About Skyler Johnson

Marvel's Voices: Pride via Jen Bartel for Marvel Comics for use by 360 Magazine

Marvel’s Voices: Pride One

Marvel Comics is proud to celebrate Pride Month this year with another giant-sized one-shot showcasing some of comics’ most iconic LGBTQI+ heroes in an incredible range of stories by LGBTQI+ superstars and emerging talent! Fans can get their first look at a brand-new variant cover for 2022’s MARVEL’S VOICES: PRIDE, drawn by Eisner-winning artist Jen Bartel! The top-selling cover artist’s latest piece shows Black Cat putting away the claws and bringing out the charm as she’s caught between two lovers—Peter Parker and Thieves Guild Leader Odessa Drake!

Felicia’s romantic history and rivalry with Odessa Drake was explored by writer Jed MacKay in his back-to-back acclaimed runs on BLACK CAT! Now, MacKay will continue his defining work on BLACK CAT alongside artist Pere Pérez in IRON CAT. Also launching during Pride Month, the all-new limited series will see Black Cat teaming up with Iron Man to discover who is wielding the Iron Cat armor and what their plans for Felicia are. Find out the identity of IRON CAT in this exciting new chapter for one of Marvel’s leading heroines! Wait, do you think it’s ODESSA in that armor?

In the meantime, check out Bartel’s cover and stay tuned in the coming weeks for more announcements and cover reveals for “MARVEL’S VOICES: PRIDE #1!” For more information, click HERE.

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

TV2 illustration by Rita Azar for 360 Magazine

Tanisha Scott × Lizzo

World-renowned creative director/choreographer Tanisha Scott (Rihanna, Drake) makes a very special guest appearance on Amazon Prime’s anxiously awaited new series, LIzzo’s Watch Out for the Big Grrrls, set to premiere April 14th. She teams up with legend and host Lizzo in order to uncover the best and brightest new dancers for her upcoming tour. Lizzo’s Watch Out for the Big Grrrls is a new unscripted series following global superstar and icon Lizzo, who is on the hunt for confident, bad-ass women to join the elite ranks of the Big Grrrls and join her world tour. With 10 hopeful women moving into the Big Grrrls House, they must prove they have what it takes to make it to the end and join Lizzo in front of a global audience on the center stage. In this search for dynamic dancers, Lizzo leans on Scott as well as fellow legendary choreographers and O.G. Big Grrrls Chawnta’ Marie Van, Shirlene Quigley, and Grace Holden, as well as several special guests, including choreographer Charm La’Donna, body movement expert Rashida KhanBey Miller, and Grammy-nominated singer/songwriter SZA. In addition to appearing in the series, Lizzo will also serve as executive producer alongside Makiah Green, Kevin Beisler, Julie Pizzi, Farnaz Farjam, Myiea Coy, Kimberly Goodman and Glenda Cox. The series is directed by Nneka Onuorah and produced by Amazon Studios, Bunim-Murray Productions and Lizzo’s production company, Lizzo Bangers. Stay tuned for more and to also see how Scott expands her influence yet again in the upcoming season of the series Legendary on HBO Max.

About Tanisha Scott 

Like culture itself, Scott continues to evolve over time. She has remained not only relevant but at the forefront of the industry, with recent clients including, H.E.R., Bryson Tiller, SZA, Khalid, Daniel Caesar, Da Baby and Juice WRLD. She has been named by Billboard Magazine and Italian Vogue as one of the top 30 under 30 artists in the entertainment industry and has earned multiple MTV and Billboard Music awards and nominations. Scott’s work has been featured in various award-winning videos, including Rihanna’s “Found Love,” Cardi B’s “Money” and Lil Nas X’s “Old Town Road”—which won the 2012 MTV Video Music Award for Video of the Year, the 2019 VMA for “Best Hip Hop Video” and the 2020 Grammy award for “Best Music Video,” respectively. Tanisha Scott has evolved from a dancer and choreographer to an innovation-leading and industry-crossing creative director, movement coach, and artist developer. As for what’s next, Scott aspires to take her talents to Broadway. Like her idol, Debbie Allen, Scott aims to leave a legacy of innovation and storytelling through the universal language of movement and dance.

Music via 360 Magazine

FKA Twigs × DAB Motors × Burberry

The English singer-songwriter FKA twigs releases her latest single “Papi Bones” as part of her album, Caprisongs. In the unveiled video clip, in collaboration with Shygirl, she features her DAB Motors Concept-E RS Burberry Edition in an all-Burberry dressed decor.

The video clip, taking place in the UK, showcases a Midnight Blue Concept-E RS made in DAB Motors‘ Factory.

The Burberry x DAB Motors Concept-E RS collaboration came from a shared desire to think motorcycle as a true fashion item. DAB Motors, the French motorcycle manufacturer who’s on a mission to challenge traditions through intelligent disruption, aims to thrive well beyond the motorcycle world. All motorcycles are handmaid in France.

The very limited edition of 20 electric motorcycles features:

  • Brushless DC – 10kW nominal
  • Saddle upholstered with Burberry leather
  • Bodywork: Metallic Grey or Midnight Blue
  • Öhlins Suspensions
  • Beringer Brakes

The creative process that blends in the fashion design, music and motorcycle worlds seems to be at the forefront of the current trends. A new way of bringing together these industries has never before been seen.

Jaguar QK via Influence Associates for use by 360 Magazine

Thomas Kelham New European Range

Thornley Kelham has revealed the first entirely new project in its ‘European’ range of reimagined automotive legends: the Jaguar XK European, which builds on the success of their Lancia Aurelia Outlaw. Taking a derelict donor Jaguar XK as its base, the bespoke program allows customers to transform their car into ‘European’ specification, featuring an all-alloy lightweight body penned by McLaren P1 designer Paul Howse, and a full range of performance and comfort upgrades and enhancements.  

Most of the work is carried out in-house by Thornley Kelham, together with a small number of trusted and talented partners.  As well as its work in concours restoration, the in-house team of craftsmen is expert in race-winning classic motorsport engines, and numerous previous projects have involved bespoke enhancements from uprated suspension, steering and brakes, to conversion to fuel injection, and the design and execution of convenience features such as air-conditioning and high-end ICE. In the ‘European’ program, all that experience comes to bear to create the ultimate incarnation of a number of European sports cars of the golden era, including the Jaguar XK.

Howse’ vision celebrates the original beautifully aerodynamic lines in a way that remains true to the car’s original intentions, echoing the kind of work applied to the E-Type Lightweight. The first major task was to lower the roofline so that the proportions become more elegant and purposeful. The next was to add some curvature to the sides; all the body sections now have an acceleration to them which adds sculpture and muscle but also lightness. The arches are wider both at the front and more significantly at the rear with wider alloy wire wheels filling them out nicely, giving a ‘road racer ‘stance. The brightwork was also removed and instead a subtle crease was introduced down the bonnet which follows the split-screen into the roof and washes out over the roof, which is more smoothly integrated into the overall form, as are the rear arches. At the rear, the tail now sweeps up to create a more teardrop form. The rear lamps are nestled into the bodywork and the headlights have had the chrome bezels removed, cleaning up the appearance.

Inside, a completely redesigned dashboard and interior echo the original but with a dedication to modernizing and improving wherever possible. The dials are kept in a similar layout but are surrounded by a body color aluminum dashboard rather than a flat slab of walnut. This is enveloped in the finest leather hugging the dials, now positioned slightly higher. The seating position is a vast improvement over the original, dropping the H-point significantly so that you sit in the car rather than on it and ensuring that the lowered roof doesn’t affect the headroom. The seats themselves, whilst classic in design, offer more support than the original items. The door design is also more sophisticated and sporting in design, with a slim storage pocket and a completely new door release to not only improve the ergonomics but also the knee clearance for taller drivers.

Electric windows are added, as are electronic gauges and a discreet rollcage, while air-conditioning, power steering, Bluetooth connectivity and a number of in-car entertainment options ensure that every European will offer the thrill of a classic with the convenience and everyday drivability of a modern car. 

The Jaguar XK 3.8-litre straight-six engine—which produced around 160 -220 bhp in period—is thoroughly re-engineered, imbuing the ‘European’ specification with performance akin to a modern sports car. The all-alloy engine is equipped with direct injection, a bespoke camshaft and rebored cylinders for either 300hp or 340hp depending on specification.

To allow the new engine to perform more consistently at higher performance, there is an upgraded aluminum radiator with an oil cooler, as well as louvered bonnet and subtly redesigned vents and apertures. Power is delivered through a redesigned five-speed manual transmission. Each and every component has been carefully considered and thoughtfully designed for the best possible driving experience. 

The handling has been enhanced with reconfigured suspension all-round, employing double wishbones at the front, coilovers, tuned Bilstein shock absorbers and Eibach springs. It’s a far more modern package than the original car, which featured basic leaf springs on the rear axle. In fact, the rear axle set-up has been completely redesigned, and now incorporates a limited-slip differential. Four-piston vented disc brakes equip each wheel.  

From basket case Jaguar XK to European-specification Jaguar XK involves a process of over 5,000 hours, every stage driven by Thornley Kelham’s meticulous (and award-winning) attention to detail and applied across the entirety of the car from metalwork, paintwork (800 hours) to engineering, fine Connolly leather trimming and chassis set-up.  

For almost 15 years, the Thornley Kelham team have been masters of both authentic award-winning restoration work and bespoke, upgraded collector cars. From its 32,000sq/ft facility in the Cotswolds, UK, a talented team of over 30 has produced the Restoration of the Year-winning Bizzarrini 5300GT Strada, the London Concours ‘Best in Show’ Frazer-Nash BMW 328 and the Concorso d’Eleganza class-winning Lancia Astura Torpedo by Viotti.  

When customers require additional performance, they can turn to Thornley Kelham’s expert in-house engineering and engine-building team, who can imbue existing historic engines with incredible levels of performance. At the 2018 Le Mans Classic, for example, three cars—two Invicta S Types and a Lagonda—used engines prepared by Thornley Kelham engineers. One S Type produced double the output of the original engine, and the other the overall fastest nighttime speed of the race.   

To qualify as a member of the ‘European’ program, a project must bring together this world-class engine-building and chassis experience with decades of top-tier Concours-standard restoration expertise and a dedication to ultimate perfection.

In short, it must fulfill three key criteria: design, details and drive.  

Simon Thornley, co-founder of Thornley Kelham, said: “With our concours-winning restoration heritage and our years of experience in perfecting our bespoke Lancia Aurelia ‘Outlaw’ project, we have developed a team perfectly placed to design and engineer a car that reimagines automotive icons authentically, in intricate detail and with a fastidious attention to quality. The Jaguar XK European is, to our eyes, the most beautiful car yet in the restomod sector, backed up with expertise and experience in developing cars that aren’t just perfect in their finish, but thrilling to own and drive.

“The 1950s marked the start of a golden era in European car design. As the world emerged from the dark years of WW2, there was a quest—and a need—for light and joy; a passion to create and rebuild. In Europe, this resonated in the car industry. A new era began, driving exports, harnessing and refocussing the continent’s talents, and a new generation of sports cars emerged—in Britain the Jaguar XK120, Austin Healey 100, MGA and AC Ace, in Italy the Lancia Aurelia, Alfa Romeo 1900, models by Fiat, Ferrari and Maserati. German engineers developed the wonderful Porsche 356 followed by the majestic Mercedes 300SL. At Thornley Kelham, over a decade of working with, driving, and restoring these models to Concours-level standards, has honed our appreciation for these wonderful automobiles. Our deep experience of their beauty, engineering—and foibles—has also led to an evolution in our approach to them. And so, we have launched our ‘European’ division, our mission being to both pay tribute to their heritage, and to develop them to meet the demands of the 21st Century driver.” 

Development of the first Jaguar XK built to ‘European’ specification is already underway, with the first commission secured. Numbers will be strictly limited, with prices from £550,000 plus donor car depending on specification. 

headphones image by Alex Bogdan for use by 360 Magazine

Yarge – El Vuelo

Venezuelan artist Yarge released her latest single and music video, “El Vuelo,” a soft, melodic song about being in a long-distance relationship. See HERE.

A perfect blend of pop, R&B and hip-hop, “El Vuelo” showcases Yarge’s effortless voice and identifiable lyrics.  “The Flight” (English translation) is a story of two lovers who have been separated by living conditions, and captures the feeling of wanting to take a flight to see someone you love.

Yarge sings, “and let the bad be left behind / we no longer have to suffer / we are going to love each other and we are going to see each other / imagine that it happens like this”, asking to leave behind evil and suffering and imagine being together.

The music video was filmed in Caracas, Venezuela, and delves into the history of wanting to be with someone but not being in the same place. The video reflects images of Yarge and her lover doing FaceTiming and wishing to be together.

“For me, ‘The flight’ is so special for its lyrics and its rhythm, since when we started producing it I really wanted to give it that very marked R&B vibe… [but] as we were advancing with the beat we added hip hop and… [less] reggaeton.

Yarge is the first Latina woman to sign with United Masters and her first single with United Masters, “más de mi,” garnered more than 300,000 views in the first two weeks of release.

Yarge began by releasing covers on social networks, one of those covers being “Dile A El” by Rauw Alejandro, who showed his support. Yarge’s first single, “PICK UP,” featuring Ramon Vega with over 100,000 views and multiple viral videos on TikTok with over 800,000 views contribute to her success on TikTok with over 141,000 subscribers, and it continues to grow.

About Yarge

Yarge (born April 13, 2005 in Punto Fijo, Venezuela) is a singer-songwriter. From a young age, her parents pushed her to try different sides of the art world, however, her voice left everyone in the family speechless. In 2017, Yarge started posting small covers on social media, which gave her the opportunity to expand and start building followers on her own path Yarge is currently working on new music with her brother to be released at the UnitedMasters Team.

Magazine via 360 Magazine for use by 360 Magazine

ELLE Canada Spring Edition

KO Média is excited to unveil the Spring issue of ELLE Decoration Canada featuring the home of interior designer Arianna De Gasperis, who set out to capture the spirit of New York’s West Village within the calm environment of a Victorian-style property in Jersey City. “Once we got inside, the original staircase that was straight out of another era completely won me over,” says the Toronto-based designer and founder of And Studio. The home took nine long months to renovate, but De Gasperis insists the attention to detail was worth it. “Speeding things up can result in regret. Taming a space, and really taking the time to bring together all the elements that make sense to form a cohesive vision, is an essential part of the process.”

This edition is all about reimagining spaces. Architecture and design firm Campos Studio helps a family of five create a feeling of greater openness while preserving the historic charm of their Vancouver home. The duo behind Warren Garrett play with avant-garde accents to make the new Montreal residence of the Consul General of Belgium a space suitable both for welcoming distinguished guests and daily family life. The team at La Shed converts a Montreal Mile-End duplex into a single-family home that allows three retirees to live together while maintaining their privacy. Content creator Claude-Alicia Guérin-Roy, of the Conscience Coupable platform, shares the inspiration behind her daughter’s fairy-tale nursery.

They sat down with Los Angeles-based Canadian creative director Willo Perron to talk about his new line of custom furniture (his Pillo couch is arguably the ultimate place for a nap) and designing spaces for the likes of Rihanna and Jay-Z. French artisan and artist Helios Nasal introduced them to lime, a traditional material that offers a sustainable alternative to acrylic and latex. And Alberta entrepreneur Treana Peake inspired them to consume differently thanks to Obakki, a brand and philanthropic foundation built around real partnerships with local craftspeople.

In an attempt to discern what makes the perfect couch, they turn to three experts: Thien Ta Trung of Montreal’s Élément de Base boutique, Tim Zyto of Montauk Sofa, and Mjölk co-founder John Baker. In Newfoundland, the Fogo Island Workshops continue to make waves in the international design scene with the release of their latest collection; and an outward-looking design by Toronto-based architect Omar Gandhi makes panoramic coastal views the focal point of a Nova Scotia home.

For those seeking an escape, this issue proposes four not-so-humble abodes that capture the flavor of local life in the Bahamas, Portugal, Sweden and Puglia, Italy. Or, to keep things closer to home, we offer a roundup of candles with scents that can send you on a journey from the flower markets of Sri Lanka to the trails of Cootes Paradise along Lake Ontario.

The Spring issue of ELLE Decoration Canada will hit stands and Apple News+ on April 18, 2022

For You, Paige via Impact 24 PR for use by 360 Magazine

For You, Paige

For You, Paige, the first commissioned TikTok musical, will be performed live on stage in New York City and streamed globally, exclusively on TikTok, via the TikTok handle on April 14 at 7:00 p.m. ET / 4:00 p.m. PT.

Hosted by Andy Cohen (Bravo), and starring Roman Banks (High School Musical: The Musical: The Series) and Sri Ramesh (EarCandy), For You, Paige, was created by Daniel Mertzlufft as a follow up to his work on viral sensation, Ratatouille: The TikTok Musical. On this new production, Mertzlufft serves as executive producer, co-writer, composer, executive music supervisor and music supervisor, leading a team of incredible creators including co-writer Kate Leonard, songwriters Julia Riew, Katherine Lynn-Rose, RJ Christian, Blake Rouse, Morgan Reilly, Alex Engelberg, and Kate Leonard with orchestrations by Macy Schmidt, who also serves as co-executive producer.

Alongside Banks and Ramesh, the production stars Krystina Alabado as Kaia, and features James Henry as Tyler and JJ Niemann as Jarek, along with Aveena Sawyer, Alysia Velez, Fernell Hogan, Cori Jaskier, Max Antonio Gonzalez, Emily Stillings, Thursday Farrar and Paul Schoeffler.

Media.Monks, an international creative agency and innovation leader with 50+ talent hubs around the world, co-created the project with Mertzlufft and brought together an impressive team of Broadway creatives to bring the collective vision to life. Leadership from Media.Monks on this project is highlighted by executive producer Joshua Asen, and producers Danielle Dioguardi and Jessica Norton, with support from Global Head of Entertainment Eric Shamlin.

Mertzlufft was inspired by the extensive musical theater community on TikTok to develop For You, Paige, collaborating with creators from all over the world to build this show.

“The way theater is being created and consumed is changing,” shared Mertzlufft. “We are now able to give theater access to people across the globe through their screens, and TikTok is the perfect platform to empower this. It’s not about follower count, it’s about the work you are putting out there. It’s so exciting to constantly see new voices emerge from this platform, and even more exciting to see TikTok not only acknowledge that community but embrace it. I hope For You, Paige serves as a love letter to all of those people.” 

In a story inspired by real TikTokers, teenage music nerd Landon (played by Roman Banks) collaborates with his best friend Paige (played by Sri Ramesh) on a TikTok song inspired by her favorite book series. Landon’s TikTok goes viral, thrusting him into the spotlight—leaving Paige behind. When a producer offers Landon the opportunity to adapt the book series into a musical, Landon discovers that the glory of doing it all himself isn’t worth the stress and enlists the help of Paige and the TikTok community to turn the show into a huge success.

This production follows the wildly successful Ratatouille: The TikTok Musical, which raised over $2 Million for The Actor’s Fund and provided a sense of hope and excitement amidst a challenging time for theater during the pandemic. 

Behind the curtain, returning artisans and craft leads include co-EP, executive music producer and music director Macy Schmidt, a 2022 Forbes 30 Under 30 honoree, and her Broadway Sinfonietta, the acclaimed all-women, primarily women-of-color orchestra, which recorded the score for the show.

For more on the For You, Paige musical, follow Daniel Mertzlufft and TikTok

Preakness Live via Vanessa Menkes for use by 360 Maazine

Preakness LIVE Festival

1/ST EXPERIENCE, curators of world-class entertainment and hometown hospitality for Preakness 147, announces a collaboration with Baltimore’s own Kevin Liles, CEO and Chairman of 300 Entertainment and Elektra Music Group, to launch Preakness LIVE Culinary, Art & Music Festival as part of an expanded Preakness entertainment and cultural celebration set to take place on Black-Eyed Susan Day, Friday, May 20. The festival is just one part of 1/ST’s new long-term campaign, Baltimore 1/ST, kicking off this year. 

In consultation with Baltimore Mayor Brandon Scott and in collaboration with Baltimore notable Kevin Liles, Preakness LIVE will be the first event to take place as part of Baltimore 1/ST, a holistic new campaign that heralds the Preakness’ lifelong home and represents a commitment from 1/ST, owner and operator of the Preakness, to support and build on the optimism and enthusiasm for the future of the city.  Baltimore 1/ST will champion the race’s connection to Baltimore by leveraging the Preakness platform to highlight and impact local culture year-round across the pillars of music, art, fashion, culinary, sports and community, featuring both international and local Baltimore talent.

“I am incredibly excited about this new collaboration being led by a true son of Baltimore. This will not only improve the Preakness experience, but also support and elevate Baltimore culture through art, sports, fashion and food year-round,” said Mayor Brandon M. Scott.”I look forward to the profound impact this new focus on Baltimore art and culture will have on our city’s next generation of creative minds. I want to thank Kevin Liles, 300 Entertainment and Elektra Music Group, and 1/ST EXPERIENCE for their investment in our city and it’s unique cultural fabric.”

Taking place in the iconic Pimlico Infield, Preakness LIVE will feature performances by GRAMMY Award winners Ms. Lauryn Hill and Megan Thee Stallion, NAACP Image Award winner D-Nice and Baltimore-bred talent including rising singer Brittney Spencer, Darin Atwater and The Soulful Symphony, plus a performance of “The Star-Spangled Banner” by WanMor and more. Local talent will also perform on the Charm City Stage throughout the evening. Preakness LIVE is produced in collaboration with Karlitz & Company.

“Baltimore is more than a city, just as Preakness is more than a race,” said Kevin Liles, CEO and Chairman of 300 Entertainment and Elektra Music Group. “What we’re building with Preakness LIVE is a movement, not a moment. As a native son of this great city and a life-long fan of Preakness, I’m so proud to help bring an event of this scale and scope home, creating a cultural milestone both for residents and visitors rediscovering Baltimore’s charms.”  

Celebrity chefs Tom Colicchio, Marcus Samuelsson, Gail Simmons and beloved Baltimore chefs Saon Brice of BLK Swan and Mario Moise of Bar ONE will perform culinary showcases on the main stage. Chefs Colicchio, Samuelsson and Simmons will collaborate to develop unique offerings for guests in the Finish Line Suites, Turfside Terrace and the Home Stretch Pavilions. Preakness LIVE will also debut Restaurant Row, made up of a diverse group of local eateries featuring regional culinary delights serving fans on both Black-Eyed Susan Day and Preakness Day.

Baltimore’s vibrant art scene will be given a showcase in the Pimlico infield during Preakness weekend with unique installations throughout the art garden, curated by acclaimed Baltimore multidisciplinary artist and founder of “The Last Resort Artist Retreat” Derrick Adams. The art garden will display works from a multitude of local artists as well as entrants of the Preakness 147 Art of Racing campaign, among other exciting activations. 

To further connect the Preakness weekend celebrations to Park Heights, Park Heights Renaissance will sponsor and lead the first annual George “Spider” Anderson Preakness Music and Arts Festival in recognition of the first African American jockey to win the Preakness Stakes in 1889. The day-long festival on May 21st will feature live music, arts & crafts, the days’ races live-streamed, top food trucks and will highlight community businesses and partners.  

Park Heights Renaissance Executive Director Yolanda Jiggetts says, “We are committed to engaging the community in the history of Preakness. This will be a celebration of the Preakness in a way that’s groundbreaking and we hope connects residents and local businesses like never before. 1/ST continues to show its commitment to strengthening its reach in the community through its growing relationship with Park Heights Renaissance.” 

During the third running of the George E. Mitchell Black-Eyed Susan Stakes, the recipient of the George E. Mitchell Park Heights Community Fellowship Grant, awarded by Park Heights Renaissance, will be recognized with a special presentation from the Winner’s Circle. The iconic race was renamed in 2020 to highlight the extraordinary legacy of Mitchell himself and to create a platform for the recognition of those in the Park Heights community who share in Mitchell’s vision and leadership towards revitalization of the Park Heights community.

“The Preakness 147 celebration, including everything we are doing on Black-Eyed Susan Day and on Preakness Day, will bring together entertainers, artists, lifestyle, hospitality and culinary leaders, and the community for weekend of events that will put Baltimore front and center,” said Jimmy Vargas, CEO, 1/ST EXPERIENCE. “We are thrilled to be working with Mayor Scott, Kevin Liles, Yolanda Jiggetts and some of the city’s top cultural shapeshifters to reaffirm and evolve the connection between the Preakness and the people of Baltimore.”Tickets for Preakness LIVE go on-sale April 13th and range from $49-$175. These and other Preakness weekend tickets can be purchased online by clicking HERE.  As part of the ongoing partnership between 1/ST and Park Heights Renaissance, tickets for Preakness LIVE and for InfieldFest will be distributed to the Parks Heights community through Park Heights Renaissance.

KEM stuck on you via Universal Music Group for use by 360 Magazine

KEM – Stuck on You

Three-time GRAMMY Award-nominated multiplatinum 21st century R&B icon KEM returns to the #1 spot on R&B radio this week! His critically acclaimed new single, “Stuck On You” captures #1 at R&B radio, marking his eighth career #1 record. Affirming his place at the top once more, this milestone extends his incredible legacy, which remains one of the most storied and influential in modern soul and R&B. Listen to “Stuck On You” HERE. Watch the music video HERE.

The music video has impressively racked up 4 million Facebook views and nearing a million YouTube views, while the song has generated millions of combined streams and counting. Rated R&B raved, “He’s still a force to be reckoned with when it comes to love songs,” and Soulbounce declared, ” ‘Stuck On You’ finds the singer absolutely smitten with his special someone. He expresses that sentiment over a perfectly adult contemporary groove full of quiet instrumentation and led by a guitar melody that expands as the song progresses.” YouKnowIGotSoul plugged the track, and ThisisRnb summed it up best as “Good ole fashion R&B music, perfect love and baby-making music, and right on time for Valentine’s Day.”

Right now, he is headlining “The Full Circle Tour” with none other than 12-time GRAMMY  Award-winning legend Kenny “Babyface” Edmonds and three-time EMMY  Award-nominated actress, comedian, author, host and television personality Sherri Shepherd joins as the evening’s host. It stands out as KEM‘s biggest and boldest North American tour to date. “The Full Circle Tour” is rolling through arenas across the continent and concludes at Oakland Arena on May 15, 2022. It notably marks the first tour between KEM and Babyface, uniting two R&B titans for one unforgettable run.

Get ready for more from KEM in 2022.

About KEM

Nashville-born and Detroit-raised singer, songwriter, and producer KEM remains one of the most vibrant and vital voices in 21st century R&B. His catalogue comprises classics such as the gold-certified Kemistry (2003), the platinum-certified Album II (2005), and the gold-certified Intimacy: Album III (2010). Meanwhile, Promise To Love (2014) marked his second #1 debut on the Billboard Top R&B Albums Chart and third consecutive Top 5 debut on the Billboard Top 200. He has sold out shows worldwide and gathered hundreds of millions of streams. He reached another critical milestone with 2020’s Love Always Wins, setting the stage for more to come.

Truman NFT via Pace Public Relations for use by 360 Magazine

How the Metaverse Could Save Cultural Institutions

By: Chris Cummings, CEO & founder of Iconic Moments

Museums and cultural institutions are in trouble. At the onset of the COVID-19 pandemic, these institutions learned that the typical business model of earning revenue through in-person ticket sales, event rentals and once-a-year galas was too fragile to be sustainable. In March 2020, it was estimated that 15 percent of the world’s museums would be forced to permanently close. By spring 2021, this number reached 37 percent, and today, 25 percent of U.S. museums have less than four months of funding to survive.

So how can the ‘Metaverse’ help? The ‘Metaverse’ provides cultural institutions a way to step outside the traditional four walls, providing them with the tools to explore and expand their reach in a digital environment. The result? Increased revenue and a chance to avoid permanent closure. 

What is the ‘Metaverse’?

The ‘Metaverse’ refers to a host of virtual worlds encased in a technology called blockchain. And while the ‘Metaverse’ is referred to as an ‘emerging’ space, it’s simply a rehash of a concept that has been around for a long time: a virtual world that includes the ability to create a virtual self and interact with others in this world.

The ‘Metaverse’ became increasingly important during the COVID-19 pandemic as audiences turned to digital worlds rather than the physical. And although much of the world is living in some sort of ‘post-pandemic’ society, the use of virtual worlds (and ‘Metaverses’) can continue to encourage engagement in new ways.

‘Metaverses’  function using blockchain technology, a distributed digital database that stores information about any transaction that’s taken place in its network. A Non-Fungible Token (NFT) is a type of token exchanged within this network that can store information about assets such as artwork or artifacts. We can use this distributed database as a resource to authenticate tokens and identify who owns a particular NFT—which is really just a receipt or certificate of ownership. A blockchain provides a decentralized means to store these receipts. 

‘Metaverses’ provide a playground in which to display and exchange NFTs. These NFTs could represent digital assets, such as pieces of virtual land or artworks that could be displayed in a virtual gallery. In other words, ‘Metaverses’ present NFTs in their natural (digital) environment.  

Solving A Problem

The ‘Metaverse’ allows us to create a new model to support the culture & heritage industry. Through it, heritage organizations, museums and cultural institutions can engage new stakeholders digitally, while showcasing the stories of archival assets, creating sustainability within the industry and preserving history permanently on the blockchain.

This combination of digital ownership and online interaction highlights an opportunity for museums. Iconic Moments guides cultural institutions into this space by asking them to rethink the museum experience and provide a new digital and creative environment for audiences to explore the collections.

We also support cultural institutions in creating an alternative dynamic revenue stream through NFTs. This will give institutions the much-needed income lost during the pandemic. NFTs will also provide audiences with a way to own and interact with different pieces of history and culture.

Two examples of cultural institutions and organizations looking to the ‘Metaverse’ to generate revenue through NFTs are the National Broadcast Museum in Chicago and the Universal Hip Hop Museum planned for Brooklyn. The National Broadcast Museum holds assets of the most meaningful moments in television and radio in our country’s history. Iconic Moments is working with this museum to create NFTs of significant broadcasts that can be sold to patrons and consumers, such as President Truman’s radio address announcing the end of World War 2. 

Meanwhile, Iconic Moments is working with the Universal Hip Hop Museum to explore alternative methods of fundraising, as this much talked about institution is employing an NFT campaign to raise the capital needed to build the museum. Because Hip Hop is itself a multifaceted experience involving both music and art, the NFT is an ideal format.

As the museum industry continues to explore the ‘Metaverse’ and benefit from NFT technology, consumers will find new ways to engage with the culture and history that is meaningful to them while providing much-needed financial support to the institutions they cherish.