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5G Illustration by Heather Skovlund for 360 Magazine

Huawei Tops Share of 5G Devices

Huawei tops share of active 5G-ready devices globally with Samsung, Apple lagging behind

Data analyzed by Finbold indicates that Chinese firm Huawei is leading in active 5G-ready devices with a share of 26.9% globally during Q4 2020. Samsung ranks second with a share of 25.1%, while Apple accounts for 19.5%. Vivo, another Chinese firm, controls a share of 11.8%, with Honor accounting for 6.9% of the active 5G-ready devices. The Finbold analysis also compared the share of 5G-ready devices between Samsung and Huawei from August 2020 to December 2020. The findings show that Samsung dominated the share for the four months before December.

In August, Samsung’s share was 45.2% against Huawei’s 10.2%. As of September, the South Korean manufacturer share increased to 48.1%, with Huawei accounting for 10.1%. The dominance continued in October, with Samsung taking a share of 48.6% while Huawei accounted for 9.5%. In November, both players saw their active 5G-ready devices share drop as Samsung accounted for 44.9% against Huawei’s 8.6%. As of December, Huawei flipped the status to rank top at 27%, with Samsung accounting for 25.1%.

 Huawei leverages on pandemic to emerge top

The report explains circumstances that potentially contributed to Huawei emerging as a dominant force in active 5G-ready devices. According to the research report: “Like other industries, most of the manufacturers were impacted with Covid-19 disruption that affected global supply. However, Huawei appears to have sustained the downturn after China controlled the pandemic early, unlike competitors in the west which entered the pandemic’s second wave towards Q4.”

The growth of Huawei might soon be challenged since competitors are increasingly launching new 5G devices. For instance, Apple, with just one active 5G-ready device, ranked third.

 Read the full story with statistics here.

 

Passport illustration by Heather Skovlund for 360 Magazine

Airlines Urged to Issue Refunds

Consumer Reports & PIRG Urge Airlines to Provide Full Refunds for Flights Canceled During Pandemic as Voucher Expiration Dates Approach

Groups Call for Airlines to Extend Voucher Expiration Dates Through At Least End Of 2022

With the one-year anniversary of the nationwide COVID-19 lockdown approaching, Consumer Reports and U.S. PIRG sent a letter to ten domestic airlines today calling on them to provide full refunds to consumers whose flights were canceled or affected by the pandemic.  At the very least, the consumer groups are urging airlines to extend the expiration dates for vouchers they issued for canceled flights to the end of 2022 or longer.

“Millions of Americans who booked flights in good faith in 2020 were prevented from flying because of government lockdowns and safety concerns brought on by a once-in-a-century global pandemic,” said William J. McGee, Aviation Adviser to Consumer Reports.  “The airline industry has received very generous support from taxpayers while stiff-arming its customers and treating their hard-earned dollars as interest-free loans.  It’s time to provide consumers with the long-overdue refunds they rightfully deserve.”

The consumer groups’ letter notes that complaints to the U.S. Department of Transportation about airline refunds have jumped dramatically over the past year.  In 2019, consumers submitted a total of 1,574 complaints about refunds to the DOT.  Last year, that number increased 57-fold to 89,518 refund complaints.

Consumer Reports has been contacted by numerous customers frustrated that they couldn’t get a refund during lockdowns and who are concerned that they might not be able to travel before vouchers expire. An analysis by TripAction, a travel management company for businesses, found that 55 percent of vouchers for unused tickets will expire in 2021, and 45 percent will expire in 2022.

Many passengers were prevented from flying because of government restrictions, public health notices, or serious medical conditions that made flying during the pandemic unsafe. Far too many of the trips they booked will never happen, due to the cancellation (not postponement) of conferences, conventions, weddings, graduations, and family reunions.

While passengers on flights canceled by airlines are entitled to a full refund under federal law, a congressional analysis found that some carriers offered vouchers as the default option, requiring passengers to take extra steps to get a cash refund. Many airlines waited until the last minute to cancel scheduled flights, prompting concerned passengers to cancel their tickets and forfeit their legal right to a refund.

“It’s insulting and unfair that airlines haven’t offered refunds to all customers affected by the pandemic,” said Teresa Murray, Consumer Watchdog Director for U.S. PIRG. “Consumers certainly couldn’t have foreseen a once-in-a-lifetime global crisis. Our research has shown that travelers whose plans got canceled have to wade through refund policies likely written by a team of lawyers. They’re faced with figuring out the difference between a flight credit or a trip credit or a travel voucher and similar offers the airlines make to avoid giving people easy-to-understand cash in their pocket.”

A Consumer Reports review of airline voucher policies found nine different policies among ten different airlines.  Many of these policies are hard to find on airline websites, and the airlines’ descriptions of their policies can be quite confusing and at times contradictory, based on conflicting rules for various dates of booking, travel, and cancellation. The consumer groups’ letter was sent to the CEOs of the following scheduled airlines: Alaska Airlines, Allegiant Air, American Airlines, Delta Air Lines, Frontier Airlines, Hawaiian Airlines, JetBlue Airways, Southwest Airlines, Spirit Airlines, and United Airlines.

Lisa Bonet & My-Lihn Le illustration by Heather Skovlund for 360 Magazine

My-Linh Le × Lisa Bonet

The Museum of Wild and Newfangled Art Announces Avant Premiere of Groundbreaking Street Dance Turfing Film, MUD WATER, by My-Linh Le, with Pre-Show Teaser “Freedom Music” Video by Lisa Bonet

mowna hosts an exclusive online Avant premiere event for their Opening Show featuring trailblazing cinematic, dance, & music artists on March 26-27, 5:30 pm PT/8:30 pm ET as a warmup act to their Online Biennial opening on April 30th, 2021

Click here to experience the MUD WATER official trailer

NEW YORK (March 9, 2021) – The Museum of Wild and Newfangled Art (mowna), a newly opened online museum specifically designed for the digital age,  announces the Avant Premiere special event as part of mowna‘s Opening Show, which will feature the world debut screening of MUD WATER, a coming-of-age dance film starring Xavier Days, written and directed by My-Linh Le, and “Freedom”, a cutting-edge music video directed by Lisa Bonet featuring Dorothy and Angel Haze and an extremely talented, award-winning ensemble of talent, in front of and behind the camera.

The Avant Premiere is a VIP event for mowna members and MUD WATER Kickstarter supporters and is a prelude to the 2021 mowna online Biennial, which opens on April 30, 2021, and runs through September 22, featuring 100 international artists across all art mediums.

The Avant Premiere event takes place on Friday, March 26, 2021, at 5:30 pm PT/8:30 pm ET for VIPs, the press, and festival presenters, and Saturday, March 27, 2021, at 5:30 pm PT/8:30 pm ET for museum members. For more information on how to become a member to secure tickets, please click here.

mowna’s Avant Premiere MUD WATER event features Women Filmmakers

The Avant Premiere opens with the “Freedom Music” video by Lisa Bonet, followed by an introduction to MUD WATER by the filmmakers, the world premiere screening of the film, and a Q&A with directors, crew & cast including My-Linh Le, and star Xavier Days. The event will culminate in an afterparty in the mowna party room.

MUD WATER

Weaving together myth, movement, and snapshots of real life, MUD WATER is about a crew of turfers preparing for an upcoming dance battle and a man in search of his shadow.  The cast of Mud Water consists entirely of real dancers who are recognized in the turfing community as well as globally in the world of freestyle dance. Main actors Yung Phil (Turf Feinz), Dopey Fresh, Intricate, and No Name – who play themselves – are local turfers from Oakland, San Francisco, and surrounding areas.

“Getting an Avant premiere with mowna feels like one of those really lucky, synergistic moments that we’ve had throughout the making of this film. For one, I love that we’re on the same page about being ambitious and daring in our experimentation while sticking closely to authenticity. mowna and MUD WATER are of the same kind: we don’t care about high horses or usual ways of doing things, we’re just here to make the time of our lives, blowing past expectations,” said director, My-Linh Le.

Click here to experience the official MUD WATER trailer.

Freedom Music

The Freedom Music video, by Lisa Bonet, is a part of the #FreedomRemix movement, made by a predominantly female crew and features over 100 women of all ages celebrating liberation, by Dorothy, featuring Angel Haze. The project is directed by Lisa Bonet and produced by We Are Hear. Executive Producers include Linda Perry and Kerry Brown.

“This was a beautiful collaboration of dance activism. We have here, the power of women assembling, dancing, celebrating ~ protecting…the joyful participation in the sorrows of the world. The way forward is through paths yet known. Carrying in our hearts, Above All Do No Harm. We must teach this to our children. We come fierce, like mama rhino guarding her young, all the while feeding our Joy. We sway to the songs of our ancestors.” said Lisa Bonet. 

mowna Membership Made Easy and Affordable

Members of the Museum of Wild and Newfangled Art (mowna) provide support for the museum’s mission, helping to sustain mowna and supporting artists to live their lives and make their work. Membership to mowna has purposely been made affordable and accessible so members are able to enjoy free admission, access to the collection, and special events: meet the artists, curator talks, parties, mowna founders’ chats, and more. Membership to mowna is $15/month and can be canceled at any time.

70% of member contribution pays the artists for their work. The other 30% pays for the creation of the site and the curation of the work.

Click here to become a mowna member

About the 2021 mowna Online Biennial 

The deadline for submissions for the 2021 mowna Online Biennial has been extended through March 16, 2021.  For submission guidelines, please click here. 

As large institutions cancel shows, the art that is being made currently will not be seen, might be lost, or perhaps considered irrelevant by a show that is scheduled as far off as 2022. The pandemic has forced art institutions to reassess their business models and ethics and address the inequality that exists within the art world. Some venues have shut down permanently, others struggle to stay afloat. With all of this going on we are currently witnessing a two-year gap in the art world’s exhibition schedule. The Museum of Wild and Newfangled Art addresses this crisis through hosting the 2021 mowna Online Biennial through their humane platform facilitated by a sustainable business model that exhibits and supports a diverse range of art and artists right now. The 2021 mowna Online Biennial opens April 30th, 2021, exhibiting an international pool of 100 artists. This is mowna‘s largest show of the year showcasing international art made in 2019 – 2021. The Biennial includes all forms of art, inviting artists to consider new ways to exhibit their work online and to consider how artwork translates through mowna’s digital platform.

mowna is currently receiving a constant stream of submissions for the Biennial, with 42 countries represented so far. Because of the traction, the call for submissions for the 2021 mowna Biennial is extended through March 16 and may include interactive experiences, movement, abstract, play, sound, street, fashion, animations, live performance, photography, illusions, nature, software, video art, memes, writing, bots, gifs, vr, ar, xr, painting, sculpture, sketches, theater, poetry, opera, cinema, and other creative things only you can dream up.

Official artist selections for the 2021 mowna Online Biennial will be announced on April 9, 2021, and the opening party will take place on April 30, 2021.

About mowna

mowna seeks to create an ever-changing, fun, thoughtful, beautifully designed space to encourage awareness and mindfulness through the exhibition and experience of art and serves the public’s need for art for the highest good of all.  By addressing the current needs of not only the artist but also the audience, mowna is breaking barriers within the global art community.

mowna offers the preservation of artworks through an online collection that is an educational resource and archive for its members and its artists, and aims to find, display, and support wild and newfangled art through the incorporation of innovative new technologies and ways. mowna provides artists with financial compensation for their art and expands awareness of their talents via a sustainable platform where they can flourish.

Lotus Type 49 illustration by Heather Skovlund for 360 Magazine

Remixing Lotus Type 49 Sounds

The sounds of Evija: British music producer

remixes iconic Lotus engine note for EV hypercar

  •  Patrick Patrikios works with world-famous artists and on Hollywood movie soundtracks
  • Lotus Type 49 provides inspiration for Evija soundscape to create a blueprint for the company’s future electric cars
  • Patrick explains creating the sounds of the Lotus Evija on YouTube and at the Lotus website

Lotus is working with a renowned British music producer, inspired by the engine note of the iconic Type 49, to develop a range of sounds for the all-electric Evija hypercar. Patrick Patrikios has written and produced for Olly Murs, Sia, Britney Spears, Pixie Lott, and numerous other world-famous stars. He was Brit Award-nominated in 2018 for his collaboration with Little Mix, and the tracks he’s worked on have been streamed more than a billion times. “We wanted to create a soundscape for the Evija that was recognizably and distinctively Lotus,” said Patrick. “I sat with the development team at Hethel and discussed what that should be. We wanted something intrinsically connected to Lotus so we could set an audio blueprint for its future electric cars.”

Patrick loved the idea of using a famous Lotus as a starting point, and what better example than the Type 49 – one of the most iconic race cars of all time. He explained: “There’s a purity to that V8, a raw edge and an emotion that stirs something in your soul, just like the best songs.” The process began with the recording of a Type 49, which Patrick fed into his computer. In digitally manipulating the sound he and the Lotus team realized that slowing the engine note down created a similar frequency to the natural driving sound produced by the Evija’s advanced all-electric drivetrain.

“I adjusted the replay speeds and digital filtering of the Type 49 to generate a soundscape for the Evija – it was a very organic process,” said Patrick. “We all wanted something to spark an emotional connection between car and driver. Sound is hugely influential when it comes to creating and forming emotions, to enrich that bond that’s such a critical part of the Lotus experience.” Patrick concluded: “I love that the sound from one of the most iconic Lotus race cars of all time has been the inspiration for its newest. There’s a symmetry to it which is beautiful.”

Welshman Patrick has been a Lotus fan since childhood thanks to his car-loving father. An Evora driver, he splits his time between Los Angeles and the UK. His body of work includes Hollywood movie soundtracks as well as songs from internationally renowned recording artists. Patrick’s primary task was to craft the Evija’s external noise as it begins to deliver its immense ‘0-186mph (300km/h) in under nine seconds’ acceleration. However, using the Evija soundscape he created, he has also developed chimes and tones for everything from the activation of the indicators to the seatbelt warning. Few race cars from any motorsport brand are as celebrated as the Lotus Type 49. It won on its first Formula 1 outing, the 1967 Dutch Grand Prix, with legendary driver Jim Clark at the wheel, and a Type 49 was on pole position at every race for the rest of the season. The following year Graham Hill won the F1 Drivers’ Championship in a Type 49. Only 12 examples were ever made, and the car will be forever associated with two world debuts. The Type 49 was the first to use the all-new Lotus-developed Cosworth-Ford DFV engine that would dominate the Formula 1 grid for more than a decade, and it also marked the first appearance of the iconic red, white and gold colors of Lotus sponsor Gold Leaf, one of the most recognizable motorsport liveries of all time.

Lotus Type 49 image by Lotus
Lotus Type 49
Auction illustration by Heather Skovlund for 360 Magazine

Hollywood × Music Auction

RARE 1968 CHERRY RED HAGSTROM VIKING II GUITAR PLAYED BY ELVIS PRESLEY IN THE LEGENDARY “1968 COMEBACK TV SPECIAL” HITS THE AUCTION BLOCK AT KRUSE GWS AUCTIONS

 The Artifacts of Hollywood & Music Auction is one of the Most Historic Entertainment Memorabilia Auctions to Date. Exclusive Offerings Featured in the sale include Iconic Personal Items from Eric Clapton, Elizabeth Taylor, The Beatles, Janis Joplin, Marilyn Monroe, and Extremely Rare 16mm Film Reels from Woodstock

1950 Cadillac Fleetwood from “The Godfather” Commences a Large Collection of Iconic Cars from Film and Television

Dressed in black leather with his guitar strapped across his chest, Elvis Presley strolled on stage in 1968 to perform in what would become his legendary TV Comeback Special. It was here that the King reclaimed his crown in one of his greatest performances of all time. With Kruse GWS Auctions’ long-standing reputation for offering the most iconic Elvis Presley memorabilia and producing record-breaking auctions in entertainment memorabilia, fine jewelry, iconic fashion, and Royal artifacts, the auction house will exclusively offer the incredible Elvis Presley 1968 Comeback Special Cherry Red Hagstrom Viking II guitar at the Artifacts of Hollywood & Music Auction to be held on Saturday, March 27, 2021 beginning at 10:00 a.m. P.T.

The Hagstrom Viking II guitar was played by the King of Rock and Roll, on December 3, 1968, on NBC Television. This marked the superstar’s return to live performance after seven years when his career was centered on the movie business. The guitar is cherry red with a majestic mother of pearl inlay and is also pictured with Elvis on the cover of his RCA album “From Elvis in Memphis.” There is no other guitar in Elvis Presley’s history that stood for a more monumental moment. The sheet music from the TV special will also be included in the auction. (photo right: Elvis Presley Hagstrom Viking II guitar)

The original special came together when Presley’s manager Col. Tom Parker and producer Bob Finkel formulated a strategy for Presley’s return to live touring. The tour’s launch began with The International Hotel in Las Vegas. The guitar has been exhibited at the Rock and Roll Hall of Fame Museum and has been in the same collection for almost 30 years.

Of other major historical proportions, there is a once-in-a-lifetime opportunity to own a varied collection of original 16mm workprint film reels from the 1970 Academy Award-winning Woodstock documentary by Michael Wadleigh. For 50 years, the film has been the primary reference for pop culture historians. It has been deemed as one of the most important films of the era and is revered as such to this day. The lot gives an authentic snapshot of what occurred at Max Yasgur’s field and an extraordinary offering of music’s most celebrated event.

Film and Television Cars included in the auction include:

  • The 1950 Cadillac Fleetwood from the iconic film “The Godfather” and originally owned by Mae West
  • The 2006 Dodge Viper SRT One-of-a-Kind Bravado Banshee from “Grand Theft Auto V”
  • The 1993 Ford Explorer from “Jurassic World: Fallen Kingdom”
  • The 1974 Ford Falcon XB Interceptor from “Mad Max Style”
  • The 1964 Leslie Special from “The Great Race” and others.

From the monumental to the unexpected, the auction celebrates some of the highest-grossing films in entertainment history, music’s most memorable moments, and personal items from screen goddesses and award-winning actors.

“Kruse GWS Auctions is beyond thrilled to exclusively offer one of the most iconic guitars from Elvis Presley’s career – The 1968 Comeback TV Special was groundbreaking for Elvis and was a moment where he solidified and carved out his place in music history. This was truly “Elvis Un-Plugged.” I have dreamed of selling this iconic piece of history for as long as I can remember. This guitar played such a significant role in Elvis’ career and the world once again proclaimed him as the “King,” after his unforgettable performance. Along with many other exceptional artifacts like the original Woodstock film reels, iconic movie, and TV cars as well as other items from the world of music and entertainment, this guitar truly stands alone as one of the most important historical items we have had the honor and privilege of selling.” – Dame Brigitte Kruse, Founder, and Lead Auctioneer, Kruse GWS Auctions.

The Artifacts of Hollywood & Music Auction marks the first celebrity memorabilia auction for Kruse GWS Auctions of 2021. Additional highlights include Elvis Presley’s personally owned Solid 14K Yellow Gold and Blue Enamel TCB Necklace; Elizabeth Taylor’s personally owned pair of drop earrings, blue and white rhinestone brooch and necklace; Marilyn Monroe’s personally owned watch; Michael Jackson’s personally owned Western shirt and much more.

To register for the Artifacts of Hollywood & Music Auction please visit this link

 View The Artifacts of Hollywood and Music auction catalog

 

Pandemic Real Estate Trends

5 Massive Real Estate Trends Created by the Pandemic

By: Polina Ryshakov, Director of Valuation at Sundae

Coronavirus has had a huge impact on a number of demographic and home buying and selling trends. Here are 5 of the most noteworthy shifts. The coronavirus pandemic upended daily American life in countless unpredictable ways. Real estate was no exception. Some of the ways in which the pandemic affected housing reshape how we think about homeownership and hint at larger economic shifts down the line.

First-time buyer demographics prior to 2020

The median age of first-time homebuyers was around 33 before the pandemic started. This is the oldest age recorded since 1981 when the median age of first-time homebuyers was 29. As homeownership is commonly considered a gateway to wealth creation and a key piece of the American dream, an older average first-time buyer age could reflect a lack of economic opportunity for young people. Over the past few decades, there were several factors behind the extra four years it takes on average to buy a first home.

Contributing factors include:

  • A skyrocketing increase in college tuition
  • Delay in household formations (i.e., having children later)
  • Rapid home appreciation causing a lack of affordability
  • Other key demographic trends predating the pandemic

The median age of repeat buyers increased even more rapidly between 1981 and 2020, going from 36 to 55. As with first-time home buyers, multiple interesting factors drove this trend. For example, some studies claim that baby boomers prefer to age in place, identifying 3.6 million unoccupied rooms owned by baby boomers, thus contributing to the housing shortage.

But it’s not that simple.

Since 1980, wage growth hasn’t kept up with inflation for over 50% of American workers. Meanwhile, the dot.com bust and the Great Recession dropped S&P levels 43% and 48%, respectively, which also reduced home equity at a similar level. These essentially trapped boomers because they owed more on their homes than they could get for them, while at the same time suffering hits to their overall wealth. The Great Recession also created an opportunity for older Gen Xers and boomers with cash to purchase investment properties. As home prices dipped following the bubble bust, Americans seized their chance to buy properties for passive income, and with more distressed properties for fix and flip opportunities, real estate became a more popular way for people above-median home-buying age to create wealth, thus contributing to the increased repeat buyer age. The biggest jolt in demand is yet to come

The largest age bracket among millennials, which adds up to nearly 10 million people, has been turning 30 over the last two years. This is the milestone age of starting a family and buying a home; their home-buying appetites are already starting to show. According to the NAHB Trends Report, between the fourth quarter of 2019 and that of 2020, the number of millennials and Gen Xers actively searching for a home increased dramatically, from 46% to 65% and 43% to 57%, respectively. The relative numbers of Gen Zers and boomers remained essentially flat, with 42% and 32% looking for a home, respectively. With this demographic backdrop, and the continuing economic and social fallout from the coronavirus, what are we likely to see over the remainder of 2021 and beyond?

Trend #1: Median age of first-time homebuyers will decline

Millennials’ desire to own a home has been long debated. A number of long-term trends put millennial homeownership on the backburner:

Interestingly, the COVID-19 pandemic created an attractive new opportunity for this demographic cohort. Several things came together: immediate demand for more space with the need to work from home, record low-interest rates that translate to lower monthly mortgage payments, and the last piece of the puzzle, increased savings. While staying home, there is no need to buy new clothes or daily Starbucks. There is no going out after work or on weekends, and a lot less travel, for work or pleasure. In fact, the virus even put a pause on paying off college debt, since it became a COVID-19 Relief option. The bottom line is that more people will have the ability and interest to buy a house, sooner than they were before.

Trend #2: Median age of repeat home buyers will decline

The median age of repeat home buyers is likely to decline immediately post-pandemic but will revert to the pre-pandemic increasing trend quickly. The average tenure of homeownership continued to increase and was over 8 years at the end of 2020, up from 4 years in 2007, before the Great Recession. Assuming the median age of the typical “move up,” or second-time home buyer is roughly 40 years old (given the simple math of 33 + 8), a median repeat buyer age around 55 means that a lot more people in their 50s, 60s, and 70s are acquiring third, fourth, or even fifth properties. One of the factors behind the dramatic age increase in repeat buyers since 1981 is the growing popularity of real estate as an investment. During the Great Recession, mom and pop investors who had cash and solid credit were able to build their rental income portfolios by capitalizing on depressed home prices and strong rental demand from distressed homeowners.

Another factor is the baby boomer generation born between 1940 and 1964 has been downsizing. According to the latest Census data, many baby boomers will be single in retirement. Almost a third of men and over half of women are unmarried at 65 or older. With the onset of the pandemic, city dwellers who could work remotely and whose kids started going to school virtually began looking for bigger houses and open spaces in rural areas. With interest rates at historic lows, amid the pandemic, it became a strangely perfect time to buy a dream vacation home away from major Metropolitan Areas. The annual rise in second-home mortgage applications is more than double the increase in mortgage applications for primary homes, with demand-driven primarily by families with kids. Aside from vacation homes, working, learning, dining, working out, and self-entertaining at home created the need for more space and put a larger value on the fourth bedroom or larger back yard.

Trend #3: Length of the home search process increased and will keep increasing

Lack of supply sets the trend for buyers to view fewer homes while the home purchase process itself is increasing. Tight inventory results in fewer homes on the market and buyers must search longer for the right home. With fewer homes available, there are fewer homes that fit the buyers’ requirements coming on the market. On top of that, in the Housing Trends Survey the number one reason 40% of home searchers cited, is being outbid by other offers as opposed to not being able to find an affordably priced home, which is a big difference from 19% of home searchers a year ago.

Trend #4: Fewer sacrifices will be made to purchase a home

Financial experts recommend having three to six months’ worth of expenses saved up in an emergency account. But at the end of 2019, according to GoBankingRates survey, 69% of Americans have less than $1,000 in savings. The personal savings rate or amount people are saving as a percentage of their disposable income, soared to 33% in April of 2020. That was the highest savings rate recorded since BEA started tracking it in 1959. People realized the importance of having emergency funds and at the same time, stimulus payments and tax refunds have been distributed to help build up a reserve. Per Generational Trend Report from NAR, in order to save for a down payment, homebuyers had to cut spending on non-essential items, entertainment, clothes, vacations, get a second job or sell a car. But with severe limitations on how money can be spent, savings built up on their own.

Trend #5: Fewer repeat buyers will compromise on the top four reasons

With so few homes for sale, the additional risks of holding an open house to sell their own, and having crowds doing walkthroughs, move-up buyers are likely to stay put unless a property that meets most of their needs is identified and won in a bidding war. Not only have public health concerns necessitated virtual tours, but homebuyers are getting savvier with online tools. Even before the pandemic, 93% of homebuyers used the internet as a resource in their home search, according to the NAR. Sellers are having to keep up with the trends, too.

Further Reading: Real Estate Shifts to Accommodate Customers in a Virtual Age

What will be the big theme for 2021?

To start, a massive fear of missing out.

The headlines of every major media outlet are screaming about continuous home price appreciation. The thought of home prices reaching the point of being out of reach while interest rates have nowhere to go but up will be the end of the last opportunity to buy that first, or second, or even an investment property.

With a tight, low-inventory market dipping under 2 months of supply, the strongest contract activity in a decade, and historically low-interest rates, buyers’ fear is well-founded and likely to only get worse.

But don’t take our word for it.

E-Learning Illustration by Heather Skovlund for 360 Magazine

Creative Ways of Learning

How the Pandemic Opened Doors for Creative New Ways of Learning

When the pandemic shut down schools in 2020, parents were forced to pay closer attention to what their children were – or were not – learning, and to take a more active role in their students’ education. It made for an unwelcome disruption in everyone’s lives. But within this homelife upheaval, the disruption of school also provided an opportunity to re-evaluate how learning takes place, and what families can do to make things better, says Emily Greene, the author of School, Disrupted: Rediscovering the Joy of Learning in a Pandemic-Stricken World.

We’ve gained a new perspective, and this is our chance to update our outdated education system for something better, to shift our mindsets, and to rekindle our children’s joy in learning from the inside out,” says Greene, who herself is a working mother of three children. “I think many of us are beginning to recognize and appreciate new ways of learning that do not necessarily conform to the traditional format of school. Outside of the school building, we’re seeing learning happen anytime, anywhere, with anyone, in formal and informal ways.”

But a question arises: If it’s time to rethink education in America, what is the way forward? For Greene, part of the answer involves simply setting aside outdated ideas about learning and embracing a new way of thinking about what school should be.

Parents don’t need to wait for the school board, teachers, or others to act. She says some steps they can take themselves include:

  • Unlearn outdated beliefs about school. The traditional model of education is over 100 years old, which means people need to unlearn it, Greene says. Among other things, school is viewed as a daytime activity in a brick-and-mortar building where children the same age learn the same things, and tests measure how well they’re doing. “Maybe we flip that,” Greene says, “so that we view learning as an anytime activity where kids of all ages have learning options, creative thinking is expected, and success is measured by curiosity rather than test scores,” Greene says unlearning has three steps. “First, we let go of status-quo beliefs that are no longer valid,” she says. “Second, we replace outdated thinking with a new mindset that could work better. Finally, we rebuild day-to-day life around a new way of thinking about school.”
  • Nurture curiosity. Children are naturally curious, but structured education doesn’t always allow them to follow their innate desires to know or learn something, Greene says. Parents can help nurture curiosity by asking children questions about what interests them, she says. Parents should also be sure to listen to their children and elicit questions from them rather than jump in with advice, opinions, and answers. “I remind parents that curiosity is innate. All children are naturally drawn to things they find interesting,” Greene says. “With practice, kids can learn to activate their curiosity to transform everyday learning into a more joyful experience.”
  • Encourage creativity. Schools don’t kill creativity, but the conformity required at school does smother it, “leaving it gasping for air,” Greene says. “Creativity is stifled by standardization, evaluation, and pressure to conform to the structure of the school system,” she says. Interestingly enough, the pandemic helped show children the importance of creativity and innovation, she says. “They saw stores and restaurants adapt to changing conditions by offering curbside pickup and social distancing,” Greene says. “Many kids watched their parents adapt to a new way of remote working. These things make an impression, showing children that creativity enables us to adapt and solve real problems.”

Through this pandemic, we have all suffered, but we also have learned so much,” Greene says. “The disruption of school gives us the perspective needed to make a lasting difference in the way our children learn. What a waste it would be to just settle back into our old ways.”

About Emily Greene

Emily Greene is the author of School, Disrupted: Rediscovering the Joy of Learning in a Pandemic-Stricken World in which she shares her experience educating her children inside and outside of traditional schools. She developed the Kiddovate program, working with hundreds of teachers and students. She also is co-founder of VIVA Creative, where she and her team create live and digital experiences. When the pandemic shut down the event industry, Greene co-led VIVA in rethinking how to bring people together in a global pandemic. In 2020, she received an Ernst & Young Entrepreneur of The Year® award recognizing innovation during adversity.

Empowered Women Illustration by Heather Skovlund for 360 Magazine

CÎROC × COMBS ENTERPRISES EMPOWERED WOMEN

The first cohort of the 2021 Empowered Women honorees, including Iman, Valeisha Butterfield-Jones, and Fadia Kader, are announced in celebration of International Women’s Day.

 

Ciroc and Combs Enterprises are proud to announce the continuation of its Empowered Women platform. Empowered Women, first launched in 2016 by Combs Enterprises women-led executive team, uplifts, spotlights, and honors an eclectic and dynamic group of entrepreneurs, creatives, and businesswomen.

This year, Ciroc and Combs Enterprises partnered with Culture Creators, a cultural connectivity organization that aims to spotlight the contributions of individuals who have shaped the global view of Black culture. To further amplify the initiative, fittingly launched during Women’s History Month, Empowered Women will honor 50 successful women and share the narratives that formed them. Championing discussions around the value of mentorship, allyship, and leadership, Empowered Women highlights the importance of celebrating the current and uplifting the next generation of fearless leaders. Honorees represent five categories including social impact, technology, entertainment, art and style, and business.

Ciroc, Combs Enterprises, and Culture Creators will spotlight the honorees beginning in March and culminating this spring. The series will include custom digital content and exclusive honoree interviews shared via Culture Creators’ platforms, curated vodka cocktails, and an exclusive media partnership with women’s lifestyle publication, Elle Magazine.

It is an honor to continue to build and strengthen the Empowered Women platform alongside Culture Creators and Elle Magazine”, says Ingrid Best, Vice President of Global Marketing, Spirits, Combs Enterprises. “As a Black woman, it is my personal and professional mission to honor those who are breaking boundaries, while also providing a platform for us to continue to do the important work of mentoring and showing up for the next generation. We hope this program encourages young, budding professionals to push boundaries and redefine the status quo in their respective industries.”.

The first round of March 2021 honorees is below, representing the industry leaders paving the way for future generations.

 

Empowered Women Honorees – March:

  • Adrienne Lofton
  • Alencia Johnson
  • Brianna Agyemang
  • Caroline Yim
  • Dawn Dickson
  • Donna Stewart
  • Fadia Kadar
  • Heather Lowery
  • IMAN
  • Jamila Thomas
  • Morgan DeBaun
  • Sarah Jakes Roberts
  • Stephanie L. Young
  • Morgan Dixon
  • Valeshia Butterfield-Jones
  • Vanessa Garrison
  • Yvette Noel Schure

Joi Brown, Founder, and CEO of Culture Creators commented, “I started Culture Creators because I envisioned a platform that gives individuals who push the culture forward and strive for inclusion that flowers while they are still here while continuing to develop the next generation of leaders. Partnering with like-minded visionaries at Ciroc to bring Empowered Women to life marries the spirit of celebration and mentorship.”.

As part of its mission to propel Black culture, Culture Creators has consistently celebrated the accomplishments of key luminaries across a broad spectrum of industries, including entertainment, fashion, finance, technology, business, and more. The Innovators & Leaders Awards Brunch, Culture Creators’ annual signature event, exemplifies this mission and has previously honored Sylvia Rhone, Byron Allen, Marsai Martin, Jemele Hill, Kenya Barris, Charles D. King, and the late Andre Harrell, to name a few. In 2019, Culture Creators launched the first-ever C2 Summit, a platform that targets students of color across all universities and provides interactive educational experiences, employment opportunities, and creates access to leaders across various career paths. Today, Culture Creators further advances its mission with the launch of the Empowered Women platform.

Pirelli P Zero illustrated by Heather Skovlund for 360 Magazine

Pirelli P Zero DHE

PIRELLI P ZERO DHE FOR THE NEW FERRARI 488 GT MODIFICATA: COMPETITION TIRES FOR THE NEW TRACK-BASED GT CAR

Pirelli’s DHE was introduced last year for GT3 racing championships, but now equips Ferrari’s limited-edition track day special in 325/680-18 size at the front and 325/705-18 size at the rear.

The Pirelli P Zero DHE has been selected as original equipment for the new Ferrari 488 GT Modificata: a limited-edition car exclusively for use during track days and at Ferrari Club Competizioni GT events. The 488 GT Modificata, announced last November, will make its first public appearance at the Finali Mondiali Ferrari 2020, which will take place from March 4-7 at the Marco Simoncelli Misano World Circuit in Italy. Pirelli’s P Zero DHE racing tires, developed by Pirelli for GT3 cars, equip the new Ferrari in 325/680-18 size at the front and 325/705-18 size at the back.

Produced in very limited numbers, the Ferrari 488 GT Modificata is for customers who compete at the wheel of a Ferrari in GT championships all around the world. It captures the spirit of both the 488 GTE and 488 GT3 racing cars perfectly. The 488 GT Modificata will be eligible for Club Competizioni GT events, which are carving out an increasingly prominent place among Ferrari’s track activities. Pirelli’s P Zero DHE is an evolution of the previous DHD2, with modifications designed to make these tires more versatile for the wide variety of GT3 cars and drivers. This tire offers even more consistency and reliability than its predecessor and is able to guarantee optimal performance throughout a wide variety of different circuits and conditions.

The 2020 Finali Mondiali Ferrari, which this year takes place in March due to the Covid-19 pandemic that forced a postponement to 2021, represents the spectacular culmination of Ferrari’s GT season. On the menu are the final rounds of the Ferrari Challenge as well as meetings of the XX and F1 Clienti programmes. The World Finals also decide the Trofeo Pirelli and Coppa Shell titles: all well-known Ferrari-backed competitions that rely on Pirelli tires. Since the Ferrari Challenge made its debut in 1993, Pirelli has been the worldwide exclusive tire supplier. The Ferrari Challenge represents the perfect ­­open-air laboratory for Pirelli, allowing future road-going tires to be developed using the lessons learned on the racetrack.

LGBTQ Illustration by Heather Skovlund for 360 Magazine

Opposing Anti-LGBTQ Legislations

Major Health, Education, and Child Welfare Organizations Oppose Anti-LGBTQ State-Based Legislation

 

WASHINGTON, DC — Today, the nation’s leading child health and welfare groups representing more than 7 million youth-serving professionals and more than 1000 child welfare organizations released an open letter calling for lawmakers in states across the country to oppose dozens of bills that target LGBTQ people, and transgender children in particular. In too many states, lawmakers are focusing on passing bills that attack our nation’s most vulnerable, instead of focusing on how to help the American people during the COVID-19 pandemic.

The signers note: “As organizations committed to serving the best interests of all youth, we are deeply alarmed at the torrent of bills introduced in state legislatures around the country this year that would directly harm transgender people and particularly transgender youth. These appalling proposals would compromise the safety and well-­being of the young people we all have the duty and obligation to support and protect. All of our nation’s children deserve equal protection and treatment when accessing health care, and when attending school. These anti-­transgender bills promote discrimination and do harm to students, their families, and their communities.”

“While states should be focusing on finding ways to ensure that every young person has a chance to succeed, we are instead seeing a majority of states introducing harmful legislation that excludes, discriminates against, and outright harms transgender youth who are simply trying to navigate their adolescence,” said Human Rights Campaign President Alphonso David“Anti-transgender sports bills are in search of a problem that does not exist and just the latest iteration of a years-long losing fight against equality.  In fact, anti-equality legislators when challenged are unable to name any instances of alleged cheating in their states to gain a competitive edge. That is because there are none. The notion is preposterous, nonsensical, and impractical. Other legislation is attempting to deny medically necessary gender-affirming care that helps to mitigate the life-threatening anxiety, depression, and dysphoria that are disproportionately experienced by transgender youth. Amidst an epidemic of fatal violence against transgender people, it is imperative that we do everything in our power to foster a more inclusive, less discriminatory society that guarantees acceptance of and equality to all. I thank every child health and welfare organization for stepping up and speaking out against the anti-transgender legislation that would have a profound effect on our young people.”

As organizations committed to serving the best interests of all youth, we are deeply alarmed at the torrent of bills introduced in state legislatures and in Congress this year that would directly harm transgender people and particularly transgender youth.  These appalling proposals would compromise the safety and well-being of the young people we all have the duty and obligation to support and protect.

All of our nation’s young people deserve equal protection and treatment when accessing health care, and when attending school and participating in extracurricular activities, including sports. These anti-transgender bills promote discrimination and do harm to students, their families, and their communities.

Since state legislatures began meeting this year, we have already seen more than 65 bills introduced seeking to deny transgender youths’ access to gender-affirming medical treatment, preventing them from participating in sports teams consistent with their gender identity, and denying access to sex-segregated spaces that include restrooms and locker rooms. Similar legislation is even being pushed in the U.S. Congress.

The Human Rights Campaign (HRC), America’s largest civil rights organization working to achieve lesbian, gay, bisexual, and transgender equality, is alarmed by the spate of anti-transgender legislation proposed across the country. We have found that less than a quarter of transgender and gender-expansive youth can definitely be themselves at school and only sixteen percent of transgender and gender-expansive youth feel safe at school. Every child deserves equal access to education, academic success, and a future in which they are empowered to fulfill their true potential, and these laws contravene that fundamental principle, which has long guided our nation’s education policy.

Transgender youth are already at a heightened risk for violence, bullying, and harassment. In addition, students who would be affected by these bills are among our most vulnerable to experiencing depression and engaging in self-harm, including suicide. These bills exacerbate those risks by creating an unwelcoming and hostile environment in places where students should feel the safest and most supported. Research has shown that when transgender youth have access to gender-affirming services, competent care, and affirmation, their risk of depression, anxiety, and other negative mental health outcomes is greatly reduced.

We stand in opposition to proposals that harm transgender youth, including limiting access to medically necessary, best-practice care, forbidding students from using the restroom at school consistent with their gender identity, and preventing transgender youth from playing sports alongside their peers. On behalf of our members and communities, we call on legislators across the country to reject these harmful measures.

Sincerely,

American Academy of Pediatrics

American Association of Child and Adolescent Psychiatry

American Association of Colleges for Teacher Education

American Counseling Association

American School Counselor Association 

Association of Title IX Administrators 

Child Welfare League of America 

Mental Health America

National Association for College Admission Counseling 

National Association of School Psychologists 

National Association of Secondary School Principals  

National Association of Social Workers  

National Education Association 

National PTA