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Illustration by Alex Bogdan for use by 360 Magazine

PSF Returns Post-Covid

This summer Pennsylvania Shakespeare Festival became one of the first professional theatres to open its doors since the coronavirus pandemic closed venues nationwide more than a year ago. The Festival celebrated its 30th Anniversary season welcoming patrons back to in-person performances indoors at the Labuda Center for the Performing Arts and outdoors at the new Air Products Open Air Theatre on the campus of DeSales University.

As one of the few active professional theatres in the nation this summer, and despite reduced seating capacity due to COVID restrictions, the Festival successfully produced seven productions and events this season. PSF reached its attendance goals welcoming nearly 10,000 audience members to 64 performances in just four weeks, in contrast to a nine and a half week season in a typical year.

With state, local, and union rules shifting repeatedly in the months leading up to the season, PSF developed multiple scenarios for the summer season, ultimately selecting the scenario that allowed for the highest-level audience experience with the most productions.

“From Shakespeare to August Wilson, from intimate solo performances to large-cast celebrations on a new stage, from indoors, to outdoors, to virtual offerings, this was a season to remember,” says Producing Artistic Director Patrick Mulcahy. “And neither the occasional rain, heat, nor hot air balloon landing adjacent to an outdoor performance could quell the enthusiasm of our patrons in their return to the theatre. Kudos to our staff, our artists, our donors and our patrons for helping us to pull this particular rabbit out of this particular hat.”

When the state announced it would expand attendance capacity for outdoor gatherings the Festival designed a new outdoor space to accommodate additional attendees. With the support of DeSales University, PSF prepared the mall adjacent to the Labuda Center and built the new Air Products Open Air Theatre on the lawn just a few weeks in advance of opening A Midsummer Night’s Dream, marking a memorable debut as PSF’s first-ever outdoor Shakespeare production.

Safety protocols kept patrons, staff and artists safe. In-person productions ran 90-minutes with no intermission and seating capacity was tailored to smaller socially distanced audiences. The Festival programmed the indoor Main Stage theatre for 22% of capacity, where ticketed patrons sat socially distanced and masked. Attendees of the Air Products Open Air Theatre venue were socially distanced but not masked.

Artists quarantined upon arrival, weekly testing began immediately, the summer staff was nearly fully vaccinated, and actors and technicians generally worked in “bubbles.” Careful observance of these protocols helped the Festival achieve a COVID-free summer of performances.

Prior to the season launch the Festival held its Luminosity Gala outdoors under a tent, the first fundraiser held in-person by a major Lehigh Valley arts nonprofit after the pandemic shutdown. Attendance was 252 and the event raised more than $120,000 to help support PSF’s educational and artistic programs. The combination of community, foundation, and government support PSF received, including pandemic rescue dollars, proved crucial to the Festival’s financial strength and continued success in fulfilling its mission.

The Festival is now completing the planning process for summer 2022, and expects to open both indoor theatres to full capacity next summer. A season announcement will be made in October. “We are eager to return to a few of the plays we didn’t get to produce in 2020, and round out the season with a diversity of enriching offerings for an unforgettable summer,” says Mulcahy.   

Pennsylvania Shakespeare Festival features acclaimed actors from Broadway, television, and film, and is traditionally the summer home to more than 200 artists from around the country, including winners and nominees of the Tony, Obie, Emmy, Drama Desk, Outer Critics Circle, Jefferson, and Barrymore awards. 

About Pennsylvania Shakespeare Festival

Pennsylvania Shakespeare Festival, under the leadership of Producing Artistic Director Patrick Mulcahy, is the only professional Equity theatre of its scope and scale within a 50-mile radius. PSF is one of only a handful of theatres on the continent producing Shakespeare, musicals, classics, and contemporary plays, all of which can normally be seen in rep and in multiple spaces within a few visits in a single summer season. Similarly, PSF was among just a handful of theatres on the continent in recent summers to produce three Shakespeare plays in a single summer season.  A patron would have to travel seven to nine hours from PSF to find a comparable range of offerings at a single theatre within a few weeks’ time.

The Festival’s award-winning company of many world-class artists includes Broadway, film, and television veterans, and winners and nominees of the Tony, Emmy, Obie, Outer Critics Circle, Drama Desk, Jefferson, Hayes, Lortel, and Barrymore awards. A leading Shakespeare theatre with a national reputation for excellence, PSF has received coverage in The Washington Post, NPR, American Theatre Magazine, Playbill.com, The Philadelphia Inquirer, and in recent seasons The New York Times has identified PSF as one of the leading summer theatre festivals in the nation. “A world-class theater experience on a par with the top Bard fests,” is how one New York Drama Desk reviewer characterized PSF. 

Founded in 1992 and the Official Shakespeare Festival of the Commonwealth of Pennsylvania, PSF’s mission is to enrich, inspire, engage, and entertain the widest possible audience through first-rate productions of classical and contemporary plays, with a core commitment to Shakespeare and other master dramatists, and through an array of education and mentorship programs. A not-for-profit theatre, PSF receives significant support from its host, DeSales University, from the Pennsylvania Council on the Arts, and the National Endowment for the Arts. Traditionally, with 150 performances of seven productions, the Festival attracts patrons each summer from 30+ states. In 30 years, PSF has offered 200+ total productions (82 Shakespeare), and entertained 1,000,000+ patrons from 50 states, now averaging 34,000-40,000 in attendance each summer season, plus another 13,000 students each year through its WillPower Tour to schools. PSF is a multi-year recipient of awards from the National Endowment for the Arts: Shakespeare in American Communities, and is a constituent of Theatre Communications Group, and the Shakespeare Theatre Association (STA). In 2013, leaders of the world’s premier Shakespeare theatres gathered at PSF as the Festival hosted the international STA Conference.

Optimistic Vivacity via Tim Tadder for use by 360 Magazine

Interview with Tim Tadder

If you have ever seen photos of an Olympic athlete, you have no doubt seen Tim Tadder‘s work. As a photographer, he has captured the likes of Michael Phelps and Simone Biles. Recently, Tadder hosted an exhibition at Avant Gallery in New York City. 360 was given the opportunity to ask him about his artistic inspirations and his style.

How did you get into art? Was there a moment you realized you wanted to do art professionally?

I’ve always been involved in some capacity with art as a major thematic in my life. It was always what I most enjoyed in school, as a hobby, & just overall being creative. I left a career as a teacher and pursued photography as a craft and a creative expression form when I was 27, after realizing I needed to enjoy my occupation and creating was a massive part of that. 

When did you realize art was the career choice for you? Was there a moment when you realized you were gaining recognition and success in the art world?

People see me as a highly creative photographer and artist. The way that I see the world has a particular point of view that is sought after. I think embracing that as who you are and what you do and how you perceive and see has value and therefore is a viable career once you can monetize that vision. Everything else falls into place from there. 

People will collect and want to own a piece of your vision and hang it on a wall, which ultimately empowers you as an artist to continue to create and explore your vision knowing that you have the financial support in order to do so. 

When ‘Nothing to See’ first was shared as large format prints, the response was overwhelming. It was at that point that I knew there was serious traction in a new marketplace, one that I had always dreamed of being a part of and was fortunate that this particular series of images was embraced by collectors and galleries. 

How does knowing a multitude of art mediums help you with your artwork?

I come from a background of 20 years of creating advertising campaigns for the world’s biggest brands and our job is to create on demand art that sells a product. And in doing so, you learn to use all the tools at your disposal to make the most powerful image for that purpose. I have been able to use all of that skill and knowledge and channel it into my personal fine art work to create images that convey messages that are important to me and that should be heard around the world. 

What do you look at to get inspiration to create?

Pre-COVID I attended a lot of art fairs and contemporary museums to look at trends, masters, & to find inspiration on how people explore visual presentation. I found that going to those events and seeing the art in person really helped me refine my message and refine my voice. In a COVID world, I try to follow artists on IG and Twitter who I’m inspired by and keep abreast of their new work and from there I try to find my own lane to blend out, be distinct, and be noticeable. Right now there’s so many rabbit holes that one can go down to find inspiration, whether it’s instagram or twitter or the NFT space.

You use bright and vibrant color schemes in your artwork, when and how did that start? What’s your process when deciding about the colors you will use?  

I’ve always been attracted to bold use of color. It’s been a monochord in my commercial work since my career began. For me that’s an instinctual choice. To use bold colors to help story tell. In choosing, a lot of it comes from instinct and a lot comes from what those colors represent. For ‘Nothing to See,’ I chose the bed, black, & white hues because they were historically represented of fascist banners and that collection was born out of a desire to create iconic, anti-fascist imagery. 

You photograph both still-lives (mostly mannequins) and people. Is there one you prefer to photograph? What led to you choosing a humanoid inanimate object as your main subject in many photos/series? 

I choose to use real people and not mannequins. I select models that have very androgynous, mannequin-esque features because I want my images to represent humankind and not just a type of individual, which sometimes comes from casting talent with defining characteristics. It’s not a picture of someone, it’s a picture of something

You edit with high contrast, high-saturation as your signature style. What drew you to this editing style?

Instinctive choices. It’s how I see, it’s how I visualize, it’s what I as an artist feel is beautiful. It wasn’t a choice to follow a trend, it was my own visual aesthetic.

image by Sara Davidson for use by 360 Magazine

Bahamas – Live To Tape, Volume 1

Just ahead of his Sad and Solo Tour, Afie Jurvanen, aka Bahamas, will be releasing select highlights from his celebrated Live To Tape collaboration series in the form of digital EPs, singles and a special vinyl edition.

The first digital EP, highlighting the Nashville sessions, is titled Live To Tape, Volume I and will be released on October 8th. Volume I features performances with Grammy Award winners The 400 Unit and other performances with the Secret Sisters backed by legendary Nashville musicians Gene Chrisman (Elvis, Willie Nelson), Dave Roe (Johnny Cash, Sturgill Simpson) and Russ Pahl (Kacey Musgraves, Glen Campbell). The EP was produced and mixed by Grammy-nominated producer/engineer Robbie Lackritz (Feist, Jack Johnson, The Weather Station) in fully immersive 7.1.4 Dolby Atmos (where available) and is mixed so that the listener will be in the center of the band, with all band members in a circle surrounding them. The first song from the EP, “I Got You Babe” (with The 400 Unit) is now available across streaming platforms. Listen to the audio/watch the video HERE. See the upcoming release schedule below.

Created during the height of the pandemic, Live To Tape captures Bahamas performing in studio from Halifax, Nova Scotia with acclaimed artists performing with Bahamas remotely from Nashville, Los Angeles, Melbourne, Perth, Toronto and other locations. Other artists performing with Bahamas include Lucius, Australia’s Teskey Brothers, Madison Cunningham, Greensky Bluegrass, members of Dawes along with revered session musicians such as Nathan East (Eric Clapton, Stevie Wonder), Steve Ferrone (Tom Petty & The Heartbreakers), Gus Seyffert (Beck, Adele), Joey Waronker (REM, Atoms for Peace), Bob Glaub (Jackson Browne, Bob Dylan), Russ Kunkel (Joni Mitchell, John Lennon) and many more. Live to Tape has been featured on CBS Saturday Morning, The Late Show with Stephen Colbert, Jimmy Kimmel Live, Rolling Stone and many other places.

The Globe and Mail have called Bahamas an “unassuming giant” of Canadian music, averaging over 3.5 million regular monthly listens on Spotify, with more than half a billion streams to date. His most recent release, Sad Hunk is on pace to be his fifth consecutive album to receive more than 100 million+ streams. 

Sad Hunk received critical acclaim and won the 2021 JUNO Award for Adult Alternative Album of the Year. While nominated for Best Engineered Album—Non-Classical at the 2019 Grammy Awards, his previous album Earthtones won Adult Alternative Album Of The Year and Video of the Year (“Depression,” directed by Ali Eisner) at the 2019 JUNO Awards. A seven-time JUNO nominee, Jurvanen also received this accolade for Bahamas Is Afie in 2015, when he was also named Songwriter Of The Year.

Catch Bahamas on an intimate solo tour this fall and winter in the United States. Click HERE for a full list of tour dates.

Ebhoni Goodaz Image via Capitol Music Group for use by 360 Magazine

Ebhoni – Goodaz

Coming off the heels of her debut project, Good Dick & Weed, an offering recently included on HipHopDX’s Best R&B Albums of 2021, promising Toronto R&B singer, Ebhoni, taps into her West Indian roots, with “Goodaz,” a clever flip on Capella Grey’s buzzing single, “Gyalis.

The video, shot by Zion ATL, shows Ebhoni with her girls sharing another side to the cautionary tale. “He tryna sneak sum vids of me, then wanna ask like ‘what we gon be,'” Ebhoni sings. The fun run-and-gun comes as she prepares to release the next video off GD&W, “IYKYK,” coming next week.

In May, Ebhoni released the unfiltered, melancholic “Rep It, ” the single that kicked off the Good Dick & Weed era. That stunning drop wasn’t even her first of 2021, however. Good Dick & Weed followed February’s X EP, which garnered considerable critical acclaim. In addition to Pitchfork plugging the release, HotNewHipHop wrote,  “Ebhoni has been one artist to keep an eye out for in the 6ix, ” and The Root wrote that her music  “makes you feel like you’ve been sipping on a fancy cocktail for the last few hours. ” It’s no wonder FLAUNT crowned her  “Our favorite new R&B artist. “

Over the last few years, Ebhoni’s string of animated R&B singles has won both commercial and critical success. In the middle of a productive 2019, Pitchfork wrote that she is  “reclaiming the Toronto R&B crown for women.” Throughout her career, Ebhoni has made a point to partner with Black-owned businesses, support other women artists and workers, and to uplift the local LGBTQ+ community, which she’s done through efforts like hosting Pride Toronto. Visuals like  “Rotation” only bolster the rep she’s built as one of R&B’s most magnetic young stars.

About Ebhoni

Ebhoni is a Canadian musician and model. Originally from Toronto and moving to Oshawa after her parents’ divorce, she was a Youtuber, doing covers of Beyonce and Keyshia Cole songs before releasing her debut EP, Mood Rings at seventeen in 2017 and her next EP X earlier this year. She has also modeled for Savage X Fenty and Adidas.

Just Fine Image via Interscope Records for use by 360 Magazine

Kitty Ca$h × Kiana Ledé – Just Fine

Producer, DJ, innovator, and cultural curator Kitty Ca$h reemerges with her new single “Just Fine” featuring platinum-selling artist Kiana Ledé via LVRN Records/Interscope. This track comes as the first in a string of new releases on the way for the Love Renaissance staple act.

“Just Fine” starts with an airy yet mesmerizing rhythm that draws you in accompanied by jazzy trumpet notes and piano keys. The rhythm quickens as the lyrics intensify when Ledé’s smooth and sultry vocals are paired with a heavy base and steady beat. The track invites you and your partner to the dancefloor while the lyrics add a layer of desire and complexity to the song. Ledé croons “You’re coming closer, reading your mind again. Follow me, follow, let’s go.” As the instrumentals remain a fixture for the background of the track, the chorus transitions from English to Spanish as flamenco style guitar enters into the key notes of the record. “Mírame a los ojos, mientras bailamos” not only sprinkles more raw desire on the song, but also reflects the upbeat melody since she is talking about dancing together while looking into each other’s eyes.

“When I first heard this song, I was so excited Kitty Ca$h asked me to be on it because it would be my first time singing in Spanish,” said Kiana Ledé. “I’m Mexican but was never taught Spanish, so I love that Kitty Ca$h gave me a chance to connect more with my culture on this song.”

“I’ve always wanted to see the growth in my artistry and as a DJ I feel like there is a natural progression to wanting to create your own records,” said Kitty Ca$h. “I’ve been able to play so many records I love around the world and I wanted to experience that same feeling with my music. I loved working with Kiana, I’ve been a fan of her work and she is so talented. So I’m so thankful that she took a chance on me and was down to bring this to life. Being in the studio together and experiencing in real time the magic was surreal. “Just Fine” is about that reassuring love. The love you can’t stop giving into. The love that stops time and the world around you and makes everything just fine. I hope this song evokes an effortless vibe of freedom and moves you to feel good. Whether you’re home with the fam or out with the girls I wanted to make a record that you could make memories of and dance to!” 

About Kitty Ca$h

Over the past few years, Kitty Ca$h has made a name for herself as one of the most prolific cultural curators. From DJing for the biggest brands and celebrities, releasing original projects with music’s hottest artists, to overtaking the fashion scene, and creating an animated talk-show, Kitty’s World. Kitty represents a new breed of creators unbound by any specific medium or media.

Kitty’s musical projects represent a cross section of popular artists alongside new up-and-comers handpicked by Kitty to receive the type of attention that only a co-sign as prized as hers would afford. Earning this respect through her unique taste and knack for uncovering new music trends, Kitty has become one of the industry’s most in-demand DJ’s. While maintaining an underground authenticity, Kitty has executive produced her own releases at the levels of legends like DJ Khaled, DJ Drama, and Funkmaster Flex and continues to create innovative media content. She has previously collaborated with Rihanna, SZA, Solange, Kali Uchis, Doja Cat and more.  At the cross section of music, fashion and tech, Kitty Ca$h creates a platform for black voices and creatives with an important message to be heard.

DJ Koze Remix Artwork via Infamous PR for use by 360 Magazine

Lakou Mizik × Joseph Ray

Anjunadeep warmly welcomes DJ Koze for his Anjunadeep debut with his remix of Lakou Mizik & Joseph Ray’s ’Sanba Yo Pran Pale’.

One of electronic music’s most beloved artists, DJ Koze runs the acclaimed Pampa Records, where he puts out his own music alongside material from the likes of Mano Le Tough, Axel Boman and Robag Wruhme. His 2018 album ‘Knock Knock’, released on Pampa, was named as Pitchfork’s 3rd best album of the year, whilst his single ‘Pick Up’ was named track of the year by both Resident Advisor and Mixmag. Known for his inventive production style, he has remixed Gorillaz, Mount Kimbie, Moderat and Lapsley, and collaborated with Róisín Murphy, Bon Iver, José González, Caribou and Matthew Dear.

’Sanba Yo Pran Pale’ is Kosi’s first remix in two years and is typically eclectic. Reimagining the traditional Vodou song as a summer dance anthem, warping and stretching the original vocals from Lakou Mizik’s Sanba Zao onto a bed of catchy rhythmic synths and warm enveloping bass. Ten minutes long, the original mix has a nostalgic analogue warmth that feels perfect for an Indian summer’s day. To celebrate the release, Anjunadeep is pressing a limited run of white label vinyl, which are available for pre-order now.

About Leave the Bones

’Sanba Yo Pran Pale’ is the first track off Lakou Mizik & Joseph Ray’s album Leave the Bones, and is a traditional Haitian song steeped in Vodou tradition: “The Sanbas are the poets and keepers of Haitian history and culture. They pass on their wisdom through song and story. ‘Sanba Yo Pran Pale’ is an invitation to the Sanbas to speak their truth whilst paying respect to the Vodou ‘Lwa’ or spirits.”

Referred to by NPR as a “mesmerizing, haunting and uplifting journey into the heart of Haitian culture”, Leave the Bones has accrued 1M streams on Spotify and Apple Music and has garnered a wealth of global support from the tastemakers such as BBC Radio 1, 6 Music, The Times, Billboard, Crack Magazine, Mixmag, Songlines, The New York Times, and Gilles Peterson’s Worldwide FM. It is out now, available digitally and as a 2 x 12” LP.

No1-Noah via Young Canon for use by 360 Magazine

NO1-NOAH – Bounce

Singer/Songwriter NO1-NOAH (Ghetto Earth Records/Interscope Records) isn’t shying away from telling the ladies what he’s craving in his new video “Bounce.” Directed by Arman Mitchell, NOAH pens a hypnotic hook capable of seducing any woman to fulfill his desires in the bedroom. Surrounded by a bunch of party-goers, NOAH takes the action with him wherever he goes. Whether it’s the house, the streets, or the liquor store, no location is safe from Noah and his team of dance-happy friends. Watch HERE.

He is the first signee of Summer Walker, and much like her, is very open about his intentions, and that is evident through the song’s explicit lyrics. 

Last January, the promising songwriter was named one of Billboard’s 15 Hip-Hop & R&B Artists to Watch. Touted for his “ethereal vocals and intrepid lyricism,” NOAH first caused shockwaves in the R&B world when he appeared on Summer Walker’s 2020 standout EP Life on Earth. NOAH’s indelible prints landed on the singer’s stellar cuts “SWV” and “White Tee,” where he served as her guest feature.  

After displaying beams of promise on Walker’s sizzling anthems, NO1 inked a deal with her label Ghetto Earth Records last winter. Serving as her first artist, NOAH looks to rattle the cages of R&B with his emo-leaning tracks and sticky hooks. Since announcing his deal, his opening record, “Ridin For My Love,” flaunted his pillowy vocals and gutsy lyrics. With publications such as Rolling Stone and XXL already praising NOAH for his extraordinary talents, it’s only a matter of time before he morphs into a full-fledged star. 

About Ghetto Earth Records

Ghetto Earth, founded by R&B artist Summer Walker in 2020, is a record label who debuted with feature artist NO1-NOAH. It is a joint venture with Interscope Records.

Squirrel Me Bad via Daniel Robert Cohn for use by 360 Magazine

The World’s Gone Nuts

The World’s Gone Nutz” is an award-winning, zany, yet socially topical music video and song, created by multi-hyphenate artist Daniel Robert Cohn. This fun parody, starring a cast of only squirrels and inspired by the chaos of 2020, will screen at the Dances with Films Festival (DWF 24), 2:00PM Friday, September 10 in Los Angeles at the TCL Chinese Theater.

Cohn wrote, performed, shot, and animated the video throughout quarantine, motivated by the thrilling challenge of creating a hybrid live-action/animation project where every element on screen had to be created from scratch. “It brought back all the creativity and imagination that I had as a child,” says Cohn. “I was building human sized squirrel hands with materials from craft shops, and compositing them onto the squirrels. Every day was a new challenge and a new adventure.”

When the pandemic hit and productions shut down, filmmaker, musician, animator, and photographer Cohn looked to his immediate home environment for inspiration. With no work, no actors, no crews, no locations and a world that seemed to have gone nuts, he found the ultimate authority on nuts…squirrels! Cohn wrote a rock anthem and directed an epic music video with the energetic, comical cast of characters found in his own backyard. Cohn wanted to bring light into the world at a time when it was most needed, tackling real turmoil in a lighthearted way. The visuals and lyrics for the song feature references from politics and pop culture, like the U.S. presidential election and the rise of new media conglomerates like Twitter and Amazon, highlighting the surreal hilarity of the collective experience of the year 2020. The lyrics feature lines such as, “I think the brink of sanity’s been left behind/Bitcoin, Big Con, Stock Exchange/Fake News, Fox News, Climate Change/Do the laws of science need to be explained?/I think it may be time for Dr. Strange” and “Time’s Up, Time to rise/No more lies, Hear the cries.”

Green screens and digital compositing software create a world that uncannily reflects our current nutty times, and most importantly, gives a much-needed laugh. “One of my favorite things about filmmaking is the magic of it all and how you can find a way to literally tell any story that you can imagine,” says Cohn. “My mission as a filmmaker is to take intangible concepts and make them tangible.” The flagship video “The World’s Gone Nutz,” is one of many made with this cast, including “The Squirrelette,” Halloween, Passover, Hanukkah, Thanksgiving, and Christmas—with more content on the way, including behind-the-scenes photos and trading cards. A portion of all profits from Squirrel Me Bad merchandise is donated to the important non-profit organization, Empowered by Light, that invests in communities on the front lines of climate change, loss of wildlife, and environmental devastation.

A highlight of Dances With Films, Cohn’s entertaining video will bring joy to big screen viewers. As a festival favorite, “The World’s Gone Nutz” has screened at the World London Film Festival, Prague Indie International Film Festival, the Emberlight Festival in Michigan and the Holiday 365 Film Festival. It just won “Best Micro Short” at the Antolia International Film Festival in Turkey, and is on its way to the Indigo Moon Film Festival in North Carolina, and the International Thai Film Festival. Can’t make it to Thailand? Or Hollywood? Screen from the comfort of your own home, available on YouTube.

Art by 360 Magazine for use by 360 Magazine

Dogecoin Festival Postponed

The founders of the first Dogecoin Festival have rescheduled the Dogepalooza festival which was to be held on Saturday, October 9, 2021 in Sugar Land, Texas at Constellation Field. Recent governmental mandates and public safety measures were taken into account to postpone the festival until Spring 2022. 

“The venue, founders, entertainers, and organizers did not make this decision lightly, states Damon Elliott, entertainer and Grammy award winning producer. All the original entertainers will be back in the Spring of 2022. 

We continue to support Dogepalooza and look forward to seeing everyone next Spring.” Participants and fans can count on icon and legendary performer Dionne Warwick; Grammy Award winning producer, DJ, singer, musician, songwriter and composer, and friend of Dogepalooza, Damon Elliott; rising star and classically trained pianist, Chloe Flower, who accompanied Cardi B at the Grammys, and channels Liberace in building a career on musical mash-ups; Break Free Worldwide breakdance competition; White Sun, Grammy Award winner for best New Age album; Lil Mook, an independent artist; Jason Dmore, a singer, songwriter and entertainment artist; plus many more top entertainers.

 Recent announcements included the partnering of Dogepalooza with Dogemongo, a game that allows users to catch Dogemon and was tested by one of Benzinga’s reporters. A new version of the game will feature a battle modus, where users go to locations and try to catch the Big 3D Dogecoin. After a specific number of rocketball throws, the lucky person wins the Big 3D Rocketball, valued between $500 and $100,000. Some Big 3D Dogecoins will be featured at Dogepalooza. Participants at the festival will have a chance to win a substantial amount of money. Dogemmongo will also continue to be a part of the new festival date. 

All purchased tickets will be refunded. Once a new date is secured, tickets will go on sale. All contest winners will still receive tickets to the festival. “Public Safety is paramount in our decision-making process, adds Rebecca Miller, Executive Director of Global Operations for the festival. Dogepalooza is a fun and entertaining Community Give-Back and Involvement Festival. The new date enables us to continue to build our all-star line up and plan for an even bigger event when mandates and restrictions are lifted.” 

Dogeplalooza, an authentic community driven Dogecoin Festival, is still slated to be held in multiple cities and countries around the globe. The online Doge community consists of millions of members from the world, across all social media platforms. 

Massive digital media attention is swelling as the enthusiasm for the event continues to explode. The event is family friendly and open to the public. One of the biggest supporters of Dogecoin is Tesla, Inc CEO Elon Musk. Dionne Warwick who will make a special guest appearance is also a Dogepalooza supporter comments, “I’m still looking forward to be a part of this meaningful festival which supports so many vital causes.” 

The rescheduled date in Spring 2022 will include Live entertainment from national and local headliners, major artists & DJs, Food & Drink,  Dogecoin & Dogepalooza Merchandise, Vendors, Family Fun Park, Fireworks, Charities, and Educational venues for learning more about how to use, accept, and understand Dogecoin. 

Charities supported by Dogepalooza

 A portion of proceeds from ticket sales will be donated to the American Cancer Society, the Lupus Foundation, Disabled American Vets (DAV), the Humane Society of Oldham County, Multiple Myloema Research Foundation, Khan Academy, and the Cerebral Palsy Foundation.

2 Chainz Birthday at Drais via Mike Kischbaum for Wicked Creative for use by 360 Magazine

2 Chainz Performs at Drai’s Beachclub ✕ Nightclub

Legendary rapper and Grammy Award winner 2 Chainz celebrated his birthday during his epic Drai’s LIVE performance on Saturday, Sept. 11. The resident Drai’s performer, who turned 44 yesterday, was honored on stage with a special Drai’s birthday celebration – a spectacular birthday cake presented by the Drai’s Dolls complete with sparklers and oversized cut outs of his face. 2 Chainz performed some of his greatest hits such as “No Lie,” “Birthday Song,” “I’m Different” and more. Longtime friend and half of his original hip hop duo, Playaz Circle, Dolla Boy also took the stage with 2 Chainz to perform their hit, “Duffle Bag Boy.” 

In addition to the exciting 2 Chainz performance and birthday celebration, the weekend also saw a Drai’s takeover by NFL superstar and former Las Vegas Raider Marshawn “Beast Mode” Lynch. Lynch’s take over was part of the BEASTMODE Experience, presented by Pollen, which is an experiential party package that allowed guests to party at different locations around the Las Vegas Strip with Lynch. While at Drai’s, Lynch was joined by rapper A$AP Ferg, who performed on stage for all the partygoers. He performed songs such as “Plain Jane” and “New Level.”

About Drai’s Beachclub ✕ Nightclub

Drai’s Beachclub ✕ Nightclub takes entertainment and nightlife to new heights in an unmatched setting – 11 stories high on the rooftop of The Cromwell with dazzling views of the Las Vegas Strip. Drai’s Beachclub is a 30,000-square-foot oasis with multiple pools shaded by 10 towering palm trees, a variety of cabanas and bungalows, and two full-service bars. Inside, Drai’s Nightclub is a 25,000 square-foot palatial, multi-level club with an expansive dance floor, massive LED lighting systems, and modern technology featuring more than 7,000 square feet of the most state-of-the-art high-definition LEDs in production, including a towering 80-sided LED disco ball—the only one of its kind. Drai’s Nightclub is home to Drai’s LIVE, an unprecedented concert series that provides fans with the opportunity to see full-length performances by top performers like Wiz Khalifa, Future and 2 Chainz in an up-close setting unlike anything else in the world. Drai’s is located at the corner of Las Vegas Boulevard and Flamingo Boulevard. More information, including reservations, tickets and hours, is available at their website. Follow Drai’s on Facebook, Twitter and Instagram

About The Cromwell

The Cromwell, named a Top 10 “Best U.S. Casino” by USA TODAY, recipient of the Forbes Travel Guide Recommended Award and the first standalone boutique hotel on the famed Strip, brings an exclusive, luxury lifestyle hotel experience to the Las Vegas Strip, focusing on hospitality, amenities and personalized service. The Cromwell is the first hotel in Las Vegas to offer mobile key technology for digital, keyless entry to rooms via the guests’ iOS devices. Located on the bustling corner of Las Vegas Boulevard and Flamingo Road–directly across from Caesars Palace–The Cromwell keeps it intimate with 188 rooms including 19 suites, a personalized virtual concierge service named Ivy, a 40,000 square-foot casino, Bound—the elevated hotel lobby bar, Interlude—a casino lounge featuring live entertainment, award-winning GIADA—the first-ever restaurant by celebrity chef and television personality Giada De Laurentiis, Drai’s Beachclub ✕ Nightclub: a 65,000 square-foot rooftop pool and nightclub with day and nightlife experiences boasting open-air, panoramic views from 11 stories above the iconic Las Vegas skyline, and Drai’s After Hours—located at its original home beneath the boutique hotel. The Cromwell is operated by a subsidiary of Caesars Entertainment, Inc. (NASDAQ: CZR). For more information, please visit thecromwell.com  or the Caesars Entertainment Las Vegas media room. Find The Cromwell on Facebook and follow on Twitter and Instagram.