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Illustration by Alex Bogdan for use by 360 Magazine

GWEN BERRY PROTESTS ANTHEM ON OLYMPIC STAGE

By: Clara Guthrie

On Saturday June 26, hammer thrower Gwen Berry turned her back on the American flag while the national anthem played as she stood on the podium during the track and field Olympic trials in Eugene, Oregon, saying she felt “set-up” by the timing of the song. Berry had just placed third in her respective event, meaning she had secured her spot at the postponed 2020 Tokyo Olympics. The opening ceremony will take place on July 23, and the rest of the Olympics schedule can be found HERE.

According to the Associated Press, the national anthem had played once every night of the track and field qualifying events, meaning “The Star-Spangled Banner” had played consecutively for eight nights before Berry stepped onto the podium. USA Track and Field spokeswoman Susan Hazzard said in a statement, “We didn’t wait until the athletes were on the podium for the Hammer Throw awards, the national anthem is played every day according to a previously published schedule.”

Berry, however, claimed that she was told the national anthem would play before the athletes walked back onto the field to receive their medals. “They said they were going to play it before we walked out, then they played it when we were out there,” Berry said. “But I don’t really want to talk about the anthem because that’s not important. The anthem doesn’t speak for me. It never has.”

Berry’s behavior on the podium reflected her immediate surprise and discomfort when the anthem began to play. The Associated Press described the moment:

“While the music played, Berry placed her left hand on her hip and shuffled her feet. She took a quarter turn, so she was facing the stands, not the flag. Toward the end, she plucked up her black T-shirt with the words ‘Activist Athlete’ emblazoned on the front, and draped it over her head.”

Berry is no stranger to merging activism with top-tier athletics. At the 2019 Pan-American Games held in Peru, Berry raised her fist in protest as the national anthem played; she was, again, on the podium, this time receiving a gold medal. The backlash Berry faced for this action was swift and aggressive. According to ESPN, one Twitter user simply said, “Love our country or move out!!”

In defense of her silent and yet impactful protest at the 2019 Pan-American Games was her father, Michael Berry. He said, “For her to do that on the podium is more American than anything, if you ask me. Because that’s what our country is founded on: freedom of expression, freedom of speech.” It is important to note that Michael Berry is an Iraq War veteran—a member of a group that is often brought up as one that is disrespected by any form of protest during the playing of the national anthem.

The US Olympic and Paralympic Committee however, clearly disagreed with Berry’s father’s statement, instead sentencing Berry to a one-year probation for breaking the Olympic code of conduct. At the time, this set of rules forbade any form of demonstration while at Olympic-affiliated venues. According to NBC News, the committee has since apologized to Berry for this punishment. Race Imboden, an American fencer, took a knee while on the podium at his respective medal ceremony at the same Pan-American Games and was also put on probation for one year. While these sorts of demonstrations are still illegal according to the International Olympic Committee, the US Olympic and Paralympic Committee has since changed their rules to allow for some kinds of political demonstrations.

But after her most recent act of protest at the Olympic trials on Saturday, Berry is only renewed in her commitment to social justice, specifically in dismantling systemic racism. In the aforementioned conversation with the Associated Press, Berry said, “My purpose and my mission is bigger than sports. I’m here to represent those […] who died due to systemic racism. That’s the important part. That’s why I’m going. That’s why I’m here today.”

In the wake of Berry’s actions, #gwenberry was trending on Twitter, triggering a storm of passionate comments voicing both praise and pride, as well as disappointment and downright hatred—with many users on the latter side calling for her outright removal from the Olympic team. Republican politician Tom Basile took to Twitter to say, “She’s a disgrace and should not be allowed to represent this country. Period.” Another user added, “When your [sic] supposed to rep your country in the Olympics and turn your back on the flag, you should be stripped of that chance at the Olympics. […] Rooting against her in Tokyo.”

The hashtag has also been flooded with support of Berry’s protest. One user said, “Storming the Capitol and enslaving Americans are NOT acts of patriotism but you don’t want to talk about that. Protesting is patriotic.” Columnist Carron J. Phillips agreed, saying, “She’s a patriot. And if you’re mad at a 2-time Olympian but not the terrorists who stormed the Capitol, you’re part of the problem.”

Other Twitter users astutely observed that Gwen Berry is among many famous and celebrated athletes who have used their high-publicity roles to engage in and push forward different social movements, specifically dismantling systemic racism in America. Former-NFL quarterback Colin Kaepernick became the center of a heated debate in 2016 when he began kneeling during the national anthem before his games to send a message about police brutality and discrimination against Black Americans. And at the 1968 Mexico City summer Olympic games, track and field athletes Tommie Smith and John Carlos made waves when they both raised a fist in the black power salute during the national anthem as they received gold and bronze medals, respectively.

All four of these athletes—Tommie Smith, John Carlos, Colin Kaepernick and now, Gwen Berry—are paragons of protest and serve as resonant reminders that protest is inherently meant to make us uncomfortable and catalyze change. Berry may be a newer member of this long-standing tradition of Black athletes pushing for political change, but she most certainly will not be the last.

Katy Perry x Theta Network — Katy Perry NFTs for use by 360 Magazine

KATY PERRY NFT

Global pop superstar Katy Perry, in collaboration with Theta Network, announced the launch of Katy Perry NFTs for her fans worldwide. The first digital collectibles of the collaboration will feature content from Katy’s upcoming “Play” residency at the brand new Resorts World Las Vegas hotel, beginning in December 2021. Katy Perry will also acquire a minority interest in Theta Labs, alongside Perry’s talent agency, Creative Artists Agency (CAA), one of Theta’s latest enterprise validators.

“I’m both excited and curious to be launching my first ever NFTs later this year with Theta Network,” said Katy Perry. “This is a new, unique opportunity to connect with my fans around the world even if they aren’t with me in Las Vegas. I can’t wait to dive in with the Theta team on all the exciting and memorable creative pieces, so my fans can own a special moment of my residency that’s both a digital collectible as well as an IRL experience.”

This is the first-ever Las Vegas residency to feature exclusive NFTs commemorating the events, making them a one-of-a-kind collectible for Katy Perry super-fans across the world. As of today, fans can pre-register and be notified of the first NFT drops HERE.

“Coinciding with Theta’s Mainnet 3.0 launch, working with a global icon like Katy Perry over the next year marks an important inflection point in Theta Network’s history and a big step towards global adoption of Theta blockchain,” said Mitch Liu, co-founder and CEO of Theta Labs. “With the help of CAA and Katy’s management team, we’re charting a course towards reaching well beyond crypto enthusiasts to millions of music, media and entertainment fans around the world. In the end, we see this as an important milestone towards a million daily transactions on the Theta network.”

Theta Network’s NFT marketplace, ThetaDrop, is powered by the Theta protocol and a native blockchain that is significantly different from other NFT platforms as it was purposefully built for media and entertainment. The cost of minting NFTs and gas fees are as low as $0.15 on the Theta network and transaction times are 100x faster than on Ethereum. More importantly, the Theta protocol is built from the ground up on a proof-of-stake (POS) model and therefore uses a fraction of the electricity and resources making it significantly greener, and more environmentally friendly than other platforms.

With the launch of the Theta Mainnet 3.0 protocol upgrade on June 30th, Theta’s distributed network of more than 100,000 global community-run edge nodes continues to grow exponentially. In the future, edge nodes will support decentralized NFT storage enabling users to truly own and take custody of their NFTs, and not depend on any centralized platform. Cross-chain bridges between Theta Network, Ethereum and other blockchains will enable seamless NFT transfer across marketplaces, notably Ethereum-based Opensea, Nifty Gateway and others.

About Theta Labs, Inc.:

Theta Labs pioneered Theta Network, the leading video delivery network powered by blockchain technology, and THETA.tv, the next generation decentralized live streaming platform. Theta infrastructure enables existing video platforms to drive incremental revenues and reduce content delivery CDN costs while end-users are rewarded for sharing their bandwidth to relay video on a peer-to-peer basis on any PC, mobile, Smart TV or IoT device. Most recently, the company launched ThetaDrop NFT marketplace in partnership with World Poker Tour aiming to disrupt the digital collectibles industry.

Theta’s enterprise validator and governance program is led by global leaders including Google, Samsung, Sony, Creative Artists Agency (CAA), Binance, Blockchain Ventures, DHVC and gumi. THETA.tv, the first application built on the Theta Network, leverages its existing user base of millions of viewers to seed the Theta P2P mesh network along with premium content partnerships with Lionsgate, MGM Studios, NASA, and others. Video platform partners include CONtv Anime, World Poker Tour, Cinedigm, Samsung VR, GameTalkTalk, MovieBloc, Ultra, GFUEL and other OTT media, entertainment, and live streaming services. Strategic corporate investors include Samsung NEXT, Sony Innovation Fund, media investors BDMI Bertelsmann Digital Media Investments, CAA, and traditional Silicon Valley VCs including DCM and Sierra Ventures. Learn more HERE.

About Katy Perry:

Katy Perry has racked up a cumulative 50 billion streams alongside worldwide sales of over 48 million adjusted albums and 135 million tracks. Her 2019 single, “Never Really Over,” off her latest album SMILE, is certified PLATINUM and was the biggest streaming launch of Katy’s musical career. 2020’s SMILE release has sold over 1.25 million adjusted albums, with nearly 2 Billion combined streams to date. Views of her 2013 video “Roar” and 2014 “Dark Horse” have recently surpassed three billion views making Katy the first female artist to reach this milestone. Katy’s 2015 Super Bowl performance is the highest-rated in the event’s history. She is one of only five artists in history to have topped 100 million certified units with their digital singles and the first-ever Capitol Records recording artist to join the elite RIAA 100 Million Certified Songs club.

Aside from being one of the best-selling musical artists of all time, Katy is an active advocate of many philanthropic causes. In 2013, Katy was appointed a UNICEF Goodwill Ambassador and has used her powerful voice to ensure every child’s right to health, education, equality and protection. Katy has also been a champion for LGBTQ+ equality, and has received numerous awards for her work, including the Trevor Project’s Hero Award in 2012, the Human Rights Campaign’s National Equality Award in 2017, and amfAR’s Award of Courage in 2018.

Survey Reveals Economic Crisis For Nursing Homes for use by 360 Magazine

NURSING HOME CRISIS

The American Health Care Association and National Center for Assisted Living (AHCA/NCAL), representing more than 14,000 nursing homes, assisted living communities, and other long term care facilities across the country, announced the release of a recent survey of providers across the U.S. Results from the survey showcase the urgent need to address the economic crisis facing the profession.

Key Findings Include:

  • Only a quarter of nursing homes and assisted living communities are confident they can last a year or more.
  • More than half of nursing homes and nearly half of assisted living communities say their organization is operating at a loss.
  • Nearly half of nursing homes and assisted living communities have had to make cuts in 2021 due to increased expenses or lost revenue.
  • The top three costs facilities have incurred due to COVID-19, regardless of whether they have had cases or not, are additional pay for staff, hiring additional staff and personal protective equipment (PPE).
  • In 2021, 84 percent of nursing homes said they are losing revenue due to fewer post-acute patients coming from the hospital.
  • 92 percent of nursing homes and 62 percent of assisted living facilities said the Provider Relief Fund has been helpful during COVID.
  • More than half of nursing homes and more than one-third of assisted living communities say that Medicaid fee-for-service is problematic in covering the actual cost to provide care to residents. Of those, more than one-quarter of both providers qualify it is a serious problem.

“Even though COVID cases in long term care are at historic lows, providers are struggling to recover from the economic crisis the pandemic has induced. Too many facilities are operating under shoestring budgets simply because policymakers have failed to dedicate the proper resources, and this can have devastating consequences,” said Mark Parkinson, president and CEO of AHCA/NCAL. 

An analysis by AHCA/NCAL earlier this year estimated that the nursing home industry is expected to lose $94 billion over the course of the pandemic, and more than 1,800 facilities could close their doors. Closures are hard on vulnerable residents who are forced to move, their family members who must often travel farther to see their loved ones, and dedicated caregivers who are out of a job. 

“Lawmakers and public officials across the country must prioritize the residents and caregivers in our nursing homes and assisted living communities,” continued Parkinson. “This starts by sending immediate resources through what remains of the Provider Relief Fund, and it continues by finally addressing the chronic underfunding of Medicaid, which only covers 70 to 80 percent of nursing home care. We have laid out key proposals in our Care For Our Seniors Act to transform America’s nursing homes, but without the help from Congress and state legislators, these necessary reforms will not be possible.”

“We look forward to working with federal and state governments to ensure the stability of our care economy, so that every provider has the ability to deliver the highest quality of care. From being able to have an adequate supply of PPE to compensating caregivers for their heroic work, long term care facilities need financial assistance from lawmakers to keep serving our vulnerable residents,” concluded Parkinson.

Luis Vazquez — Tu Fan for use by 360 Magazine

LUIS VAZQUEZ — “TU FAN”

Luis Vazquez, Salsa music newest sensation, peaks #1 on Billboard Tropical Airplay chart

The newest tropical music sensation, Luis Vazquez, celebrates the big success of his first single “Tu fan,” after receiving one of the biggest and most exciting news of his life: his song peaked #1 on Billboard magazine.

This dream becomes a reality thanks to the great success that his first promotional single “Tu fan” has obtained on all digital platforms, showing that the tropical genre is still on trend, and this young Puerto Rican has come to refresh the image of the most iconic music genre for Latinos around the world: La Salsa.

“Tu fan” debuted on the Tropical Airplay chart of Billboard magazine, staying for more than six consecutive weeks in the top 10. Today, the singer woke up to a dream come true, seeing his name in the # 1 position on the same list for the first time, which for so many years has been headed by his greatest idols.

Luis Vazquez, a Jak Entertainment artist, put his emotions into words: “This is a true dream come true, which would not have been possible without the support of salsa fans—I am infinitely grateful to them and to the Jak Entertainment team, who guide me on this path every day. Thank you, and let me tell you something: this is just the beginning.”

The single “Tu fan” belongs to Luis Vazquez’s first studio album “Comienzos,” which is available through all digital platforms, and includes his hits “Me tienes mal,” “Para siempre” and “Comienzos.” You can listen to the album HERE.

12AM x Jutes — Ski Mask from Jenny Hossain for use by 360 Magazine

12AM × JUTES — “SKI MASK”

Prolific alternative Pop, Hip Hop and R&B artist 12AM taps Jutes for his latest single “Ski Mask” out now via Sony Music Canada. The new heat arrives with a Spring Breakers-inspired video co-directed by 12AM himself and Chris Villa (Post Malone, Tyla Yaweh). You can listen to “Ski Mask” HERE. You can watch the new video HERE.

The hard-hitting track encompasses infectiously melodic vocals escorted by 12AM’s ability to captivate audiences with his storytelling prowess. With lyrics outlining love and what can be put on the line to keep it, “Ski Mask” is one of many chapters to come.

“Me and Jutes have been wanting to put out a song for so long together but we had to have the right one… we made a couple records here and there but once I free-styled the hook for “Ski Mask” we both knew this was the one. He laid his verse down and bodied it and it made me step my game up on my verse,” explains 12AM.

“12 played me just the hook and said, yep this the one. I went in, recorded my verse in 15 mins, it just came out mad easy, showed him and he went crazy for it. Definitely feels good to finally have a track together. We’ve lived together and been grinding this music shit together for so long and never released a song together but it was worth the wait,” Jutes adds.

On the making of the video, 12AM also notes, “I’ve always been super hands on with everything I do. I was directing my own music videos in high school and just always had a vision for it. Chris and I work easy together and I’ve learned a lot from him from doing multiple videos and he let me do my thing for this one. He had ideas, I had ideas, and we met in the middle but when I wasn’t in the shots I loved being behind the camera and having my vision come to life.”

“Ski Mask” arrives as a follow up to “come over” and “Voices” whose success resulted in early rotation on Apple Radio 1, premieres with Travis Mills and media coverage from cultural tastemaker Lyrical Lemonade, among others. Adding to mainstream radio and media coverage, praise for upcoming releases can be seen on social media from artists such as Travis Barker, Tyla Yaweh and Elijah Woods.

Los Angeles-based, Ottawa native Matthew Dubois better known as 12AM is an emerging alternative R&B singer stemming from the ever-expanding Canadian music scene.

Earning love from streaming platforms and radio alike, 12AM’s releases have landed consistent debuts on new music playlists in the US and Canada, garnering early support in rotation on Apple Music 1 Radio which led to premieres with Travis Mills for “love dies” and “come over.” Notably 12AM boasts over 15 million streams with 6 million of those branching from viral tracks “Voices” and “come over.”

No stranger to media coverage and acclaim from tastemakers, praise can be seen coming from industry key players such as Lyrical Lemonade who said “12AM has been having a massive year without being able to tour, the Canadian [and LA-based] artist has an innate ability to craft big choruses which is why more and more artists are tapping in to use his melodic talents.”

A prolific storyteller, 12AM consistently writes for other artists as well as himself. 12AM can be seen frequently working with Elijah Woods and Omer Fedi (Kid Laroi “Without You”), (24kGoldn & Iann Dior “Mood”) and (Lil Nas X “Montero”) also regularly working with producers Midi Jones, Bizness Boi and NGHT NGHT. Apart from writing and making music, 12AM has an extensive touring background, in his most recent run touring North America with Souly Had, 12AM completed over 30 show dates on a single tour amassing sold out venues in Salt Lake City and Toronto. Touring accolades include dates with Internet Money, Iann Dior, Jez Dior, 24kGoldn, Jutes and Trevor Daniel. A one-of-a-kind artist, 12AM’s passion and pain shine through his music-making and unique narrative ability.

With highly anticipated upcoming releases with Travis Barker, Jutes, and Pyrex, paired with the heavy hitting management team of Tes Siyoum (Tyla Yaweh) and Alec Strasmore (ex-Post Malone), 12AM is creating the pathway for a summer 2021 takeover. 12AM’s repertoire is only at its inception, the future looks incredibly bright for the multifaceted and highly talented singer.

Marvel x VeVe — digital collectibles experience from Timothy Cheng for use by 360 Magazine

MARVEL × VEVE — DIGITAL COLLECTIBLES EXPERIENCE

Fans will be able to purchase official Marvel NFT digital collectibles, digital comic books and more, available through the VeVe Digital Collectibles app platform starting later this year

Marvel Entertainment and Orbis Blockchain Technologies Limited, a digital collectibles company operating the VeVe Digital Collectibles App, announced today a new collaboration to launch a global digital collectibles experience for millions of Marvel fans and collectors around the world in the coming months. For the first time, fans will be able to purchase and interact with official Marvel NFT digital collectibles, 3D statues and digital comic books through mixed reality on VeVe’s groundbreaking app platform.

Available on iOS and Android, the VeVe Digital Collectibles App brings fandom directly to fans wherever they are by offering a rich collecting experience. Through the VeVe Digital Collectibles App, fans can buy and collect a variety of Marvel NFTs; trade and hunt for rare (and even secret-rare) NFT comic books and collectibles; and display their hard-earned collection through fully customizable virtual showrooms.

Users will be able to purchase Gems (VeVe’s in-app currency) with their credit card via in-app payments and will have the ability to cash out Gems. With Gems, users can buy official Marvel NFTs or buy and sell Marvel NFT collectibles with others in VeVe’s secondary marketplace, creating a simple and accessible Marvel digital collectible experience for every type of Marvel fan.

“Since the beginning, collecting has always gone hand in hand with being a Marvel fan,” said Dan Buckley, President, Marvel Entertainment. “Like us, VeVe understands collecting is about the experience just as much as the product, and we look forward to extending that experience for our fans over the years to come.”

“Today, we’re seeing more fans than ever gravitate toward their screens,” said David Yu, Co-Founder & CEO, VeVe. “Fans want to watch and post about their favorite characters, talk about them on social media and find ways to interact with these characters however they can. The VeVe Digital Collectibles App takes that idea of collecting to the next level by embodying that element of fun while also making the growing trend of NFT digital collectibles accessible for everyone.”

The only app currently of its kind, VeVe’s unique mixed reality adds a digital layer to the world around us, allowing fans to interact with their collection and bring their favorite toys, statues and other collectibles to life. Fans will also be able to share their own curated collections of photos, videos and virtual showrooms with their friends and the fan community using the app’s features.

“Marvel has been exploring with VeVe how to make the Marvel digital collecting experience as special as the physical experience, and we are excited to finally be able to share this vision with our fans,” said Daniel Fink, Vice President of Business Development and Strategy, Marvel Entertainment. “Through VeVe’s platform, we hope to expand the limits of what Marvel fandom can be, starting with personal and interactive digital collectibles that, through NFTs, fans can truly collect, share and enjoy in a way that they have not been able to do before.”

VeVe NFT digital collectibles are minted on the blockchain, which allows for an immutable record of authentication and allows fans to collect their digital products through a fun and engaging experience. Since last December, VeVe has sold over 580,000 NFT digital collectibles to its growing user base of over 340,000 avid fans and has become one of the top apps in the entertainment category on the Google app store.

“We saw the opportunity back in 2017 to create something new and exciting for collectors and embarked on a multi-year journey to bring VeVe to life,” said Dan Crothers, Co-Founder & COO, VeVe. “Our mindset as collectors was to imitate the physical world of collecting, which fans know and love, and offer this experience in an enhanced digital format that felt exciting, authentic and sustainable.”

Earlier this year, VeVe announced its plans to be the first-ever carbon neutral NFT platform and committed to 100% carbon neutral NFTs, offering grants to environmental nonprofits to raise money for causes. The VeVe app also utilizes distributed ledger technologies, which they estimate are more energy efficient than competitors in the market.

More details about Marvel’s exciting new digital collectibles coming to VeVe will be shared in the next few weeks. Comic book fans should also stay tuned for some exciting new reveals coming soon!

About Marvel Entertainment:

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media. For more information, click HERE.

About VeVe:

VeVe is a direct to consumer business that sits at the nexus of pop culture combining toys, games and collectibles to offer a unique way to experience the many worlds of fandom. Through technological innovations VeVe makes new forms of content accessible to consumers. We see digital collectibles as a new class of collectible, which offers fans a new collecting experience and intellectual property owners the ability to seek new opportunities in the digital landscape. The VeVe Digital Collectible app is available on both iOS and Android, and coming soon to desktop. For more information, click HERE.

G-SHOCK RELEASES 25TH ANNIVERSARY MR-G TIMEPIECE from Jordan Hampton for use by 360 Magazine

G-SHOCK RELEASES 25TH ANNIVERSARY MR-G TIMEPIECE

Limited-Edition Model Represents Absolute Toughness, Leading-Edge Technology, And Timeless Artisanal Craftsmanship

Today, Casio announces the latest addition to its premium G-SHOCK MR-G series with the MRGB2000BS3A, a limited-edition model designed after the concept of Hana-Basara, a Basara commander spirit. Basara was a term of respect used for samurai commanders who shattered conventions with a rebellious style that combined strength and a bold, lavish aesthetic.

The bezel on the MRGB2000BS3A is made of Cobarion, which is four-times harder than pure titanium and features a facet-cutting technique, commonly used in gemstone arts. Cutting/polishing artisan Kazuhito Komatsu applied crisp polishes to the many facets with varying angles to achieve a brilliant, gleaming finish. The indices on the watch dial feature a curved form achieved through nano processing to evoke the curvature of a Japanese sword, coupled with a blend of green, red, gold and black hues, paying homage to the Hana-Basara armor.

The traditional Japanese hue kurogane-iro (“iron color”) is reproduced on the titanium band and screw-lock case back with a newly developed, dark green DLC finish. A name derived from the deep shade of green that appears on the surface of iron heated to high temperatures, the color resembles the iron-clad helmet and armor Basara samurai commanders wore. The titanium case is made from DAT55G titanium, which is three times harder than pure titanium and is dressed in a brown Arc IP with a commemorative plate adorning its edge. The plate is engraved with “25th LIMITED” to mark the 25th anniversary of the MR-G line.

The limited-edition timepiece features a sapphire crystal and is equipped with Tough Solar Power, Super LED Light, Multi-band 6 technology and Bluetooth® connectivity via the MR-G Connected app for automatic time adjustment, world time, and more.

The MRGB2000BS3A retails for $8,000 and will be available for purchase in July at select G-SHOCK retailers.

Aitch — "Learning Curve" from Jennie Boddy for use by 360 Magazine

AITCH — “LEARNING CURVE”

Manchester’s finest Aitch returns with his scorching new single “Learning Curve”—out now via Capitol Records / 10K Projects. Listen HERE and watch the video HERE.

Straight out of Manchester, in just two years 21-year-old Aitch has ascended from scion of underground UK hip hop to chart-dominating, platinum-selling, BRIT Award-nominated household name as the pioneering sound of New Manchester. Aitch has collaborated with Stormzy, Ed Sheeran, Stefflon Don, AJ Tracey and Headie One and accrued over 1 billion global streams and over 5 million worldwide record sales. This young superstar matches an infectious no-fucks-given attitude with crafty lyrics and rhythmic prowess.

Over a killer beat produced by frequent collaborator WhyJay, “Learning Curve” sees Aitch capture the mood of a generation desperate to make up for the lost summer of 2020. The video, shot by KC Locke, capitalizes on Aitch’s intuitive comic chops as he shifts multiple guises from “Harrison” the wedding guest to “Big Shell” the driver to streetwear shepherd.

Aitch stands at the vanguard of a new wave of talent and “Learning Curve” marks the start of a meteoric year for the young artist.

Purdue — Reinventing Items to Live More Efficiently for use by 360 Magazine

PURDUE — REINVENTING ITEMS TO LIVE MORE EFFICIENTLY

Want to change the volume of your music just by touching your clothes? Here’s a way to do it that still allows you to wash the clothes—which also charge themselves.

Wish you could use any paper notebook as a tablet? Simply type on the paper itself like a keyboard.

What if you didn’t have to remove a bandage to tell how well a wound is healing? Disposable smart bandages could monitor the wound for you—and heal the wound at the same time.

These are all inventions that the FlexiLab, led by Purdue University engineer Ramses Martinez, has developed to make the “Internet of Things” more practical for everyday use. This internet is any network of devices that could one day include various items in your home in addition to smart fridges and smartwatches.

“The goal is to have seamless communication between humans, machines and household items in the near future,” said Martinez, an expert in cyberphysical interaction and a Purdue assistant professor of industrial engineering and biomedical engineering.

That communication isn’t seamless if a smart object costs too much or gets in the way of a routine rather than simplifying it—problems that have so far barred the Internet of Things from growing in home environments.

Electronic clothing could be a pain if it required taking the battery and electronics out to wash the garment, a paper keyboard isn’t any good if it degrades with use, and no one would buy wound-healing bandages if they’re significantly more expensive than ordinary bandages.

To address these challenges and make communication with traditionally non-electronic objects as seamless as with a smartphone, the FlexiLab rethinks how the technology is manufactured. See examples in a video on YouTube.

Printing New Materials Like Newspapers:

Augmenting the functionality of household items requires embedding circuits that you can’t see into their structure. But to keep these items affordable, their fabrication process also needs to be easy to mass produce using existing manufacturing methods.

“Every time my group works on the development of a new material, we focus on how to make its fabrication simple,” Martinez said. “One of the most inexpensive things that can be fabricated in large quantities at high speed is newspapers, so we use a similar manufacturing technique to print electronics.”

Printing materials like newspapers allows them to be more flexible and smoother. Using this technique, Martinez’s lab spray paints or stencils arrays of sensors onto paper-like materials and then integrates them with other components to build technology such as wound-tracking bandages or paper keyboards.

Other materials that Martinez has developed, such as conductive silk, are threaded through a conventional sewing machine to create embroidered patterns and circuits on any textile or cloth, which enables features such as wireless volume control on smart clothes capable of playing music.

Many of these reinvented everyday items also come with a way to power themselves. The electronic clothes and paper keyboard self-power just by being worn or pressed by the user, thanks to the embedding of nano-sized energy generators that safely harvest electricity produced from mechanical movement of the wearer.

Fighting Disease at Home (Literally):

Each of Martinez’s inventions not only enhances commonly used objects but also prevents or treats disease. The electronic clothes repel bacteria and stains, for example, and dirt and dust on the paper keyboard can be easily wiped away.

Limitations in at-home diagnostics initially drove Martinez to find ways to make any kind of object “smart.”

“Most of my research is focused on expanding the general public’s access to biomedical technology,” Martinez said. “I find it really disappointing that we are in the 2020s, and you still have to go to a doctor because there are no serious diagnostic tools that you can use at home. Many patients who can’t afford a doctor’s visit wait too long, and when they finally go because it’s then really obvious that something is wrong, the treatment is more expensive.”

On the way to achieving better self-diagnostic tools, Martinez’s lab has addressed challenges in using sensor technology that can track biometrics such as heart rate, hydration level and temperature as a sticker on the skin. Martinez and his collaborators have developed ways to make these stickers self-powered, easy to fabricate at low cost and capable of wirelessly sending data in real time to a smartphone.

Making Robots Safe and Trustworthy:

Martinez also is paving the way for technology that may become common at home in the future, such as caregiving robots. In 2019, Martinez’s lab developed a method for efficiently 3D printing soft robots with human-like hands, as opposed to hard claw grippers that children and the elderly would be less likely to trust.

“To enhance collaboration between humans and robots, the technology needs to be intrinsically safe. If the materials aren’t compliant with what humans are expecting when they see and feel hands, for example, then they aren’t going to work with those robots,” Martinez said.

Martinez’s inventions have patents filed through the Purdue Research Foundation Office of Technology Commercialization and are available for licensing. His research is financially supported by Purdue University.

About Purdue University:

Purdue University is a top public research institution developing practical solutions to today’s toughest challenges. Ranked the No. 5 Most Innovative University in the United States by U.S. News & World Report, Purdue delivers world-changing research and out-of-this-world discovery. Committed to hands-on and online, real-world learning, Purdue offers a transformative education to all. Committed to affordability and accessibility, Purdue has frozen tuition and most fees at 2012-13 levels, enabling more students than ever to graduate debt-free. To learn more about Purdue University, click HERE.

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

KARL KANI REINVENTS HIMSELF… AGAIN

By: Clara Guthrie

At the junction of fashion and hip-hop lies the iconic and immortalized designs of Karl Kani. Coined the Godfather of Streetwear, the brand’s designer, born Carl Williams, first developed an interest in fashion when he watched his father, a Panamanian immigrant, have his clothing personally made by a tailor. In a conversation with Flaunt, Williams said, “Watching him make his own clothing inspired me to understand how easy it is to make clothing. […] so I decided I wanted to make my own outfits with my dad’s tailor.” This endeavor quickly became a small business of its own as friends would ask Williams to make them replicas of whatever styles he was wearing. But the real turning point moment was when an incredulous friend refused to believe that a certain jacket had actually been made by Williams, asking why his name was not emblazoned on the piece’s tag. The “street revolution”—as Williams calls it—then began, and every new design proudly had Williams’ name on it.

In 1989, at just 17 years old, Williams moved to Los Angeles to pursue fashion more seriously. He opened a store on Crenshaw Boulevard and continued to design, but this time under a new moniker, Karl Kani. According to the official Karl Kani website, the name came to being as the brand grew in recognition and demand, and consequently, Williams would always ask himself, “Can I do this?” It was with this incessant question in mind that he rose to his own challenge and legally changed his name to Karl Kani, an alternative spelling of both his birth name and “Can I?”

Since the brand’s electric inception, Karl Kani filled a void in the world of fashion and revolutionized the concept of streetwear. In the Flaunt interview mentioned above, Kani said, “Hip-hop needed a clothing brand; Karl Kani needed an industry, so we [could] combine together and [were] able to create success for everyone.” Karl Kani quickly became the “it” brand for the Golden Age of hip-hop that emerged in the late 1980s and commanded the music and pop culture scene through the 1990s.

The eternally cool streetwear brand became the paragon of and blueprint for a distinctive revolution in the world of fashion. In a white-dominated industry, Karl Kani clothing was unapologetically designed with black people, and specifically black creatives, in mind. “The only thing that really kept me striving was seeing black people being successful in the music industry,” Kani told The Los Angeles Times in 1994. “I wanted to be a part of that, but I knew I couldn’t sing or dance or rap. I couldn’t do all that, but I could provide clothing for the people who were out there, who could make me famous at the same time.”

Kani formed poignant and lucrative bonds with many of these black performers, most notably Tupac Shakur and Biggie Smalls. In 1994, Kani approached Tupac about shooting a campaign for the fashion company since the rapper often sported his clothing and asked how much he would charge for the favor. As Kani remembers it, Tupac responded, “No, I’m not charging you for nothing. You’re my people, you’re black. I got you.” His only request was that Kani put his song, “Thug Life” in the background of some of his advertisements. The Karl Kani × Tupac collaboration became iconic: a moment in which two art forms came together and the world stood by to watch.

Kani’s relationship with Biggie was solidified when the artist shouted out the brand in his song, “One More Chance,” rapping: “I got the funk flow to make your drawers drop slow, so recognize the dick size in these Karl Kani jeans. I wear thirteens, know what I mean?” (And by the way, Biggie really did wear a size thirteen in Karl Kani jeans. Kani consciously made clothing for men of bigger sizes who fashion largely ignored at the time.)

You can check out Tupac, Biggie and a collection of other celebrities wearing Karl Kani HERE.

One of Kani’s most resonant, popular and withstanding designs was the wide-leg jeans. The design came to being as Kani noticed that people would size up when purchasing jeans to achieve a baggier aesthetic but the waists would then be far too large on them. He ingeniously bypassed this problem by increasing only the size of the pant legs and never altering the waist.

If there is anything that defines Kani, though, it is his adaptable, trendsetting and forward-thinking mind. When his signature wide-leg jeans were co-opted by other brands, and as the streetwear look evolved past its earlier days, Kani ensured that his designs pioneered stylistic change, never to be left behind. “A lot of people are doing a lot of the things we used to do, and we want to look different,” Kani said in 1994. “By staying real and staying focused and always changing your style, you’re always going to stay ahead of the marketplace.”

Recently, Karl Kani has made a striking resurgence in the world of streetwear due to its on-point designs—including an entire collection of unisex pieces—and the rise of nostalgia fashion, now making the brand a multi-generational and inclusive powerhouse. This new wave of Karl Kani designs has been accompanied with a new troupe of black artists advertising the brand. For example, the rap group, Migos, formed a relationship with Karl Kani starting in 2015. “They wore it in all their videos and press and they were able to reintroduce my brand to a whole new young generation which was really cool because they were on top of their game,” Kani said to INDIE Magazine in 2019. Kani also told Wonderland Magazine that he sees artists like “Rihanna, Travis Scott, A$AP Rocky [and] Keith Powers” as dream collaborations and models for the brand: artists that represent the eternal spirit and vibe of Karl Kani.

It is safe to say that no matter who takes over the hip-hop scene next, or however the world of street fashion reinvents itself, Karl Kani will be a part of it.

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo

Karl Kani Reinvents Himself... Again from Winnie StaCkz for use by 360 Magazine

Photo Credit: Tony Photo