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Munir Hossn photograph from Cory Councill, Big Hassle Media for use by 360 Magazine

Brazillian artist Munir Hossn shares new album – Vientre

Brazillian artist Munir Hossn, an esteemed producer, composer and multi-instrumentalist, shares his latest full-length album Vientre today via Jammcard Records. The brand new catalogue of tracks celebrates women across the globe, in dedication to the artist’s late mother, who unfortunately passed recently in the spring of 2021. To make the album, Munir teamed up with a cast entirely of female musicians and singers.

Vientre is a compelling new collection that evokes every emotion through the lens of various bonds that Munir has made with important women throughout his life’s journey. Amongst the most impactful, Vientre seeks to embody the strongest relationship that a human can experience, which is the relationship between a mother and a child.

Hossn shares, “The idea of making an album with and dedicated to all women became a necessity, a very special story full of mixed emotions.

As the son of a very young mother who was still discovering how to enjoy life, I spent much of my childhood with my aunts, cousins, grandmothers, teachers; great women who taught me what today is for me, the most valuable lesson in my existence: to have love towards others, towards nature and towards life itself.

While my mother was away for different reasons, I would miss her; and through her absence I learned the importance of the female figure in our lives. After having spent more than twenty years traveling the world without seeing her, the memories and all my thoughts about that relationship, which I had held from another point of view, were transformed into a set of songs that have helped me to rebuild the most beautiful parts of this story.

Throughout my life I have met incredible female instrumentalists who identified with what I was looking for in that production and tribute: Naile Sosa, a Cuban drummer who brings in her rhythm to the full heritage of Mother Africa. Luca Fumero on piano and Rita Payes on trombone, both born in Barcelona and two young and virtuous instrumentalists who represent in the album the baroque and the playful of European music. And finally, Natascha Rogers, a percussionist born in Belgium, daughter of an English mother and a Native American father, a mixture that made her a strong woman, with  the colors and sounds of nature.

As I offer all my energy and dedication through this album, my wish for you is that you feel in each melody the strength and greatness of that being who, in addition to giving us life, teaches us the origin of the feeling called love.

I dedicate this album to all the women of our planet and especially to my mother who left us on the morning of 05/10/2021. May she rest in peace and may my music always make her smile.”

Born in Brazil, Munir’s mixture between Africans, Europeans, Arabians, and Brazilian-indigenous people make him one of the most original and authentic artists of his country and the world. Just by listening to his compositions and arrangements, listeners can imagine how vast and great his journey has been through the variety of different countries and cultures.

Along with his solo compositions, Munir has also collaborated, produced, and shared projects with artists like Quincy Jones, Joe Zawinul Syndicate, Didier Lockwood, Paco Sery, Concha Buika, The Global Gumbo All Stars feat. Alfredo Rodriguez, Hermeto Pascoal, Richard Bona, Roberto Mendes, Jorge Pardo, and many more.

Vientre is the premiere addition to an already astounding index of music that represents the many colors of musical flavors from around the globe, but it also may be the most personal and intimate offering yet from Munir Hossn. For all those looking to reconnect after a year of distractions and isolation, this album is meant to reflect and heal through a universal pulse.

Connect With Munir Hossn:

Instagram: @Munirhossn

Facebook: @Munirhossn

Twitter: @Munirhossn

Website

Spotify

Apple Music

About Jammcard Records:

Jammcard records is an artist friendly label by jammcard. Here to support and amplify artists without tying them down.

Flora Cash photograph from Jim Merlis, Big Hassle Media for use by 360 Magazine

Flora Cash shares new single – Chronically Beautiful

RIAA platinum-certified indie-pop duo Flora Cash has today unveiled a tender and reflective new single. “Chronically Beautiful” is available now via the Swedish/American band’s own Flower Money Records at all DSPs and streaming services.

“’Chronically Beautiful’ was sparked when we were having a conversation about what it means to be beautiful,” says Flora Cash, “especially when looked at through the lens of real love. It’s not an acute, momentary perception; it’s the feeling that the person you love; the person that you waited your whole life for has a beauty that transcends any given moment and isn’t dependent on what they happen to be wearing or how their face looks that day or week or month; they’re chronically beautiful.”

Listen to “Chronically Beautiful”

“Chronically Beautiful” marks the latest new music from Flora Cash following the arrival earlier this year of the poignant new single, “Soul Mate,” available now for streaming and download. Now boasting more than 2.5M worldwide streams thus far, the track is joined by an equally powerful official music video streaming now here.

Listen To “Soul Mate”

Watch “Soul Mate”

Flora Cash was born in 2012 when Minneapolis-native Cole Randall uploaded his music to Soundcloud and caught the attention of Sweden-based Shpresa Lleshaj. The pair soon began playing music together, forming a relationship that would eventually blossom into marriage. A series of independent releases were followed by an acclaimed seven-song mini-LP, Can Summer Love Last Forever?, in March 2016. Flora Cash’s full-length debut album, Nothing Lasts Forever (And It’s Fine), arrived the following year, highlighted by the global smash single, “You’re Somebody Else.” First released in 2017, the RIAA platinum-certified single has proven a true viral phenomenon, currently boasting over 250M worldwide streams while ranking as one of Shazam’s Most Shazamed Alternative Songs in both 2019 and 2020. Hailed by Forbes as “arguably the most intriguing song on the radio this past year,” “You’re Somebody Else” was equally popular at multi-format outlets nationwide, reaching #1 at Alternative and Triple-A while also ascending to the top 5 on Billboard’s “Hot Rock Songs” chart. The track – which has also inspired countless TikTok videos in recent months – is joined by an official lyric video, now with over 133M views via YouTube alone.

As creative and engaging onstage as they are in the studio, Flora Cash lit up stages around the world with a wide range of international live dates, including tours alongside Sir Sly, Joywave, lovelytheband, Judah & the Lion, and AJR as well as festival appearances at Life is Beautiful, Bumbershoot, Austin City Limits Music Festival, Hangout Music Fest, Firefly Music Festival, and the KROQ Weenie Roast & Luau, to name but a few. The duo is currently slated to perform at Hamburg, Germany’s MS Dockville 2021, set for Friday, August 13th; additional dates will be announced soon. For updates, please visit here.

In 2020, Flora Cash released their much-anticipated sophomore album, Baby, It’s Okay, highlighted by the hit singles, “Missing Home” and “They Own This Town” and praised by Atwood Magazine for its “stunning display of stripped back, emotive songwriting, minimal introductions and impressive vocal lines are laced over lush, electro-pop instrumentals as delicate as they are organic, all delving into relational themes…a stunning second album.”

“Well-thought-out, congruent, and brilliantly detailed, Flora Cash explores themes such as post-breakup blues and coming to terms with oneself, all coated in melancholic and bittersweet vibes.” – ATWOOD MAGAZINE

“A sound that’s equal parts earthy and ethereal” – SUBSTREAM

“Bitingly bittersweet (Flora Cash’s) crystalline guitar and spine-tingling melodies give voice to that feeling of emptiness that’s recently become all-too-familiar.” – THE LINE OF BEST FIT

“Alongside artists like Billie Eilish, Maggie Rogers, and Francis and the Lights, Flora Cash is on the front lines of modern musicians redefining alt-pop by injecting their music with heartfelt conviction.” – EARMILK

Connect With Flora Cash

Flora Cash Website

Twitter

Instagram

Facebook

Youtube

Headphones illustration by Alex Bogdan for use by 360 Magazine

BUTCH DAWSON RELEASES SINGLE × MUSIC VIDEO – GET MONEY

Rapper, producer, songwriter and “a leading voice in Baltimore’s evolving music scene” (Baltimore Sun) Butch Dawson unveils his latest single “Get Money” with accompanying music video. Self-recorded and produced, “Get Money” is raw and textured while showcasing Butch’s dexterous flow. The catchy single follows on the heels of “Hummer,” the lead track off his highly anticipated EP Stardust, out later this summer via Asylum Records.

Co-directed by Khufu Najee and Loris Russier, the “Get Money” video takes the viewer on a first-hand journey of a day and night in the life with Butch and his crew. Blending fast & eccentric footage with still photographs the visuals simultaneously create a real time and nostalgic adventure.

Click here to listen to “Get Money.”

Click here to watch the “Get Money” music video.

“Get Money was made last year. It’s about getting money any way possible and just the perfect montage to get money to,” Butch explains. “The inspiration came from a Kendrick Lamar cadence on ‘ELEMENT.,’ and I created the beat around my vocals. This song feels like an anthem for Baltimore and reminds me of the late single from Tim Trees called ‘Bankroll.’ It’s a simple beat but creates room for a catchy wordplay.”

Merging at the intersection of music and fashion, the West Baltimore native’s braggadocious bars and experimental perspective are all the right elements for a promising career. On his major label debut, Butch shares, “Stardust is about my transition into becoming a household name. The name derived from a project that I wanted to put out before covid called “Jazzstar.” Conceptually, I wanted to highlight all the qualities that makes me a star, and an interesting person. I want to leave my mark in the industry by setting an example and always doing something that breaks barriers. I’m dropping that star dust on the game.”

Stardust EP Track List:

  1. Celebrate
  2. Hummer
  3. All Mine
  4. One Heaven Away
  5. Sutter Hoe
  6. Get Money
  7. Momentum

“Maintains his inner punk side, continuing with his experimental energy, relishes in a more jazz-focused approach to raw hip-hop.” -HYPEBEAST

“Butch Dawson has long been at the forefront of Baltimore’s eclectic DIY rap scene.” -DJ Booth

Butch Dawson is a Rapper You Should Know Right Now – Read More Via DJ Booth

ABOUT BUTCH DAWSON:

Butch Dawson’s artistic journey is a testament to what can happen when someone doesn’t place any parameters around their creativity. The West Baltimore native has been a pivotal figure in his hometown’s hip-hop scene for a decade, starting as a battle rapper while still in high school. In the years following those embryonic stages, Butch’s artistry began to blossom as he developed his skills in constructing songs, producing for himself and others, while also finding innovative ways to promote what he and his peers were making. In the early half of the 2010’s, his music reflected the shit-talking, bounciness that rappers trying to get crowds to jump and down to their songs reflected at the time. But towards the middle of the decade, with songs like “Red Leather Chair,” his sound started to trend more towards a jazzy, melancholy direction where he was able to peel back his emotional layers in a way that he hadn’t before. As time progressed, Butch’s music has become a down-the-middle split between making you want to punch a hole through the wall and inspiring you to sit back and gather your thoughts about life, past, present and future.

And while his career evolved over this span of time, Butch was simultaneously helping usher in an alternative route for rappers trying to break out of Baltimore. He hails from the Pennsylvania Avenue section of West Baltimore, an area steeped in musical history. Clubs like the former Royal Theater regularly hosted Black musical icons like Billie Holiday and visiting artists as they hit the Chitlin’ Circuit. But during Butch’s lifetime, though still an essential part of Black Baltimore culture, Pennsylvania Avenue regressed into a shell of its former self, with the majority of nightlife destinations vanishing, while crime and dilapidation rose considerably. This pushed a young creative Butch who was hungry for inspiration to start looking past his neighborhood and other familiar parts of the city. What he found was Central Baltimore’s transplant-heavy alternative DIY scene, and it opened his mind to a new way to approach his work.

Getting into that scene helped me evolve artistically because, you know, I was more open to different shit, he says. Living in the hood and shit all day, you can be close-minded a little bit if you don’t go out and just see the world for yourself. So for me, just going out there and just seeing people soak all this music up, it allowed me to just open my mind creatively, and it made me become more experimental with my music.

As he was making his way in the alternative scene, tirelessly releasing collaborative projects with others in that orbit, establishing the Basement Rap collective with like-minded friends, and getting coverage from national music platforms, Butch was inspiring other kids from inner city Baltimore to spread their wings. It also made Baltimore a much more enticing destination for artists from elsewhere, like standout rapper and producer JPEGMAFIA who moved to the city in 2014 and began collaborating with Butch almost instantly. For this, Butch Dawson is already a pioneer, which makes his recent accomplishments all the more special.

In 2018, he released his breakout project Swamp Boy, an eight-track album that is the most complete representation of what makes him exceptional. It features songs like Division St. Blues, a somber ode to the street he grew up on and how it’s changed over the years. Around the same time, he began to model for and collaborate with fashion designer Telfar Clemens. In 2019, he followed Swamp Boy with Ollieworld, a more high octane project that felt like it was made with performing live in mind (he toured with JPEGMAFIA across North America that year). The majority of this was accomplished from Butch’s home studio in Baltimore. And now as he’s newly signed to Asylum Records, it feels like the rest of the world will finally be hip to the gifts that he’s been sharing for over ten years now.

Connect With Butch Dawson:

Instagram | Twitter | Youtube | Soundcloud

Mabel TakeItHome Artwork-final by Ashley Verse from MacKenzie Reynolds, Capitol Music Group for use by 360 Magazine

MABEL × POKÉMON – NEW SONG × VIDEO – TAKE IT HOME

Pokémon’s 25th-anniversary celebration continues with the release of “Take It Home,” a new song from BRIT Award recipient Mabel, who recorded it exclusively for the upcoming P25 Music compilation album. With an infectious beat and bright, summery vibe, the song celebrates being the kind of friend that others can count on. It was produced by Tommy Brown (Kanye West, Ariana Grande) and Mr. Franks (Ariana Grande, Justin Bieber). Listen to “Take It Home” here. The compilation, which will be released this autumn by Capitol Records, is part of a massive, yearlong music campaign from The Pokémon Company International in partnership with Universal Music Group.

The playful official video for “Take It Home” finds Mabel trying to unwind in her hotel room after a busy day. Flipping through the channels on the television, she’s delighted to find a Pokémon channel. Comforted by the beloved characters, she falls asleep. In her dream, she follows a Jigglypuff down the hallway and together they explore the hotel, which has been transformed into a dark yet sparkling dreamworld. Mabel takes the stage, joined by a troupe of dancers, and a Pikachu makes a cameo appearance. View the video, which was directed by Sophia Ray (Ella Eyre, Little Mix, Amber Mark) and shot at London’s iconic Savoy Hotel, here.

“I’ve been a fan of Pokémon for years, so I jumped at the opportunity to join the P25 program,” said Mabel. “I had so much fun working with Pikachu and my all-time favorite Pokémon, Jigglypuff, for the “Take It Home” video. I hope the fans love the song as much as I loved working on it to celebrate 25 years of Pokémon!”

Mabel’s incredible talent and pop sensibilities add a massive layer of fun to Pokémon’s P25 Music campaign, celebrating 25 years of Pokémon,” said Colin Palmer, vice president of marketing, The Pokémon Company International. “Music fans are going to love ‘Take it Home’ and Pokémon fans will be delighted to see a Jigglypuff, known for being a bubbly Pokémon who also loves to sing, featured in Mabel’s vibrant video. It’s a pitch-perfect collaborative match for our 25th-anniversary celebration.”

Mabel is the latest artist to join the P25 Music Program, taking her place alongside Katy Perry, who contributed the new original song, “Electric,” Post Malone, who put his own stamp on the Hootie & the Blowfish hit “Only Wanna Be With You” and J Balvin. Mabel recently released her first new single of 2021, “Let Them Know,” a spirited anthem about projecting confidence even in times of trouble.

Fans can keep up with the latest news for P25 Music and more celebrations across the franchise on Pokémon’s 25th anniversary website at Pokemon.com/25Pokémon 25: The Album can be pre-saved here.

Pokémon and music fans are invited to join the conversation online with @Pokemon and #Pokemon25.

About Pokémon

The Pokémon Company International, a subsidiary of The Pokémon Company in Japan, manages the property outside of Asia and is responsible for brand management, licensing and marketing, the Pokémon Trading Card Game, the animated TV series, home entertainment, and the official Pokémon website. Pokémon was launched in Japan in 1996 and today is one of the most popular children’s entertainment properties in the world. For more information, visit Pokémon.

About Mabel

In the last year or so alone, Mabel has won the BRIT Award for Best Female Solo Artist, surpassed four billion streams and 2.2 million adjusted album sales for first album, High Expectations –  the biggest-selling debut by a British woman in 2019 – and added to her formidable catalogue of smash hits like “Don’t Call Me Up” with three more top 10s under lockdown. Futuristic, fearless and feel-good, her first single of 2021, “Let Them Know,” marked the unmistakable arrival of a new era and mindset for Mabel. If High Expectations documented a coming-of-age (and the fact you may actually spend a lifetime figuring it all out), her new material finds Mabel emboldened with experience. Her girl-next-door candor remains, but in embracing dance music’s generational ethos of expression, liberation and inclusion, you witness a woman moving firmly to her own beat. The Guardian hailed Mabel as a “warrior queen” and Vogue praised her as “unflinchingly honest, earnestly positive, and resolutely single-minded.”

About Capitol Music Group

Capitol Music Group (CMG) is comprised of Capitol Records, Blue Note Records, Astralwerks, Harvest Records and Capitol Christian Music Group, as well as Capitol Studios and Virgin Music Label and Artist Services. Capitol Music Group is based in Hollywood, California within the iconic Capitol Tower.

Artists that record for CMG labels include: The Beach Boys, The Beatles, Beck, Bee Gees, Jon Bellion, Rosanne Cash, Christine and the Queens, FLETCHER, Neil Diamond, Halsey, Don Henley, Hillsong United, Niall Horan, Lewis Capaldi, Charles Lloyd, tobyMac, Paul McCartney, NF, Norah Jones, Katy Perry, Gregory Porter, Maggie Rogers, Calum Scott, Bob Seger, Troye Sivan and Chris Tomlin. For the U.S.: Disclosure, Empire Of The Sun, and Sam Smith.

 

BTR illustration by Alex Bodgan for use by 360 Magazine

Big Time Rush’s Big Time Reunion

By: Ally Brewster

Big Time Rush is an American boyband that got its start on Nickelodeon from 2009-2013. The band is comprised of Kendall Schmidt, James Maslow, Logan Henderson, and Carlos PenaVega. The Big Time Rush show followed “4 hockey players from Minnesota that get the opportunity of a lifetime.” The show was an instant hit among children, garnering a cult-like following from the young audience. The success lead to the four seasons of the show, three albums and the band going on worldwide tours, breaking out of that “Disney/Nickelodeon children’s television band” trope that many children-show artists get stuck in.

Since 2013, the band-members parted ways, each going onto their respective solo careers. Kendall has a band named Heffron Drive with bandmate Dustin Belt that he released the album Happy Mistakes with in 2014, as well as singles after that. James has been modeling and has released singes such as “Love U Sober” and “Falling.” Logan has had a solo career in music, releasing two studio album Echoes of Departure and the Endless Street of Dreams – Pt. 1 and Pt. 2, as well as a number of singles. Carlos has had a successful acting career, being a voice actor on Nickelodeon’s The Loud House and in Hallmark’s Picture Perfect Mysteries series.

As the bandmates went their separate ways into their successful careers, they still were friends; as shown by their countless Instagram posts of them hanging out and singing together over the years, warming the hearts of fans worldwide and creating a glimmer of hope that one day they could all find their way back together.

In 2021, twelve years later after their premiere, the band still has die-hard fans, now all grown up and keeping the band relevant years after their Nickelodeon departure. Their song “Big Time Rush” became a trending sound on TikTok at the beginning of 2020. Stephen Kramer Glickman, who played Gustavo Rocque their songwriter on the show, sold handwritten Big Time Rush song lyrics in June 2021, posting on his TikTok how much he loves interacting with the Big Time Rush fans. People have been asking and hoping for new music, a tour, a movie, for them to reunite one last time, and it looks like fans have had their wish come true.

At the beginning of 2020 the Big Time Rush Instagram became active for the first time in years. Fans went crazy over it. Does this mean they’re reuniting? Are they getting a reboot show like other beloved 2000s children shows such as iCarly and That’s So Raven? The question never was truly answered as the pandemic came in full force, halting any plans if there were any.

With the revival of the Instagram, the band-members reunited for a quick reunion video, to talk about what’s going on, something that many celebrities did as a way to give to the fans during the uncertain and scary times. Fans couldn’t contain their excitement as everyone thought that the video meant they were reuniting, especially once Carlos said the phrase, “and who knows, a lot to look forward to at the end of this.” Fans took this as a hint that something big was going to happen with them. Perhaps a new album or tour? The answer remained a mystery as the band posted throwbacks and shared what each member was doing throughout the pandemic, never even acknowledging the questions that filled their comment section.

Finally, in July 2021, fans got their answers. The Big Time Rush Instagram was wiped, no posts public. The profile picture was turned to red, as were the members of the band and Stephen Kramer Glickman. Fans went wild. They knew what this meant. The color profile picture and wiped social media, a classic marketing tactic of musicians in the digital age: rebrand yourself for what’s next; get people talking about what it means.

And their fan’s intuition proved correct, as on July 19, 2021, the band made a Big Time Announcement: they’re reuniting for two live performances, one in New York City, the other in Chicago. The announcement was filled with a bunch of inside jokes from the television show, from the voiceover, Kendall by his name on the tv show, to calling James “bandana man,” asking Carlos where his helmet was, referencing Logan’s PhD seeking character from the show, and declaring that they are going to once again “live it Big Time.”

Tour Dates

Dec. 15, 2021 – Chicago, IL – The Chicago Theatre

Dec. 18, 2021 – New York, NY – Manhattan Center Hammerstein Ballroom

Tickets

Sign-up for pre-sale ticket access here.

Pre-sale tickets go on sale Wednesday, July 21st at 10:00 AM local time.

Tickets go on sale Friday, July 23rd at 10:00AM local time.

The Big Time Rush tv show and the Big Time Movie can be watched on Netflix.

Music Notes by Mina Tocalini for use by 360 Magazine

Brooklyn Rapper J.I. Releases Summer Anthem – Morning

Brooklyn-native artist, J.I. releases his latest single “Morning” today via G*Starr Ent./Geffen Records. On the melodic, yet upbeat track the 19-year-old singer/rapper creates a world of emotions like never before. His lyrics deliver a powerful story on heartbreak as each line exposes his uncertainties of a plunging relationship. Of the track J.I. shares “We’ve all been in this position before. I wanted to speak from my perspective about how I’m being played and manipulated and wanted to make a catchy song out of something painful. I feel like I was able to execute what I wanted to do.” Listen here.

Paired with a visual directed by Austin McCracken (G Eazy, Mike Will Made It, Phora) J.I. taps into his  vulnerable side. Filmed throughout New York City we catch a glimpse of his relationship unfolding while he reflects on the toxicity of the turbulent romance. Frame by frame we see each bar come to life “You didn’t even give me a warning you left all your things and walked through that door; I don’t want to feel what I feel no more.” Watch the video for “Morning” here.

“Morning” arrives fresh on the heels of his return this year with his track “No Hook,” a freestyle heavy song which helped re-introduce and remind his fans about his raw tone and melodic style. “No Hook” garnered praise from XXL who included the track on their “13 Best New Songs this Week” roundup and has gone on to amass over a million views. He also recently received praise from REVOLT who included him as one of their “Gen Z artists you need on your radar.”

J.I. is also set to head on his first North American “The Young and Restless Tour” this Fall. Tickets are on sale now and can be purchased here.

See below for a complete list of tour dates for “The Young and Restless Tour”:
July 24 Miami, FL – Rolling Loud Miami
Sep 14 Pittsburgh, PA – Mr.  Small’s Theater
Sep 15 Philadelphia, PA – TLA
Sep 16 New York, NY – Irving Plaza
Sep 18 Washington, DC – Union Stage
Sep 19 Charlotte, NC – The Underground
Sep 22 Fort Lauderdale, FL – Revolution
Sept 23 TBD – TBD
Sep 24 Atlanta, GA – The Loft
Sep 26 Houston, TX – Warehouse Live
Sep 27 Dallas, TX – Trees
Sep 29 Phoenix , AZ – Rebel Lounge
Sep 30 Los Angeles, CA – Echoplex
Oct 02 Santa Ana, CA – Constellation Room
Oct 03 Berkeley, CA – Cornerstone
Oct 04 Sacramento, CA – Harlow’s SOLD OUT
Oct 06 Seattle, WA – Neumos
Oct 10 Denver, CO – Cervante’s Other Side
Oct 11 Lincoln, NB – Bourbon Theater
Oct 13 Minneapolis, MN – Fine Line Music Café
Oct 14 Milwaukee, WI – The Rave II
Oct 15 Chicago, IL – Avondale Music Hall
Oct 17 Detroit, MI – Shelter
Oct 18 Toronto, ON – Opera House
Oct 19 Cleveland, OH – Grog Shop
Oct 21 Buffalo, NY – TBD
Oct 22 Providence, RI – The Strand
Oct 23 Boston, MA – Paradise Rock Club
Oct 24 New Haven, CT – Toad’s Place
Oct 30 Sayreville, NJ – Starland Ballroom

JI – “Morning” – eSingle
Retail
Amazon
Apple Music
Deezer
iTunes
Pandora
Soundcloud
Spotify
Tidal
YouTube Music

Amaal_Honey Single Artwork from Brittany Peterson for use by 360 Magazine

AMAAL RELEASES INTOXICATING VISUAL FOR SINGLE – HONEY

Somali-Canadian singer-songwriter Amaal has returned with a hypnotic, new song and visual for “Honey,” the first single off her highly-anticipated sophomore EP Milly, set to release this fall. The Dan LeMoyne-directed video captures Amaal’s transcendent alter ego Milly, an unapologetic version of herself that embraces intimacy and female autonomy without fear of shame or judgement. Paper Magazine premiered the video earlier today, describing the track as “impossibly slick with cool metallic percussion throughout, as Amaal’s vocals glide smoothly above.”

In the video, Amaal physically and figuratively awakens with slow, jolted movements, shedding old inhibitions and welcoming a sense of sexual liberation considered explicitly taboo in her conservative Muslim community. “The music is a celebration of my womanhood,” she explains. “It’s the sound of me reclaiming my power, my pleasure, myself.” Amaal croons over the melodic beat, produced by GRAMMY-nominated duo Nicky Davey (Beyoncé, Zayn, Syd), as she moves through moody blue, purple and red-orange hues drenched in Cuchara jewelry and ultramodern pieces from Marine Serre, Sho Konishi and Herve Léger (styling by Lebani Osmani). Watch the “Honey” video here, and stream the track here.

ABOUT AMAAL

The fourth of ten children, Amaal began her remarkable journey in war-torn Mogadishu, where she and her family lived until they were forced to flee as refugees in the early 1990s. Starting over fresh in Toronto, she embraced the poetic nature of her cultural heritage but bristled at the conservative structures and customs that came with it, particularly the repressive expectations placed upon women. By the time she hit 20, Amaal had grown bold enough to begin making her own music, but she still felt limited as to what she could sing about, so she focused her creative energy on politically and socially conscious material inspired by the civil unrest in Somalia and the struggles her people faced as a result. It was powerful stuff, to be sure, but there was more to Amaal than being a refugee, and she longed to express the fullness of herself and her story in her art. In 2019, Amaal finally worked up the courage to step outside of her comfort zone with the release of Black Dove, a daringly vulnerable collection that found her reckoning with love and heartbreak and desire in her music for the very first time. Though it felt incredibly risky, the EP was a critical smash, garnering a Juno nomination for Soul/R&B Recording of the Year, racking up millions of streams online, and prompting rave reviews across the board. Complex hailed Amaal’s “airy and ethereal vocals,” while Vibe proclaimed her a singer “like no other,” and Exclaim! dubbed her “an artist that demands attention.” Amaal’s sophomore EP, entitled Milly, will be released fall 2021.

CONNECT WITH AMAAL

Website – Youtube – Instagram – Facebook – TikTok – Twitter

Bastille Give Me The Future artwork by Nicole Hajjar, Republic Records Media for use by 360 Magazine

BASTILLE NEW SONG – GIVE ME THE FUTURE

GRAMMY®-nominated and multi-platinum selling band Bastille unveils their new song, “Give Me The Future,” from their upcoming fourth studio album—listen here. The song is featured in the Jeep brand’s new campaign video, “Life Electrified,” out today—watch here.

“Give Me The Future” stands out as classic Bastille through and through. Cavernous production echoes, as synths juxtapose an airy beat. The vocals paint a sci-fi-inspired picture, recalling imagery from Blade Runner and beyond. It all builds towards a spacey and soaring hook, welcoming whatever looms on the horizon along for the ride. As always, Bastille represents the future. Earlier this week, the Jeep brand revealed a portion of the song in a shorter campaign video, which had Bastille fans going wild, guessing the song title and release date.

Of “Give Me The Future,” front man Dan Smith says, “‘Give Me The Future’ is a song about plugging into endless possibilities. Literally, feels like everything is out there for the taking, all tastes catered for. The spaceship sound at the start? It’s us crash landing in the future. The reality we live in at the moment was the science fiction of not that long ago. Take a film like Minority Report. The technology in that seemed so far off, a fantasy. But it’s here, we’re way beyond it already. Had someone told you that 20 years ago, when the film came out… you’d have laughed. Or been terrified.”

Last month, Bastille returned with their latest single, “Distorted Light Beam”—listen here. The song, a gleaming, metallic rush of retro-futuristic pop, was co-written and co-produced with Ryan Tedder alongside the band’s long-time collaborator Mark Crew. It marks the beginning of a new chapter for the band—one that revolutionizes their sound—and hints at a new sonic and visual world to come. “Distorted Light Beam” was released alongside a cinematic official video starring British actress Remmie Milner from the BAFTA-winning series, Save Me—watch here. Set in the future, the video sees a newly developed immersive technology, “Futurescape,” created by pioneering global tech entity, Future Inc., transform life as we know it. Not to mention, “Distorted Light Beam” currently sits in the Top 25 at Alternative Radio, as it continues to fly up the charts as the #3 greatest gainer this week.

As Bastille embarks onto this new chapter, the band is set to perform new music on Good Morning America’s Summer Concert Series on August 23rd—be sure to tune in!

“You don’t predict the future, you imagine it.” – Future Inc.

ABOUT BASTILLE:

The four-piece has been experimenting and augmenting the Bastille sound since the release of their last album Doom Days in 2019, the conclusion of an unofficial trilogy. Last year, they released the Goosebumps EP, featuring Graham Coxon on “WHAT YOU GONNA DO???” and producer Kenny Beats on the title track, as they continued to pen songs that seek to understand and offer escape from the modern human condition. Doom Days received huge critical acclaim and charted in the Top 5 in both the U.K. and U.S., the only U.K. band to have achieved this chart landmark alongside The Beatles and Queen in 2019. The record found the band at their most lyrically provocative, most accomplished, and most vital and charts the course of one night in search of distraction from the surrounding apocalypse (sound familiar?). During the course of 2019, the four-piece continued to cement their reputation as one of the world’s most captivating live bands, having played an extensive two month-long sold-out U.S. and U.K. tour. At the beginning of 2020, Bastille received their sixth Brit nomination and their second nomination for British Group. In January 2021, Bastille was the subject of ReOrchestrated, a documentary film that provided a revelatory and bracingly honest new look into the band’s journey so far, framed through their ReOrchestrated shows and diving into themes of motivation, anxiety, and imposter syndrome. This summer, Bastille will headline both Latitude Festival and Standon Calling Festival, with a further two sold-out shows at Hampton Court Palace Festival in August. With over 11 million records sold, 6 U.K. Top 40 singles, and 1.5 billion video views, Bastille continues to be one of the world’s most streamed bands.

Bastille:

Instagram | Twitter | Website

Heather Skovlund Music illustration 360 Magazine

Pi’erre Bourne Announces First US Headline Tour

Grammy Award winning producer/super rapper, Pi’erre Bourne announces his highly anticipated US headline “The Life Of Pi’erre 5” Summer tour. Pi’erre is set to kick off his long-awaited string of dates in Miami next week at Rolling Loud before making stops in Houston and Los Angeles and wrapping up in Chicago at the Lyrical Lemonade Festival. While most of the shows are already sold-out, tickets for the remaining “The Life Of Pi’erre 5 Tour” dates are on-sale now and can be purchased here. See full list of tour dates below.

Recently, Pi’erre released his highly-praised and long-awaited (Pitchfork named one of the “Most Anticipated Albums of Summer 2021”) album The Life of Pi’erre 5. The 16-track last installment of the series include features with long time collaborators Lil Uzi Vert and Playboi Carti, as well as a track with Pi’erre’s own artist, Sharc. The album went on to receive massive praise from Fader, Billboard, Pitchfork, Complex, Rolling Stone, as well as support across digital streaming platforms including Spotify’s Rap Caviar and New Music Friday playlists, Apple Music’s Main Page, Audiomack’s “5 New Albums You Need to Hear This Week” and more. TLOP 5 debuted at No. 6 on Apple Music’s Top Albums chart and landed a spot on the Billboard Hot 200.

Listen to The Life Of Pi’erre 5 here.

“THE LIFE OF PI’ERRE 5 TOUR” DATES:
7/23 – Miami, FL – Rolling Loud Festival
8/2 – Atlanta, GA – Center Stage SOLD OUT
8/5 – Houston, TX – WareHouse Live
8/6 – Austin, TX – Emo’s
8/8 – Denver, CO – Bluebird SOLD OUT
8/9 – Phoenix, AZ – Crescent Ballroom SOLD OUT
8/10 – Los Angeles, CA – Roxy SOLD OUT
8/11 – Oakland, CA – New Parish SOLD OUT
8/14 – Portland, OR – Hawthorne SOLD OUT
8/15 – Seattle, WA – Neumos SOLD OUT
8/18 – Minneapolis, MN – Varsity
8/19 – Cleveland, OH – House of Blues SOLD OUT
8/20 – Detroit, MI – The Shelter SOLD OUT
8/22 – Chicago, IL – Lyrical Lemonade Festival

PRAISE FOR THE LIFE OF PI’ERRE 5:

“…known for creating musical landscapes for other artists, but he does the same for himself.” – XXL

“One of hip-hop’s most sought-after producers is also a great rapper.” – FADER

“Bourne slides between rapping regularly and rapping a half-measure ahead of the beat,
creating a beautiful instability.” – PITCHFORK

“bouncy project that highlights Pi’erre’s strong suits as a woozy beatmaker and rapper.” – HNHH

“another seamless, front-to-back experience of hypnotic earworms begging for repeat listens.” – Audiomack

“Lyrically, Pi’erre is in a brand new bag as he steps it up on this project even more and really showcases how deep his pen can go.” – Lyrical Lemonade

TOBi Off The Drugs album cover fro Sarah Weinstein Dennison, RCA Records for use by 360 Magazine

TOBi × Mick Jenkins – Off The Drugs

Winner of the 2021 Juno Award for Best Rap Recording of the Year for his project Elements, Vol. 1, Canada-raised/Nigeria-born TOBi and Mick Jenkins today release an old school groove “Off The Drugs” via Same Plate/RCA Records.

Listen/watch the lyric video here.

Speaking on the inspiration behind the song, TOBi says, “When I smoke, I see things clearer and I’m way more aware. So I’m intentional about how I use it. I think more money should go into researching things like cannabis and mushrooms for their healing properties. Just the way I look at it, so many things are actually drugs—alcohol, gambling, even social media cuz it affects brain chemistry, but all that shit is legal. Whereas things that can legitimately heal if properly understood and done correctly are stigmatized, it’s wild. Mick came thru and bodied the verse as he should, and we’ve got a video on the way too. I just wanna live life to the fullest and enjoy this while it lasts. Life to me is a good trip if you let it be.”

The slow burning track follows a handful of TOBi’s singles  “Come As You Are” featuring Baby Rose and “Don’t Touch!” which Complex heralded for its “smooth production…elevating (TOBi’s) empowered musings on the hairy side of the Black experience to new heights.”

His re-working of track “Family Matters” with Flo Milli was described as a “dynamic” and “impassioned reboot” (Atwood) and Highsnobiety declared it a “formidable pairing.”

ABOUT TOBi

TOBi released his music project ELEMENTS, Vol. 1 in fall 2020, heralded by the critics, combining hip-hop, R&B, soul, grime & Afrobeats. The project features some of TOBi’s favorite producers & musicians worldwide and embodies the sounds and music that have influenced his artistry. TOBi was voted by Complex Magazine as “a top artist to watch” and has received critical praise from Interview MagazinePitchfork, Vogue, Teen Vogue, L’Officiel, Paper, Billboard, Rolling Stone, Clash, OkayAfrica, Flaunt, Exclaim!, Refinery29, Essential Homme, COLORS, and many more. The rising star announced his partnership with Same Plate Entertainment/RCA Records last year and has enjoyed over 49 million streams globally. Prior to ELEMENTS, TOBi released his debut album STILL in May 2019 followed by a deluxe edition, exploring themes of vulnerability, post traumatic growth, self-reflection and masculinity in his time emigrating from Nigeria to Canada. STILL’s release was followed by two new singles “Holiday” produced by !llmind, “Paid,” the “City Blues Remix” featuring The Game, the “180 Remix” featuring Kemba and the “24” remix featuring all Torontonians SHAD, Haviah Mighty, Jazz Cartier and Ejji Smith.

TOBi has cited the work of Gil Scott-Heron, Frank Ocean, Kendrick Lamar, Marvin Gaye, Eartha Kitt, Florence and the Machine, and Andre 3000 as some of the artists who have inspired his work, particularly his lyrics.

Follow TOBi:

Instagram – Facebook – Twitter – YouTube – Spotify – Apple