About Skyler Johnson

Ant-Man 2022 via Tom Reilly for Marvel Comics for use by 360 Magazine

Ant-Man One

Ant-Man, one of Marvel’s most iconic heroes, will celebrate his big 60th anniversary with a new limited series! Al Ewing, the writer who redefined Hulk in IMMORTAL HULK, now sets his sights on Ant-Man, delving into the character’s unique history to examine every hero who’s ever taken on the mantle! Joining him on this epic journey will be artist Tom Reilly. Known for his acclaimed work on the current THE THING series, Reilly’s stylish art will take readers on a brilliant adventure that begins in Marvel’s silver age and concludes in a strange new future. Each thrilling issue will focus on a different Ant-Men from Hank Pym to Eric O’Grady to Scott Lang as a brand-new future Ant-Man seeks to connect them all so they can face off against a threat only they can hope to defeat! 

It all kicks off in ANT-MAN #1 which will flash back to the early days of Hank Pym’s career as the astonishing Ant-Man! It’s date night for Hank and his girlfriend Janet Van Dyne, but nobody told that to Ant-Man’s enemies! Watch as Hank’s antagonists band together to finally take down the scientific adventurer! But will anyone come to his rescue? And who is the mysterious stranger who stalks him?

“For Ant-Man’s ant-iversary, we wanted to go BIG with the world’s smallest hero—burrowing an ant tunnel right through his sixty-year history and far beyond, from the wild and wooly 1960s all the way to a future you’ll have to see to believe!” Ewing promises. “You’ll find out how Henry Pym, Scott Lang and Eric O’Grady impacted each other’s lives in ways they never knew themselves—but who’s the mysterious final member of this Ant-tastic Four? Tremble with anticipation, true believer—the answers are coming soon to a hill near you!” “I’m very excited to work with Al again, this time to celebrate, and add to, the legacy of Ant Man!” Reilly says. “Several different people have taken the name, and Al’s written a fun story that gives them all a chance to shine. I also look forward to working with Jordie Bellaire again, her colors elevate any book that she’s on. There’s lots of inspiration to be taken from Ant Man’s rich artistic history, and there’ll be plenty of room for both of us to experiment in this series. I can’t wait for everyone to check it out!”

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

Morgan Super 3 via Morgan Motor Company for use by 360 Magazine

Morgan Super Three

The Morgan Motor Company unveiled Super 3, one of the most intriguing and distinctive vehicles the company has ever built. Super 3 has been designed from the ground up to offer new levels of character, thrill and adventure, principles that have defined Morgan’s three-wheeled product since the company was founded 113 years ago.

At the very heart of Super 3’s personality is its driving character. Primarily, a three-wheeled Morgan is a vehicle that entices you to get behind the wheel, offering a unique combination of mechanical feel, connection to the environment, and visual differentiation from anything else on the road. Few vehicles will engage their occupants like Super 3, which encourages owners to feel present in the craft of motoring and entices them to embark on incredible adventures.

As the company’s most configurable model to date, Super 3 offers an extensive list of options and accessories that allow owners to tailor their own experience. From adventure touring accessories to race-inspired liveries, Super 3 adopts multiple personalities to reflect the individuality of its owner. Three expressions of these personalities can be seen on the launch vehicles.

Like every Morgan, Super 3 will be built in Malvern, Worcestershire, at the company’s Pickersleigh Road factory. Skilled craftsmen and women have been handcrafting cars in these hallowed red brick buildings since 1914, just five years after HFS Morgan invented the first Morgan, known as ‘The Runabout‘.

Design

With Super 3, Morgan introduces a new design philosophy. In comparison with the outgoing 3 Wheeler, which was created in the style of the 1920s V-twin-engined three-wheelers, Super 3’s designers and engineers have drawn influences from the mid to late century. The jet age was an era in which there was a logical relationship between function and form, as the horizons of imagination were broadened.

Aerodynamic and mechanical requirements have heavily influenced the form and proportions of Super 3. This is most notable in the cast aluminum structures that provide the face of the vehicle, brace the engine and control the corner packages, while also directing air into the side-mounted cooling packs.

Two rectangular ‘diffuser plates’—-referred to as ‘sideblades’—intelligently manage cooling requirements while also presenting a platform for panniers, luggage racks and liveries.  

Super 3 is Morgan’s first clean-sheet design since the launch of the Aero 8 in 2000 and the company’s biggest visual departure since the 1962 Plus 4 Plus. Super 3 challenges the typical perceptions of Morgan design yet remains true to the company’s underlying principles and heritage.

The exact positioning of the engine—now car-derived and mounted in-board—within Super 3 is of crucial importance. Chosen in part due to its compact nature, the inline three-cylinder block sits precisely behind the front axle line, delivering optimum weight distribution and desirable proportion. The latter is a key principle for Morgan’s designers, who determine it vital that the body of the car is visually towed by its front wheels rather than sat on top of them. Super 3 has a mechanically intricate front end and exhibits linear geometry, which is intentionally contrasted against the trailing aerodynamic passenger compartment.

Honesty of design is one of Morgan’s key principles, and Super 3 embodies this wherever you look. Every feature—no matter how superficial it may appear—has an underlying mechanical purpose: the vehicle celebrates the marriage of design and engineering. Examples of this are prominent throughout Super 3. Features such as the metallic impressions in the footwell side panels, which stiffen the surface but are exposed as a design feature. Everything is honest, with reason.

The engine mount strategy is unique to Super 3. The Hartland Strut—named after the Morgan engineer that designed it—is the foremost mount and integral to the face of the car, while managing the torque reaction of the engine.

The front wheel design is by Morgan. The wheels’ positive offset allows for the longest possible suspension wishbones, with the brakes mounted far out. This maximizes ride quality, handling, and stability. The inside face of the wheel arches is closed-off, which works aerodynamically both to reduce wind noise and to help the flow of cooling air to the radiators behind them. To keep Super 3 looking proportionally correct, an all-new tire has been developed with Avon.

Platform

Underpinning the Morgan Super 3 is a bonded aluminum Superformed monocoque platform. Morgan’s expertise with bonded aluminum platforms dates back more than two decades, to the start of Aero 8 production, and was furthered with the CX-Generation platform used in the 2020 Plus Four and 2019 Plus Six. Super 3’s platform evolves that technology further still.

For the first time in Morgan history, the platform is a true monocoque, with stressed exterior ‘A-surfaces’ (as opposed to a unibody design found on most modern production cars, with bolt-on non-structural panels). Not only does this make for a lighter and more rigid chassis but also provides packaging benefits and gives more interior occupant space with no intrusion. Its rigidity not only benefits the car’s dynamic capability but also enhances safety, with Super 3 meeting the same exacting M1 and Reg. 12 frontal impact standards as Morgan’s Plus Four and Plus Six four-wheeled cars.

Super 3 continues Morgan’s long-standing use of Superform technology. The heating of aluminum to a superplastic state before vacuum forming  allows for intricate exterior shapes to be created with a lower material stress than pressing. While Superformed exterior panels are a proven technology in automotive production, this is the first time the process has been used to produce a structural vehicle platform.

Further displaying Morgan’s use of innovative construction techniques is the exposed structural front casting. As well as providing the rigidity of the car and mounting points for the suspension while performing a vital safety function, it also carries the attractive finish required of an A-surface. As a display of the car’s mechanical honesty, it provides a link to motorcycles, which use exposed castings in their frames.

Customisation

Super 3 is the most configurable Morgan to date. The company has curated an extensive list of more than 200 options and accessories, each one allowing owners to tailor their Super 3. A key project aim was to design and homologate all accessories and options alongside the development of the main vehicle. This not only ensures that those options work in total harmony with the vehicle but also removes the need to retrofit additional options once the vehicle has been built.

Feedback from owners of previous three-wheeled models has been instrumental in defining some of the key accessory themes. These themes—three of which can be witnessed on the vehicles demonstrated at launch—include adventure touring, contemporary design and classic motorsport.

Morgan has developed many of its own options and accessories and worked with several key partners to help curate the options available. These project partners include Malle London, Beeline, and Quad Lock.

The Name

Morgan has a long history of using the word ‘Super’ in its product names, dating back to Super Sports three-wheelers of the 1930s and more recently with four-wheeled cars such as the Aero SuperSports. In any deployment, the term has represented an enhanced level of performance and refinement and a moving forward of technology. Super 3 is the embodiment of this. A further link is the prominence of the term ‘super’ in the American lexicon of the 1950s and 1960s, a period of culture during which some of the early inspiration for Super 3 was anchored. Super also defines a new product family for the company, joining the ‘Plus’ range and setting a new design language for future models.

Toyota EVgo via Toyota Pressroom for use by 360 Magazine

Toyota bZ4X

When the 2023 Toyota bZ4X battery-electric SUV arrives at dealers later this year, it will come with more than just stylish looks and emissions-free utility. The all-new EV will also mark the start of a collaboration between Toyota Motor North America (Toyota) and EVgo to provide new bZ4X customers with on-the-go access to DC fast-charging stations. EVgo’s high-powered chargers provide EV drivers both flexibility and convenience to quickly charge at prime locations, such as frequently visited grocery stores, shopping centers, and central downtown areas, allowing drivers to travel and charge with minimal downtime and aligning with their break, shopping, eating or errand time.

Customers who purchase or lease a new 2023 Toyota bZ4X will get one year of unlimited complimentary charging at all EVgo-owned and operated public charging stations nationwide. Customers will be able to use the Toyota App on their mobile device to sign up for this offer, locate EVgo stations and initiate complimentary charging for their new bZ4X.

“The arrival of our all-electric bZ4X marks an important step in our commitment towards electrifying 70% of our fleet by 2030. We want our bZ4X customers to enjoy a high-quality ownership experience that is as seamless and worry-free as possible,” said Christopher Yang, Vice President, EV Charging Solutions, Toyota Motor North America. “Collaborating with EVgo, the nation’s largest public fast-charging network, will help provide bZ4X owners with access to a fast, reliable charge where and when they need it.”

With more than 800 DC fast charging locations and thousands of Level 2 charging stations, EVgo’s charging network serves over 68 metropolitan areas across 35 states. The EVgo network is powered by 100% renewable energy.

“EVgo is thrilled to collaborate with Toyota on bringing accessible and convenient fast-charging to new EV drivers with the bZ4X,” said Jonathan Levy, EVgo Chief Commercial Officer. “Toyota’s scale and EVgo’s track record of leadership in clean transportation will help make it easier for even more drivers to go electric.”

When it goes on sale in the spring of 2022, the 2023 Toyota bZ4X will offer consumers a battery-electric option that combines Toyota’s legendary reputation for quality and reliability with the performance and practicality they expect in a modern SUV.

“This is just the beginning of Toyota’s next-generation battery electric vehicle products that will join our existing portfolio of electrified vehicle options and will drive our progress toward carbon neutrality,” said Yang.

About Toyota

Toyota (NYSE:TM) has been a part of the cultural fabric in North America for more than 60 years and is committed to advancing sustainable, next-generation mobility through our Toyota and Lexus brands plus our 1,800 dealerships.

Toyota directly employs more than 48,000 in North America and has contributed world-class design, engineering, and assembly of nearly 43 million cars and trucks at our 13 manufacturing plants.  By 2025, the company’s 14th plant in North Carolina will begin to manufacture automotive batteries for electrified vehicles. Toyota has more electrified vehicles on the road than any other automaker, with electrified vehicles comprising more than a quarter of our 2021 North American sales.Through its Start Your Impossible campaign, Toyota highlights the way it partners with community, civic, academic, and governmental organizations to address our society’s most pressing mobility challenges. We believe that when people are free to move, anything is possible. For more information about Toyota, click HERE.

Marc Cortes via Capitol Music Group for use by 360 Magazine

Mooski – Soul Bleed

Mooski, the ever-vulnerable sensation from Opp, Alabama, returns with another raw journal entry of a song, “Soul Bleed.” His latest single is an anthem for the broken-hearted and also a slap that will shake rear-view mirrors for the rest of us. Listen HERE. The emotional track, out now via Capitol Records appears on the breakthrough artist’s forthcoming mixtape, Melodic Therapy 4 The Broken due out March 11th. Pre-order/pre-save HERE.

“Soul Bleed” once again finds Mooski opening his heart and mind for fans. Over somber yet thumping production, he spills every raw feeling about a scarring romantic relationship. In every line, Mooski conveys regret with refreshing transparency.

Mooski‘s willingness to be open about his personal experience has captivated a massive and growing audience. “I talk about the unspoken,” he says. Before “Soul Bleed,” Mooski won over fans with soul-baring hits like “Zodiac Killer” and “Track Star,” which has become an online sensation, racking up 475+ million views on TikTok, 42+ million global streams and RIAA certified Platinum. The “Track Star” TikTok challenge inspired videos from Keyshia Cole, Lala Anthony, Dream Doll, and Halle Berry, among others. Additionally, Trey Songz and Chris Brown both remixed it.

Before Mooski recorded emotional records for his fans, he served them as a sergeant during a four-year tenure in the Marine Corps. He left the service to pursue his true passion and started releasing freestyle videos on social media. Pleasantly surprised by the response, he soon realized that vulnerable stories got the most traction. “Soul Bleed” is another testament to Mooski’s work ethic, unflinching introspection, and continued artistic growth. Few artists can turn personal experiences into universal hits, but Mooski has done it again.

About Mooski

The whole world is buzzing about Mooski thanks to the popularity of his runaway smash single “Track Star.” The versatile 24-year-old has been riding a wave of success since releasing the track last June, but his journey has been anything but easy. Born Darien Hinton, Mooski was raised in a religious household in Opp, Alabama, where he grew up listening to and performing faith-based music. The second oldest of four kids, Mooski and his mother and sisters were often part of the praise and worship services at their church, and it wasn’t uncommon to find family members singing around the home. Despite their faithful foundation, Mooski’s childhood was marred by both parents’ struggles with poor health, and arguments between his mom and dad often revolved around the financial toll taken due to frequent ambulance calls to their home.

Determined to start earning income to help with bills and buy his own clothes, Mooski began working part-time jobs when he was only 15, building a strong work ethic that would serve him well when he joined the Marine Corps at just 18-years-old. “I talk about the unspoken,” Mooski says. “When people listen to my music they’re going to be like, ‘Mooski was in my head.’ It’s going to be personal to them. I know how depression works. I didn’t grieve my father’s death until two years [after the fact]. I’m going to talk about things I was thinking and things I was going through, stuff I didn’t want to talk about. I’m going to put it in the music because I know these are things everybody is going through.”

illustration by Gabrielle Marchan for use by 360 Magazine

Reality Flag Campaign

the Human Rights Campaign (HRC)—the nation’s largest lesbian, gay, bisexual, transgender, and queer (LGBTQ+) civil rights organization—launched the Reality Flag campaign: An ambitious, nationwide public awareness campaign to highlight the many basic freedoms missing for LGBTQ+ people in states across the country, and to galvanize public support for the Equality Act—historic federal legislation that would ensure comprehensive nondiscrimination protections for LGBTQ+ people everywhere. At the heart of the campaign is the evocative Reality Flag—an altered version of the American flag with 29 of its stars removed, representing each of the 29 states lacking comprehensive protections for LGBTQ+ people, underscoring the ‘reality’ that millions of LGBTQ+ people lack a number of protections and basic freedoms.

The Reality Flag campaign aims to bring its message and powerful imagery to audiences both on and offline: As the campaign debuts HERE and across a number of national media platforms, an 85-foot-long banner featuring the “Reality Flag” will be unfurled and fanned out across the front of the Human Rights Campaign’s iconic headquarters in Washington, D.C., just six blocks from the White House. But the campaign’s most compelling content launches in a series of powerful video ads created by Emmy Award-winning director, producer, and creator of Amazon’s Transparent, Joey Soloway, who showcases the real stories and lived experiences of LGBTQ+ people impacted by discrimination—using the video vignettes to not only underscore the urgent need for the Equality Act but to also inspire and move audiences to take action.

“The Reality Flag campaign is designed to point out the inequalities LGBTQ+ individuals face every day—in our own voice,” said Joni Madison, Interim President at the Human Rights Campaign. “From housing and educational discrimination to denial of government and health services, LGBTQ+ people are confronted by hurdles to simply exist every day. Something is seriously wrong when state legislatures around the country are attacking LGBTQ+ rights for political purposes, forcing families to pack up their homes and move to another state so their children can have equal rights and legal protections. This needs to change. The Reality Flag not only calls out the 29 states where basic freedoms are still missing for millions of people but stands as a symbol of hope that communities can rally behind to enact meaningful change.”

Nearly two-thirds of LGBTQ+ people have reported experiencing discrimination in their personal lives. The Equality Act would provide consistent and explicit federal non-discrimination protections for LGBTQ+ people across key areas of life—including housing, credit, education, public spaces and services, federally funded programs, and jury service. Millions of LGBTQ+ people in the United States remain vulnerable to being evicted from their homes, kicked out of a business that’s open to the public, surcharged unnecessarily for goods and services, or denied health care, home loans, taxis/car-sharing, and government services in a majority of states simply because of who they love or who they are.

“When I was approached about partnering with HRC on this campaign, I jumped at the opportunity and immediately signed on—not only because of the important opportunity to help lift up stories and amplify the voices of LGBTQ+ people across the country but because I believe this campaign has the potential to fundamentally shift the conversation around equality in a way that brings more people together than ever before to ensure we are all equally protected and represented under the law,” said Joey Soloway. “Just meeting and working with the amazing LGBTQ+ people who shared their stories of discrimination in front of the camera meant so much to so many of us behind the camera—especially since a majority in our production crew identify as LGBTQ+ and could relate to the experiences of the brave storytellers we worked with. It’s an honor to be able to do this work, and to be a part of this important campaign.”

The Campaign: Showcasing LGBTQ+ Stories, Reaching Tens of Millions

The Reality Flag campaign, produced in partnership with a team of agencies from worldwide marketing communications leader WPP, will roll out over the course of several weeks, which will include limited production of printed flags as well as compelling content debuting across traditional and social media platforms. While the campaign seeks to galvanize public support for the Equality Act—and driving audiences to take action—it also underscores the importance of lifting up and showcasing the real stories and lived experiences of LGBTQ+ people impacted by discrimination. These stories (primarily featured in the video vignettes created by Soloway) will be amplified through both an advertising campaign (including partnerships with 20 national media platforms, achieving an anticipated 30 million-plus impressions during launch, including TV, print, display, video, audio, cinema, OOH, social, and search) and an influencer activation campaign (working with major national influencers committed to amplifying campaign content and videos across networks reaching tens of millions of followers).

Several of the LGBTQ+ people introduced to audiences in the campaign—and whose stories of experiencing discrimination are showcased in the video vignettes created by Soloway—include: 

  • Staci J (Indiana): Staci is a proud Navy veteran who served to protect the freedoms and rights of others at all costs. But, despite that pledge, a doctor in Minnesota refused to treat her or even touch her because she found out Staci is a lesbian. Staci did everything the U.S. asked of her, and more, yet was still denied healthcare simply because of who she loves.
  • Queen (Georgia): Queen is a transgender woman who experienced a denial of freedom at the hands of a North Carolina landlord. Queen called the landlord to make a repair, and once inside Queen’s home, he spotted a transgender flag. The two had a conversation about the flag, and he then proceeded to berate Queen for, “not living according to traditional American values.” Shortly after, he asked Queen to move out. Queen was denied the ability to keep housing simply because of gender.
  • Sara and Parker Cunningham (Oklahoma): Sara Cunningham is an author, activist, and founder of the non-profit, Free Mom Hugs, an organization that seeks to empower the world to celebrate and fight for the LGBTQ+ community through visibility, education, and conversation. Sara and her gay son, Parker, live in Oklahoma where he could be denied the freedom to live a life free of discrimination. Today, in his town, a business could deny him service simply because he is gay. 

The Need for the Equality Act

In February 2021, the U.S. House of Representatives passed the Equality Act The Act ensures LGBTQ+ people can live free from fear of harassment and discrimination by guaranteeing the same federal anti-discrimination protections and basic freedoms that others have enjoyed for decades—and expands protections for women, people of color, and people of all faiths.

“Many LGBTQ+ people across the country are still missing the basic freedoms that millions of others enjoy,” said JoDee Winterhof, Senior Vice President, Policy & Political Affairs. “Too many people—both those directly affected and those who aren’t—are not fully aware of the true scope of the disparities. The Reality Flag is intended to be a wake-up call for the country. By bringing attention to the stories of those whose rights are being curtailed, the campaign will build support for action to bring an end to those disparities.”The Equality Act has been endorsed by more than 630 organizations, including civil rights, education, health care, and faith-based organizations. It is backed by more than 500 companies employing more than 15.3 million people across 33 U.S. states with a combined annual revenue of $7.2 trillion. It has overwhelming support among business and corporate leaders, which includes more than 60 business associations—including the U.S. Chamber of Commerce, Business Roundtable, and the National Association of Manufacturers—and more than 160 Fortune 500 companies, including Coca-Cola, General Electric, Harley-Davidson, Home Depot, Honeywell, Kraft Heinz, Levi Strauss & Co., and Target, among many others.

Moon Taxi via Don VanCleave for BMG for use by 360 Magazine

Moon Taxi – Live For it Acoustic Version

Nashville-based alt-rock band Moon Taxi has released an acoustic version for their song “Live For It”—the original version of the song can be found on their Silver Dream album released in 2021 via BMG. Listen HERE.

“‘Live For It’ is a love song that takes place in New York, written on a windy hilltop outside Malibu. This song is about seizing a moment you share with someone you love, a singular experience you want to replay in your head over and over. We hope this reimagined version captures that exhilarating feeling in a new way,” said Moon Taxi

Moon Taxi will also be touring from February 25th to June 5th, starting in Vail, Colorado, and ending at the Riverbend Festival in Chattanooga, Tennessee. The band will cover various states in the South and Midwestern United States. For more tour info, click HERE

About Moon Taxi

Moon Taxi has thrived on the touring circuit for years, bringing their electric performances to Coachella, Austin City Limits, Bonnaroo, and beyond. The band also celebrated a career-defining moment as “Nashville’s own” on October 17 when they performed at a two-night, sold-out run at the famed Ryman Auditorium earning praise from the Tennessean, who stated, “Moon Taxi evolves from ‘college project’ to rock stars.” Their music has been embraced as well by brands using their songs for many commercial and TV placement—from JEEP and Microsoft Surface Pro to McDonald’s and BMW, along with landmark sporting events including the Olympics, MLB, NFL, NHL, and HBO Sports. Their songs are motivational and energizing, and they have become a “go-to” band for songs that inspire forging ahead.

Rita Azar Illustrates a Movie Article for 360 MAGAZINE

The Dress

The short film, “The Dress,” which was directed by Tadeusz Lysiak, a student of the Warsaw Film School, has been nominated for the 94th Academy Awards® in the Best Live Action Short Film category. “The Dress” is a poignant story about the desire for love and intimacy, whose short-statured protagonist Anna struggles with social rejection because of her appearance. This is the second Oscar® nomination for its producer, the Warsaw Film School, an educational institution located in the heart of Europe.

Tadeusz Lysiak stated, “This is so surreal, I can’t believe this! I am so grateful to the entire film crew, my producers—Warsaw Film School and all the coproducers and good people that supported us. This is just out of this world. This film is a huge team effort, and it was made with student passion and [a] mission to change the world for the better. Thank you all for supporting us!”

Anna Dzieduszycka (lead actress) stated, “I want to say that I am very proud of us. I never imagined something like this, but now I know that nothing is impossible and it’s a wonderful feeling! Believe in yourself, respect and love each other.”

Working at a roadside motel, Julia doesn’t want to suppress her desire, sexuality, and longing for physical intimacy any longer. When a handsome truck driver comes into her life, her unrealized fantasies begin to come true. But “The Dress” is not just the story of a woman meeting a man. Julia, physically different from the society around her, experiences rejection and bullying. “The Dress” is a universal story about longing that affects everyone, regardless of the barriers and differences that divide us.

The movie was written and directed by Tadeusz Łysiak, a student at the Warsaw Film School. The production has screened at nearly 40 film festivals around the world and has won 18 awards. Awarded at the prestigious Atlanta Film Festival allowed “The Dress” to compete for an Academy Award® nomination. 

The main actress Anna Dzieduszycka hopes that her role will be one step towards changing the perception of individuals like her on-screen: “I wish people stop using the word “otherness”, become more open-minded, and embrace diversity of viewpoints. […] Looks don’t matter. We all have magic inside us.” said Dzieduszycka. Her acting has been recognized at many festivals in Poland and abroad. Anna’s awards include the Grand Prize for Best Actress at Flicker’s Rhode Island International Film Festival

The Oscar-nominated title was created by a team composed mainly of students and graduates of the Warsaw Film School. The director, Tadeusz Łysiak, participated in the prestigious program FUTURE FRAMES—Generation NEXT of European Cinema within Eastern Promises at the Karlovy Vary International Film Festival. He is also a winner of the “Discovery Eye” award for Young, Talented Filmmaker at the Polish Film Festival in Chicago. Tadeusz Łysiak’s previous award-winning film “Techno” has had over a million views on YouTube.

The cinematographer, Konrad Bloch, is a graduate of Warsaw Film School. He was recognized for his work as a cameraman on the set of “The Dress,” among others, at the 45th Gdynia Film Festival—the award for Best Cinematography—the Bronze Tadpole at the Energa CAMERIMAGE Festival and the Best Cinematography award at the 38th Sulmona Film Festival.

The film is produced by the co-founder and Chancellor of the Warsaw Film School, director and screenwriter Maciej Ślesicki. He is the producer of many student films, including “Our Curse,” which was nominated for an Academy Award® for Best Documentary (Short Subject) in 2015. “The Dress” was also co-produced by DOBRO, MIŁO, and GŁOŚNO. The project was co-financed by the Polish Film Institute. “The Dress” is the only production this year from Poland that is up in the running for an Academy Award®. 

The 94th Academy Awards® ceremony will take place on March 27th at the Dolby Theatre.

Podcast via 360 Magazine

Alison Interviews – Kadeem Hardison

Actor and director Kadeem Hardison is known for his iconic TV role as Dwayne Wayne on the groundbreaking NBC sitcom A Different World, which aired for seven seasons, from 1987 through 1993, and highlighted the lives and relationships of Black college students attending the fictional HBCU, Hillman College. The show also starred Lisa Bonet, Marisa Tomei, Jasmine Guy, Sinbad, Jada Pinkett Smith, Cree Summer, and Darryl M. Bell, among others.

Kadeem went on to play Zendaya’s father in Disney Channel’s K.C. Undercover, and to recur in Showtime’s Black Monday. Hardison will now star in the upcoming AMC television series, Moonhaven, which takes place 100 years in the future in a utopian society set on a 500 square mile Garden of Eden built on the Moon.

The following are excerpts from the latest episode of the Allison Interviews podcast with host and entertainment journalist, Allison Kugel, interviewing Kadeem Hardison. Hardison talks about his relationships with Lisa Bonet, Marisa Tomei and Jasmine Guy, directing Tupac Shakur and Jada Pinkett Smith together, his friendship with Zendaya, and wishing Malcolm X were alive while he was growing up. The full podcast episode is available on Apple Podcasts and Spotify, and the video episode of the podcast is available on YouTube

On Lisa Bonet confiding in him about how early fame affected her

“I had worked with Lisa [Bonet] the year before A Different World.  I did a guest spot on The Cosby Show and I was just really interested to know how she dealt with the fame thing. She was probably the most famous person I had ever met at that point. So, our conversations were me asking her, ‘So what’s it like with that big spotlight on you everywhere you go.’  She said, ‘Well, you know, I used to love to go to malls and I don’t go to malls anymore. I used to love to go out to the movies and I can’t do that anymore.’  It was all about these things that were kind of restricted, or she restricted herself from, because it brought so much attention. She was someone I was gaining knowledge from. Then on A Different World, I got to pretend to have a crush on Lisa, which was the easiest job in America.” 

On having a crush on Jasmine Guy as soon as they met

“I met Jasmine the year before [A Different World].  We did a film together. Our characters didn’t speak, but in the down time we kind of got to hang out a little bit and be at parties and stuff like that. Oh boy, I had a crush on Jasmine the minute I saw her. When I met Jasmine [Guy] it was an instant skipped heartbeat. Once Lisa was gone, I got to pretend to fall in love with Jasmine (on A Different World).”

On Marisa Tomei’s character being the only white character on A Different World

“[Marisa] was cast before I got there. Usually when you make a show, you better have some white characters in it (laugh), or someone is going to raise hell. Someone is going to say, ‘Why are there no white folks on it?’  It’s a historically Black university. Black being the operative word. But I loved her character.  I was sad when she was gone in the second season.” 

On Marisa Tomei and Kadeem wanting their A Different World characters to get together

“During the first season she and I both lobbied to the writers to put us together. Let us have more scenes together. Let something develop between us. Like why doesn’t she see him? Why doesn’t he see her?  It just seemed so obvious that the two weirdest outcasts would kind of find each other. I thought our characters were kind of made for each other, because she was kind of off, and I was definitely off. I thought, ‘Nobody sees him out of the group.’ Like the girls that I’m chasing all the time; nobody sees him.  Why doesn’t she see him and why doesn’t he see her?  They seemed like they could bond off of their uniqueness, or the fact that they are both a little bit off. But at the time it was ‘let’s keep the blacks with the black, and the whites with the whites.’ It’s crazy.”

On directing Jada Pinkett Smith and Tupac Shakur together on A Different World

“It was fantastic. They had a seamless chemistry.  How do you direct De Niro and Pacino?  You just kind of stand back and let them go. You hope that the cameras are in focus. I didn’t really have to tell him much.  I didn’t have to tell her hardly anything. It was a joy to watch.  It was probably the easiest directing job. The fight scene we had to tweak a little bit.  We had to work on it, because it was a fight between Jada’s character’s current boyfriend and Pac’s character.  So, we had to spend some time working that out, but once I said ‘Action,’ it took on a life of its own. It felt like a real fight. It felt like a real brawl, and that was Pac.  That was him going in, like, ‘I’m going to whoop this sucker.’ It was awesome to direct the two of them.  They were good buds and I kept asking her, ‘Is he going to show up? Because I have lots of rapper friends and I knew that [being on] time is not their friend?  She said, ‘Yes, he’s coming. He’s on his way.’

“I always felt like I loved Tupac as a rapper, but I was jealous of him as an actor, because I just thought he had such range. He could touch places that I didn’t know if I could go. I just wanted to watch.  But it wasn’t Macbeth, you know what I mean?  He’s playing the neighborhood cat that comes in full of bravado to claim the girl he thinks is his. He was like, ‘Yeah, I can do that.’  (laugh). [Jada] was playing the girl who was trying to get away from that life. There were no real notes for them. There was no reason to say, ‘Hey try it like this.’ Everything they did was magic.”

On almost turning down playing Zendaya’s dad in Disney Channel’s K.C. Undercover

“When K.C. Undercover came along, I didn’t really know who Zendaya was and I was a little skeptical about [the] Disney Channel.  I wanted to curse, bleed, and do all kinds of adult stuff, and that’s not going to happen with the Disney Channel. When I got word of the audition I was in New York and my nieces and my sisters were asking me, ‘What are you doing next?’  I said, ‘Well, there’s this show with this girl named Zendaya or something like that, and they want me to be her daddy.’ Everyone from my six-year-old niece to my 30-year-old sister all flipped out and said, ‘You have to take that. That girl is going to be something!’”

On celebrating with Zendaya when she landed her role in Spider-Man

“She’s my ace, and all of these moves she’s made have been really well thought out.  I was there when she booked Spider-Man and we jumped around the room like, ‘Holy sh*t, you’re going to be in Spider-Man? What?!’ And I was there when she got the musical with Hugh Jackman, The Greatest Showman. I knew that once we get out of Disney world, we just want to get a chance to get our hands on some meat, to see if we can really act, because we’ve been doing nice, easy cotton candy for so long. I have to see if I can really throw down still.  Her show, Euphoria was it, and I’m loving it!”

On why he wishes Malcolm X was alive while he was growing up

“Once you die, you become a god, but I think if he was still around, the teaching would have reached more.  He would have had to grow, change, and adapt.  All of that would have made him better, and us better, for having him. He would have been able to import that into us. It’s hard to say, because now he is It. He’s the one you look to and say, ‘This is what this guy said,’ or ‘This is what he was saying,’ but you never get to hear what he would have said had he lived another 10, 20, or 30 years. That’s where it would have gotten groovy, because I think he was gone before I was born. It would have been nice to see him as a real person instead of this god that you have to read about in books, or look at on old tapes from the time that he was living, and not the times we’re living in. In my 20s, I would have liked to know what he thought about the world we were living in. In my 40s, I would have liked to know what he thought about the world we are in. That’s the version of things I would want.”

Calvin Harris via NEU Communications for use by 360 Magazine

Calvin Harris × Ushuaia Ibiza

Multi-platinum selling artist and heavyweight producer, DJ, and songwriter Calvin Harris makes a highly anticipated return to Ushuaïa Ibiza for what is sure to be one of the most exciting residencies this summer, taking place on Fridays from June 3rd to September 2nd. His revered 6-date Ushuaïa Ibiza residency back in 2019 drew in record crowds and this season Calvin is going even bigger, with a 14-week residency that will feature a curated lineup of special guests.

Calvin Harris stands as the figurehead for modern dance music, having broken world records and dominated the charts.  He has over 35 billion combined audio and video streams in his career history, making him one of the most viewed artists on YouTube and one of Sony Music’s biggest streaming artists. Recent times have also seen him add a wealth of exhilarating club music to his arsenal under his Love Regenerator moniker, prime for the dance floor.

The stage is set for a momentous return in Ibiza this summer and there will be nowhere better for music lovers than Playa d’en Bossa‘s globally renowned Ushuaïa Ibiza. The venue is known all over the world for its explosive production and unrivaled party atmosphere, delivering the ultimate open-air dancing experience. The iconic poolside stage becomes a mesmerizing focal point that overloads the crowd’s senses with dazzling lights and lasers and world-class sound. This is all on a scale that is second to none. 

Calvin Harris at Ushuaïa Ibiza will be the perfect coming together of one of the world’s most distinguished DJs and a truly extraordinary dance floor experience. Early booking is advised to guarantee a place at what is certain to be one of this summer’s biggest and most in-demand events.

Book now HERE.

About Ushuaïa Ibiza Beach Hotel

Ushuaïa Ibiza Beach Hotel is a luxurious 415-room hotel comprising of two buildings: The Ushuaïa Club, featuring a world-renowned poolside stage, and The Ushuaïa Tower, offering breathtaking views of the Mediterranean. Ushuaïa Ibiza Beach Hotel is dedicated to providing the best outdoor entertainment coupled with a modern, cutting-edge hotel experience. Designed for the discerning traveler seeking the fun and entertainment associated with Ibiza, the hotel continuously raises the bar from Swim-Up room options to daytime parties hosted by celebrated DJs, ensuring that the party never stops. Its collection of dining options is unrivaled, from Ibiza’s first premier steakhouse Montauk Steakhouse Ibiza and Minami Japanese Restaurant serving sushi and other Japanese delicacies, to The Oyster & Caviar Bar beside the pool and the renowned The Beach by Ushuaïa Ibiza providing the perfect fuel for Ibiza partygoers, or the Italian Sir Rocco Beach Trattoria.

Chicago illustration by Alex Bogdan for use by 360 Magazine

St. Patrick’s Day in Chicago

Chicagoans, rejoice! Arguably one of the best days of the year in Chicago is quickly approaching—St. Patrick’s Day! From special cruises down the Chicago River during the river dyeing to delicious specials throughout Chicagoland, here are some of the best ways to celebrate the festive holiday this year. 

Chicagoans and out of towners are invited to cruise the newly dyed river on Saturday, March 12 with a selection of St. Patrick’s Day cruises with City Cruises Chicago! City Cruise’s Seadog cruise will be up close and personal to the river dyeing on the morning of March 12, allowing a unique viewpoint unlike anywhere else in the city, all while also providing unforgettable views of the city’s architecture down the Chicago River. Boarding for the cruise begins at 7:45 AM, so patrons don’t miss out on any of the festivities. For those who would prefer to cruise the lake instead, themed cruises down Lake Michigan will also be available, that include Irish-themed menu items such as a Corned Beef special, along with Irish tunes playing and St. Patrick’s Day décor throughout to keep the party going. To book a cruise today, please click HERE.

Celebrate St. Patrick’s Day at Kennedy Rooftop, fittingly named after the First Irish-Catholic President, JFK. Known for spectacular, unobstructed views of the Chicago skyline from the John Hancock to the Willis Tower, the rooftop boasts both a vibrant ambiance and a wide variety of delicious drinks and dishes to enjoy atop the Hyatt Place Wicker Park. For a limited time, the rooftop is also offering private igloo reservations with special food and drink packages and a rooftop curling rink for a little friendly competition and fun. For more information or to make an igloo reservation, please click HERE

Thorn Restaurant Lounge, located inside The Rose Hotel in Rosemont, is offering a classic Rueben special on St. Patrick’s Day, March 17 for those traveling in and out of town, with house braised corn beef, sauerkraut, aged swiss, Thousand Island dressing, rye bread, and a side of fries; plus, their draft beers will all be available to turn green, along with Guinness beers on special for $5 and $8 Irish Car Bombs. 

Ocean Prime, located on the iconic corner of Michigan Avenue and Wacker Drive on the second level of the LondonHouse at 87 E. Wacker Dr., invites guests to watch the Chicago River dyeing in style on Saturday, March 12 from 11:30 a.m. to 2:30 p.m. Open for lunch for one day only with a special Green River Day menu, guests can indulge in a variety of appetizers, soups, salads, seafood and steak entrees, signature cocktails, and a Wine Spectator honored wine list. For the best views of this year’s festivities, guests are encouraged to make a reservation on OpenTable.

North Shore Chicagoans are in luck! Oaken Bistro + Bar will be offering specials perfect for celebrating on Thursday, March 17. Enjoy delicious Stout-Braised Beef Tenderloin Tips with Colcannon Potatoes, Candied Bacon Green Beans, and a variety of drinks on special including Irish Mint Juleps with Proper Twelve Irish Whiskey, margaritas, and Green Draft Beer. For more information and to make a reservation, please click HERE

St. Patrick’s Day calls for all things festive, and Paper Source offers a wide variety of products to take the celebration to new heights this year. Offering everything from a wide selection of themed greeting cards for those you’ll be missing to supplies to get the party going including themed photo props, cocktail napkins and more, Paper Source is a one-stop shop to make the holiday one to remember.

Luft Balloons is SHAMROCKING Chicago this St. Patrick’s Day with a variety of seasonal balloon offerings. For a limited time only, the premier balloon store is offering festive items including rainbow balloons, colorful balloon bouquets, and more. To place an order, Chicagoans can call the storefront directly or visit the Luft Balloons website to schedule a pickup or delivery.