Posts made in June 2022

T henri handcrafted eyewear via 360 Magazine

T HENRI – CAVIAR

Listen to T HENRI on 360 MAG podcast.

Caviar by T HENRI is the world’s most exclusive Private Members Club for curated, limited-production eyewear. Caviar frames, which go through 168 steps per spectacle, are handmade in Japan by the Fukui Regions, finest craftsman legends.

The one-time unique collection of Caviar which features two models, Corsa and Hydra, makes you amongst patrons of a unique subset of society-spectacle connoisseurs. 

Corsa, the mastery of travel by land, features a modern, streamlined volume square shape with artful sculpting cuts and elegant two-tone details.

Hydra, the mastery of travel by water, features a hybrid oval shape with angular architecture, great sculpting, fierce angles, and elegant two-tone details. 

This collection is marked by jewelry flashed finishing and double hard-coated CR39 Lenses accompanied by our signature backside anti-reflective coating.

With the stroke of each movement, progression builds revolutions as you throttle through the race of time. Continuing to rule all variables of timeless beauty and prevailing as collectors of eccentricities untethered by typical constraints such as time and capital.

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Rolls-Royce Phantom Series II overseas via 360 MAGAZINE

Phantom Series II Debut

At the French Riviera, leading automotive and lifestyle outlets bare witness to Rolls-Royce Phantom Series II.

Phantom Rendezvous, the Global Press Drive for the new Phantom, takes place at the Maybourne Riviera Hotel in Roquebrune-Cap-Martin, situated on the spectacular Mediterranean coast and overlooking Monaco. Invited guests from around the world will have the opportunity to drive, and be driven in, the newest incarnation of the marque’s pinnacle product, officially unveiled in mid-May. 

Visitants will also be able to view two magnificent Bespoke Phantoms, exhibited on the lawn of the Maybourne Riviera Hotel. Phantom Platino, named after the silver-white finish of the coveted precious metal, platinum, echoes the marque’s formative days with front seats finished in fine Rolls-Royce leather, and those in the rear upholstered in luxurious fabric. The Great British Phantom, a playful nod to the marque’s more patriotic clients, is finished in striking Magma Red and features a Bespoke artwork in the Gallery, inspired by the Union Flag.

Rolls-Royce Phantom occupies an unrivalled position at the very apex of the luxury world. In line with clients’ expressed wishes, Phantom Series II incorporates only light-touch visual and aesthetic enhancements. By way of example, a subtle geometric change to the Pantheon Grille makes the RR Badge of Honour and Spirit of Ecstasy figurine more prominent when viewed from the front. The grille itself is now illuminated, while the headlights are graced with intricate laser-cut bezel starlights – adding further surprise and delight to Phantom’s night-time presence.

The French Riviera has been associated with Rolls-Royce since the first part of the 20th Century, when the Côte d’Azur established itself as the favoured haunt of actors, artists, musicians and other wealthy luminaries of the Belle Epoque. There is also a potent historical resonance for the company. In 1912, Sir Henry Royce built a villa, La Mimosa, in the village of Le Canadel, where he subsequently spent every winter until his death in 1933.

TECHNICAL SPECIFICATIONS

  • Phantom Series II: NEDC combined: CO2 emissions: 345 g/km; Fuel consumption: 18.7 mpg / 15.1 l/100km. WLTP combined: CO2 emissions: 351-362 g/km; Fuel consumption: 17.7-18.2 mpg / 15.5-16.0 l/100km.  
  • Phantom Extended Series II: NEDC combined: CO2 emissions: 345 g/km; Fuel consumption: 18.7 mpg / 15.1 l/100km. WLTP combined: CO2 emissions: 353-365 g/km; Fuel consumption: 17.4-18.1 mpg / 15.6-16.2 l/100km.

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SOPHIA SCOTT – OOTD

After 58 million streams and one million monthly listeners, EMPIRE Nashville’s Sophia Scott released debut EP, One Of These Days–a collection of six tracks. Available everywhere now, the EP illuminates Sophia’s limitless musicality which flows seamlessly through country, pop, rock and R&B. Candidly opening up about deeply personal topics like divorce, addiction, heartache and hope, Scott turns trauma into triumph with her lyrics. With her fearless first full-length body of work, Scott emphasizes her position as a country artist-to-watch with a promising career in Nashville and beyond for many years to come. She is excited to take her new music on the road this year, kicking off with a buzz worthy performance for Spotify’s Fresh Finds stage at CMA Fest on June 12. 

Thematically connecting the EP with title track One Of These Days, which received praise from Entertainment Tonight, E! News, Holler Country, Just Jared and more, Sophia identifies how her parents’ struggling marriage eventually helped her to define her own perspectives on life – from her career, to friendships and romantic encounters. In April, she made her official television debut with a powerful performance of the song on The Kelly Clarkson Show.

With the EP’s opener Don’t Tempt Me, Scott immediately welcomes her fun side with the perfect soundtrack for a wild night out with friends. The track sets the stage for a body of work which balances poignant ballads with high-energy, country bops. Scott follows the up-tempo kickstarter with her powerful 2021 ballad Side Effects, which confronts her painful experiences watching friends and family struggle with addiction. As she heals her own scars with Side Effects, she hopes to give a voice to anyone who has also driven a loved one to rehab and taken steps to help them recover. Since its release in May 2021, the track has opened an important mental health conversation on TikTok, with many users sharing their own stories alongside the song. 

Praised for the authenticity of her writing, her music is characterized by her willingness to be raw and vulnerable. She counters this unapologetic candor with infectious confidence on the “Charlie’s Angels”-inspired anthem titled Leather Skirt, which aims to empower women of every generation. She emphasizes that the timeless fashion staple has the power to make a girl at any age feel like her best self. Further amplifying the ‘women empowerment’ vibe, Scott’s latest single for the EP, More Me, is a fiery ‘girls night out’ anthem, an invitation to hit the dance floor and reminder to love yourself. The track debuted on Spotify’s New Music Nashville and is currently featured on the platform’s Next From Nashville playlist. The EP also features her unconventional Valentine’s Day’ single Sweetheart,  which sees her reflecting on first-time love and flashing back to happy moments with an old flame who still holds a place in her heart. 

“This body of work is my heart. I am so proud of it and thrilled to finally share this piece of me. Putting my experiences into songs is my way to navigate things and has been the best form of therapy for me. I hope that my lyrics offer hope to those who can relate,” says Scott. “I hope my songs empower you to also put on your favorite outfit and hit the dance floor.”

TRACKLIST:

  1. Don’t Tempt Me
  2. Side Effects
  3. Leather Skirt
  4. One of These Days
  5. More Me
  6. Sweetheart

Stream One Of These Days, the EP, by Sophia Scott HERE. Sophia Scott may originally hail from Boulder, CO, but the singer, songwriter, and multi-instrumentalist found a home in Nashville, TN by continuing a time-honored tradition of storytelling with no shortage of gusto and grit. When it comes to her music, she writes from the heart, shoots from the hip, and holds nothing back. Instead of retreating, she confronts heartbreak head-on and emboldens audiences with the kind of confidence only earned by a lifelong grind. After a childhood immersed in music, she settled in Los Angeles for six years. She performed around town and even headlined her own residencies. Her cover of Tove Lo’s Habits (Stay High) took off and set the stage for buzzworthy originals such as Closure. Breaking through, Quit cracked 1 million Spotify streams, while Atwood Magazine raved, “Having grown up on classic rock, R&B, and country/soul. Scott takes care in crafting both the sound and meaning of her songs – never shirking one for another.” Holler Country says,“she’s fast making a name for herself with her own unique brand of gutsy heart-on-its-sleeve southern pop.” She claimed coveted real estate on Spotify’s New Music Friday with White Fence, Drink Too Much Wine, and She Ain’t Me. Eventually, she picked up and moved to Nashville, finding a permanent foothold in Music City and landing a deal with EMPIRE Nashville in 2021. While 2021 was a major year for the rising country artist who also opened for the Jonas Brothers in Nashville and claimed a coveted spot on PEOPLE Magazine’s “artists to watch” list, 2022 is poised to be career-defining with the release of her debut EP One Of These Days.

AERIAL OBJECTS

Violinist, composer, and Grammy Award-winning sound engineer, Simon Goff, has teamed up with acclaimed, multi-platinum-selling singer-songwriter, Katie Melua, and announced their forthcoming collaborative album, Aerial Objects

The album is due for release digitally and on CD on July 15 via BMG and on vinyl on September 2. Alongside the announcement, Simon and Katie have shared the stunning ‘Hotel Stamba’, the first single to be taken from the album. You can pre order AERIAL here.

Simon Goff and Katie Melua were two musicians who moved into very different musical circles. Simon is more closely aligned to a bloodline of artists who inhabit an area between electronic, classical, and post-rock, with his unique approach to sound seeing him work with some of the world’s most acclaimed musicians, including Academy Award-winning composer Hildur Guðnadóttir on the scores for Joker and Chernobyl – both of which earned him Grammy Awards. Katie, meanwhile, has released 8 Top 10 UK albums across a 20-year career littered with modern standards including ‘Closest Thing To Crazy’ and ‘Nine Million Bicycles’. 

Her latest LP, Album No.8, was released in 2020 to huge acclaim, and the accompanying Acoustic Album No.8 was released in 2021 and featured contributions from Simon on ‘Remind Me To Forget’ and ‘Maybe I Dreamt It’. 

After that initial collaboration on Katie’s album, the pair agreed they immediately wanted to test the boundaries of what collaboration could look like from a blank canvas. 

An exhibition the pair attended at the iconic brutalist edifice of the König Gallery in Berlin was the catalyst for the album’s thematic terrain. A discussion on the emotional effects of different spaces and architecture sparked an exploration of landscapes, both man-made and natural, and turned into experimental compositions that move, moment by moment, between the song spaces of Katie and the immersive melodies of Simon. 

With Simon at the musical helm and Katie’s imagination and lyrical freedom addressing how environments shape her thinking and state, this six-track collaboration record is an exploratory project of two artists searching beyond their usual musical boundaries into places unknown. 

On the album, Simon says “The process of making this album has been one of discovery and giving space to each other. The sensitivity needed for this kind of process has allowed many things to surface, from us discovering the differences in how we listen to and hear music and lyrics, to our own deeply personal life experiences. The record for me is a representation of us exploring the space that exists between us and discovering a common voice from within it.” 

Katie says “I was fortunate enough to work with Simon when he appeared as a guest on an acoustic album I released late last year. During those sessions, and as a maker of immersive musical landscapes, Simon talked to me about creating records that make the listener feel like they are inside the orchestra. We agreed that we needed to create something new together – with a focus on how different environments affect the human condition. 

She continues, “On Aerial Objects, our two artists’ worlds have merged to create a new space: Simon on the violin, analog processing, and synths, coming together with my world of traditional records rooted around the pop song. Lyrically this work has allowed me the freedom of imagination to address how environments shape my thinking and state; how the use of language and story-telling influence me; as well as the opportunity to finally reflect on a time in my life when I was recovering from a very challenging psychiatric illness.” 

The album’s first single, ‘Hotel Stamba’, was the second song the pair wrote for Aerial Objects and is a love song to the eponymous hotel in Tbilisi, Georgia, where Katie spent the first eight years of her life. 

The accompanying video celebrates architecture, pivoting from man-made spaces and shining a light on one of the great architects of nature, bees. 

Katie describes the single as “an attempt to create a piece of music which makes me feel the way this space made me feel when I stepped inside it.” 

She continues, “‘Hotel Stamba’ is about a hotel in Tbilisi which massively changed my opinion of what was happening in Georgia culturally from 2017 to 2019. This building symbolizes both the past and future of Tbilisi, a place where the streets are named after poets and writers. I’ve spent a lot of time in hotels and I couldn’t believe that my home town had managed to create this stunning hotel, which was both sensitive to the local culture, and cool, and comfortable, and just really killing it on the world stage. And so it’s how that hotel made me feel.” 

Marvel Hellfire Gala via 360 magazine

HELLFIRE GALA

Mutantkind is set to send shockwaves through the Marvel Universe yet again at this year’s HELLFIRE GALA!

At last year’s gala, mutants changed the face of the solar system, terraforming Mars and claiming it for mutant-kind. This year will continue the tradition with more game-changing developments, the exciting reveal of the new X-Men lineup, direct lead-ins to the events of A.X.E.: JUDGMENT DAY, and more, all in one giant-sized issue! The future of mutant-kind as we know it begins here! Written by current X-Men writer Gerry Duggan and featuring artwork by Kris Anka, Russell Dauterman, Matteo Lolli, and C.F. Villa. X-MEN: HELLFIRE GALA #1 will also boast stunning covers by the superstar artists Stanley “Artgerm” Lau, Adam Hughes, Arthur Adams, Carlos Gómez, and Nick Dragotta.

For the full scope of the event, fans should pick up upcoming issues of IMMORTAL X-MEN and X-MEN. In Kieron Gillen’s IMMORTAL X-MEN #4, Emma Frost will stop at nothing to make sure the Hellfire Gala is a night no one in the Marvel Universe will soon forget. And in Gerry Duggan and Pepe Larraz’s X-MEN #12, the grand climax of the book’s first epic year, the current X-Men team goes out in style, and secrets are revealed that guarantee the Hellfire Gala will be overflowing with drama.

And if you’re looking for the afterparty, swing over to Zeb Wells and AMAZING SPIDER-MAN #9 this August. Something happens at the Gala that sends Spider-Man and Wolverine on a dangerous mission all over creation! That’s right — the best duo in comics is back, but who are they fighting, and what (or who) are they fighting for? Pick up X-MEN: HELLFIRE GALA #1 to find out!

Check out all the X-MEN: HELLFIRE GALA #1 covers here right now for an exclusive sneak peek!

Retailers, don’t forget to order your copies of X-MEN: HELLFIRE GALA #1 by Monday, June 6!

Life house inn newly renovated just in time for travel season via 360 Magazine

LIFE HOUSE

Following extensive renovations, three-storied boutique properties located in downtown Lenox are reopening together as part of The Lenox Collection, a newly reimagined family of inns connected by their deep historical roots in the town and elevated contextual design. As part of the reopening is Ophelia’s, a 66-seat restaurant and bar offering farm-to-table comfort food in an intimate indoor-outdoor setting, with locally sourced ingredients and a curated cocktail list. New York-based firm 388 Ventures acquired the properties in 2021 and brought on an independent hotel management company, Life House, to lead design and branding, as well as oversee all hotel and F&B operations leveraging their tech-enabled management platform. 

“We’re pleased to announce the launch of The Lenox Collection, with a design language that pays homage to each property’s history while catering directly to the clientele visiting the increasingly popular four-season destination that the Berkshires have become. With Ophelia’s reopening right downtown, we’re excited to be a mainstay in the already impressive Lenox culinary scene,” says Russell Lange, partner at 388 Ventures. 

At the heart of the collection is the Whitlock – formally The Church Street Inn – built-in 1771 by John Whitlock, a local farmer who turned his two-room farmhouse into an inn for stagecoach travelers. The property now takes cues from its natural surroundings with a rustic and warm feel reminiscent of its farmhouse origins. The Whitlock’s bar and restaurant, Ophelia’s, pays homage to the ingredients and labors of the hotel’s namesake. With locally-inspired farm-to-table cuisine with dishes featuring herbs & garnishes from local purveyors, Ophelia’s is already becoming a favorite among locals, guests, and downtown bypassers.

Located in the historic center of town is The Constance – formally the Rookwood Inn – which was built in 1825 as The Williams Tavern. In the 1880s it was purchased by Frederick Constance Peters, a businessman from England, who turned the property into ancillary lodging for owners of Lenox’s famed Gilded Age estates. The inn has been completely reimagined with an extensive renovation to restore and enhance the elegant charm and whimsical character of the storied property with the benefit of modern guest amenities. 

On the north side of town is The Dewey – formally the Birchwood Inn – which was originally built by Israel Dewey, a founding member of Lenox’s Continental Congress Committee when the town was incorporated in 1767. Over the years, the site has taken on many lives, owned by various influential figures in the Berkshires. Today, the newly-reappointed inn carries on its rich tradition of hospitality with elevated guest room interiors and stately common areas.

“We are thrilled to reintroduce The Lenox Collection as the Berkshire hospitality landscape continues to mature,” says Bryan Dunn, Managing Director and Head of Growth at Life House. “In the past year alone, the market has seen luxury lifestyle brand Miraval open their first East Coast property, world-renowned designer Ken Fulk acquire the Blantyre, and Life House breathes new life into the Wheatleigh, a Leading Hotels of World property. The Lenox Collection delivers a locally-rooted boutique experience at a more accessible price point than these Five Star luxury hotels, catering to a large and diverse audience that is currently underserved by existing options in the market.” 

Life House is a vertically integrated hotel software & operations platform focused on increasing profitability and reliability for independent hoteliers. Life House was founded in 2017 as one of the only vertically integrated asset-light hotel companies backed by institutional venture and private equity investors. The company is ambitiously investing in operational systems to make it far more profitable, predictable, and seamless for owners while making the guest experience more reliable for travelers. Today the company has nearly 60 hotels in its portfolio across North America. 

For more information visit www.life-house.com.

YVONTI artist photo via Johannes Timander (Flick Agency) for use by 360 MAGAZINE

YVONTI × MVRE

Electric Dance music phenomenon YVONTI has caught the attention of countless for their distinctive take on concealing their identity. Though mask mandates have slowly been lifted in the year 2022, YVONTI keeps themselves hidden by wearing a mask. That’s right; this artist’s true identity has been kept completely secret.

So, why exactly do they do it? Why did this choose this route for their career?

YVONTI decided to hide their identity to take a stand in opposition to societal norms, forcing audiences to throw away preconceptions revolving around race, gender and sexuality. In hopes to remind audiences that it doesn’t matter who you are or what you look like, the true matter at hands matters is the music that is being produced. An artist unlike any other that we’ve seen modernly, YVONTI continues to break boundaries.

Adding in the likes of Swedish Dance Pop Music producer/artist MVRE, we see the two powerhouses collaborate on YVONTI’s latest single “Looking For Me” with a fresh remixed track. The track is full of modern, reimagined pop and dance music influences, showcasing the duos true mutual power.

MVRE, too, stands up for what is truly important to him through his musical endeavors. As a member of the LGBTQ+ community, MVRE has continued to voice how he often grew up with no other artists inside of the Electric Dance music category that he truly connected with. Speaking on such important topics has cemented himself as an advocate within the musical realm.

The 360 team had the opportunity to chat with both YVONTI and MVRE about their artistic careers.

When speaking with YVONTI, we were able to learn more about their reasoning behind the choice to conceal their identity, their musical inspirations and so much more. Let’s dive in.

Q: When did you know that you wanted to pursue a career in music?

A: Music has been a key part of my life for as long as I can remember. In my teens I discovered Electronic Dance Music and fell in love. After that I started producing and realized I wanted to pursue a career in music.

Q: What artists do you look up to the most?

A: I feel quite connected to bands like The Beatles when it comes to my message but musically my inspiration comes from artists like Avicii, Swedish House Mafia, Marshmello, among others.

Q: Tell us a little more about your decision to mask your identity as an artist, and when did you make that artistic decision for your brand?

A: I believe that many uprising issues in the world revolves around preconceptions about colour, sexuality, gender, etc. and I’ve seen it affect the music industry as well. I want people to judge me for my music not judge me for the way I look or the way I act. People are different and if there was more acceptance around the differences there would be fewer conflicts. Strong forces are clearly trying to polarize our society and have so far succeeded since friends/families now can become enemies solely based on different political views. Though I understand that emotions are powerful in questions like these, it shouldn’t ruin those important relationships. I want to be a force to counter the polarization that is connected to preconceptions by letting people judge my music not my person. My plan is to reveal my identity in the future to prove my point.

Q: What type of artist would you describe yourself as? What genres are your favorite to create for?

A: My roots come from the EDM genre but recently I’ve enjoyed producing more pop-like music as well as hiphop.

Q: What does music mean for YVONTI?

A: When I was young, music took me to another place where I could escape reality for a while. I believe that many people feel the same as me, an example is when we’re on a bus or plane and we plug in our headsets and listen to music to escape the less entertaining reality. It’s a way to ”capture the moment” even when the moment isn’t the most enjoyable one. In these situations (and everywhere else) you can choose music after your current mood in order to make yourself feel the way you want to feel. Music is powerful, it can help people in all kinds of situations and my goal is to play a part in my listeners life by creating music that connects them to their emotions.

Q: Will YVONTI’s identity ever be revealed?

A: As noted above I will reveal my identity in the future and if you pay attention you might notice when I start dropping clues on who I am.

Q: What’s next for YVONTI?

A: We’re soon revealing my next release which I am really excited about and more news will follow shortly after. Stay tuned!

360 then got to speak with MVRE about their early beginnings, what LGBTQ+ representation truly means to them and about diversification in the electronic music scene. Let’s take a look at what they had to say.

Q: What was it like growing up in a small town with a lack of diversity and inclusion?

A: I guess you never think of it much as a kid cause all you know is your hometown, but as I got older I slowly started to realize that I didn’t relate that much to the people around me and that there were a few too many that I didn’t share views or values with. Anything that stood out in any way wasn’t really received or accepted particularly well amongst (not all but) most people. I do love my hometown and growing up there, but as with all small towns, however charming, people have a tendency to become cut off and conservative in a way. It’s very sheltered if you don’t actively venture out to see and experience “the real world”.

Q: Did you admire/look up to any artists while growing up that have influenced your artistic career?

A: I think Blink 182 were my first idols going into my early teens and pop punk was the first genre that I really fell in love with. I think I picked up a lot of my way of playing guitar from pop punk, something that I’ve carried over into my EDM productions. I always try to incorporate at least some guitar! Justice was a huge inspiration for getting into electronic music and still holds a special place in my heart and I’ll never forget the first time I heard Swedish House Mafia or Skrillex. I think that speaks a lot for how varied my productions can be, I really take inspiration from most music I like in some way.

Q: When did you decide to pursue creating dance pop music? Did you grow up listening to the genre?

A: No, not really. Like I mentioned, I got into Pop Punk early and from that more Punk and Metal as I started to play in bands. It wasn’t until High School when I heard Justice and similar acts that I started to dabble in making electronic music, though I knew nothing about how to do it. At the end of High School I had gotten into more House music and Dubstep as well and I had my first few DJ-gigs at small clubs. I practiced my productions and my sound started to slowly move towards the Dance Pop-ish sound it has today and 10+ years later here I am, still learning haha! MVRE didn’t come around until around 2017, which was when I decided that I wanted to get more serious about my music.

Q: How important is it for the youth, specifically LGBTQ, to see themselves in the people that they look up to the most?

A: I think it’s very important! It’s about feeling validated, that you belong and knowing you can achieve your dreams, the way you want, just the way you are. Seeing someone “like you” that you look up to can mean a lot.

Q: Do you think that the electronic music scene is making steps towards diversification, or do you think that there’s a long way to go?

A: Yes I do, I think that it’s moving in the right direction. You see more female DJs and artist-producers now than 10 years ago, and more LGBTQ representation too. The mainstream EDM scene is still very “straight-male” dominated, but again, I think it’s moving in the right direction. The more diversity in any genre or field, the more vibrant and meaningful the experience can be for everyone and we all learn and grow from it.

Q: What does electronic music mean to you?

A: I think it’s such a wide and interesting span of sounds, emotions and expressions. You can go deep and vibey, dark and distorted, uplifting and melodic and everything in between. To me I think electronic music is both freedom and constraint at the same time. I can express myself really freely and genuinely, but I also want to make you move, to dance, and that keeps me grounded in a way.

Q: What can we expect from MVRE in the future?

A: A lot of new music, I’m really excited for the projects coming up! Also it would be really fun to get out and start playing shows again. Nothing is in the books yet but who knows what the future holds!

Roberto E. Wirth image via Geoffrey Weill Associates for use by 360 MAGAZINE

Roberto E. Wirth

Yesterday, Sunday, June 5, Roberto E. Wirth passed away suddenly at the age of 72. Fifth generation of a Swiss family of hoteliers and profoundly deaf since birth, Roberto Wirth always had a dream since childhood: to run a completely independent hotel and become a respected hotelier.

Thanks to his determination, always keeping his goal in mind, he succeeded in making his Hassler an icon in the International hospitality business. The Hassler has always been his passion as well as his home. With his motto “Never give up,” over the years he managed to develop the family business and expand its portfolio: Il Palazzetto in Rome, Parco del Principe in Tuscany, Borgo Bastia Creti in Umbria, and Hotel Vannucci in Citt della Pieve, also in Umbria.

My five jewels,” he would say. These were and forever will be Mr. Wirth’s treasures.

His education and training started in Milan, at the Stresa Hospitality School, followed by experiences at Cornell University which allowed him to become the great man and entrepreneur we all knew. Brilliant, attentive, and forward-thinking, he has never ceased his personal commitment both to his city of Rome, where as president of the Via Sistina-via F. Crispi Association he has always fought for the redevelopment and decorum of the historic center, and to his non-profit organization, the Assistance Center for Deaf and Deafblind Children (CABSS).

Since 2004, his foundation CABSS has been supporting deaf and deaf-blind children from newborn to 6 years old as well as their families. Sharing his personal achievements in his biography Silence was my first friend, he carried his message forward: “Always look ahead with determination and confidence. Everything is possible in life and, with commitment, everyone can make it. We, deaf people can do everything but hear.” In 1992, he established a Fulbright – Roberto Wirth scholarship giving young both deaf and hearing graduates the opportunity to specialize at Gallaudet University, Washington, D.C. Gallaudet University is the only bilingual (American Sign Language and English) university in the world that is also accessible to deaf and deaf-blind students.

The best way to honor his memory is to treasure his life and how he led by example, cultivating values of humanity, responsibility and open-mindedness. His children Veruschka and Roberto Jr will now carry on their father’s legacy with the utmost pride.

ABOUT HOTEL HASSLER ROMA

Set atop the Spanish Steps and featuring a panoramic view of the entire city, Hotel Hassler Roma is owned by President and General Manager Roberto E. Wirth, fifth generation of a famous Swiss hotelier dynasty. For more than a century, Hotel Hassler Roma has continued its legacy as Romeߣs five-star lodging of choice for the worldߣs elite and discerning travelers. Each of the 87 rooms, 21 of which are suites, is individually designed with an elegant combination of classic and contemporary touches. Highlights include the Michelin-starred panoramic restaurant, Im&#e0;go, the Salone Eva and Palm Court restaurant and the Hassler Bar, as well as the neighboring, Hassler-owned Il Palazzetto, a hotel, wine bar and special event space.

Azulito, the Little Blue Penguin via Jordann Tomasek for use by 360 Magazine

Azulito the Penguin

Birch Aquarium at Scripps Institution of Oceanography at UC San Diego officially named one of their Little Blue Penguins. After receiving nearly 2,500 votes, this charismatic penguin will be named Azulito, which translates to “little blue” in Spanish. The name reveal took place Friday morning in the aquarium’s Giant Kelp Forest. Divers unfurled a banner underwater with the winning name surrounded by Leopard Sharks, Moray Eels and swaying kelp fronds while some of the Little Blues looked on. 

“This is the first time we have invited the public to help name one of our animals. So, it was a special moment for aquarium fans as well as our staff. We hope this is the beginning of a long tradition of naming our penguins,” said Kayla Strate, lead penguin aquarist. “We want to thank everyone who submitted a name online. Azulito is the perfect fit for this tiny penguin and we love that it’s a nod to our binational region.”

Voters were asked to choose between five names — each option with unique ties to San Diego, Scripps Oceanography and UC San Diego — during a naming campaign that launched on World Penguin Day (April 25). Azulito won by a landslide with 924 votes. Diego trailed behind with 588 votes and Flip came in third with 438, followed by Triton and Torrey with 234 and 281 votes, respectively. 

Later this month, Azulito — along with Magic, Nero, Persimmon, Reka, Cornelius and Katie — will move into their new home. Guests can meet Azulito and the rest of the colony starting July 12 when Beyster Family Little Blue Penguins opens. 

The 2,900 square foot exhibit follows the world’s smallest penguins on their journey from hatchlings to adults, highlighting the challenges they face in a changing climate while celebrating the features that make Little Blues so unique (and adorable). 

Penguin lovers will now be able to spend more time with the aquarium’s newest residents when the aquarium’s summer hours kick off on July 1. The aquarium will stay open until 7 p.m. daily, from July 1 to September 5, 2022.

Beyster Family Little Blue Penguins is included in the cost of general admission to Birch Aquarium which is $24.95 for adults and $19.95 for children ages 3-17. Tickets for July are now available online. Advanced reservations are required for all guests, including members. Visit HERE for more information or to make a reservation.

About Birch Aquarium at Scripps

Birch Aquarium at Scripps is the public exploration center for Scripps Institution of Oceanography at UC San Diego. Perched on a bluff overlooking the Pacific Ocean, Birch Aquarium features the groundbreaking work of Scripps Oceanography and UC San Diego scientists as well as conservation breeding programs, and interactive exhibits. Birch Aquarium’s mission is to connect understanding to protecting our ocean planet, which the aquarium achieves by engaging, hands-on learning opportunities for nearly 500,000 guests as well as more than 50,000 pre-K-12 students each year. Visit HERE for more information. 

GIVĒON new music announcement via 360 Magazine

GIVĒON – GOT

Gearing up for the R&B event of the year, GRAMMY-nominated multi-platinum R&B star GIVĒON will unveil his anxiously awaited full-length debut album, Give Or Take, on June 24, 2022 via Not So Fast/Epic Records. It is available for pre-order/pre-save HERE.

Setting the stage for the record, the Long Beach singer just shared a cinematic and stylish trailer for the album. Watch it HERE. In the clip, he sits in a condo engrossed in conversation with his mom as he scans the Los Angeles cityscape below him and sets the stage for what fans can expect on this project. Scenes of live footage and memories intercut with these pensive moments, conveying tension and emotion all at once.

He recently heralded Give Or Take with the ballad “Lie Again.” It has already amassed over 8.9 million Spotify streams and 4.4 million YouTube views on the music video. Right out of the gate, Rolling Stone hailed it as “beautifully painful, and Complex proclaimed, “He shows his strength in vocals as he asks his partner to lie to him about past indiscretions.

Stay tuned for more from GIVĒON soon.

Last September, GIVĒON shared “For Tonight,” the lead single off his forthcoming debut LP which is now RIAA certified Gold. The song was praised by outlets such as Complex and Rolling Stone on its way to amassing more than 175 million streams worldwide. Earlier this month, GIVĒON released a live version of “For Tonight” as part of the VEVO LIFT performance series. That followed his appearance at the 64th Annual Grammy Awards where GIVĒON joined Justin Bieber and Daniel Caesar for a smooth, jam session-style performance of their chart-topping hit “Peaches.”

GIVĒON also kicked off his European tour titled “FROM THE FIVE SIX TWO” with two outstanding performances this past Tuesday and Wednesday evening in Amsterdam at Paradiso. The tour continues in Berlin, Germany on Friday June 3rd and tickets are available at www.giveonofficial.com. With “For Tonight” and “Lie Again” GIVĒON offers another tantalizing taste of those shows and his debut album, further cementing his status as one of modern R&B’s great storytellers.

FROM THE FIVE SIX TWO tour dates:

 Wednesday, June 1 — Amsterdam, Netherlands — Paradiso

Friday, June 3 — Berlin, Germany — Kesselhaus

Sunday, June 5 — Paris, France — Elysee-Montmartre

Monday, June 6 — Paris, France — Elysee Montmarte

Wednesday, June 8 — Cologne, Germany — Kantine

Friday, June 10 — Barcelona, Spain — Primavera Sound

ABOUT GIVĒON

GIVĒON has made himself one of music’s brightest stars by bringing vivid color, depth, and soul to songs that capture the intensity of life’s twists and turns. After coming to fame via Drake’s “Chicago Freestyle,” the CA native became a force in his own right. GIVĒON had a whirlwind 2020 after releasing his Platinum-certified “Like I Want You” (225 million cross-platform streams in the US). He kept the momentum with “Heartbreak Anniversary,” a gauzy ballad that peaked at #16 on the Billboard Hot 100, garnered over 951 million worldwide streams, and earned 2X Platinum status. In March 2020, GIVĒON’s debut EP, Take Time, confirmed his evocative songwriting prowess and would be nominated for Best R&B Album at the 2021 Grammys. His fall When It’s All Said and Done EP further explored the peaks and valleys of love and, when re-packaged with its predecessor in 2021, hit #5 on the Billboard 200. After being nominated for a 2020 NAACP Image Award for Outstanding New Artist, he won BET’s 2021 Best New Artist, and his audience is growing—to the tune of over 1.7 billion streams globally. He even hit #1 on the Hot 100 in March on Justin Bieber’s “Peaches.” That hit helped him win the award for Best Pop Song at the 2021 MTV VMA‘s where he was nominated for seven awards including Best New Artist, Best R&B and Best Pop Song. Drake then invited GIVĒON back into his world, this time for a sizzling verse on Certified Lover Boy’s “In the Bible” with Lil Durk—one of a guaranteed run of thrilling collabs to come. And at his festival debut, Lollapalooza 2021, he found a sea of voices who knew his lyrics. But success has never really been a goal— GIVĒON just wants to bear his soul.