Following two electrifying sets at Cruel World Festival that took place in Pasadena, CA, BAUHAUS will be returning to the Los Angeles area for a show at The Greek Theatre, Thursday, September 29th. Presales begin Wednesday, June 15th with sales to the general public on Friday, June 17th 10:00am PT. Tickets are available via AXS.com.
- Cruel World Presale: Wed, June 15 @ 10am PT
- Golden Voice Presale: Thurs, June 16 @ 10am PT
- General Public: Fri, 6/17 @ 10am PT
In addition, Denver, CO show at The Mission Ballroom which was originally scheduled for May 25th that had been postponed has now been rescheduled for September 26th. Tickets for the May 25th show will be honored and will be available at HERE.
Due to unforeseen circumstances, Bauhaus is unable to reschedule the Tempe, AZ show and the show is officially canceled. Refunds will be processed at point of purchase.
“Shadows of the band swayed in the strobe lights while Murphy’s spindly arms were outstretched in the starched position of a crucifix. It was the height of haunted heaven for those looking for their fix of the dark side.” – LOS ANGELES TIMES
“Singer Peter Murphy often retreated to the shadows while guitarist Daniel Ash pulled harsh shards of sound from his guitar. ‘Bela Lugosi’s Dead,’ the band’s signature song, let Murphy and Ash continue in that manner, which bassist David J and drummer Kevin Haskins kept the night rumbling on.” – LOS ANGELES DAILY NEWS
“Bauhaus epitomized the spirit of Cruel World…. Under a nearly full moon – appropriately, a lunar eclipse coincided with the festival – but often in shadow, Bauhaus’ potent set had moments of sheer macabre magic.” – VARIETY
“Goth rock pioneers Bauhaus delivered a chilling rendition of their debut single, ‘Bela Lugosi’s Dead’ at their first live show in 13 years Sunday. The gig took place at the Hollywood Palladium in Los Angeles, capturing the band in fine form as they effortlessly moved from the song’s abstract, spine-tingling intro into its eerily serene guitar jangle. Frontman Peter Murphy expertly navigated the song’s steady build as well, unleashing a mighty, reverb-soaked howl toward the end as he sang,
‘Oh Bela, Bela’s undead’.” – ROLLING STONE
“Unlike most bands of their vintage, Bauhaus have retained a thrillingly raw, visceral, experimental edge. While Murphy’s still-powerful voice careened between strangulated croak and feral howl on high-drama songs such as In the Flat Field and The Passion of Lovers, Daniel Ash’s guitar was all jagged scrapes, disruptive shudders and coffin-lid creaks. One of the band’s biggest hits, She’s in Parties, opened out into an enjoyably rambling avant-rock instrumental..Bauhaus put the disco into discordant.” – THE TIMES (UK)
“Anticipation was electric for their return – a line stretched around the block before doors, a queue that only rivaled that to the merch table – and fans came out dressed to the nines. The band did not disappoint.” – BROOKLYN VEGAN
“Those who expected to see an iconic band were not disappointed..it was clear that Bauhaus were back with a vengeance.” – BUZZBANDS.LA
