Design

Beyoncé, netflix, Homecoming

Beyoncé’s Homecoming

Writers: Vaughn Lowery, Tara McDonough, Stella Iman Dugall

Every once in a while pop culture encounters a rip in its continuum. The latest breach comes from one of the most effervescent entertainers of all time, Beyoncé Giselle Knowles Carter, as the first Black female to headline one of the most prolific festivals since the iconic Woodstock. Introspective yet intimate, Homecoming is positioned to be one of the most immersive concert series in the history of music and streaming services. Beyoncé, the Director and Executive Producer of the film, creates a visually captivating story from the beginning to end. The documentary answers a plethora of questions, at which the infamous Beyhive has had about the historical moment.

With intermittent quick cuts of her family before, during and after the epic performance, Beyoncé gives herself permission to exhibit her vulnerability. After all, she planned to take the stage at Coachella in 2017 before she was pregnant with her twins. The tour was postponed and we fast forward to ‘Mrs. Carter’ having to deal with the aftermath of a complicated pregnancy, which ultimately ends in a c-section. Similar to friend, and professional tennis superstar, Serena Williams, Beyoncé bounced back harder than ever after her tough pregnancy. Throughout the piece she digs deep and pummels through some of the most difficult days she has ever encountered. She even speaks to her weighing 218 lbs and how she was only able to zip her costume up after months of hard work alongside of a dedicated clean/raw food diet – no meats, carbs, sugars. The director of photography expertly captured an extremely intimate and vulnerable side to the strong and flawless Queen Bey.

Inspiration

Having family members as graduates of some of the prominent HBCU (historically black colleges and universities), Beyoncé was able to tap into the most celebrated moments of their collegiate life. Her full show not only highlighted the history of these schools but also their social networks and fraternal organizations; transforming the stage into one of the most dynamic Black Southern spaces of cultural legacy and pride. Much of it was enunciated with their boot dancing, a traditional dance style for HBCU called J-Setting, in between transitions. These dance formations visually anchored the performance. Contortionists contributed an urban Cirque du Soleil vibe to the display which can be more accurately described as an infused gumbo of Chicago (the musical), Moulin Rouge! and the Off-Broadway play Stomp. To date, the pyramid stage has been persevered onsite at this year’s Coachella as an art installation.

A group of 200 people shared the stage with Queen Bey including Jay Z, Kelly Rowland, Michelle Williams and Solange Knowles. The expansive crew that Beyonce worked and practiced with for 8 months is featured in the documentary, as each individual had their own part in making the event a success. The dancing in her set is not technical, but emotional. The crowd, as well as audiences watching the documentary at home, are meant to feel something from just the way Beyoncé and her dancers, who she handpicked herself, move with each other. The concert experience not only exhibits the immense talent of HBCU musicians but works towards using this heightened exposure to aid these institutions that have been struggling with little resources and grants since their establishment.

After the the release of Homecoming, Netflix will more than likely notice a spike in downloads/subscriptions; Beyonce will notice an increase in her fan base and HBCU enrollment rates will most likely skyrocket. Overall, most audience members will be thrashed into a world of black honor, history and preservation. While the Pew Report notes that there is a varying “black/white digital divide” concerning internet usage, (87% whites, 80% blacks), there is little divide when it comes to mobile platforms. The growth of black presence in media, such as on social media, in streaming services and more, will only continue due to the imminent success of Beyoncé’s partnership with Netflix. Her myriad of success as a dominant Black woman breaks down barriers in the same way Jordan Peele has done for young Black filmmakers across the diaspora. This will become one of the most treasured pieces of mass media and should offer encouragement to both women and minorities to bust through the glass ceiling on all fronts especially digitization and technology.

Beyoncé, Netflix, Homecoming

Illustrator: Alejandra Villagra

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Casio G-Shock Introduces New MT-G

CASIO G-SHOCK INTRODUCES A NEW CONNECTED MT-G IN VIBRANT RED COLORWAY

Latest Model Unveils New Band and Case Structure with Colorful Accents for Spring  

Today, Casio G-SHOCK announces the latest timepiece to join its luxury men’s MT-G line. The MTGB1000B-1A4 features an all-new bright red urethane band, as well as black IP case with silver and red accents on the dial to provide a combination of style, toughness and practicality.

G-SHOCK’s premium MT-G line adds a hint of sophistication to any look, with the latest watch from the series offering striking red details, the brand’s Tough Movement technology and a lightweight core guard structure, featuring box frame with a carbon-fiber reinforced resin case for a design that can comfortably be worn from day to night.

The MTGB1000B-1A4 includes Two-Way Time Sync technology, which combines self-adjusting Multi-Band 6 Atomic timekeeping and Bluetooth connectivity, which pairs with the G-SHOCK Connected App for an accurate hour/date display virtually anywhere on the globe. The timepiece also boasts tough solar technology for self-charging capabilities and premium features found within all MT-G models, including Triple G Resist to guard against shock, vibration and centrifugal forces, and sapphire crystal to enhance scratch resistance.

The MTGB1000B-1A4 comes equipped with G-SHOCK technology including:

  • 200M water resistance and shock resistance
  • Super Illuminator
  • Dual Dial Display
  • Super Illuminator LED Light
  • Stopwatch and countdown timer
  • Daily alarm
  • Full auto calendar
  • World time (39 TZ + 27 cities)

The MTGB1000B-1A4 will retail for $900 and be available for purchase beginning in May at select high-end jewelers and gshock.com.

About G-SHOCK

CASIO’s shock-resistant G-SHOCK watch is synonymous with toughness, born from the developer Mr. Ibe’s dream of ‘creating a watch that never breaks’. Over 200 handmade samples were created and tested to destruction until finally in 1983 the first, now iconic G-SHOCK hit the streets of Japan and began to establish itself as ‘the toughest watch of all time’. Each watch encompasses the 7 elements; electric shock resistance, gravity resistance, low temperature resistance, vibration resistance, water resistance, shock resistance and toughness. The watch is packed with Casio innovations and technologies to prevent it from suffering direct shock; this includes internal components protected with urethane and suspended timekeeping modules inside the watch structure. Since its launch, G-SHOCK has continued to evolve, continuing to support on Mr. Ibe’s mantra “never, never give up.” www.gshock.com

About Casio America, Inc.

Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions. Established in 1957, Casio America, Inc. markets calculators, keyboards, mobile presentation devices, disc title and label printers, watches, cash registers and other consumer electronic products. Casio has strived to realize its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit http://www.casio.com/home.

SHIFT ARTS FESTIVAL

Kick off summer with live arts and films that explore the human/nature conundrum

Across the globe, humans face enormous questions: how do we find balance in our relationship with Nature? How do we transform what has been a quest for dominance into a sustainable collaboration? 

 

The Hopkins Center for the Art at Dartmouth College launches its second annual SHIFT festival, a 10-day suite of live, arts, film and discussions that explore the push and pull of that Human/Nature bond. Feel humans contend and at times cooperate with the forces of nature in a stage version of Moby-Dick, a spectacle of physical theater by Australian company Circa, and film screenings with special guests that probe the oceans and night skies. Wander among human percussionists interacting with nature world in Inuksuit; celebrate nature in song in a pop-up chorus. The schedule is a mix of free and ticketed events.

 

This year, SHIFT is bookended by concerts by Cory Henry & the Funk Apostles and Iris DeMent—artists who join past and present and speak to what it means to be an American in 2019. It also includes the Dartmouthpremiere of Dance Heginbotham, the acclaimed Brooklyn-based dance troupe led by John Heginbotham, director of the Dartmouth Dance Ensemble.

 

The performances in SHIFT will be enriched by a series of talks and master classes by Dartmouth scholars and visiting artists, who will unpeel various layers of how humans connect and impact the natural world. These include talks on energy, whaling, Melville and Americana music, as well as a discussion between Heginbotham and his collaborator, composer Tyondai Braxton.

 

Along with exploring big questions, SHIFT is also a great way to kick off summer in the Upper Valley, complementing the area’s wealth of opportunities to hike, bike, boat and otherwise enjoy the outdoors.

 

Tickets to SHIFT events go on sale to Hop members on Friday, April 26, and to the general public on Tuesday, April 30. SHIFT runs June 21 through 30 at locations in the Hop and on the Dartmouth campus. Tickets will be available at hop.dartmouth.edu or 603.646.2422.

 

SHIFT events

 

Cory Henry & the Funk Apostles

Friday, June 21, 8 pm

Spaulding Auditorium, $42/32/22

 

“I believe that love will find a way,” sings Corey Henry. And he’ll make you believe, too.

With his supple voice, soulful songwriting and chops on the Hammond B-3 organ, Henry “serves up a sermon of soulful bliss” (Denver Post) of R&B, Afrobeat, gospel and jazz. Graced with Grammy awards for his work with Brooklyn’s Snarky Puppy and his own namesake band, Henry has been called one of the finest organ players of his generation.

 

Moby Dick

Gare St. Lazare Players

Saturday, June 22, 8 pm

Sunday, June 23, 3 & 8 pm

The Moore Theater, $42/32/22

 

“For there is no folly of the beast of the earth which is not infinitely outdone by the madness of men, ” Herman Melville wrote in Moby-Dick. Compressing the novel’s details, characters and gigantic themes into one riveting night of theater, veteran Irish actor reels us into the harsh world of 19th-century whale hunting. In this battle with nature, the humans are determined to win–but at what cost? This engrossing, one-man refresh of Melville’s 1851 novel is backed by 10-string fiddler Caoimhin O’Raghallaigh (of The Gloaming). An American literary anchor splashes on stage.

 

Public talks, 6:30 pm, Top of the Hop, free

June 22: Irving Institute director Elizabeth Wilson on the interconnected histories of energy and whaling

June 23: Professor Donald E. Pease’s acclaimed talk on Melville and the American Renaissance

 

 

A Portal to the Sky: Cinema and Space

Mon, Jun 24, 8 pm 

Loew Auditorium, Free

 

Travel among the moon and stars with an evening of singular short films presented by Professors Jodie Mack and Dan Rockmore. Each film is an artistic celebration of the sky, space and worlds beyond, using real images as the source material.

 

 

Sing For the Earth

Tuesday, June 25, 8pm

Spaulding Auditorium, free

 

Come sing together in gratitude for earth’s abundant beauty!  In this program, you are invited to reflect on the relationship between humans and nature as the group reads through diverse short choral works related to nature, led by Handel Society director Robert Duff 

Recommended for all singers 12 and up; sight-reading skills are helpful but not required.

 

Dance Heginbotham and Alarm Will Sound

Wednesday, June 26

The Moore Theater, $32/22

 

Eight-member Dance Heginbotham brings its celebrated athleticism, humor

and theatricality to live music by the 22-member new music band Alarm Will

Sound (“original, vivid, reckless”-Los Angeles Times). DH is led by John

Heginbotham, who also directs the Dartmouth Dance Ensemble and

choreographed the acclaimed remake of Oklahoma that just moved to

Broadway. The evening includes new Heginbotham choreography to

selections from AWS’s new CD Acoustica—unprecedented acoustic versions

of electronica—as well as his Hop-commissioned new choreography for

composer Tyondai Braxton’s chamber work Common Fate.

 

Heginbotham and Braxton discuss their collaboration, June 26, 6:30 pm, Top of the Hop, free

 

The International Ocean Film Tour

Thursday, June 27, 8 pm

Spaulding Auditorium, $15

 

Swim among seething schools of sharks, ride the waves with adventurers transforming the sport of surfing, or cruise the world’s oceans with some  “anti-Ahab” activists–protecting, not hunting, whales. The subjects of these films inspire you with their ardor for the oceans and adventure. Eco-activist Henry Lystad (formerly MountainFilm Tour Director) introduces each movie with insider details and naturalist knowledge.

 

Humans by Circa

Friday and Saturday, June 28 & 29, 8 pm

Sunday, June 30, 3 pm

The Moore Theater, $47/37/22

 

Body, space, force and balance. In this heart-stopping nouveau cirque adventure that earned rave reviews on several continents, Australian circus artist/athletes test the limits of the human body. Forms fly through the air. Towers emerge and tumble. This virtuosic meditation on the body plays with the laws of physics, ratcheting up the tension between us and the space we move through.

 

Master class with Circa, Tuesday, June 25, details to come

 

Inuksuit

Saturday, June 29, 3 pm

Outdoor location on Dartmouth campus TBA, free

Rain date: Sun, June 30 at 3 pm.

 

Wander through a landscape of instruments–conch shells, gongs, drums, glockenspiels and more–accompanied by the ambient sounds of nature. Named after the stone piles used by native people to orient themselves in Arctic spaces, Inuksuit was created by environmental composer John Luther Adams. This event will involve up to 99 professional and community musicians in an outdoor campus location. As they walk among the musicians, listeners shape their own experience, discovering the listening points that call out most to them. Directed by Dartmouth music lecturer Amy Garapic.

 

Want to clang, whistle or whirr or otherwise play in the band? Go to hop.dartmouth.edu for more information.

 

Iris DeMent

Saturday, June 29, 8 pm

Spaulding Auditorium, $42/32/22

 

Iris DeMent is a voice for an America seeking roots and meaning. As Cory Henry marries retro-funk with Afro-Futurism, so DeMent brings a modern sensibility to the timeless pentecostal gospel twang of her native Ozarks. Twenty-seven years after she pioneered what we now call “Americana” with her debut album Infamous Angel, she is still sharing powerful stories and shining a light into dark places.

 

Dartmouth musicologist Ted Levin discusses DeMent’s place in American music,  June 29, 6 pm, Top of the Hop, free

Justin Roberts

Today, Justin Roberts drops his new single and video entitled, Way Too Much. It features Justin alongside of influencer Jordyn Woods as well as model Sofia Jamora. In the video, the trio plays life-sized dolls being assembled and packaged in a toy factory.

Fun Fact:

Justin is managed by Post Malone’s manager, Austin Rosen.

These Important Years Exhibition

ROBERT MARS: These Important Years

May 9 – June 6, 2019

Opening Reception Thursday May 9th 7pm

Gilles Clement Gallery is pleased to present These Important Years, a solo exhibition featuring recent works of contemporary artist Robert Mars. Mars has produced a body of artwork from his studio in Connecticut that celebrates the commonplace objects and brands and icons of an America long past in a thoroughly modern and exquisitely constructed manner. His work highlights the importance that 1950’s and 60’s icons bear in the context of American and global history.

“The images evoke a feeling of nostalgia, but I am not looking back to the past. I present them in a modern and current way to speak to their continued relevance in decades later. The images remain alive and fresh through modern techniques and applications.” – Robert Mars.

Through the application of a rich and layered color palette and tongue in cheek attitude, Mars’ paintings evoke a vintage quality of design and pay homage to the idealized age of growth and hopefulness that was prevalent in the USA at the end of World War II a time before the internet and mobile technology, when there was no such thing as instant digital celebrities, but rather the myth of unique, untouchable and iconic personalities such as Marilyn Monroe, Elizabeth Taylor, Paul Newman, Audrey Hepburn and Sophia Loren. Combining vintage wallpapers and quilt patterns, Mars’ delves further into the essence of American culture, incorporating a folk art sensibility into a pop art aesthetic, while capturing the timeless relevance and enduring influence of past and contemporary icons on society, technology, politics and fashion.

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Gwen Stefani’s Cool gets a synth cover by Strath

STRATH COVERS GWEN STEFANI’S COOL

Most use the California poppies for pretty instagrams.

Fewer use them to film music videos.

Strath falls into the latter.

The 24-year-old Australian artist took full advantage of the super bloom in his debut music video for his latest release “Cool”. The track is a cover of the 2004 Gwen Stefani smash hit. 15 years later, Strath adds new color to the track’s pop virtues, letting his listeners stew in a sea of sweeping 80s synthesizers that smell a lot like Tame Impala.

A real highlight is the brief musical interlude in the song’s middle, where a new guitar/synth melody soars over the tight groove of spank-y drums and walking bass line. A credit to his talents as a producer, the way Strath balances many unique elements in the mix ensure that this track is a real head-bopper.

The nostalgic, slightly haunting feel of the song’s outro leaves it feeling more sombre than the original. But the playful tone of the music video — where Strath sings next to a couple that must have been making out for several hours during production — perhaps suggests otherwise.

Strath affirms in the YouTube video’s description that the video was shot with “care” in the poppy fields. Whilst we hope that was the case, we can confirm with confidence that this track is a real banger.

COOL (Stream/Download):

Spotify | Apple Music

Watch the music video on youtube.

ABOUT STRATH

Strath spent his first 18 years in Melbourne, Australia, writing songs during the day while playing in different jazz and rock bands at night. He moved halfway across the world to go to Harvard, where he spent the next 4 years making movies and even more tracks. After graduation, he relocated to LA, where he’s released a number of singles including “Loops,” “I Know You Too Well” and a cover of the 2004 Gwen Stefani smash hit, “Cool.” He plans on releasing lots of new music in 2019.

COOL (Stream/Download)

Spotify | Apple Music

Watch the music video on youtube.

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The Struts

Interscope rock band The Struts release the lyric video for new single “In Love With A Camera” today. “In Love With A Camera” is featured on the band’s sophomore album YOUNG&DANGEROUS which was released on Interscope Records in the fall of 2018. YOUNG&DANGEROUS follows the 2016 release of The Struts’ debut album Everybody Wants.

The Struts recently finished up a sold-out European tour and will bring the Young & Dangerous Tour 2019to the states next month with stops in major markets including Los Angeles, Nashville, New York City and Washington DC. Visit thestruts.com for more info.

In just a few years, The Struts have found themselves massively embraced by some of the greatest icons in rock-and-roll history. Along with opening for Foo Fighters, The Rolling Stones, The Who, and Guns N’ Roses, the U.K.-bred four-piece was also hand-picked by Mötley Crüe to serve as the supporting act for their last-ever performances, while Dave Grohl praised them as “the best band to ever open for Foo Fighters.” In addition to the support slots, The Struts have been on the road nonstop since their formation including worldwide headline shows and prestigious festival plays including Lollapalooza, Governors Ball, Bottle Rock, Isle of Wright and many more. Formed in Derby, England in 2012, The Struts are Luke Spiller (lead singer), Adam Slack (guitar), Jed Elliott (bass) and Gethin Davies (drums).

Below is a complete list of dates for The Struts Young & Dangerous Tour 2019:

April 21 Copper Mountain, CO Copper Mountain Resort
May 2 Louisville, KY Kentucky Derby Festival
May 3 Atlanta, GA The Masquerade
May 4 Atlanta, GA Shaky Knees Music Festival
May 5 Jacksonville, FL Welcome to Rockville
May 7 Houston, TX HOB~
May 8 Dallas, TX HOB~
May 10 Sioux City, IA Athem at Hard Rock Hotel & Casino
May 11 Kansas City, MO KRBZ- Coors Light Block Party
May 13 Charlotte, NC The Underground~
May 14 Wilmington, NC Greenfield Lake Amphitheatre~
May 15 Charleston, SC Music Farm~
May 16 Norfolk, VA NorVA~
May 18 Camden, NJ MMRBQ
May 19 Columbus, OH Sonic Temple
June 28 Englewood, CO Gothic Theatre
June 29 Salt Lake City, UT The Depot*
July 1 Tempe, AZ Marquee Theatre
July 2 Los Angeles, CA The Wiltern
July 3 San Diego, CA The Observatory North Park
July 5 Sacramento, CA Ace of Spades
July 8 Portland, OR Roseland Theater*
July 9 Seattle, WA Showbox*
July 10 Missoula, MT The Wilma*
July 13 Saint Paul, MN Palace Theatre*
July 15 Des Moines, IA Water Works Park*
July 16 Indianapolis, IN Old National Centre*
July 17 Nashville, TN Marathon Music Works*
July 19 Detroit, MI The Fillmore*
July 20 Grand Rapids, MI 20 Monroe Live*
July 21 Pittsburgh, PA Stage AE*
July 25 Buffalo, NY TBA*
July 26 Utica, NY Saranac Brewery*
July 27 New York, NY Pier 17*
July 28 Mount Pocono, PA Mount Airy Casino
July 30 Boston, MA House of Blues*
August 4 Hampton Beach, NH Hampton Beach Casino
August 6 Dewey Beach, DE Bottle & Cork*
August 7 Washington, DC 930 Club*
September 21 Asbury Park, NJ Sea Hear Now Festival

Adé

Adé (formally Phil Ade) recently released his brand new EP Always Something.

In case you are unfamiliar, Adé is a Nigerian/Grenadian-American artist known for effortless lyrics and ability to smoothly transition between rapping and singing. He has previously worked with artists such as Logic and Mac Miller, and his new six-track EP features collaborations with Lil Baby, Rich The Kidand Wale. Adé has previously caught the attention of publications such as Billboard, Complex, XXL, HypeBeast, Hot New Hip Hop and more. Beginning a new chapter in his career with a new name and unique sound, Adé is on his way to rap stardom and a chance for his reinvention to inspire on a massive scale. He recently freestyled over Jay-Z’s “Threat” on L.A. Leakers which can be seen HERE.

Adé is the true voice of the DMV hip-hop scene and has fueled a new wave of D.C. rap. His global perspective can be seen on his diverse new EP featuring undeniable anthems and powerful lyrics. As an artist, he is able to deliver music with something for everyone as he combines live instrumentation, hip-hop, rapping, and singing. Ade’s songs focus on the positives in his life and showcase the newfound confidence he has achieved while introducing himself as a new leader in the DMV hip-hop movement.

More about Adé

In between, growth occurs. Silver Spring, Maryland rapper, producer, and artist Adé (born Phil Adetumbi) underwent such evolution. Under the name Phil Adé, he delivered a string of independent mixtapes, singles, and appearances in addition to collaborations with everyone from Logic and Mac Miller to Raekwon and Bootsy Collins. Starting in 2013, he dove into honing his craft, writing in the studio with a variety of artists, perfecting his own sound as well as his live performance. He ultimately developed his voice immensely. During this time, he made extensive contributions as a writer and featured act to Wale’s #1 opus The Album About Nothing [2015] and Shine [2017], in addition to working with Raheem DeVaughn, Anthony Hamilton, Chris Brown, Eric Bellinger, Mýa, Trevor Jackson, Serayah, 9th Wonder and Bink , while gracing the stage on the sold out SHIN3 Tour. In 2017, he shared the solo single “No Fear” [feat. Tate Kobang and Saba Abraha], which soundtracked WWE NXT and clocked half-a-million streams. Upon the latter’s arrival,Billboard described him as “ready to seize his opportunity at rap stardom.”

However, he changed everything for 2019. He opted to go by simply Adé, signed to Epic Records, and cooked up his first EP of the label, Always Something.

“I spent a long time recording and figuring out what I wanted my sound to be like,” he admits. “I feel like I’m there now. I was able to watch Wale and see a lot of the ‘do’s and don’ts’ of being an artist on a major label and how to behave in different situations. Everything got me to my comfort zone. I’ve found a happy medium between singing and rapping. It’s a new era in my life. That’s why I felt the need to reintroduce myself. I’m definitely more experienced. I’m more comfortable with what I’m doing. Since I wanted to start fresh, I changed my name. This is a clean slate. I’m a new artist.”

At the same time, he still kept his heritage and hometown close. Born to a Nigerian father and Grenadian mother, he grew up with a global mindset when it came to music, going from singing in church to rapping in high school. Coming up in the DMV scene, he also developed an appreciation for the live instrumentation intrinsic to the region’s “Go-go” movement before eventually galvanizing the first wave of D.C. rap.

His perspective informs the diversity of Always Something. The six-track project kicks off with the sharp and fiery flow of “Play Something.” Backed by live drums and wailing synths, he properly makes his introduction by “rapping continuously in freestyle fashion about who I am, where I’m from, and where I’m at,” as he puts it.

Immediately after, “Something New” [feat. Lil Baby] coasts along on an airy beat as he locks into a laidback and confident cadence punctuated by a magnetic turn from Lil Baby.

“I made the song one night after coming home from the club,” he goes on. “My art always needs to be fun. It’s all about seeing what’s going on around me, how people move, and staying focused. Lil Baby killed it.”

Elsewhere, “Something from Nothing” [feat. Rich The Kid] stretches from hypnotic verses into a hard-hitting hook. Another highlight, “Something Real” [feat. GoldLink & Wale], unites three DMV titans on one seismic collaboration. As all of the songs feature “Something” in their titles, the project maintains a true cohesion.

“As I was recording, I kept thinking about the phrase ‘Always Something’,” he elaborates. “I found a deeper meaning. In life, you’re met with negatives, and you’re met with positives. From my experience, I’ve always been able to have more peace and progress when I am focused on whatever good is going on in my life. When it seems like everything going on is negative, it’s easier to move forward when you are focused on the upside. There’s Always Something to remain positive about.”

In the end, Adé’s reinvention paves the way to inspire on a massive scale.

“No matter what’s happening, there’s a light at the end of the tunnel,” he leaves off. “Stay positive. I want everyone to know that.”

Jonas Brothers Release New Song “Cool”

JONAS BROTHERS RELEASE “COOL” AS “SUCKER” HEATS UP

CHANNEL MIAMI CIRCA 1984 IN CLASSIC NEW VIDEO

PERFORMING AT NCAA’S FINAL FOUR WEEKEND APRIL 6TH AIRING ON CBS

“SUCKER” ENTERS TOP 10 AT RADIO

LISTEN TO “COOL” HERE 

WATCH “COOL” MUSIC VIDEO HERE 

Following the biggest comeback of the year, GRAMMY® Award-nominated multiplatinum powerhouse trio–Jonas Brothers—unleash their new single “Cool” today.

Get it HERE 

To accompany the song, the Jonas Brothers joined forces with “Sucker” director Anthony Mandler to shoot the cinematic music video. Bringing viewers right back to 1984 Miami, it channels the spirit of timeless eighties MTV in all its decadent glory. Fittingly, MTV will debut the broadcast premiere on MTV Live, mtvU and on the iconic Viacom Times Square billboards.  

Watch the video HERE.

The arrival of “Cool” follows the extremely successful release of “Sucker,” which debuted at #1 on the Billboard Hot 100 and is approaching 2 million in global consumption. The success also encompasses North American number ones on Apple Music, Spotify, and iTunes as well as global number ones on Apple Music, YouTube, and Twitter.  “Sucker” has remained the “#1 Greatest Gainer for Top 40” radio for five consecutive weeks, recently entering the Top 10 where it continues to climb. As an international phenomenon, it achieves their highest career single chart debut in the UK, landing in the Top 10, and is currently topping airplay charts around the world.

Also in the works is the Jonas Brothers new documentary. Last month they announced a partnership with Amazon Studios, Philymack, and Federal Films—a division of Republic Records—to release the upcoming documentary about the band. It’s set to premiere exclusively on Amazon Prime Video in more than 200 countries and territories.

The preeminent male group of this century, Jonas Brothers opened the floodgates for a new era of titans in pop music. They earned three consecutive number one albums and sold out shows throughout three continents. Selling over 17 million-plus albums with over 1 billion streams worldwide, they’ve achieved dozens of platinum and gold certifications. Jonas Brothers notably received a GRAMMY® Award nomination in the category of “Best New Artist,” garnered “Breakthrough Artist” at the American Music Awards, won Billboard’s “Eventful Fans’” Choice Award for “Best Concert Tour of the Year,” and took home a Mexican Grammy, showcasing their international influence. The tremendous success of the band provided a launch pad for the successful and storied solo careers of Nick Jonas, Joe Jonas, and Kevin Jonas, who have kept loyal fans yearning for a reunion, until now.

JONAS BROTHERS “COOL”

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JONAS BROTHERS SOCIALS

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