About Skyler Johnson

Ranked Teams Battle on ESPN Networks illustration by Vaughn Lowery use by 360 Magazine

Rooney Rule Replacement

Civil rights leaders who met with NFL Commissioner Roger Goodell called for the League to establish specific recruiting and hiring procedures for executive and coaching positions, with meaningful consequences for teams that do not abide by the rules.

The Rooney Rule, a policy established in 2003 that requires teams to interview candidates of color for head coaching and senior football operation positions, must be replaced, the leaders said.

National Urban League President and CEO Marc H. Morial, National Action Network Founder and President Rev. Al Sharpton, National Coalition on Black Civic Participation President and CEO Melanie Campbell, NAACP President and CEO Derrick Johnson, and National African American Clergy Network co-convener Dr. Barbara Williams-Skinner requested the meeting after former Miami Dolphins coach Brian Flores accused the NFL and three of its teams of racial discrimination in a proposed class-action lawsuit filed last week. 

“However well-intentioned, the effect of the Rooney Rule has been for team decision-makers to regard interviews with candidates of color as an extraneous step, rather than an integral part of the hiring process,” Morial said, noting that the NFL currently has only one Black head coach, two fewer than when the Rule was established. “The gravity of the situation is long past the crisis point.”

“The Rooney Rule has been proven to be something the owners used to deceptively appear to be seeking real diversity,” Sharpton said.  “We must have firm targets and timetables.” 

Sharpton said the National Action Network will be approaching states and municipalities to stop public funding and tax incentives to NFL stadiums until these firm commitments on timetables and goals are solid and public. 

“NAN also has begun talking to members of Congress about Congressional hearings since public funds are being used to uphold this biased enterprise,” Sharpton said. “Lastly, we will be going to major advertisers telling them they cannot continue to use our dollars in this unacceptable economic arrangement.”

The leaders, who have long advocated for an investigation into the NFL’s hiring practices, said they welcomed Goodell’s announcement of an independent review of the NFL’s diversity, equity, and inclusion policies and initiatives, and emphasized that the civil rights and racial justice community must be part of that review.

“It’s simply not enough for the League to declare its good intentions,” Johnson said. “This is a long-standing crisis that must be confronted with diligence and rigor.”

The influence of professional football on the national culture lends a heightened urgency to the diversity issue, the leaders said.

“While the NFL has begun making strides with regard to social justice and racial equity, it’s clear that voices of color are not being entirely heard in the executive suites,” Sharpton said. “Good intentions are not enough.”

The leaders also reiterated their wholehearted support for Flores.

“Coach Flores has taken a principled stand for justice, at no small risk to himself and to his career,” Campbell said. “He has risen to meet a crucial moment in history.”

Williams-Skinner added, “We agree that Coach Flores’ lawsuit presents the League with an opportunity to engage in substantive change and we will do everything in our power to make sure that opportunity is not squandered.”

The leaders and Commissioner Goodell agreed to continue working together to achieve diversity, equity, and inclusion at every level of the NFL and its member teams.

That's My Jam via NBCUNiversal for use by 360 Magazine

That’s My Jam Season Two

NBC has ordered a second season of its hit new show That’s My Jam. That’s My Jam content has generated more than 250 million views across linear, digital, and all social platforms, and is also NBC’s best-ever digital launch for a non-scripted program. 

Hosted by Jimmy Fallon, That’s My Jam is an hourlong music and comedy variety game show that draws inspiration from the most popular Tonight Show games. Each episode features two teams of two celebrities competing for a charity of their choice in a series of music, dance, and trivia-based games and musical performances. Signature games to be played include Launch the Mic, Air Guitar, Don’t Drop the Beat, Perfect Mash-Up, Wheel of Impossible Karaoke, Slay It, Don’t Spray It, and many more.

Season one guests included The Voice coaches Kelly Clarkson, Ariana Grande, John Legend, and Blake Shelton, along with Terry Crews, Chance The Rapper, Taraji P. Henson, Kate Hudson, Bebe Rexha, and more. 

That’s My Jam is produced by Universal Television Alternative Studio, a division of Universal Studio Group, in association with Fallon’s production company, Electric Hot Dog. Fallon, Jim Juvonen, and Mike Yurchuk serve as executive producers.

Catch up on the series’ first season now streaming on Peacock. The show is licensed as a format by NBCUniversal Formats, a division of Universal Studio Group, and will be adapted by TF1 Group in France. 

Todd Tucker via Bravo for use by 360 Magazine

Kandi and the Gang

Bravo‘s newest series follows the heart and soul behind the Atlanta restaurant Old Lady Gang (“OLG”) when Kandi & The Gang premieres on Sunday, March 6 at 9:00pm ET/PT. In the heart of the city, Kandi Burruss and Todd Tucker run an ever-evolving restaurant empire. Their Southern-eatery, OLG, named after the ‘Old Lady Gang’ consisting of Kandi’s mom, Mama Joyce, and Aunts Nora and Bertha, is busier than ever. The restaurant has been a fan-favorite with lines down the block and classic Southern dishes, but peeling back the curtains on this family-owned and operated restaurant reveals that mixing business and relatives can sometimes create a recipe for tension. For a sneak peek, please click HERE.

 Kandi & The Gang chronicles Kandi, Todd and OLG’s dynamic staff as they face a much-needed change at the restaurant while juggling their career ambitions, larger-than-life personalities, and personal lives. After being hit with a myriad of obstacles, Kandi and Todd step in with a plan to turn the tide. With tensions rising as family members don’t perform up to standards, a little tough love and a lot of restructuring will shake things up with the staff, whether they’re ready for it or not.

Kandi & The Gang is produced by Truly Original, Kandi Koated Entertainment, T Tucker Productions with Kandi Burruss, Todd Tucker, Steven Weinstock, Glenda Hersh, Lauren Eskelin, Lorraine Haughton-Lawson, Julie “Bob” Lombardi, Camilo Valdes, and Ronica Wynder serving as executive producers.

Get to know the staff at OLG

Kandi Burruss and Todd Tucker: For Kandi and Todd, OLG is not just a turn-up, good-time, neighborhood restaurant; it’s a business venture that allows them to employ loved ones, as long as they can keep the family in line! After focusing on building their restaurant empire over the past few years, Kandi and Todd jump in with a plan for strong leadership and a staff shakeup to bring the original OLG back to its former glory.

The OLGs–Mama Joyce Jones, Aunt Nora Wilcox, and Aunt Bertha Jones: Namesakes of the restaurant, the “Old Lady Gang” work at OLG and keep a watchful eye over the staff’s lives. Kandi’s mom, Mama Joyce, is the life of the party with all the tea, Aunt Nora is feisty but loving, and Aunt Bertha is the side-eye queen of Atlanta! The ladies are strong, opinionated, and speak their mind.

DonJuan Clark: DonJuan is Kandi’s right-hand man and oversees all of Kandi and Todd’s business ventures. As Kandi’s eyes and ears, he runs the operations for all her businesses as their general manager—which often puts him in the position to mediate between staff members. At the restaurant, DonJuan is ready to shift the culture from laid-back to buttoned-up. 

Phillip Frempong: An Atlanta native, Phillip has a long history developing restaurants. He was introduced to Kandi and Todd a few years ago, and began consulting at Blaze Steak & Seafood, the Burruss-Tuckers’ upscale restaurant across town. After his successful tenure there, Phillip moved to OLG guns “Blaze”-ing to get the staff back on track. Phillip tries to set a new tone at OLG, but the staff isn’t as receptive to his straightforward and polished ways as expected.

Shawndreca Robinson: Shawndreca is the first, and self-proclaimed original, hostess at OLG. She can be salty with a sharp tongue that occasionally gets her in trouble with management. Shawndreca has been known to run a minute or two late to her shifts, so Kandi and Todd bring in another host to help get things back on track. Outside of OLG – Shawndreca’s love life has a complicated tie to the restaurant because of her past entanglement with OLG valet owner, Patrick.

Dom’Unique Variety: Dom’Unique is the self-proclaimed “day one” bartender at OLG and dancer who has performed with Kandi on the “Welcome to the Dungeon” Tour and even with thee hot girl, Megan Thee Stallion. Her dreams of dancing professionally are her #1 priority, sometimes at the expense of her shifts at the restaurant. Dom’s close with her workplace besties, Torin and Shawndreca, and her budding flirtationship with a co-worker is becoming the talk of OLG.

Torin Mitchell: Torin previously worked at OLG as a manager, but with his event planning and interior decorating side hustle, he was spread too thin at the restaurant and left to run his events business full time. Torin has always wanted to see OLG succeed, and with his strong work ethic and commitment to going above and beyond, Kandi and Todd have invited him back as the resident events manager.

Brandon Black: An Atlanta transplant from Queens, NY, Brandon is the manager at OLG. Even though Brandon may be known as the workplace flirt, he is responsible for overseeing the staff, their ever-changing schedules and handling any issues that arise. Now that Phillip has stepped in to get the restaurant back on track, Brandon needs to maintain his professionalism with co-workers-turned-flings.

Patrick Dallas: Patrick is Kandi’s cousin and Aunt Bertha’s grandson. In the middle of the family business, he manages the OLG parking lot behind the restaurant and even has a few side hustles, from real estate to an all-natural luxury body essentials line. Despite his past as OLG’s resident ladies’ man, Patrick is smitten with his girlfriend, Safari Foxe, who is less than pleased to see Patrick and Shawndreca still crossing paths.

Brian Redmond: Brian is the head-ex bartender at OLG who’s back as a server. Ever the entertainer, Brian makes everyone laugh at their tables and on stage where he performs stand-up comedy. Outside of the restaurant, Brian launched his own business and he’s eager to integrate his specialty food items onto the menu at OLG.

Melvin Jones: Melvin has strong familial ties to OLG–he’s tight with Kandi, his grandmother, Bertha, and Cousin Patrick. At the restaurant, he’s the kitchen manager, responsible for keeping everything and everyone running according to plan. Melvin is a hard worker, but after running into a few issues, Todd has some concerns about the kitchen. Has Melvin been delt a difficult hand at the restaurant or will Kandi and Todd have to part ways with a family member for the greater good of OLG?

Rashard Roles: Rashard “Shardo” has been finessing the host stand across town at Blaze and is now lending a hand at OLG to spice up the front of the restaurant. Rashard dresses to impress both on and off the job. He’s bringing his class, elegance, and professionalism to OLG with the hope that it will rub off on certain coworkers. 

Festival via 360 Magazine

Bethel Woods × Rosen Group

Bethel Woods Center for the Arts—a non-profit performance venue, museum and site of the 1969 Woodstock festival—announced it has tapped New York-based agency Rosen Group to serve as its public relations partner.

With more than 35 years of experience building brand awareness, generating media coverage and promoting agendas for nonprofit organizations, Rosen Group‘s capabilities align perfectly to achieve Bethel Woods’ communications goals. Rosen Group will provide dedicated media relations and strategic communications support for Bethel Woods and its vast array of programming, and usher in a new series of events and activations beginning with the TAP® New York Craft Beer & Food Festival.

“We are honored to work along side the Bethel Woods team to tell the story of this truly iconic venue, while showcasing the plethora of performances and programming it has to offer,” said Lori Rosen, Founder and President, Rosen Group.  “There is so much rich history here, and stunning grounds to boot. We are thrilled to bring our vast experience to work for Bethel Woods and welcome them to our portfolio of non-profit, arts and culture clients.”

Bethel Woods inspires, educates, and empowers individuals through the arts and humanities by presenting a diverse selection of culturally-rich performances, popular artists, and community and educational programming. Through the in-depth study and exhibition of the social, political, and cultural events of the 1960s, as well as the preservation of the historic site of the Woodstock Music and Art Fair, Bethel Woods educates individuals about the issues and lessons of the decade while inspiring a new generation to contribute positively to the world around them.

“Rosen Group’s considerable communications and media relations expertise across many sectors makes them the perfect partner to help broaden our communications reach and further highlight all the shared experiences Bethel Woods has to offer,” said Susan Fraysse Russ, Senior Director Marketing & Communications, Bethel Woods Center for the Arts. “We have ambitious plans for Bethel Woods and know Rosen Group is the right choice for helping us achieve them.”Bethel Woods was named #23 on the Top 100 amphitheaters in the world by Pollstar and has welcomed more than three million visitors to its grounds since its opening in 2006.

Lil Wayne via 360 Magazine

Lil Wayne × Allan Cubas – Cameras

Multi-platinum, Grammy Award-winning music mogul Lil Wayne released the music video for his latest single “Cameras” feat. Young Money signee Allan Cubas. Directed by Damian Fyffe, the vibrant visual finds Lil Wayne and Allan Cubas rapping poolside. The video made its global broadcast premiere on MTV Live, MTVU, BET Jams, and BET Hip Hop, as well as on the ViacomCBS Times Square billboard.  

“Cameras” is featured on the re-release of Lil Wayne‘s 2011 critically acclaimed mixtape Sorry 4 The Wait, which dropped on digital streaming platforms via Young Money Records/Republic Records earlier this year. In addition to the original twelve tracks, the release boasts four brand news cuts. Listen HERE.

The release comes on the heels of another incredibly prolific year from Lil Wayne. The music icon dropped the Tha Carter IV (Complete Edition) on streaming platforms in celebration of the critically acclaimed album’s 10th anniversary, as well as kicked off the Tha Carter IV visual album. Wayne also launched the specialty Tha Carter IV Topps trading cards–making him the first rapper to have his own trading card collection. He teamed up with rap star Rich The Kid on their blockbuster collaborative mixtape, Trust Fund Babies (listen HERE). Wayne closed out the year with “Tha Carter Singles Collection” 7″ vinyl box set, which features 19 of Wayne’s biggest “Tha Carter” series hits on 45 for the first time ever.

To date, Lil Wayne has gathered five GRAMMY® Awards, sold 120 million records worldwide, notched 25 Top 10 singles, logged five #1 debuts on the Billboard Top 200, and scored 62 gold, platinum, and multi-platinum certifications. The “greatest rapper alive” is back and better than ever.

About Lil Wayne

Lil Wayne rewrote the entire game in his image. The five-time GRAMMY® Award-winning multiplatinum rap icon, Young Money Entertainment founder, acclaimed author, skater, philanthropist, and history-making superstar left an indelible tattoo on the culture. By 2020, he cemented his legacy forever as “one of the best-selling artists of all time,” tallying sales in excess of 100 million records worldwide with 15 million albums and 37 million digital tracks sold in the United States alone. Not to mention, he garnered 11 BET Awards, four Billboard Music Awards, two MTV VMAs, and eight NAACP Image Awards. Among many milestones, he emerged as “the first male artist to surpass Elvis Presley with the most entries on the Billboard Hot 100,” logging a staggering 109 entries.

With a discography highlighted by two consecutive #1 debuts on the Billboard Top 200 with 2008’s triple-platinum three-time GRAMMY® Award-winning opus Tha Carter III and its double-platinum 2011 successor Tha Carter IV, he completed the series with Tha Carter V in 2018. Not only did it clinch #1 on the Billboard Top 200, but it also achieved “the second-largest streaming week for an album in history.” Every song on the tracklisting charted on the Billboard Hot 100 as he became “the first artist to debut two songs in the top 5.” It all bulldozed the way for his thirteenth full-length and fifth #1 on the Billboard Top 200, Funeral, a year later. Simultaneously, Wayne owns and operates Young Money Entertainment as C.E.O. The company ignited the careers of two of the most successful artists ever—Drake and Nicki Minaj. The committed philanthropist founded The One Family Foundation too.

Cocktail via 360 Magazine

Super Bowl Sips

The big game is coming this year, and the pressure is on. No one knows how the game will progress and who takes home the trophy. No one knows which city will sing its praises and which will go to bed defeated. The only thing we know is the best cocktails to drink to calm the nerves. 360 has compiled a list of the best cocktails for The Super Bowl.  

Game Time Decision

Ingredients:

  • 1.5 oz. 1800 Blanco (Drizly, ReserveBar)
  • 1 oz. fresh lime juice
  • 1 oz. agave syrup
  • .5 oz Agavero orange

Directions: Combine all ingredients in a cocktail shaker, shake and serve over ice in a rocks glass Garnish with an orange peel.

2 Minute Drill

Ingredients:

  • 1.5 oz. 1800 Cristalino (Drizly, ReserveBar)
  • 3 oz. sparkling grapefruit soda
  • Salt for garnish 
  • Grapefruit for garnish 

Directions: Pour 1800 Cristalino over ice and top with grapefruit soda. Garnish with a pinch of salt and a slice of grapefruit.

Runyon Canyon Ranch Water

Ingredients: 

  • 2 oz. 1800 Cristalino (Drizly, ReserveBar)
  • .25 oz. fresh lime juice
  • .25 oz. agave syrup
  • 1.5 oz chilled sparkling water
  • 2 fresh cucumber ribbons
  • Grapefruit for garnish 
  • Tajín seasoning for garnish 

Directions: Combine 1800 Cristalino, fresh lime juice, agave syrup, cucumber slices and ice in a cocktail shaker. Shake vigorously and strain into Collins glass with Tajín rim and cucumber ribbon draped around the inside. Top with sparkling water and grapefruit zest.

Stoli Sweetheart Martini

Ingredients:

  • 1.5 parts Stoli®️  Premium (ReserveBar)
  • .05 parts Agave syrup
  • 1 shot of espresso
  • 1 part coffee liqueur
  • 2 tea-spoon mascarpone cheese
  • 1 maraschino cherry
  • Cocoa powder

Directions: Combine Stoli , espresso, coffee liqueur, mascarpone cheese and agave syrup in a cocktail shaker with ice and shake thoroughly for a consistent foam. Strain into a frozen martini glass, top with cocoa powder and garnish with a maraschino cherry.

Pink Grapefruit Shandy

By: Chef Brad Kent

Ingredients:

  • 1-12 oz wheat beer
  • 6 oz pink grapefruit juice
  • 1 oz simple syrup (optional) 

Directions: Combine all ingredients in a tall glass and enjoy

Nine Inch Nails Concert Schedule via Capitol Music Group for use by 360 Magazine

Nine Inch Nails Tour

Nine Inch Nails announced a series of U.S. shows, it’s first outing since 2018’s acclaimed COLD AND BLACK AND INFINITE tour. The headline run will kick off on April 28 at Red Hat Amphitheater in Raleigh, NC, and include a two-night-stand at Red Rocks Amphitheatre in Colorado (September 2 and 3).

The tour will wrap up on September 24 with a special show in Cleveland, where Trent Reznor founded the band in 1988. Nine Inch Nails was inducted into the Rock & Roll Hall of Fame, headquartered in Cleveland, in 2020. Ministry and Nitzer Ebb, fellow pioneers of the industrial music movement, will join Nine Inch Nails as special guests at Cleveland’s Blossom Music Center for the exclusive, one-night-only event.

Special guests for the other dates will be announced shortly. Nine Inch Nails will also headline Shaky Knees Festival in Atlanta and Primavera Sound in Los Angeles. See below for the itinerary.

Tickets for the tour will go on sale to the public beginning Friday, February 11, at 10:00 AM local time. NIN Presale begins Tuesday, February 8, at 10:00 AM local time.

Reviews of Nine Inch Nails‘ 2018 tour were stellar. Hailing the show as “an extra-sensory marvel,” The Washington Post said, “Reznor and company delivered, pummeling eardrums from behind a curtain of smoke and strobe lights.” Vulture observed, “In concert, Nine Inch Nails is dizzying, prickly, sensual. The possibilities are endless.” Brooklyn Vegan noted, “[it’s] the kind of show that can give you a psychedelic, out-of-body experience, a total sensory overload (hypnotic light show included).”

Nine Inch Nails, U.S. Tour Dates

4/28 Raleigh, NC – Red Hat Amphitheater

4/30 Atlanta, GA – Shaky Knees Festival

5/1 Franklin, TN – First Bank Amphitheater

9/2 Morrison, CO – Red Rocks Amphitheatre

9/3 Morrison, CO – Red Rocks Amphitheatre

9/7 Troutdale, OR – Edgefield

9/9 Bend, OR – Hayden Homes Amphitheater

9/11 Berkeley, CA – The Greek Theatre at UC Berkeley

9/15 Las Vegas, NV – Zappos Theater

9/16-18 Los Angeles, CA – Primavera Sound

9/24 Cleveland, OH – Blossom Music Center

CBD Gif by Reb Czukoski for use by 360 Magazine

Weedmaps Commercial

WM Technology, Inc. (“WM Technology” or the “Company”) (Nasdaq: MAPS) and Weedmaps, the company’s leading commerce-driven marketplace and premier destination for cannabis consumers, debuted a digital commercial spot timed to television’s most-watched event of the year, which addresses the current advertising restrictions imposed on legal cannabis businesses and brands for marketing their products and services.

Weedmaps’ digital ad personifies cannabis as a character named Brock Ollie. Resembling a head of broccoli, the vegetable emoji commonly used as a visual representation of cannabis in marketing, the 30-second spot provides viewers with insight into a day in the life of Brock Ollie, whose superfood identity is up in smoke as he is repeatedly mistaken for cannabis. The advertisement is a humoristic take on the challenges imposed on the broader industry, which include social media censorship and a lack of consistent advertising regulations, thus restricting cannabis-related spots during nationally televised events, like the big game. Brock Ollie shines a light on the marketing hurdles that continue to impede industry growth and consumer education as well as make space for the existing stigma associated with cannabis to thrive.

“Despite three quarters of the country having legalized cannabis and the bipartisan enthusiasm we continue to see in support for change at the federal level, the industry continues to face roadblocks that inhibit competition in the legal market and stifle opportunities to educate,” said Chris Beals, chief executive officer of Weedmaps. “There’s an irony in the fact that the biggest night for advertising will feature an array of consumer brands in regulated industries, from beverage alcohol to sports betting, yet legal cannabis retailers, brands, and businesses have been boxed out.”

Although acceptance around cannabis consumption continues to grow, with nearly three out of every four (72%1) cannabis consumers saying that everyone or almost everyone knows they consume cannabis, fewer than half (49%2) of cannabis consumers say they are experts or proficient when it comes to cannabis knowledge. Despite consumer appetite and demand for more information, industry players continue to face roadblocks as they navigate not only how to reach consumers, but also how to empower them to make informed purchasing decisions.

“Advertising restrictions are simply one part of a much larger issue,” Beals continued. “Objective and reliable information about cannabis is integral to the sustained growth of this industry. The deficiency of such information and the current limitations that hinder cannabis education continue to negatively impact other areas, such as medical research, and it’s time we begin to address them.”

Weedmaps’ ad encourages viewers to consider why it’s necessary for the cannabis plant to be replaced with items such as broccoli, trees, maple leaves, clouds, and other references in order to navigate the restrictions encountered in the marketing and advertising space. The message is best summarized by the call to action at the end of the spot; “Cannabis is here. Let’s talk about it.”

To watch the digital commercial, please click HERE. Join the #SaveBrockOllie conversation on Twitter, or follow them on Instagram for more information.

About Weedmaps

Weedmaps is a leading online marketplace for cannabis users and businesses, operated by WM Technology, Inc. WM Technology, Inc.’s (Nasdaq: MAPS) mission is to power a transparent and inclusive global cannabis economy. Now in its second decade, WM Technology has been a driving force behind much of the legislative change we’ve seen in the past 10 years.

Founded in 2008, WM Technology is a leading technology and software infrastructure provider to the cannabis industry, comprising a B2C platform, Weedmaps, and B2B software, WM Business. The cloud-based SaaS solutions from WM Business provide an end-to-end operating system for cannabis retailers. WM Business’ tools support compliance with the complex, disparate, and constantly evolving regulations applicable to the cannabis industry. Through its website and mobile apps, WM Technology provides consumers with the latest information about cannabis retailers, brands, and products, facilitating product discovery and driving engagement with our retail and brand customers.

WM Technology holds a strong belief in the power of cannabis and the importance of enabling safe, legal access to consumers worldwide. Since its inception, WM Technology has worked tirelessly, not only to become the most comprehensive platform for consumers, but to build the software solutions that power businesses compliantly in the space, to advocate for legalization, social equity, and licensing in many jurisdictions, and to facilitate further learning through partnering with subject matter experts on providing detailed, accurate information about the plant.

Headquartered in Irvine, California, WM Technology supports remote work for all eligible employees.

Hulk Grand Design via Jim Rugg for Marvel Comics for use by 360 Magazine

Hulk: Grand Design – Monster One

The acclaimed Grand Design series continues next month! Writer and artist Jim Rugg will follow in the tradition of Ed Piskor and Tom Scioli by unfurling the full saga of THE INCREDIBLE HULK, from the very beginning to the present in HULK: GRAND DESIGN! Just in time for the iconic character’s 60th anniversary, witness the biggest moments in the Hulk‘s history through the eyes of a single visionary storyteller!

“I’m covering 40 years of this character’s history–in the comics and in our world,” Rugg told ComicBook.com. “I looked at this project as part comics and part history. So part of the theme or arc of this story is let’s look at one of the most popular characters to come out of 20th-century storytelling. Here are some of the notable moments in his story, here are some of the great artists and visuals, and here are some of his achievements as one of the best-known characters in the world!”

Experience the first chapter of HULK: GRAND DESIGN when HULK: GRAND DESIGN – MONSTER #1 arrives on March 30. 

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

Hulk vs. Thor Cover art via Chrissie Zullo for Marvel Comics for use by 360 Magazine

Hulk Vs. Thor: Banner of War Alpha

Launching in April, Marvel’s biggest hitters will duke it out for their 60th anniversaries in “HULK VS THOR: BANNER OF WAR!” Donny Cates, the acclaimed writer behind both HULK and THOR, will team up with rising star artist Martin Coccolo in a story that will smash both character’s current sagas together in a glorious showdown! The five-part crossover will kick off in April’s “HULK VS. THOR: BANNER OF WAR ALPHA #1” before exploding in the pages of both Hulk and Thor’s hit solo titles throughout May and June. 

In May’s “THOR #25”, part two of “Banner of War,” Banner’s newfound control of his rage is prolonging the fight more than Thor expected, and with Banner holding his own, Thor must get creative. Odin‘s breakthrough look into Banner’s psyche seems to slow the violence, but will it be enough?

Later that month in “HULK #7,” part three of “Banner of War,” Iron Man interrupts a pivotal moment of Hulk and Thor’s battle to settle a score. Equipped with new “Celestial Hulkbuster” armor of his own design, Tony is convinced that he can ensure Thor’s victory and Hulk’s capture. But sometimes what you don’t know really can hurt you…Check out some of May’s covers now, including a stunning connecting pair by artist Chrissie Zullo, and witness the fight that will smash the Marvel Universe at its core when “HULK VS. THOR: BANNER OF WAR ALPHA #1” arrives on April 27!

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.