The photographic work of Alain Delorme is particularly concerned with depicting the phenomena of normalization and standardization conveyed by our consumer society. The artist delivers photographs in graphic and colorful worlds oscillating between realism and fiction.
A distant rustle, puffs of air : a swarm forms and rises in the breeze, drawing elegant arabesques in a sky full of shimmering reflections of light. At first, the works of Alain Delorme capture the magic of the first fleeting beauty of a flock of birds, a Murmuration. However, this initial charm soon vanishes when the viewer takes a closer look, notices the clever deception, and discovers what is really behind the graceful flocks, the sometimes aquatic, sometimes calligraphic shapes : thousands of plastic bags, meticulously arranged by the artist, their massive presence threatening to asphyxiate the horizon. This work is located at the crossroads between various visual cultures and diverse artistic heritage, primarily cinematic : Murmuration seems like an improbable blend of the sight of the plastic bag which inAmerican Beauty (1999) swirls around almost hypnotically, and the vision of The Birds in Hitchcock’s great classic from 1963. Both play with the reversal of perspective: the Master of Fear builds his plot on the inexplicable aggression of actually harmless animals, while the scene captured by the amateur filmmaker seems to unveil the beauty and delicacy of an otherwise ungainly object.
This exhibit will take place January 26 to March 16, 2018 at
Danysz Gallery 256 Beijing East Road x Jiangxi Road – Shanghai.
Danysz Gallery 256 Beijing East Road x Jiangxi Road – Shanghai.