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Film Premiere illustration by Heather Skovlund for 360 Magazine

Twenty Pearls Premiere

COMCAST ANNOUNCES EXCLUSIVE PREMIERE OF
TWENTY PEARLS – A DOCUMENTARY EXAMINING THE STORIED HISTORY OF ALPHA KAPPA ALPHA SORORITY, INCORPORATED – ON ITS NEWLY LAUNCHED BLACK EXPERIENCE ON XFINITY CHANNEL

Comcast NBCUniversal is excited to announce the exclusive premiere of the documentary film “Twenty Pearls: The Story of Alpha Kappa Alpha Sorority, Incorporated”, arriving Friday, March 26 on its newly launched Black Experience on Xfinity Channel, available on X1, Flex, and on-the-go with the Xfinity Stream app.

From award-winning filmmaker Deborah Riley Draper, produced by Coffee Bluff Pictures, and narrated by Phylicia Rashād, Twenty Pearls closely examines the founding and legacy of the first Black sorority, Alpha Kappa Alpha Sorority, Incorporated, which is now regarded as one of the most significant and influential Black organizations in historyThe documentary tells a powerful story of sisterhood. In 1908, nine Black women enrolled at Howard University made one decision that would change the course of history. These college students created Alpha Kappa Alpha Sorority, Incorporated. For over 113 years, the sorority has influenced many of the most famous watershed moments in history.

Through narration, interviews, and rarely seen archival materials, the audience will see the sorority’s impact on World War II, NASA, Civil Rights, Women’s Rights, and Historically Black Colleges and Universities (HBCUs) culminating in the historic election of America’s first Black and South Asian woman Vice President. Twenty Pearls features interviews with members of the sorority including Vice President Kamala HarrisMiss Universe Ireland 2019 Fionnghuala O’ReillySmithsonian Secretary Lonnie Bunch III, Anna Eleanor Roosevelt Fierst, great-granddaughter of First Lady Eleanor Roosevelt, International President and CEO of Alpha Kappa Alpha Sorority, Incorporated Dr. Glenda Glover and many more.

 
Watch the Twenty Pearls trailer hereTrailer
 

“This is an extraordinary time to look back at our past to serve our future,” added filmmaker Deborah Riley Draper. “A future where Black women are centered. Helming this documentary love letter to the founders of Alpha Kappa Alpha, the generations of women that followed in their footsteps, and to all Black women everywhere is an honor. This is an important history for all of us to know and understand.”

“We’re thrilled to work with award-winning filmmaker, Deborah Riley Draper, and Alpha Kappa Alpha Sorority to bring this exclusive premiere to the Black Experience on Xfinity channel, furthering our company-wide mission of investing in and showcasing authentic Black stories and culture,” said Keesha Boyd, Executive Director, Multicultural Video & Entertainment, Xfinity Consumer Services. “We launched this channel to help facilitate the discovery of stories like Twenty Pearls while providing a platform for emerging Black content creators.”

“Telling our own story is essential to preserving our history and uplifting the culture,” said Alpha Kappa Alpha International President and CEO Dr. Glenda Glover. “Alpha Kappa Alpha Sorority, Incorporated’s remarkable 113-year journey which began on the campus of Howard University is punctuated by stories of history makers, ceiling breakers, public servants, and ordinary women who have changed the course of American history.  Through this beautifully written and narrated odyssey, this film highlights in undeniable ways the vision, courage, tenacity, determination, and power of Black women while putting to bed the age-old questions about the relevance of Historically Black Colleges and Universities and the Divine Nine sororities and fraternities.”

Black Experience on Xfinity is a first-of-its-kind destination of Black entertainment, movies, TV shows, news, and more. It features high-quality content from many of Xfinity’s existing network partners, at no additional cost, while investing millions of dollars in fostering and showcasing emerging Black content creators. The channel is the only one of its kind endorsed by the African American Film Critics Association (AAFCA), the world’s largest group of Black film critics that gives annual awards for excellence in film and television. Available at home on Xfinity X1 and Flex, and on-the-go with the Xfinity Stream app, the Black Experience on Xfinity will entertain, educate and uplift, featuring Black actors, writers, producers and directors. At home, Xfinity subscribers can visit channel 1622 or simply say “Black Experience” into the Voice Remote to instantly enjoy the ultimate in Black storytelling.

Visit Xfinity to learn more about the Black Experience on Xfinity and other Black programming available on X1, Flex, and the Xfinity Stream app. Visit Alpha Kappa Alpha Sorority, Incorporated to learn more about Twenty Pearls, which premieres on March 26 on Xfinity and is free for subscribers, and will be available nationwide, on-demand, starting on March 30, 2021.

Pokeball illustration by Heather Skovlund for 360 Magazine

Pokemon Most Valuable Media Franchise

Pokemon Has Reached 100M in All-Time Sales – Most Valuable Media Franchise Globally

The Pokemon Franchise is celebrating its 25-year anniversary for the entire year of 2021, and what better way to mark the occasion than crossing an important milestone in the franchise’s history. The franchise started as a game but has since expanded into many facets of media and entertainment, making it one of the most recognizable media franchises in the world. According to data presented by Safe Betting Sites, The Pokemon Franchise’s all-time sales have reached $100B making it the most valuable media franchise of all time as of January 2021.

Pokemon – From Game to Media Franchise with All-Time Sales Of $100B

Pokemon, short for its Japanese title of Pocket Monsters, was first released as a game on Nintendo’s handheld console GameBoy in 1996. Soon after, a Manga and Anime centered around the game was released and soon gained a significant amount of popularity. This is a break from the traditional life cycle of popular media brands commonly found in Japan of Animes being turned into games rather than the other way around.

Since then, the franchise has successfully expanded into many other facets of entertainment such as movies and trading cards, creating an entire Pokemon Universe and generating enormous amounts of sales along the way. Pokemon’s $100B all-time sales make it the most valuable media franchise in the world ahead of other icons such as Hello Kitty, Winnie the Pooh, Mickey Mouse, and even the entire Star Wars Franchise.

The franchise’s movie adaptation, Pokemon: Detective Pikachu (2019), earned the second-highest at the box office out of any video game movie as of March 2021 with gross earnings of $432M.

Nintendo’s Pokemon Games Always Popular – Combined Over 350M Copies Sold

Since the original game launched on the GameBoy in 1996, there have been over 70 titles created by Nintendo for the Pokemon Franchise all amounting to over 350M copies sold. The top eight Nintendo Pokemon games alone combine for over 150M copies sold. Even more impressively a total of 14 different Pokemon titles accomplished the feat of selling 10M copies or more.

Pokemon’s original game from 1996, Pokemon Red/Green/Blue, is the best-selling Pokemon game of all time with over 31M copies sold.

Pokemon Go and Pokemon Home – 2 New Adaptations That Are Hugely Popular

Pokemon Go is a mobile augmented reality (AR) game published and developed in 2016 by Niantic in partnership with Nintendo and the Pokemon Company. The game turned mobile users into real-life Pokemon trainers who can catch Pokemon they encounter in the real world, visualized through AR on a mobile device. In its first month after release, the game had a record-setting 500M downloads. Pokemon Go was also the third-highest grossing mobile game worldwide with $1.2B in estimated player spend.

Pokemon Home was launched in February 2020 and allowed cloud-based storage for users and their items from the Pokemon universe. The app was downloaded almost 12.3M times in 2020 making it the most downloaded Pokemon game that was published in 2020. In Q4 of 2020 alone, there were over 6.4M downloads of Pokemon Home.

You can read more about the story with more statistics and information on the website.

Wine illustration by Heather Skovlund for 360 Magazine

California Wines × Down to Earth

California Wines Livestream & Video Series Celebrates Down to Earth Month in April

Facebook Live & Instagram Events Share Tips on Enjoying Sustainably Grown & Produced Wines

For “Down to Earth Month” in April, California Wines is celebrating the state’s global leadership in sustainable winegrowing with a series of fun and informative virtual events and videos on Facebook Live and Instagram. Throughout April, the free livestream events and videos will present a variety of discussions, cooking demonstrations, and virtual wine tastings focused on sustainability.

Hosts for the Facebook Live events include Napa Valley sommelier Amanda McCrossin of SommVivant and Aida Mollenkamp, Food Network personality and founder of Salt & Wind Travel.

Videos shared on the California Wines Instagram channel will demonstrate recipes, how to pair and enjoy California wines, and what makes a wine sustainable. Programs will feature food and beverage influencers, including Meg van der Kruik of This Mess Is Ours, Jerry James Stone of the Jerry James Stone blog, Britney Brown Chamberlain of Britney Breaks Bread, and Sarah Gim of The Delicious Life.

To view details on all Down to Earth Month events, visit California Wine’s website.

Facebook Live: Thursdays, 10 am PST

Livestream hosts Amanda McCrossin of SommVivant and Aida Mollenkamp of Salt & Wind taste and discuss sustainably grown and produced California wines. Event replays will be available on the site for later viewing.
 
April 1 – What Is Sustainable Wine?
It’s time to clear up the confusion around what defines sustainability! Participants will learn what sustainable winegrowing and winemaking practices are and get the inside story on California’s sustainable certification programs, including the California Sustainable Winegrowing Alliance (CSWA) program.
 
April 8 – What Are Biodynamic and Organic Wines, and How Are They Sustainable?
Explore the differences between organic and biodynamic practices and learn how they fit into the sustainability equation.
 
April 15 – Why Is There a Chicken in the Vineyard?
Chickens, sheep, and goats don’t just look adorable in California vineyards—each has an important job to do. Learn how animals are helping California vintners in their sustainable farming efforts.
 
April 22 – How to Look for Sustainable Wines
Finding sustainable wines is easy—if you know what to look for. Participants will learn about the sustainable certifications, logos, and terms to look for on wine labels.
 
April 29 – How California Is a Leader in Sustainable Wines & Sustainable Farming
California is not only a world leader in sustainable winemaking and winegrowing practices, but producers also embrace sustainability in dairy and other agricultural areas. Learn about California’s innovative farming practices and how the state leads in sustainable wine and food.

IGTV Videos: Tuesdays 10 am PST

Every Tuesday in April, videos from well-known food and beverage influencers will be shared on the California Wines Instagram channel, each demonstrating a recipe inspired by the Wine Country Table cookbook paired with sustainably made wines from California. Recipes and information about sustainability will be shared on each influencer’s website and social media platforms.
 
April 6 – Meg van der Kruik of This Mess Is Ours
 
April 13: – Jerry James Stone of the Jerry James Stone blog
 
April 20 – Britney Brown Chamberlain of Britney Breaks Bread
 
April 27 – Sarah Gim of The Delicious Life
 

Award illustration by Heather Skovlund for 360 Magazine

NYC Scholastic Art × Writing Awards

New York City Scholastic Art & Writing Awards Exhibition

Now on View at The Met

Art and Writing by 2021 Gold Key Winners on Display in The Met’s Ruth and Harold D. Uris Center for Education

The nonprofit Alliance for Young Artists & Writers and The Metropolitan Museum of Art have announced the opening of the seventh annual Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met’s Ruth and Harold D. Uris Center for Education. This special exhibition is now on view and is free to the public through May 21, 2021.

The exhibition features more than 200 works of art and writing by New York City based Gold Key recipients participating in the 2021 Scholastic Art & Writing Awards, the country’s longest-running and most prestigious award and recognition program for creative teens. This year, students from all five boroughs in grades 7-12 submitted more than 10,000 works in 28 categories to the New York City regional program of the Awards, representing more than 300 schools.

Education has been at the heart of The Metropolitan Museum of Art’s mission since our founding in 1870, said Heidi Holder, the Frederick P. and Sandra P. Rose Chair of Education at The Met. Now, more than ever, we are committed to investing in education and supporting the creativity of New York City’s young people. It is an honor to present the 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition in partnership with the Alliance for Young Artists & Writers. This annual exhibition demonstrates the power of art to transform, uplift, and challenge us.

All works were blindly adjudicated by accomplished creative and literary professionals based on originality, technical skill, and the emergence of a personal vision or voice. This year, the exhibition will present framed prints of students’ work, due to ongoing restrictions related to the COVID-19 pandemic and to ensure equitable access for all the student artists.

The artworks on display at The Met received top regional awards and were eligible to receive national honors through a second round of judging, which can open further opportunities for exhibition and publication, as well as access to scholarships. The Awards have honored distinguished artists since 1923, including Andy Warhol, Cy Twombly, Kay WalkingStick, John Baldessari, Luis Jimenez, and Catherine Murphy, whose works are in The Met collection.

Chris Wisniewski, Executive Director, Alliance for Young Artists & Writers, said: The creativity of our city’s teens has continued to flourish despite a year of unprecedented challenges. It has never been more important to celebrate diverse student voices and encourage the artistic expression of a generation of rising leaders. The Alliance for Young Artists & Writers is thrilled to partner with The Met to showcase the exceptional young winners of the 2021 New York City Scholastic Awards.

The Alliance partners with Parsons School of Design at The New School and Eugene Lang College of Liberal Arts at The New School to present the regional New York City Scholastic Art & Writing Awards. The 2021 Scholastic Art & Writing Awards: New York City Regional Exhibition at The Met is presented with generous support from The New York Times, the New York City Department of Cultural Affairs, The Maurice R. Robinson Fund, and Scholastic Inc.

To learn more about the Scholastic Art & Writing Awards, visit the Scholastic Media Room online.

About the Alliance for Young Artists & Writers

The Alliance for Young Artists & Writers, a 501(c)(3) nonprofit organization, identifies teenagers with exceptional creative talent and brings their remarkable work to a national audience through the Scholastic Art & Writing Awards. Founded in 1923, the Awards program is the longest-running, most prestigious initiative of its kind, having fostered the creativity and talent of millions of students through recognition, exhibition, publication, and scholarships.

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens, businessmen and financiers as well as leading artists and thinkers of the day, who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City: The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.

Amy Winehouse illustration by Heather Skovlund for 360 Magazine

Amy Winehouse at the BBC

“I remember the first time hearing her voice…I instantly knew she was destined to be one of the greatest.” – NAS

“Jools loved Amy straight away – her honesty as a vocalist, songwriter, and Londoner…Britain has produced a lot of brilliant female singer-songwriters and vocalists in the last decade or so, many from Beth Gibbons to Adele, rooted in older black American forms, soul and jazz, and blues. But there was only ever one Amy Winehouse. She was frank and fresh and haunted. And we miss her.” – Mark Cooper BBC

Amy Winehouse At The BBC, a 3LP/3CD collection chronicling the many remarkable performances by arguably the greatest and most genuine talent to emerge in British music in decades, will be released on May 7, 2021, through Island/UMe. For the very first time, this updated release offers audio-only versions of the songs featured on ‘A Tribute to Amy Winehouse by Jools Holland’ and the ‘BBC One Sessions Live at Porchester Hall,’ and so a high proportion of these tracks will be completely new to digital music services. “Stronger Than Me,” “Tears Dry on Their Own” and “You Know I’m No Good” will be available on March 24 on streaming services, and the video for “Stronger Than Me” will be available on YouTube. This comprehensive collection captures the strong and enduring relationship that Amy enjoyed with the BBC and is further proof of quite what an extraordinarily talented, completely original, and truly engaging performer Amy was.

Amy Winehouse At The BBC includes Amy’s earliest BBC Radio sessions, music from her first-ever TV performances, as well as unheard gems, rarities, unique covers, and live versions of classic songs from “Frank” and “Back to Black.” The set also includes a beautifully illustrated 20-page booklet featuring rare photographs.

Disc 1 is a selection of recordings chosen by Later presenter, songwriter, and much-loved musician Jools Holland. Disc 2 is a 14-song audio selection dating from 2004 to 2009, while Disc 3 features the performances from Amy’s memorable Porchester Hall sessions. Like Amy’s three previous albums, this collection will prove, once more, a fitting tribute to her peerless artistry, phenomenal talent, and extraordinary powers as a songwriter, a singer, and an interpreter of classics.

Amy Winehouse At the BBC is available to preorder now:

DISC/LP ONE – A Tribute to Amy Winehouse by Jools Holland

  1. STRONGER THAN ME
  2. TAKE THE BOX
  3. TEACH ME TONIGHT feat. Jools Holland
  4. REHAB
  5. TENDERLY feat. Jools Holland
  6. TEARS DRY ON THEIR OWN
  7. MONKEY MAN feat. Jools Holland
  8. I HEARD IT THROUGH THE GRAPEVINE feat. Paul Weller and Jools Holland
  9. DON’T GO TO STRANGERS feat. Paul Weller and Jools Holland
  10. LOVE IS A LOSING GAME

DISC/LP TWO – The BBC Sessions

  1. KNOW YOU NOW (Leicester Summer Sundae 2004)
  2. FUCK ME PUMPS (T In the Park 2004)
  3. IN MY BED (T In the Park 2004)
  4. OCTOBER SONG (T In the Park 2004)
  5. REHAB (Pete Mitchell 2006)
  6. YOU KNOW I’M NO GOOD (Jo Whiley Live Lounge 2007)
  7. JUST FRIENDS (Big Band Special 2009)
  8. LOVE IS A LOSING GAME (Jools Holland 2009)
  9. TEARS DRY ON THEIR OWN (Jo Whiley Live Lounge 2007)
  10. BEST FRIENDS, RIGHT? (Leicester Summer Sundae 2004)
  11. I SHOULD CARE (The Stables 2004)
  12. LULLABY OF BIRDLAND (The Stables 2004)
  13. VALERIE (Jo Whiley Live Lounge 2007)
  14. TO KNOW HIM IS TO LOVE HIM (Pete Mitchell 2006)

DISC/LP THREE – Amy Winehouse- BBC One Sessions Live at Porchester Hall

  1. KNOW YOU NOW
  2. TEARS DRY ON THEIR OWN
  3. YOU KNOW I’M NO GOOD
  4. JUST FRIENDS
  5. HE CAN ONLY HOLD HER
  6. I HEARD LOVE IS BLIND
  7. REHAB
  8. TAKE THE BOX
  9. SOME UNHOLY WAR
  10. BACK TO BLACK
  11. VALERIE
  12. ADDICTED
  13. ME & MR JONES
  14. MONKEY MA
Marijuana illustration by Heather Skovlund for 360 Magazine

Honest Marijuana Company

In the old days of illegal weed, the price you paid for your weekend toke depended mostly on who was selling it to you. These were behind-the-scenes transactions, with no recourse for a deal gone bad and no way to price compare with a competitor. You paid the price asked or you went without.

Now, as state legalization grows and the chatter about federal legalization becomes less talk and more reality, the game has changed forever for the buyer. So, it’s a good time to be clear on what you’re paying for before you go to your local cannabis boutique, or even the corner store, if you should be so lucky to have marijuana available for sale there!

First off, price comparing starts with quantity

If you want to look at what your weed is going to cost you, and even compare different strains, it’s best to pick a quantity. From state to state, the price of quantity X will vary, based on factors we’ll discuss later, but for now, it’s important to understand what quantities you can order in. 

The most common quantities you can buy cannabis in are a gram, eighth of an ounce, quarter of an ounce, half an ounce, and a full ounce. Notice how the common quantities mix metric and Imperial measuring units? A gram is 1/1000th of a kilogram and an ounce is 1/16th of a pound. Typically, you’ll find that dispensaries will use ounces for larger quantities, and grams for a smaller purchase.

What does a gram look like? It’s about the size of a bottle cap, which gives you a visual point of reference to figure out what you’re getting for what price. The average joint is about 0.7 grams of weed so a gram will give you about 1.5 joints. Here are the other measurements, to give you a rough idea of what you’re getting:

  • An eighth of an ounce (which is roughly 3.5 grams) will give you just about 5 joints.
  • A quarter of an ounce (7 grams) will net about 10 joints.
  • A half an ounce (14 grams) will give you about 20 joints.
  • A full ounce (28 grams) is just about equal to 40 joints.

From Alaska to West Virginia, that price per ounce of medium quality weed can run anywhere from $6 to $12.

Quality is the next factor

If you look at average prices of weed across the country, they’re pretty stable and typically refer to medium quality cannabis. When you want to compare a gram of cannabis from one shop to another, a major increase in price could be because of the quality of the product. 

For example, an organic and locally indoor grown variety might be more expensive than a mass produced, imported one. You really do have to compare apples to apples, if you want to be sure you’re getting the right picture.

Other factors that will influence the price of weed

Your state’s legal stance toward cannabis

If you live in a state where cannabis isn’t legal in any form, obviously you’re still operating in the old ways of quiet deals made with people who don’t really care to negotiate the prices they feel like charging. After all, they risk going to jail for providing you with your ‘chill’ so there’s a premium attached to that.

In the states that have legalized recreational marijuana (Alaska, California, Colorado, Maine, Massachusetts, Nevada, Oregon, and Washington), you’ll find competition higher and prices that reflect that.

The remaining twenty-one states that have legalized medical marijuana require a doctor’s note to obtain it, which isn’t a particularly challenging hurdle in most places, so this doesn’t affect the prices too significantly.

One place where cannabis is particularly expensive? Washington D.C. Despite legalization of medical and recreational use, they didn’t legalize the purchase of cannabis. That little detail is reflected in prices that are almost twice the national average for legalized / decriminalized states!

The physical geography of where you live

Cannabis isn’t an overly fussy plant to cultivate but it does prefer warm, stable temperatures, averaging in the daytime around 80 degrees. Places that have daytime temperatures that run hotter than 88 degrees or colder than 60 degrees have a harder time growing—it’s a slower process—and can end up with plants that have lower THC content and therefore lower overall quality.

So, if you live in Alaska or New Hampshire, for example, your weed has most likely been brought in from elsewhere, which means added costs in transportation and labor, to package and ship.

How your weed is grown

How your preferred brand is grown makes a difference on quality. 

  • Are they grown outdoors where light, water, soil, and ambient daytime temperatures are all free for the asking and therefore don’t add to the cost of production? 
  • Are they grown indoors, where special electrical lighting, watering and feed systems, and climate control are all required and add to the cost of production? 

Outdoor grown weed can be lower quality in that there aren’t many ways to control Mother Nature. Being able to control elements through technology can yield a higher quality product. From pest and humidity control to very specific watering schedules, as well as the use of light waves to maximize growth and intensity, indoor growers have the keys to control quality in ways that outdoor growers really cannot.

Factor in also whether the grower is using organic production methods, as this will definitely yield a higher quality product. No toxins from pesticides means a cleaner experience for you.

Where you buy your marijuana

Are you buying from a boutique dispensary or a corner store? Are you buying from a chain of cannabis stores or from a one-man dealer? Which way you go will affect the price you pay.

Dispensaries have overhead and staff to pay, which adds to the cost. However, they also have guidelines to follow in terms of packaging and labeling, as well as a vested interest in pleasing their customer, so they’re a good bet. You will know exactly what you’re getting, including the sourcing, THC content, whether it’s organic or not and so on. If you buy from a dealer, who is claiming to sell high quality products, you have no guarantees whatsoever that they are telling the truth.

Competitors drive the price down

Supply and demand is an easy equation. If there are several dispensaries with similar offerings in your area, the price per gram will be lower than in an area with no competition for your one dispensary. There is less supply for potentially similar demand, which can easily affect the price. The key as a consumer is to know your average pricing so you can tell whether or not you are getting a good deal.

Taxation and legalization go hand in hand

The states that have legalized marijuana have also clued in that it is an important revenue source. Sales tax, if the state has one, is applied to cannabis too. The rate can be higher for weed than for other products, as it is in Colorado. They have a state sales tax rate of 2.9% but the rate for weed? 10%.

In addition to sales tax, legal sellers are faced with taxes in production, purchasing, packing and transportation, costs that are typically downloaded to the end consumer.

The timing of your purchases

Time of year can impact the price of weed. Like most cultivated crops, the largest amounts are harvested in and around the month of September. Result? The supply is up, and prices should go down a little. 

As legalization continues to expand, state to state and even federally, the pricing will become more standard and easier to predict. At that point, the quality of the weed will be the big differentiator and as the end consumer, that’s not a small factor to consider. Buy with care and enjoy yourself!

Bio:

Anthony Franciosi, also known as Ant, is an honest to goodness farmer whose fingers are as green as the organic cannabis he grows. He is the proud founder of Honest Marijuana– an all-natural, completely organic marijuana growery in Colorado.

The Weeknd illustration by Heather Skovlund for 360 Magazine

The Weeknd × House of Balloons

THE WEEKND TO RE-RELEASE LANDMARK DEBUT MIXTAPE HOUSE OF BALLOONS IN ITS ORIGINAL FORM ON ALL DIGITAL SERVICE PROVIDERS FOR 10YEAR ANNIVERSARY  

MIXTAPE AVAILABLE MARCH 21
 
LAUNCH TO INCLUDE 1,000 LIMITED EDITION VINYL AND EXCLUSIVE MERCHANDISE

Ten years ago, an anonymous force emerged from the shadows in Toronto and took the first step towards changing popular music forever. The story started before nominations at the Academy Awards and halftime shows at the Super Bowl. On March 21, 2011, The Weeknd first unveiled his groundbreaking debut mixtape House of Balloons. A decade later to the date, it will be made available on all streaming platforms for the first time in its original incarnation, including original samples. This marks the first time House of Balloons has appeared on DSPs in its purest and most powerful form.
  
Additionally, The Weeknd will unveil an exclusive merchandise drop to celebrate the moment. Among many highlights, it features a collaboration with Daniel Arsham’s new interpretation of the iconic cover art and 1,000 limited-edition vinyl. Fans may purchase on the website on March 21 @ 3 PM EST for 48 hours only.
 
In Daniel Arsham’s words, “the summer of 2011 will always be marked by House of Balloons. Like a time travel device, the album transports me back to that specific moment in time every time I listen. It is a great privilege to work with The Weeknd and the XO Team to reimagine the iconic album art of House of Balloons as an eroded sculpture for the ten-year anniversary.  Alongside the transparent vinyl and eroded album artwork – we also worked on a collection of merchandise including a Varsity Jacket, blending my own aesthetic with that of The Weeknd’s.”  The interior of the varsity jacket will feature a custom camouflage pattern, mixing The Weeknd’s silhouette with Arsham Studio colorways inspired by and reminiscent of The Weeknd’s outfit at his first live show in 2011 at Toronto’s Mod Club.
 
Capping off 2011, House of Balloons graced over a dozen year-end lists. Complex christened it the “best album of 2011, while it landed in the Top 10 of annual roundups by Stereogum at #5, The A.V. Club at #6, and Pitchfork at #10. It closed out the year as Metacritic’s “third-best reviewed project of the year.” As the genesis of The Weeknd’s mythos, its influence only continues to grow.

Art Exhibition illustration by Heather Skovlund for 360 Magazine

Loribelle Spirovski Exhibition

In what is set to be the highlight of their Summer 2021 calendar, HOFA Gallery, London, will host ‘Coronation‘, a solo exhibition by prolific contemporary figurative painter Loribelle Spirovski, between the 2– 16 June this year. The upcoming exhibition, comprised entirely of new artworks created during the 2020 lockdown, delves into the effects of recent international epoch-making events on private life as distilled through the lens of the artist’s mind.         

‘Coronation’ builds on many of the themes and motifs audiences have seen in her past critically acclaimed collections like ‘Hommes’ and ‘Memento Mori’. It is also a potent play on words whose double meaning points to the Covid-19 pandemic as well as the political power shifts and significant moments occurring simultaneously which continue to exert mammoth influences on the external and internal lives of people everywhere. 

In her new collection, Loribelle explores familiar and poignant themes with an urgency that speaks to the moment, employing her signature line technique to delineate eyes, faces and human forms entangled and abstracted into the minimalist geometric background which represents the room of the mind. She notes that “With the pandemic reducing the worlds of many to the confines of their phone screen, [the] ‘room’ motif seems more pertinent than ever…as a metaphor for the mind and the characters and scenes inhabiting it, signifying the external world filtered into the subconscious.”

The tenuousness of a reality mediated by technology and social media distortions is yet another strong theme of ‘Coronation’. However, the overarching theme is undoubtedly the inescapable reckoning all must face with history. As power shifts in the US reverberate around the world, ‘Coronation’ compels viewers to interrogate the things that hold sovereign power in their lives, prefaced on the recognition that there is need for a re-orientation, repudiation, or re-affirmation of individual commitments.

By her own account, Loribelle was no stranger to the emotional turmoil many experienced during lockdown. The pressures of living with restricted access to family, friends, and the outdoors while news of Covid-19 casualties trickled in forced the artist to take a stand against looming mortality by rediscovering and reaffirming the purpose of her art as a medium for self-expression and for exhuming the hidden contentions of the mind. ‘Coronation’ is an outcome of this defiance and the show will run at HOFA’s flagship gallery in Mayfair for 2 weeks from 2 to 16 as both an in-gallery show and a virtual exhibition, for all to enjoy.

Coronation‘ opens at HOFA Gallery, London on 2 June and runs for two weeks until 16 June 2021. 

A parallel virtual show will also be accessible to all online via a secure weblink.

In compliance with Covid-19 safety protocols, all visits to the gallery will be strictly on RSVP basis.

HOFA Gallery Website

Instagram

Photo courtesy of artist
Photo courtesy of artist
Digital Divide illustration by Heather Skovlund for 360 Magazine

Digitally Disconnected

DIGITALLY DISCONNECTED

13 TIPS FOR HELPING BRIDGE THE DIGITAL DIVIDE FOR CHILDREN DURING COVID-19

While social, racial, and economic disparities have always existed within the educational system, the COVID-19 pandemic is exasperating these inequities and widening gaps between students at a drastic rate. For families who can’t afford home computers, laptops, or high-speed internet access, remote learning is nearly impossible, and for students who already found themselves struggling before the pandemic, the prospect of more than a year of lost classroom time is a devastating blow. However, there are steps parents can take to shrink this digital divide, and there are resources available via schools, non-profits, and government initiatives that can help children access the technological tools they need to succeed. Indeed, Dr. Pamela Hurst-Della Pietra, President and Founder of Children and Screens, notes that “the inclusion of 17.2 billion dollars for closing the ‘homework gap’ in the recently passed American Rescue Plan is a watershed moment for digital equity.”   
 
Several of the leading figures in the fields of public health, education, psychology, and parenting have weighed in with their suggestions on the best ways to combat the digital divide, and many will participate in an interdisciplinary conversation and Q&A hosted by Children and Screens: Institute of Digital Media and Child Development on Wednesday, March 24, at 12pm ET via Zoom. Moderated by the Director of Internet and Technology Research at the Pew Research Center Lee Rainie, the panel will engage in an in-depth discussion about the digital divide and actionable steps we can all take to bridge the gap. RSVP here.
 
1. DON’T WAIT, ADVOCATE 

While schools across the country are doing everything they can to make sure that children have access to the technology and connectivity they need for remote learning, the unfortunate reality is that many families still lack adequate resources. If your family is among them, says author and MIT Assistant Professor of Digital Media Justin Reich, know that you’re not alone and that there are steps you can take to advocate for what your children need. “Start with your school staff,” Reich recommends. “They’re often overwhelmed during this challenging time but be polite and persistent. If you run into a dead-end with your school system, consider reaching out to school libraries and youth organizations like The Boys and Girls Club or the YMCA to see what kind of support they might be able to offer.”
 
2. SCALE DOWN 

The University of North Carolina at Greensboro Professor Dr. Wayne Journell agrees, pointing out that sometimes, despite their best efforts, teachers and administrators may not always know which students are struggling with connectivity issues. “Let teachers know if you have slow internet at home,” says Journell. “Sometimes detailed graphics and animations that look cute but have little relevance to the actual lessons being delivered can cause problems for students with unreliable internet. If teachers are aware, then they can scale down the ‘frilly’ stuff and still get the important content across.”
 
3. STAND UP FOR YOURSELF  

While it’s important for parents to speak up on behalf of their children, RAND Senior Policy Researcher Julia Kaufman, Ph.D., highlights the importance of encouraging children to express their needs, as well. “If your child does not have access to technology at home and is falling behind, make sure your child’s teacher knows the obstacles they’re facing and ask what accommodations will make it easier for your child to do assignments offline,” says Rand. “At the same time, help your child feel comfortable expressing any technology concerns or confusion to their teachers, including cases where they have the technology but cannot use it well.”
 
4. CHECK YOUR ASSUMPTIONS 

One critical step that educators and policymakers can take in addressing the digital divide is to check their assumptions. They cannot – and should not – assume that students do or do not have access based solely on demographics such as family income level. “In addition, they cannot assume that providing access alone creates equity,” adds Dr. Beth Holland, a Partner at The Learning Accelerator (TLA) and Digital Equity Advisor to the Consortium of School Networking (CoSN). “This is a complex and nuanced challenge that needs both a technical and a human solution to ensure that students not only have access to sufficient high-speed internet and devices but also accessible systems and structures to support their learning.”

5. SURVEY AND MODIFY  

For teachers who are on the ground and in the classroom, checking your assumptions can be as simple as asking a few basic questions at the start of the term. “Survey students to determine the percentage of your population that doesn’t have home Internet access,” recommends former AAP President Dr. Colleen A. Kraft, MD, MBA, FAAP. “Once you know the divide, you can address it,” adding, “When planning 1:1 projects and choosing devices, for example, you can consider a device’s capacity for offline use. For those without Wi-Fi, a public library in the child’s neighborhood can also be an excellent resource.”

6. VOTE FOR CHANGE 

That parents and teachers need to worry about the digital divide at all is a failure on the part of our elected leaders, says Bates College Associate Professor of Education Mara Casey Tieken. “Contact your elected officials—local, state, and federal—and complain,” she suggests. “Write letters, call their offices, attend their legislative sessions, and make your voice heard. Join with other families whose children are impacted by this divide to amplify your message and use your vote to support lawmakers who understand the impacts of this divide, have a clear plan to address it and are willing to take action.”
 
7. MAKE BROADBAND A UTILITY  

Reich agrees, reminding those families who already have their needs met that they share in the responsibility to advocate for the less fortunate. “It’s our job as citizens to demand that we as a society give families and children the tools and resources that they need for remote learning now and in the future,” says Reich. “We need to advocate for a society where broadband is treated as a utility rather than a luxury good, and young people enrolled in schools and educational programs have access to computers for learning.”

8. CONCRETE INITIATIVES  

Angela Siefer, Executive Director of the National Digital Inclusion Alliance, advocates four concrete initiatives. “Establish a permanent broadband benefit, increase access to affordable computers, digital literacy and technical support, improve broadband mapping (including residential cost data), and support local and state digital inclusion planning.” By implementing these changes, Siefer says, policymakers can start to mitigate the digital divide. 

9. USE TECH FOR GOOD 

There are many reasons to consider equitable solutions along a “digital continuum” rather than the “digital divide;” a binary description leaves less room for nuanced and customized interventions. It may be imperative to fortify existing institutions, implement new governance structures and promulgate policies to confront disparities regarding working families. Antwuan Wallace, Managing Director at National Innovation Service, suggests that legislators consider a Safety and Thriving framework to increase family efficacy to support children with protective factors against the “homework gap” by utilizing technology to train critical skills for executive functioning, including planning, working memory, and prioritization. 
 
10. LEVEL THE FIELD 

Emma Garcia of the Economic Policy Institute emphasizes that guided technology education will be of great value after the pandemic. She says, “it will need be instituted as part of a very broad agenda that uses well-designed diagnostic tests to know where children are and what they need (in terms of knowledge, socioemotional development, and wellbeing), ensures the right number of highly credentialed professionals to teach and support students, and offers an array of targeted investments that will address the adverse impacts of COVID-19 on children’s learning and development, especially for those who were most hit by the pandemic.”
 
11. APPLY FOR LIFELINE 

Research also shows that the digital divide disproportionately affects Latino, Black, and Native American students, with the expensive price of internet access serving as one of the main obstacles to families in these communities. “Eligible parents can apply for the Lifeline Program, which is a federal program that can reduce their monthly phone and internet cost,” suggests Greenlining Institute fellow Gissela Moya. “Parents can also ask their child’s school to support them by providing hotspots and computer devices to ensure their child has the tools they need to succeed.”
 
12. GET INVOLVED 

Learning remotely can be difficult for kids, even if they have access to all the technological tools they need. Research shows that parental encouragement is also an important aspect of learning for children, notes London School of Economics professor and author Sonia Livingstone. “Perhaps sit with them, and gently explain what’s required or work it out together.” She adds that working together is a great way that parents with fewer economic or digital resources can support their children. “And if you don’t know much about computers, your child can probably teach you something too!”
 
13. NO ONE SIZE FITS ALL 

When it comes to encouraging your children, there’s no one-size-fits-all approach. “Reflect on the more nuanced ways your children learn and leverage accessible resources (digital and non-digital) to inspire their continued curiosity,” says University of Redlands Assistant Professor Nicol Howard. Leaning into your child’s strengths and interests will help them make the most of this challenging time.
 
While the move to remote learning may seem like an insurmountable obstacle for families that can’t afford reliable internet or dedicated devices for their kids, there are a variety of ways that parents can help connect their children with the tools they need. For those privileged enough to already have access to the necessary physical resources, it’s important to remember that emotional support is also an essential piece of the puzzle when it comes to children’s educational success, especially during days as challenging as these. Lastly, it falls on all of us to use our time, energy, and voices to work towards a more just world where the educational playing field is level and all children have the same opportunity to thrive and succeed, regardless of their social, racial, or financial background.
 
About Children and Screens
Since its inception in 2013, Children and Screens: Institute of Digital Media and Child Development, has become one of the nation’s leading non-profit organizations dedicated to advancing and supporting interdisciplinary scientific research, enhancing human capital in the field, informing and educating the public, and advocating for sound public policy for child health and wellness. For more information, visit Children and Screens website or contact by email here.
 
The views and opinions that are expressed in this article belong to the experts to whom they are attributed, and do not necessarily reflect the opinions of Children and Screens: Institute of Digital Media and Child Development, or its staff. 

Sceenic illustration by Heather Skovlund for 360 Magazine

Sports Innovation Lab × Sceenic

Sceenic, a leading software solutions provider for real-time experiences, has been named a Game Changer in the growing Co-Watch trend in the latest Sports Innovation Lab Power Play Index.

Sports Innovation Lab’s Power Play Index for the Fluid Fan Behavior of Co-Watch identifies those companies that are best positioned to create immersive viewing experiences for fans at home. Sceenic is the only Game Changer in the index, which charts the top 10 technology providers that offer co-watch solutions in the market.

The Power Play Index ranks companies in two categories: 

  • Technology Alignment: determined through a company’s signal score as it relates to watch parties, video chat, and voice chat.
  • Market Validation: determined through a company’s signal score as it relates to leagues, venues, people, and partners.

“When we publish a Power Play Index, we let the data do the talking. Our methodology identifies companies with both the market validation and technology depth that allows them to enable the Fluid Fan,” said Josh Walker, Co-founder and President of Sports Innovation Lab. “Sceenic is our Co-Watching Game Changer for 2020, proving that powerful co-watching technology isn’t the future, but the present.”

Sceenic is identified as the highest-ranking company for each measure due to the seamless turnkey nature of its offering for video, OTT, IPTV or STB providers, and the ease of integration for the Sceenic Watch Together SDKs and APIs into existing platforms with customization. The report also noted Sceenic’s partners and the experiences that they power in the market for clients such as BT Sport (UK), NPO (NL), ScreenHits TV (EU and US), LaLiga (ES), among others.

Key facts:

  • Sports Innovation Lab focused their recent fan behavior research on “Co-watch” presented in the Power Play Index. Getting fans to watch sports content – a live game, a recorded stream, or highlights – is simply getting them to show up. To keep Fluid Fans hooked, to get them coming back more frequently, and for longer periods of time, sports organizations must enable them to learn more about the sport and the athletes. When fans learn, they dive deeper into storylines, get invested in matchups, and come back again and again because they have a greater appreciation for the sport. When fans watch more, revenue opportunities from sponsorships, as well as ancillary behaviors like shopping merchandise or betting, increase
  • Sceenic is a leader in proving co-watch solutions to enhance the fan experience inside their clients’ platforms. Sceenic created the Watch Together software solution in 2013 to provide Broadcast, Telcos and Media companies with an engaging experience inside their platforms. The technology is available to be quickly deployed for video, OTT, IPTV or STB providers to integrate into their existing platforms
  • Sceenic was the first company, in 2019, to showcase and offer the Watch Together software solution on 5G
  • EE (the UK Telco) launched Matchday Experience on the BT Sport app in October 2020, with all BT Sport customers able to access the service from January 2021
  • BT Sport’s Watch Together is available on all broadcast content, 24/7 and on all devices (mobile, tablets, TV)
  • Powered by Sceenic during the 2020 Tour de France, NPO, the Netherlands Public Broadcaster enabled their users to meet the former cyclist Michael Boogerd inside their NPO Start web platform to share insights, answer questions and take online selfies with fans. 

“Seven years in development and refinement, our Watch Together technology stack is proving its worth in large scale deployments with BT Sport, T-Mobile Germany, NPO – Tour de France and others,” said Paul Bojarski, CEO, Sceenic. “What is now exciting is seeing how Watch Together actively supports our customers’ business objectives: the organic multiplier effect it brings to subscriber acquisition and retention, the powerful compliment of C2C word of mouth recommendations to machine learning, and the emergence of wholly original in-room interactive marketing/advertising opportunities.”

About Sceenic

Sceenic is an innovator and leader in understanding today’s customer behaviors and their expectations. In 2013, the company created the Watch Together software solution, adding value to fan-engagement and keeping the conversation within their clients’ platforms: BT Sport, T-Mobile Germany (Deutsche Telekom), NPO, ScreenHits TV, LaLiga, Virgin Connect, WeLoveGaming eSports, FIFAe, among others. You can read more about Sceenic here.

About Sports Innovation Lab 

Sports Innovation Lab is leading a sports research revolution. Sports Innovation Lab exists to educate clients on the technological possibilities for their brand and how to ultimately drive value to the end consumer: The Fluid Fans. Sports Innovation Lab inspires brands to create breakthrough fan experiences through data-driven technology insights and industry-leading research. You can learn more about Sports Innovation Lab here.