About Heather

Heather Ann illustration by Heather Skovlund for 360 Magazine

Heather Ann

Dreaming the Impossible and Accomplishing the Unbelievable

Her name is Heather, and she is a statistic. Since the age of sixteen, she has been a statistic due to becoming pregnant with her firstborn son, Zachary. Heather had always believed that she would only be known as that: a teenage mom. She worked hard and graduated high school a semester early to entirely focus on being a full-time mother. Heather then put off college and any thought of childhood dreams because she felt they were unattainable. She worked minimum wage jobs to try and raise her son the best that she could.

Heather’s daughter, Tyanna, came along when she was 21 years old.  In that time, Heather found herself in an unhealthy relationship. She fought hard to pull herself and her children out of the situation; she eventually did. However, she found herself turning to alcohol to cope with the pain she had endured through the years. Alcohol became Heather’s best friend for over a year, and she was faced with losing her children and eventually becoming pregnant with her youngest son, Jaxson. He was her saving grace. An angel sent from above to remind Heather that she was worthy of love and that she was stronger than she had ever known. It took her a few months to get back on her feet for herself and children, but she did it with her head held high.

Fast forward to 2011 where Heather was working as a cashier at Walmart, barely making ends meet for her family. She met her now-husband, Joshua. In 2013, they became a big, blended family with six children. Heather gained three more beautiful children: Emmanuel, Lyric, and Benjamyn. Their children now range in age from ten years old to 22 years old! Also, Heather is a proud grandma to two beautiful grandchildren – Lydia and Jaxton, a.k.a. her Sweetpea and Monkey.

It hasn’t been an easy road, but it has been full of love and memories. Heather’s husband has been the sole provider for their family, sometimes working over sixty hours a week. It was decided that Heather stay at home with the children for many reasons. The most important reason was due to the emotional abandonment that Emmanuel, Lyric, and Ben went through due to their biological mother. Although they have learned coping techniques, it has been a stressful and emotional journey. It was always best for the children if Heather was available at all times for them.

In addition to the chaotic life they live with a large family, Heather’s oldest daughter was diagnosed with Chiari Malformation and Ehlers Danlos Syndrome in 2016, which led to an emergency brain surgery to better Tyanna’s quality of life. This is a lifelong disease with no cure, so there have been quite a few struggles for her to find her new normal. She will never lead a “normal” life; however, she is doing her best to make life fun, and that is all Heather can hope for. Heather also has these health conditions, but they are nowhere as severe as Tyanna’s are. Heather also suffers from a dead talus bone in her ankle, along with two collapsed joints surrounding that ankle. This has contributed to continuing on as a stay-at-home parent as well. Heather’s family is big and unique, but they are full of love, and that’s the best thing she could ask for.

Heather has spent years being unable to provide for her family financially. As a parent to six children, this has always weighed heavily on her. She has watched her husband work from four in the morning to close to midnight in the same shift. He is hardworking and very dedicated to providing for his family. In 2018, Heather decided to start exploring the idea of college. She knew that she wanted to be in something art related. Art has been a coping mechanism throughout life; sketching, painting, and inks are her mediums of choice. She believed that the career she landed with should be something that she loved and would be proud to do. This led Heather to enroll at Independence University to obtain her associate degree in graphic design. This career choice allows Heather to share her art with the world and also contribute to her family.  She has worked hard to keep an impressive grade point average while learning as much as she can about graphic design.

Heather will officially graduate in January 2022 with a bachelor’s degree in graphic design. She decided after a year into her associate degree that she wanted to pursue her bachelor’s degree. Obtaining this degree would open opportunities for Heather to work within public relations, publishing, and digital media businesses.

Heather had been asked by quite a few people why she wanted to pursue her bachelor’s degree so soon after graduating with an associate degree. Many assumed that she wanted to stay focused on her education; that is true. However, that was not the decision-maker for Heather. This decision comes from a life-changing situation that her family encountered at the beginning of 2020. You see, Heather’s father was taken away from her when she was three years old. She found him again when she was sixteen and had not been away from him since then. Her father, Mike, was diagnosed with Lou Gehrig’s disease, also known as ALS, in March of 2020. This disease has continually cursed her family throughout the years. It has taken her great-grandmother, paternal grandmother, an aunt, an uncle, a distant cousin, and now her father. Heather always doubted that she would be able to attend college and succeed, but Mike was always the voice telling her that she could and that he was so proud of her. Mike was an amazing person and had always been Heather’s biggest cheerleader in life. She has many reasons to continue creating art; however, her passion comes from wanting to pursue more for her family, especially her father. She would love the opportunity to make him proud continually, even though he has been watching her from heaven since November of 2020.

In February of 2021, Heather took a big breath and reached out to Vaughn Lowery, President of 360 Magazine, in hopes of obtaining an internship through the magazine. 360 Magazine stands out from other magazines on many levels. 360 is an edgy fashion, lifestyle, and culture magazine. The founding members have over 30 years of collective experience both as notable talent and uber professionals within fashion, music, art, design, and entertainment. They are an LGBTQIA-friendly publication. Quality art content is the constant goal – No magazine like it is available today, constantly celebrating racial and sexual ambiguous talent and artists. Interning with 360 Magazine was definitely an opportunity she was ready to take on!

The morning Heather interviewed with Vaughn, she was battling the flu that was running its course through her household – she nailed the interview and started the next day! Heather continues to learn every day during her internship and through her classes. She has become increasingly more confident in her illustrations with Vaughn’s guidance. In addition to her internship with the magazine, Heather is also the Communications Director for her school’s AIGA Student group. She was recently nominated and is looking forward to learning her new role within the group!

While Heather stays really busy with art-related things, she really does enjoy doing other things! Her family has five dogs (Beethoven, Duchess, Ruby, Lucky & Alaska) and six cats (Pepper, Chewy, Tom, Jerry, Ebony & Dolly) that fill their home with fur and love. Heather and Josh try to hop on the ps4 a few times a week and play some Warzone. They have always been gamers! They enjoy having game nights, outdoor experiences, and hiking. Her husband is in the process of finishing their home gym – which they are pretty excited about it! Oh, can’t forget reading! Heather has a ton of books that she has bought over the years or have been given to her. She loves being able to curl up and spend an entire day just reading. Music. Music is her saving grace as well! Heather has such a unique playlist(s) – pop, country, r&b, hip-hop, rap… the list could go on!

Heather has a new mantra that she tries to tell herself daily: Keep going until YOU’RE proud. Heather has always doubted herself…but she needs to remember – like many others – that she needs to keep pushing and straighten her crown!

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Harley-Davidson illustration by Heather Skovlund for 360 Magazine

Harley-Davidson Museum

The Harley-Davidson Museum’s latest acquisition goes on display beginning April 16

Plus, patio dining has returned to MOTOR Bar & Restaurant.

The Harley-Davidson Museum is proud to announce its collection has recently grown with the addition of a 1957 Model FL that was ridden by famed Mexican stunt rider and racer Alfonso Sotomayor Canales.

Harley-Davidson’s history in Mexico dates back to at least 1913. In the 1920s, the brand was more frequently spotted throughout Mexico City as the motorcycles proved popular with the local traffic police who would also perform stunts with their Harley-Davidson® bikes. After racing from the 1930s into the 1960s, Sotomayor launched his own stunt riding career by performing the famed “Salto de la Muerte” or Jump of Death.

Beginning Friday, April 16, H-D Museum guests can learn more about Sotomayor’s feats of derring-do and Harley-Davidson’s early entry into Mexico when this new display premieres. Can’t make it down to the crossroads of 6th & Canal just yet? Mark your calendars for our Virtual Gallery Talk on April 15 for a curator-lead exploration.

This month’s other Virtual Gallery Talks will explore the history of trailblazing women riders, H-D fashions throughout the years and more.

And with warmer temperatures in the forecast, it is time to get reacquainted with the waterfront and cityscape views found only on the patio of MOTOR Bar & Restaurant, home to hickory-smoked BBQ dishes like brisket nachos, BBQ stuffed potatoes, BBQ salads and so much more.

Finally, don’t forget about the H-D Museum’s all-new Annual Pass. Purchase one in 2021 and enjoy perks – like discounts throughout campus and free admission– through 2022.

The H-D Museum is still in the midst of its first step of phased reopening, and City of Milwaukee health officials have approved safety plans for the H-D Museum. Reinforced protocols to support healthy and safe environments for visitors and staff include enhanced cleaning procedures, hand sanitizing stations and online ticketing to ensure social distancing and limiting of capacity levels. Staff and visitors will be required to wear face coverings at all times. Learn more about protocols to support healthy and safe environments.

EXHIBITS

“Off-Road Harley-Davidson” (open now)
In the decades before America paved its highways, early riders had to be prepared for all sorts of terrain: sand, clay or dirt – and wandering those makeshift byways were Harley-Davidson motorcycles. Today, it’s called off-road or adventure touring; back then it was just called riding. Since 1903, Harley-Davidson motorcycles proved their toughness by riding over wooded hills, through stone-choked creek beds and up mountain sides. “Off-Road Harley-Davidson” tells the history of motorcycles designed for rough roads, the people who rode them and the adventures they shared.

“Building a Milwaukee Icon: Harley-Davidson’s Juneau Avenue Factory” (open now)
A recently recovered cache of architectural drawings includes plans for the original Juneau Avenue facility. The pencil drawings, along with archival photographs, demonstrate the whirlwind pace of the company’s early growth. While building an international business—going from producing just over 1,000 motorcycles in 1909 to manufacturing 27,000 motorcycles in 1920—the company’s Milwaukee factory experienced near-constant expansion. Construction through this relatively brief period created the buildings that today, a century later, are still the proud home of Harley-Davidson.


“Building a Milwaukee Icon” provides a snapshot of Harley-Davidson’s formative years and illustrates a chapter of Milwaukee history when the city was known as the “Machine Shop to the World.”

PROGRAMMING / EVENTS

Annual Pass
Looking for interesting things to do and ways to fully enjoy our programs and exhibits? The Harley-Davidson Museum’s new Annual Pass offers individual, family and VIP levels to fit your lifestyle. Just some of the perks of the new Annual Pass include admission discounts, Virtual Gallery Talks, free admission for children under age 18, merchandise discounts at The Shop, dining discounts at MOTOR Bar & Restaurant and more.
Plus, if you purchase an Annual Pass in 2021, those passholder perks can be enjoyed all of 2021 and 2022. Visit H-D Museum.com to see complete ticket details for exclusions and other terms and conditions.

Virtual Gallery Talks
Thursdays (April 1, 8, 15, 22 and 29 at 7 p.m.)
The Harley-Davidson Museum is pleased to introduce a new offering to its menu of unique experiences: Virtual Gallery Talks are ideal for those who are hoping to take a deep dive into Harley-Davidson history from the comfort of home.
Each Gallery Talk topic covers an integral chapter in Harley-Davidson’s story. Get an up-close view of artifacts, check out historical footage pulled from our massive archives collection and connect with our team of H-D experts who will host a Q&A during each session. While the H-D Museum opens its doors to visitors from all over the globe, these Virtual Gallery Talks provide another way to experience the adventures of Harley-Davidson.

  • Featured Class: Engines 101 (Thursday, April 8, 7 p.m.)
    Study the heart of Harley-Davidson motorcycles: the iconic engine that motors these Freedom Machines.
  • Featured Gallery Talk: New Acquisition – Stunt Rider Alfonso Sotomayor Canales’ 1957 Model FL (Thursday, April 15, 7 p.m.)

The H-D Museum is excited to share the story of its latest addition to the collection – a 1957 Model FL from Mexican stunt rider Alfonso Sotomayor Canales. 

  • Featured Gallery: A History of Harley-Davidson Fashion (Thursday, April 22, 7 p.m.)
    From race sweaters to the iconic leather jacket, Harley-Davidson’s fashions have influenced how people look and dress from Main Street in Sturgis to the catwalks of Milan. Learn more about the H-D Museum’s Archives team works hand-in-leather-glove with our retail team to recreate authentic reproductions for the coveted H-D Originals collection.
  • Featured Topic: The History of the Harley Owners Group (H.O.G.) Riding Club (Thursday, April 29, 7 p.m.)

Join the Harley Owners Group team as they visit the H-D Museum to share the story of H.O.G. – How the Harley-Davidson Owners Group was born and grew into one of the most influential riding clubs in the world.

Engines 101 (Saturdays and Sundays, 11:30 a.m. and 1:30 p.m.)
Study the heart of Harley-Davidson motorcycles: the engine! Join us for a classroom experience covering the gritty details of how Harley-Davidson engines roar to life. No mechanical skills necessary! Leave with an exclusive Engines 101 pin, a $5 coupon for The Shop and a newfound knowledge of how Harley-Davidson engines are created.

AYCE Fish Fry at MOTOR BAR & RESTAURANT (Fridays, 11 a.m. – 5 p.m.)
Even though Lent is in the rear-view, the delicious all-you-can-eat beer-battered and golden fried cod – served alongside crispy french fries, jicama slaw, corn bread muffin and tartar sauce, all for just $15.95 – is available year-round and all day every Friday.

About the Harley-Davidson Museum
Discover culture and history through stories and interactive exhibits that celebrate expression, camaraderie, and love for the sport at the Harley-Davidson Museum. A visit to the H-D Museum is an experience that will stay with you for a lifetime. With an unrivaled collection of Harley-Davidson motorcycles and memorabilia, a 20-acre, park-like campus, and a calendar full of activities, the H-D Museum is one of Milwaukee’s top tourist destinations for visitors from around the globe. Make your plans to visit the Harley-Davidson Museum at their website.

Neurological illustration by Heather Skovlund for 360 Magazine

Houston Methodist × Rice University

Houston Methodist, Rice U. launch neuroprosthetic collaboration


Center for Translational Neural Prosthetics and Interfaces to focus on restoring brain function after disease, injury

Neurosurgery’s history of cutting diseases out of the brain is morphing into a future in which implanting technology intothe brain may help restore function, movement, cognition and memory after patients suffer strokes, spinal cord injuries and other neurological disorders. Rice University and Houston Methodist have forged a partnership to launch the Center for Translational Neural Prosthetics and Interfaces, a collaboration that brings together scientists, clinicians, engineers and surgeons to solve clinical problems with neurorobotics.  

“This will be an accelerator for discovery,” said center co-director Dr. Gavin Britz, chair of the Houston Methodist Department of Neurosurgery. “This center will be a human laboratory where all of us — neurosurgeons, neuroengineers, neurobiologists — can work together to solve biomedical problems in the brain and spinal cord. And it’s a collaboration that can finally offer some hope and options for the millions of people worldwide who suffer from brain diseases and injuries.”

Houston Methodist neurosurgeons, seven engineers from the Rice Neuroengineering Initiative and additional physicians and faculty from both institutions form the center’s core team. The center also plans to hire three additional engineers who will have joint appointments at Houston Methodist and Rice. Key focus areas include spinal cord injury, memory and epilepsy studies, and cortical motor/sensation conditions.

“The Rice Neuroengineering Initiative was formed with this type of partnership in mind,” said center co-director Behnaam Aazhang, Rice’s J.S. Abercrombie Professor of Electrical and Computer Engineering, who also directs the neuroengineering initiative, which launched in 2019 to bring together the brightest minds in neuroscience, engineering and related fields to improve lives by restoring and extending the capabilities of the human brain. “Several core members, myself included, have existing collaborations with our colleagues at Houston Methodist in the area of neural prosthetics. The creation of the Center for Translational Neural Prosthetics and Interfaces is an exciting development toward achieving our common goals.”

The physical space for the center’s operation includes more than 25,000 square feet of Rice Neuroengineering Initiative laboratories and experimental spaces in the university’s BioScience Research Collaborative, as well as an extensive build-out underway at Houston Methodist’s West Pavilion location that’s expected to be completed late this year. The Houston Methodist facility will include operating rooms and a human laboratory where ongoing patient/volunteer diagnosis and assessment, device fabrication and testing, and education and training opportunities are planned.

“This partnership is a perfect blend of talent,” said Rice’s Marcia O’Malley, a core member of both the new center and university initiative and the Thomas Michael Panos Family Professor in Mechanical Engineering. “We will be able to design studies to test the efficacy of inventions and therapies and rely on patients and volunteers who want to help us test our ideas. The possibilities are limitless.”

Houston Methodist neurobiologist Philip Horner describes the lab as “a merging of wetware with hardware,” where robotics, computers, electronic arrays and other technology — the hardware — is incorporated into the human brain or spinal cord — the wetware. The centerpiece of this working laboratory is a zero-gravity harness connected to a walking track, with cameras and sensors to record feedback, brain activity and other data.

While the Houston Methodist space is being built, collaborations already are underway between the two institutions, which sit across Main Street from one another in the Texas Medical Center. Among them are the following:

  • O’Malley and Houston Methodist’s Dr. Dimitry Sayenko, assistant professor of neurosurgery, will head the first pilot project involving the merging of two technologies to restore hand function following a spinal cord injury or stroke. O’Malley will pair the upper limb exoskeleton she invented with Sayenko’s noninvasive stimulator designed to wake up the spinal cord. Together, they hope these technologies will help patients achieve a more extensive recovery — and at a faster pace.
  • Rice neuroengineer Lan Luan, assistant professor of electrical and computer engineering, and Britz, a neurosurgeon, are collaborating on a study to measure the neurovascular response following a subarachnoid hemorrhage, a life-threatening stroke caused by bleeding just outside the brain. Two-thirds of people who suffer these brain bleeds either die or end up with permanent disabilities. Luan invented very small and flexible electrodes that can be implanted in the brain to measure, record and map its activities. Her work with mice could lead to human brain implants that may help patients recover from traumatic brain injuries caused by disease or accidents.
  • Aazhang, Britz and Taiyun Chi, assistant professor of electrical and computer engineering at Rice, are collaborating on the detection of mild traumatic brain injuries (mTBI) from multimodal observations and on alleviating mTBI using neuromodulations. This project is of particular interest to the Department of Defense.
Star Trek illustration by Heather Skovlund for 360 Magazine

Star Trek: Mission Chicago

ReedPop and ViacomCBS Consumer Products Unite to Produce 

STAR TREK: MISSION CHICAGO in Spring 2022

ReedPop to Beam into the Windy City for Star Trek: Mission Chicago on April 8 -10, 2022

ReedPop, the world’s leading producer of pop culture events, announced today that they are joining forces with ViacomCBS Consumer Products as the official convention partner for the Star Trek franchise. The partnership will kick off in 2022 with an all-new event that will serve as the ultimate destination for fans of the iconic franchise – Star Trek: Mission Chicago. Produced in partnership with ViacomCBS Consumer Products, Star Trek: Mission Chicago is a three-day immersive experience that will take place at Chicago’s McCormick Place Convention Center from April 8 – 10, 2022. 

Star Trek: Mission Chicago will feature celebrity guests, interactive exhibits, exclusive merchandise, photo opportunities, costume exhibits, autograph sessions, gameplay and other special surprises all set within the ever evolving and expansive Star TrekUniverse. Mission Chicago will give fans the opportunity to boldly explore the past, present and future of the franchise, while embracing the ideals of a diverse and inclusive future that remains at the center of Gene Roddenberry’s beloved creation. 

Following the inaugural event in Chicago, future Star Trek: Missions will travel to a new city each year, offering thousands of fans around the country the opportunity to convene with fellow Star Trek lovers and celebrate the iconic franchise.

“The Star Trek franchise has one of the most passionate and spirited fan bases out there, and we at ReedPop are excited to welcome them and ViacomCBS Consumer Products into our family,” said Lance Fensterman, Global President of ReedPop. “Together we plan to give the fans an incredible experience to remember, and I speak for all of us at ReedPop when I say that we can’t wait to experience the energy that Star Trek fans will bring to Chicago next April.”

Veronica Hart, executive vice president, global franchise management, ViacomCBS Consumer Products added, “As the Star Trek franchise continues to grow and evolve, so too is our convention business evolving. We are excited to partner with ReedPop as our official Star Trek convention partner to take this next step in creating an event that will introduce the Trek experience to loyal and new fans alike each year.”

For more information and updates on Star Trek: Mission Chicago, please visit Star Trek Mission’s website and follow the event on Twitter, Instagram, and Facebook

Transgender Sports illustration by Heather Skovlund for 360 Magazine

NCAA LGBTQ OneTeam

NCAA LGBTQ OneTeam facilitators publish open letter condemning anti-transgender legislation

The NCAA LGBTQ OneTeam, a group of NCAA- trained facilitators at colleges across the country published an open letter condemning the actions taken by 28 states across the country to introduce, pass, and sign anti-transgender legislation. 2021 has been a record year for anti-transgender legislation, with 93 anti-transgender bills introduced across the country, the vast majority of which attempt to ban transgender women and girls’ participation in girls’ sports or ban transgender youth from accessing medically necessary, gender-affirming health care.

Laws have been signed banning transgender women and girls’ participation in girls’ sports in Mississippi, Tennessee, and Arkansas, with Executive Orders being signed to the same effect in South Dakota.  Legislators across the country have failed to provide examples of issues in their states to attempt to justify these attacks, laying bare the reality that these are attacks on transgender youth that are fueled by discrimination and not supported by fact.  Collegiate and professional sports organizations have had trans-inclusive policies for years without incident, and there is no reason any state would need a ban on transgender participation in sports.

The NCAA LGBTQ OneTeam open letter reads as follows:

An Open Letter in Support of Transgender Student-Athletes

We, the undersigned, are facilitators of the National Collegiate Athletics Association’s (NCAA)Division III LGBTQ OneTeam Program, which is a national training program that fosters LGBTQ+ inclusion in NCAA Division III athletics, and members of the NCAA’s Division III LGBTQ Working Group. Given the recent rise in legislation that is focused on excluding transgender people from athletics across the country, we have decided to use our collective voice to condemn such actions. We call on elected officials across the country to immediately halt legislation that is aimed at excluding transgender youth and young adults from equal and equitable participation in sport.

In our role with the NCAA’s LGBTQ OneTeam Program, we train coaches, athletics administrators, and student-athletes across the whole of Division III athletics. This program is aimed at helping to understand the importance of LGBTQ inclusion in college athletics, while also identifying strategies and best practices for institutions and conferences to better ensure that all student-athletes–regardless of their sexuality, gender identity, and/or gender expression–can participate in an inclusive and safe athletic climate. We cannot, in good conscience, fail to speak out at this critical moment.

In the past several weeks, actions–which are aimed at excluding transgender youth and young adults from equal and equitable participation in sport–have been taken by elected officials inseveral states, including Alabama, Arizona, Arkansas, Connecticut, Florida, Georgia, Iowa, Kansas, Kentucky, Maine, Minnesota, Mississippi, Missouri, Montana, New Hampshire, New Jersey, New Mexico, North Carolina, North Dakota, Ohio, Oklahoma, South Carolina, South Dakota, Tennessee, Texas, Utah, and West Virginia. At the time of this writing, the Governors ofArkansas,Idaho,Mississippi, andTennessee have already signed such dangerous legislation into law. 

Legislation aimed at categorically banning transgender people–and particularly transgender girls and women–from sport is inherently discriminatory. Such legislation is often “informed” by hate and misinformation rather than science, and it is most certainly “informed” byfear instead of fact. Conversely, trans-inclusive policies, such as those established by theNCAA and theInternational Olympic Committee (IOC), are better informed by the current scientific evidence, and this evidence shows that transgender women do not have an inherent competitive advantage over cisgender women.

Furthermore, discriminatory legislation that is aimed at excluding transgender people from sport has a number ofserious consequences for transgender students. Such legislation dehumanizes transgender students, refuses them the opportunity to participate equally and equitably in athletics, undermines their support in educational settings, damages their mental health, and ultimately harms these students, while also contributing to an exclusionary athletic environment and a more hostile school climate for all students.

We immediately call for 1) an end to such legislation in all states and 2) a repeal of such laws in Arkansas, Idaho, Mississippi, and Tennessee. And finally, we also encourage our legislators to better consider theNCAA best practices and importance of an inclusive athletic environment for all student-athletes.

Sincerely,

The Undersigned

Timothy R. Bussey, Ph.D.

Pronouns: they/them

Associate Director, Office of Diversity, Equity, and Inclusion | Kenyon College

Kayla Hayes, M.Ed.

Pronouns: she/her

Associate Head Women’s Basketball Coach Dept. of Athletics | Denison University

Kyrstin Krist, Ph.D.

Pronouns: she/her

Associate Professor of Kinesiology and Faculty Athletic Representative | Methodist University

Melynda Link, M.B.A.

Pronouns: she/her

Director of Athletic Facilities & Game Day Operations, Dept. of Athletics | Haverford College

Kathleen M. Murray

Pronouns: she/her

President, Office of the President | Whitman College

Jess Duff

Pronouns: she/her

Assistant Athletic Director for Student Athlete Services & Internal Operations Dept. of Athletics | Bates College

Jessica Weiss

Pronouns: she/her

Head Field Hockey Coach, Dept. of Athletics | Randolph-Macon College

Jennifer Dubow

Pronouns: she/her

Executive Director | Southern California Intercollegiate Athletic Conference (SCIAC)

Maura Johnston

Pronouns: she/her

Head Field Hockey Coach, Dept. of Athletics | Fairleigh Dickinson University

Scott McGuiness

Pronouns: no pronouns

Director of Athletics, Dept. of Athletics | Washington & Jefferson College

Danielle Lynch, M.S.Ed.

Pronouns: she/her

Senior Woman Administrator and Head Track and Field/Cross Country Coach Athletic Department | Penn State University – Harrisburg

Melissa Walton

Pronouns: she/her

Senior Associate Athletic Director Athletic Department | Albion College

Amy Reed

Pronouns: she/her

Senior Woman Administrator and Head Women’s Basketball Coach Dept. of Athletics | Rochester Institute of Technology

Donna M. Ledwin

Pronouns: she/her

Commissioner | Allegheny Mountain Collegiate Conference (AMCC)

Donnesha Blake, Ph.D.

Pronouns: she/her

Director of Diversity and Inclusion Dept. of Student Affairs | Alma College

Tim Wilson

Pronouns: he/him

Assistant Track and Field Coach, Dept. of Athletics | Stevens Institute of Technology

Anne Kietzman

Pronouns: she/her

Head Field Hockey Coach, Dept. of Athletics | Washington College

Ashley Crossway, D.A.T., A.T.C.

Pronouns: she/her

Assistant Professor and Coordinator of Clinical Education Dept. of Kinesiology | SUNY Cortland

Melissa Brooks

Pronouns: she/her

Head Women’s Basketball Coach Athletic Department | Fairleigh Dickinson University – Florham 

Tiffany Thompson

Pronouns: she/her

Associate Director of Gender and Sexuality Initiatives, Intercultural Center | Swarthmore College

Kirsten Clark

Pronouns: she/her

Associate Athletic Director, Dept. of Athletics and Recreation | Clark University

Kate Levin

Pronouns: she/her

Assistant Sports Information Director Dept. of Athletics | Ramapo College

Cori Collinsworth

Pronouns: she/her

Head Softball Coach, Athletic Department | Hanover College

Bethany Dannelly

Pronouns: she/her

Associate Director of Athletics, Dept. of Physical Education and Athletics | Washington and Lee University

Jennifer Childress-White, M.Ed.

Pronouns: she/her

Assistant Athletic Director and University Title IX Coordinator Dept. of Athletics | Pacific Lutheran University

Elise Fitzsimmons, M.S., A.T.C.

Pronouns: she/her

Assistant Athletic Trainer, Dept. of Athletics| SUNY Oswego 

Amanda Walker

Pronouns: she/her

Athletic Program Coordinator Athletics Department | Lake Forest College

Danielle O’Leary

Pronouns: she/her

Senior Woman Administrator and Head Women’s Lacrosse Coach Athletics Department | Mount Aloysius College

Crystal Lanning

Pronouns: she/her

Director of Athletics, Dept. of Athletics | University of Wisconsin – River Falls

Neil Virtue

Pronouns: he/him

Assistant Director of Athletics and Head Swimming Coach | Dept. of Athletics, P.E., and Recreation Mills College

Jose’ Rodriguez, M.Ed.

Pronouns: he/him

Chief Diversity Officer, Office of University Diversity Initiatives | Cabrini University

Karen Moberg, M.Ed., L.A.T., A.T.C.

Pronouns: she/her

Associate Athletic Trainer, Athletic Department | Macalester College

Yishka Chin

Pronouns: she/her

Coordinator for Tutoring Services and Trailblazer Program Director, Dept. of Student Success | Notre Dame of Maryland University

Renee Bostic

Pronouns: she/her

Director of Athletics & Wellness Dept. of Athletics & Wellness | Notre Dame of Maryland University

Megan Cullinane

Pronouns: she/her

Assistant Athletic Director and Deputy Title IX Coordinator for Athletics Dept. of Athletics and Recreation | University of Massachusetts – Boston

Maureen Harty

Pronouns: she/her

Executive Director | College Conference of Illinois and Wisconsin (CCIW)

Stephanie Dutton

Pronouns: she/her

Commissioner | North Eastern Athletic Conference (NEAC)

Sharia Marcus-Carter

Pronouns: she/her

Senior Woman Administrator and Director of Compliance, Athletics Department | Brooklyn College

Thandiwe Newton illustration by Heather Skovlund for 360 Magazine

Thandie × Thandiwe

Thandiwe (Thandie) Newton is Reclaiming Her Name

After being miscredited as “Thandie” in her first project—a mistake that has continued for the rest of her career—actress Thandiwe Newton is insisting people use her whole name. All of her future films will be credited with her full name, Thandiwe, which means beloved in Shona.

“That’s my name. It’s always been my name. I’m taking back what’s mine,” Newton said in her May cover story for British Vogue.

Newton also spoke about her experiences with abuse in the film industry, which started when she was sexually abused by director John Duigan at the age of 16 while shooting her very first film, Flirting.

“There’s a moment where the ghost of me changed, you know, and it was then, it was 16. He derailed me from myself utterly. I was traumatized. It was a kind of PTSD for sure. I was so distraught and appalled that a director had abused a young actress, and that it was happening elsewhere, minors getting abused and how fucked up it was. I was basically waiting for someone to come along and say, ‘Well, what shall we do about this?’’’

Although Newton faced a great deal of backlash when she first came forward with her story of abuse, soon the #MeToo movement led to countless more women within Hollywood sharing their own stories of abuse and assault.

To continue reading this Jezebel article, click here

Fire in Little Africa illustration by Heather Skovlund for 360 Magazine

Fire in Little Africa

FIRE IN LITTLE AFRICA SET FOR MAY 28 RELEASE VIA MOTOWN RECORDS/BLACK FORUM IN PARTNERSHIP WITH THE BOB DYLAN CENTER AND WOODY GUTHRIE CENTER

Album Brings Fresh and Important Perspective to the 1921 Tulsa Race Massacre and Celebrates the City’s Vibrant Hip Hop Scene

Fire in Little Africa a groundbreaking album of original material, written and recorded by a collective of Oklahoma hip hop artists to commemorate the 100-anniversary of the Tulsa Race Massacre will be released on May 28 by Motown Records/Black Forum in partnership with Tulsa’s Bob Dylan Center and Woody Guthrie Center.

The 21-track collection gets to the truth of what happened on May 31 and June 1, 1921 when a white mob descended on the streets of Greenwood then a prosperous Tulsa neighborhood known as Black Wall Street and burned down the business district, destroying roughly 1,500 homes, killing hundreds and leaving thousands of Black Tulsans homeless. For years, this historic, albeit dire, chapter was left out of classrooms and textbooks as the city attempted to erase this part of its past.The artists heard on Fire in Little Africa get to the truth through urgent songs, recalling stories told and stories lived in hope to usher in a new era for Tulsa as they help the community process this generational trauma through music.

Fire in Little Africa is a powerful and timely project that provides a platform and outlet for the incredibly talented and thriving music community of Tulsa, Oklahoma, said Motown Records Chairman & CEO, Ethiopia Habtemariam. Carrying the legacy of the Black Wall Street community, Fire in Little Africa is a body of work filled with purpose and prolific storytelling. I am honored and feel privileged to have Motown Records/Black Forum partner with Dr. View, the Bob Dylan Center and Guthrie Center to release this impactful hip-hop album.

Stevie, Dr. View, Johnson, PhD, Manager, Education & Diversity Outreach at the Woody Guthrie Center | Bob Dylan Center and the album’s executive producer, added, Fire in Little Africa has evolved into a communal hip hop movement and we’re excited that we get to share the flavor, history and legacy of Black Wall Street with the world, in collaboration with the amazing leadership of the Motown/Black Forum family. We’re grateful for Ethiopia’s foresight in providing us an opportunity to share our important stories with the world. There are Black Wall Streets across the diaspora, and we unequivocally know that Fire in Little Africa will inspire many people. In the words of Steph Simon, everything is us.

In this feature, Rolling Stone noted, Fire in Little Africa is poised to teach the world about that long-suppressed history, from locals who grew up in a community that still lives with the aftermath of the massacre. Just as important, the artists involved in the project also hope it serves as a launching-pad moment for Tulsa’s hip-hop scene, which has long flown under the national radar.

The album was recorded in Greenwood over a five-day period in March 2020. Studios were set up at the Greenwood Cultural Center and other locations, including the former home of 1921 massacre mastermind/KKK leader Tate Brady. The house is now owned by former NFL first-round draft pick and Tulsa native Felix Jones. The Tulsa World was on hand to speak with the artists involved in the historic sessions. Read the article HERE and check out the accompanying video HERE.

Fireside with Dr. View is a weekly podcast featuring Dr. View in conversation with thought leaders in activism, academia and culture, centered on the movement behind the Fire in Little Africa music. Listen to Fireside with Dr. View HERE. Hosts Ali Shaw and Doc Free sit down with Fire in Little Africa artists, Tulsa community leaders and national voices for conversations on music and culture in the Fire in Little Africa podcast, which can be found HERE.

Located in the Tulsa Arts District, the Woody Guthrie Center opened in 2013. The Bob Dylan Center is expected to open on the same block within the next year. Both are projects of the George Kaiser Family Foundation, the primary funder for Fire in Little Africa. The album is chronicled in a documentary film, which will be released later this year.

Fire in Little Africa marks the first new material released by Black Forum since the label’s relaunch earlier this year. Black Forum originally debuted in 1970 with Dr. Martin Luther King Jr.’s Why I Oppose the War in Vietnam, which won a GRAMMYAward for Best Spoken Word Album. The label reissued Dr. King’s influential speech earlier this year.

Playboi Carti illustration by Heather Skovlund for 360 Magazine

Playboi Carti Drops Sky Video

PLAYBOI CARTI DROPS VIDEO FOR “SKY” OFF OF HIS #1 ALBUM WHOLE LOTTA RED

WATCH “SKY” HERE!

LISTEN TO WHOLE LOTTA RED HERE!

Playboi Carti dropped a new video for hit track “Sky” off of his latest album, Whole Lotta Red. The video was directed by Nick Walker and produced by Chad Tennies & Rachel Walden.

Watch the “Sky” music video here.

In January, Playboi Carti landed his first #1 album on Billboard’s 200 Chart with Whole Lotta Red. The album, released on Christmas day, sold 100,000 units and received 160 Million global streams within its first week. In addition, Whole Lotta Red trended #1 upon its release on Twitter, and tracks from the album held 3 out of the top ten trending spots at YouTube including #1 upon release.

Alongside the album, Playboi Carti dropped the official video for M3tamorphosis” ft. Kid Cudi. The video, directed by Nico Ballesteros, has already garnered over 7.3 Million views.

Whole Lotta Red features 24 tracks with appearances by rap superstars Future, Kid Cudi and Kanye West. This is Playboi Carti’s second studio album, following Die Lit which was released in 2018 and debuted at #3 on the Billboard 200 chart. It has clocked over a staggering 1.6 Billion streams for its tracks to date.

About Playboi Carti

In just a few short years, rapper Playboi Carti has amassed millions of streams worldwide, with a global appeal that has steadily placed him within the upper echelon of new stars. The Atlanta native first started his career in high school under the name Sir Cartier. Raised on a cross-section of soulful Pop greats like Prince and Michael Jackson mixed with Trap stars like Jeezy and Gucci Mane, Carti found his own voice, securing local buzz with tracks like “YUNGXANHOE” and “Lost.” He graduated high school and was bound for the Bronx, where connecting with the A$AP Mob became fortuitous as he later forged a bond with leader A$AP Rocky and became a de-facto Mob affiliate. A series of viral hits followed—from “Broke Boi” to “Fetti”—as Carti later inked a deal with Interscope Records and dropped his eponymous mixtape in 2017. The project featured the single “Magnolia,” as its meteoric rise garnered over 600 million cumulative streams with cosigns from Beyoncé and features on series like Atlanta. The following year, Carti dropped his debut album Die Lit, debuting at Number 3 on the Billboard 200, boasting collaborations like Lil Uzi Vert on “Shoota,” “Poke It Out” with Nicki Minaj, “Love Hurts” with Travis Scott and many more. In April of 2020, Playboi Carti returned with “@MEH,” cracking the 80 million mark already in streams. With a constant string of hits, Playboi Carti doesn’t miss.

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Wes Nelson illustration by Heather Skovlund for 360 Magazine

Wes Nelson New Single

WES NELSON RELEASES NEW SINGLE “NICE TO MEET YA” FEAT. YXNG BANE

FOLLOWS THE GOLD CERTIFIED TOP 3 DEBUT SINGLE “SEE NOBODY”

Following his massive breakthrough debut single last year, Wes Nelson returns with another monster hit “Nice To Meet Ya” featuring Yxng Bane.

Listen and watch “Nice To Meet Ya”

With its moody blend of Afrobeats, smooth R&B production and Wes’ infectious melodies, “Nice To Meet Ya” feels like an instant classic; confident, effortless and ridiculously catchy. Written by Wes and produced once again by rising beatmaker, Ayo Beatz (Fredo, Young M.A.), the track delivers on Wes’s promise both as a talented songwriter and vocalist. Featuring Yxng Bane, the East London star had written and recorded his parts within a day of hearing the track.
 
Wes says, “I wanted people to sing ‘Nice To Meet Ya’ and just feel good about themselves, like 3 minutes of escapism! Especially with lockdowns, we’re all feeling a bit trapped, and people are down, I just want people to get up and feel good.”
 
One of 2020’s biggest singles, “See Nobody” was written and produced during lockdown from Wes’ makeshift bedroom studio. A Gold-certified hit in the UK and double Platinum in Ireland, the top 3 debut single has accumulated over 70 million streams globally, with over 38 million streams on Spotify and over 13 million video views. It also became an instant favorite amongst cultural commentators, musicians and attracted notable fans such as the likes of Anthony Joshua, Idris Elba, Stevo The Madman, Chip, Krept & Konan, Jay1, S1mba, Jae5, SL and many more.
 
A former undefeated champion Muay Thai kickboxer, semi-professional footballer and Nuclear System Design Engineer, music has always been Wes’ first love and his greatest ambition. After being gifted with a red plastic karaoke machine at age 3, he would perform for his family every Friday night and sing along to the Top of The Pops’ hits of the day. As he grew into his teen years, he lacked the confidence to be open about his passion for music and instead focused on other interests. Last year, quarantine became an opportunity for Wes to return to his artistic craving: while others baked banana bread and binge-watched Selling Sunset, he took the discipline he learned from Muay Thai and applied it to music.
 
With his focus now fully on music, who knows where the next chapter could lead. He has the desire – and potential to be one of the UK’s most successful R&B/Pop artists. Wes not only has the talent, but the focus, drive and discipline that such ambition takes.
 
“I know it’s not going to happen overnight, but consistency is key. The best artists are the ones who stay true to themselves; authenticity is everything to me and that’’s what will take me all the way.”
 
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Microphone illustration by Heather Skovlund for 360 Magazine

Red Bull Batalla

WORLD’S LARGEST SPANISH FREESTYLE RAP BATTLE, RED BULL BATALLA OPENS APPLICATION PERIOD FOR 2021 U.S. NATIONAL FINALS

Top MCs who have what it takes will advance to next round and compete in the global rap competition’s 15-anniversary season

The new season of Red Bull Batalla kicks off as the largest Spanish freestyle rap battle in the world announces the application phase is now live for the U.S. National Finals. Seeking to uncover the country’s best Spanish freestyle talent around, any MC interested in applying can upload their freestyle submission video via the official Bull Batalla app. This will give them the chance to compete in a virtual qualifier as part of the 15-anniversary of the biggest international freestyle competition in the world.

Following the application phase, from now until April 30th, the top MCs will be chosen to advance to the next round. Those selected will have the opportunity to showcase their lyrical talents and compete in one of the many virtual, regional qualifier battles broadcasts on Twitch this summer. Top contenders from the virtual qualifier will then travel to U.S. National Finals in September. Later this year, all eyes will be on the top MCs as they battle it out in the International Final where one winner will be crowned.

Red Bull Batalla is a global freestyle rap competition that, since 2005, has provided a platform for the best hip-hop improvisors in the Spanish world to connect, develop and compete. The Red Bull founded project has risen to become the world’s biggest international freestyle battle competition, uniting Spanish speakers across the globe. The roots of this improvised rap scene are as deeply connected to hip-hop as they are to the improvisation styles of traditional folk troubadours. With the competition, Red Bull Batalla gives an opportunity for young MCs to train, perform and improve their improvisation and lyrical skills.

The 2020 Red Bull Batalla competition was won by Mexico’s Rapder who delivered the ultimate mic drop to win the most-watched live music event of the year. For the U.S., the region’s National Final winner Yartzifrom Puerto Rico, advanced to the Quarterfinals but was eliminated by Rapder. To relive 2020 highlights head to the Red Bull Batalla website Red Bull TV Batalla.