Today, Becky Hill released the third episode of her podcast, The Art of Rave. Over the course of the series Becky discusses rave culture with some of its legendary pioneers, including DJ Zinc, Andy C, Pete Tong, Sister Bliss, Groove Armada, Fabio & Grooverider and more.
In episode three of The Art of Rave Becky and Roni Size cover a wide range of topics including: how the ‘Size’ in Roni Size came from “a dating game vibe”; the 90s Bristol music scene, the evolution of Reprazent and their groundbreaking ‘live’ sound, winning a Mercury Music Prize, why Roni’s first record was released under someone’s else name, how Margaret Thatcher killed the free party (with the criminal Justice and Public Order Act in 1994), ‘digital reggae’ and David Rodigan, how the rave scene has moved on and ravers’ dancing has moved on with it (from “giraffes” to mosh pits).
As with all Becky’s guests on The Art of Rave, Roni Size brings along records that mean or say something to him, whether that’s because they’re by an artist that influenced him, remind him of a specific place or time, or feature a beat that defined his sound. These records are: “Under Me Sleng Teng” by Wayne Smith, “Pressure Dub” by Ability ii, “Rhythm Takes Control” by Unique 3 and “Wicked Ones” by 3 Way Split with DJ Easygroove.
Meanwhile, Becky selects the Roni Size (& Reprazent) record that exemplifies why she handpicked him as a guest for the series: “Brown Paper Bag.”
While Becky Hill has an irrefutable aptitude for writing chart smashing pop music, her roots are firmly ensconced in electronic music. The Art of Rave provides the perfect platform for Becky to delve deep into the dance music scene she is so passionate about.
Episode 3 of Becky Hill’s The Art of Rave podcast is available here.
