby-Dick, a spectacle of physical theater by Australian company Circa, and film screenings with special guests that probe the oceans and night skies. Wander among human percussionists interacting with nature world in Inuksuit; celebrate nature in song in a pop-up chorus. The schedule is a mix of free and ticketed events.

 

This year, SHIFT is bookended by concerts by Cory Henry & the Funk Apostles and Iris DeMent—artists who join past and present and speak to what it means to be an American in 2019. It also includes the Dartmouthpremiere of Dance Heginbotham, the acclaimed Brooklyn-based dance troupe led by John Heginbotham, director of the Dartmouth Dance Ensemble.

 

The performances in SHIFT will be enriched by a series of talks and master classes by Dartmouth scholars and visiting artists, who will unpeel various layers of how humans connect and impact the natural world. These include talks on energy, whaling, Melville and Americana music, as well as a discussion between Heginbotham and his collaborator, composer Tyondai Braxton.

 

Along with exploring big questions, SHIFT is also a great way to kick off summer in the Upper Valley, complementing the area’s wealth of opportunities to hike, bike, boat and otherwise enjoy the outdoors.

 

Tickets to SHIFT events go on sale to Hop members on Friday, April 26, and to the general public on Tuesday, April 30. SHIFT runs June 21 through 30 at locations in the Hop and on the Dartmouth campus. Tickets will be available at hop.dartmouth.edu or 603.646.2422.

 

SHIFT events

 

Cory Henry & the Funk Apostles

Friday, June 21, 8 pm

Spaulding Auditorium, $42/32/22

 

“I believe that love will find a way,” sings Corey Henry. And he’ll make you believe, too.

With his supple voice, soulful songwriting and chops on the Hammond B-3 organ, Henry “serves up a sermon of soulful bliss” (Denver Post) of R&B, Afrobeat, gospel and jazz. Graced with Grammy awards for his work with Brooklyn’s Snarky Puppy and his own namesake band, Henry has been called one of the finest organ players of his generation.

 

Moby Dick

Gare St. Lazare Players

Saturday, June 22, 8 pm

Sunday, June 23, 3 & 8 pm

The Moore Theater, $42/32/22

 

“For there is no folly of the beast of the earth which is not infinitely outdone by the madness of men, ” Herman Melville wrote in Moby-Dick. Compressing the novel’s details, characters and gigantic themes into one riveting night of theater, veteran Irish actor reels us into the harsh world of 19th-century whale hunting. In this battle with nature, the humans are determined to win–but at what cost? This engrossing, one-man refresh of Melville’s 1851 novel is backed by 10-string fiddler Caoimhin O’Raghallaigh (of The Gloaming). An American literary anchor splashes on stage.

 

Public talks, 6:30 pm, Top of the Hop, free

June 22: Irving Institute director Elizabeth Wilson on the interconnected histories of energy and whaling

June 23: Professor Donald E. Pease’s acclaimed talk on Melville and the American Renaissance

 

 

A Portal to the Sky: Cinema and Space

Mon, Jun 24, 8 pm 

Loew Auditorium, Free

 

Travel among the moon and stars with an evening of singular short films presented by Professors Jodie Mack and Dan Rockmore. Each film is an artistic celebration of the sky, space and worlds beyond, using real images as the source material.

 

 

Sing For the Earth

Tuesday, June 25, 8pm

Spaulding Auditorium, free

 

Come sing together in gratitude for earth’s abundant beauty!  In this program, you are invited to reflect on the relationship between humans and nature as the group reads through diverse short choral works related to nature, led by Handel Society director Robert Duff.  

Recommended for all singers 12 and up; sight-reading skills are helpful but not required.

 

Dance Heginbotham and Alarm Will Sound

Wednesday, June 26

The Moore Theater, $32/22

 

Eight-member Dance Heginbotham brings its celebrated athleticism, humor

and theatricality to live music by the 22-member new music band Alarm Will

Sound (“original, vivid, reckless”-Los Angeles Times). DH is led by John

Heginbotham, who also directs the Dartmouth Dance Ensemble and

choreographed the acclaimed remake of Oklahoma that just moved to

Broadway. The evening includes new Heginbotham choreography to

selections from AWS’s new CD Acoustica—unprecedented acoustic versions

of electronica—as well as his Hop-commissioned new choreography for

composer Tyondai Braxton’s chamber work Common Fate.

 

Heginbotham and Braxton discuss their collaboration, June 26, 6:30 pm, Top of the Hop, free

 

The International Ocean Film Tour

Thursday, June 27, 8 pm

Spaulding Auditorium, $15

 

Swim among seething schools of sharks, ride the waves with adventurers transforming the sport of surfing, or cruise the world’s oceans with some  “anti-Ahab” activists–protecting, not hunting, whales. The subjects of these films inspire you with their ardor for the oceans and adventure. Eco-activist Henry Lystad (formerly MountainFilm Tour Director) introduces each movie with insider details and naturalist knowledge.

 

Humans by Circa

Friday and Saturday, June 28 & 29, 8 pm

Sunday, June 30, 3 pm

The Moore Theater, $47/37/22

 

Body, space, force and balance. In this heart-stopping nouveau cirque adventure that earned rave reviews on several continents, Australian circus artist/athletes test the limits of the human body. Forms fly through the air. Towers emerge and tumble. This virtuosic meditation on the body plays with the laws of physics, ratcheting up the tension between us and the space we move through.

 

Master class with Circa, Tuesday, June 25, details to come

 

Inuksuit

Saturday, June 29, 3 pm

Outdoor location on Dartmouth campus TBA, free

Rain date: Sun, June 30 at 3 pm.

 

Wander through a landscape of instruments–conch shells, gongs, drums, glockenspiels and more–accompanied by the ambient sounds of nature. Named after the stone piles used by native people to orient themselves in Arctic spaces, Inuksuit was created by environmental composer John Luther Adams. This event will involve up to 99 professional and community musicians in an outdoor campus location. As they walk among the musicians, listeners shape their own experience, discovering the listening points that call out most to them. Directed by Dartmouth music lecturer Amy Garapic.

 

Want to clang, whistle or whirr or otherwise play in the band? Go to hop.dartmouth.edu for more information.

 

Iris DeMent

Saturday, June 29, 8 pm

Spaulding Auditorium, $42/32/22

 

Iris DeMent is a voice for an America seeking roots and meaning. As Cory Henry marries retro-funk with Afro-Futurism, so DeMent brings a modern sensibility to the timeless pentecostal gospel twang of her native Ozarks. Twenty-seven years after she pioneered what we now call “Americana” with her debut album Infamous Angel, she is still sharing powerful stories and shining a light into dark places.

 

Dartmouth musicologist Ted Levin discusses DeMent’s place in American music,  June 29, 6 pm, Top of the Hop, free

Justin Roberts

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Today, Justin Roberts drops his new single and video entitled, Way Too Much. It features Justin alongside of influencer Jordyn Woods as well as model Sofia Jamora. In the video, the trio plays life-sized dolls being assembled and packaged in a toy factory.

Fun Fact:

Justin is managed by Post Malone’s manager, Austin Rosen.

These Important Years Exhibition

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ROBERT MARS: These Important Years

May 9 – June 6, 2019

Opening Reception Thursday May 9th 7pm

Gilles Clement Gallery is pleased to present These Important Years, a solo exhibition featuring recent works of contemporary artist Robert Mars. Mars has produced a body of artwork from his studio in Connecticut that celebrates the commonplace objects and brands and icons of an America long past in a thoroughly modern and exquisitely constructed manner. His work highlights the importance that 1950’s and 60’s icons bear in the context of American and global history.

“The images evoke a feeling of nostalgia, but I am not looking back to the past. I present them in a modern and current way to speak to their continued relevance in decades later. The images remain alive and fresh through modern techniques and applications.” – Robert Mars.

Through the application of a rich and layered color palette and tongue in cheek attitude, Mars’ paintings evoke a vintage quality of design and pay homage to the idealized age of growth and hopefulness that was prevalent in the USA at the end of World War II a time before the internet and mobile technology, when there was no such thing as instant digital celebrities, but rather the myth of unique, untouchable and iconic personalities such as Marilyn Monroe, Elizabeth Taylor, Paul Newman, Audrey Hepburn and Sophia Loren. Combining vintage wallpapers and quilt patterns, Mars’ delves further into the essence of American culture, incorporating a folk art sensibility into a pop art aesthetic, while capturing the timeless relevance and enduring influence of past and contemporary icons on society, technology, politics and fashion.

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Gwen Stefani’s Cool gets a synth cover by Strath

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STRATH COVERS GWEN STEFANI’S COOL

Most use the California poppies for pretty instagrams.

Fewer use them to film music videos.

Strath falls into the latter.

The 24-year-old Australian artist took full advantage of the super bloom in his debut music video for his latest release “Cool”. The track is a cover of the 2004 Gwen Stefani smash hit. 15 years later, Strath adds new color to the track’s pop virtues, letting his listeners stew in a sea of sweeping 80s synthesizers that smell a lot like Tame Impala.

A real highlight is the brief musical interlude in the song’s middle, where a new guitar/synth melody soars over the tight groove of spank-y drums and walking bass line. A credit to his talents as a producer, the way Strath balances many unique elements in the mix ensure that this track is a real head-bopper.

The nostalgic, slightly haunting feel of the song’s outro leaves it feeling more sombre than the original. But the playful tone of the music video — where Strath sings next to a couple that must have been making out for several hours during production — perhaps suggests otherwise.

Strath affirms in the YouTube video’s description that the video was shot with “care” in the poppy fields. Whilst we hope that was the case, we can confirm with confidence that this track is a real banger.

COOL (Stream/Download):

Spotify | Apple Music

Watch the music video on youtube.

ABOUT STRATH

Strath spent his first 18 years in Melbourne, Australia, writing songs during the day while playing in different jazz and rock bands at night. He moved halfway across the world to go to Harvard, where he spent the next 4 years making movies and even more tracks. After graduation, he relocated to LA, where he’s released a number of singles including “Loops,” “I Know You Too Well” and a cover of the 2004 Gwen Stefani smash hit, “Cool.” He plans on releasing lots of new music in 2019.

COOL (Stream/Download)

Spotify | Apple Music

Watch the music video on youtube.

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