Posts made in April 2022

Dolce & Gabbana x Gianpiero D’Alessandro collection via Cara Forte Diaz D&G PR & Editorial for use by 360 Magazine

D&G × Gianpiero D’Alessandro

Dolce & Gabbana join forces with cartoon designer Gianpiero D’Alessandro to debut their brand-new limited-edition T-shirt collection launching TODAY!

The exclusive selection of tees was created by the renowned designer, writer, artist, graphic designer and visionary Gianpiero. His work pulls inspiration from the likes of Walt Disney and Andy Warhol, with bright and animated references.

Having worked with esteemed individuals and brands such as Snoop Dogg, Justin Bieber, Nike and Netflix, its only right that Gianpiero teams up with Dolce & Gabbana for the new collection.

Regarding the alliance, he stated, “For me, Dolce&Gabbana represents everything that’s beautiful about Italy. I still remember the first time I met Stefano and Domenico and I gave them some drawings I had made for them. During that meeting, they began to tell me about their story and how it all began.

I remember the passion in their eyes. It’s a pleasure for me to collaborate with the brand that has written and continues to write the story of the fashion world.

“Proudly made in Italy”. I chose to create these graphic elements for the collection because in my imagination, Dolce&Gabbana is a happy “place” and I wanted these designs to incorporate certain emotional virtues for people to experience, such as a carefree childhood. The “Sweety Bunny” character is accompanied by “Baby Carrot” and together they represent the concept of family. Of love. Values that Dolce&Gabbana has always infused into in every single one of its projects.”

Dolce & Gabbana x Gianpiero D’Alessandro collection via Cara Forte Diaz D&G PR & Editorial for use by 360 Magazine
Dolce & Gabbana x Gianpiero D’Alessandro collection via Cara Forte Diaz D&G PR & Editorial for use by 360 Magazine
Dolce & Gabbana x Gianpiero D’Alessandro collection via Cara Forte Diaz D&G PR & Editorial for use by 360 Magazine
Images courtesy of Dolce & Gabbana

Seventeen inside 360 MAGAZINE

Seventeen – Darl+ing VIDEO

Watch HERE.

K-pop stage-breakers SEVENTEEN just dropped their first English language single “Darl+ing” at midnight ET. Arriving ahead of their full-length album to be released in May, the single opens a new, heartfelt chapter in the band’s story. 

Built on a sweet-sounding but addictive chorus and an enthralling line of synths, “Darl+ing” is an eloquent expression of the 13-piece act’s admiration for the idea of ‘togetherness’. Like many of their previous hits, “Darl+ing” is also a self-produced track. The leader of the band’s vocal unit WOOZI took part in producing the single, credited for both its lyrics and composition.

A cinematic depiction of a new chapter in SEVENTEEN’s journey, the accompanying music video is packed with ethereal aesthetics and hints about stories to follow. The video shows the thirteen members traverse past an idyllic world that overflows with light and venture into a state of darkness, piquing curiosity around the forthcoming full-length album.

As global fans welcome their highly anticipated return, the K-pop superstars are slated to present their very first performance of “Darl+ing” at 5 PM ET today on MTV Fresh Out Live.

SEVENTEEN’s collaborative project with Apple is also being launched in time for the release. The K-pop creatives and Apple embarked on the first K-pop Today at Apple Remix session today in Korea. During the 60-minute sessions to be held initially in Apple stores in Korea and then across Asia, attendees will discover more about the band’s creative process and be guided to create a one-of-a-kind remix of “Darl+ing” using GarageBand and Apple’s devices. 

About SEVENTEEN:

Racking up 2 billion streams and selling 10 million albums, SEVENTEEN—comprised of S.COUPS, JEONGHAN, JOSHUA, JUN, HOSHI, WONWOO, WOOZI, THE 8, MINGYU, DK, SEUNGKWAN, VERNON and DINO—has rocketed to the forefront of the music scene fueled by a fiercely independent spirit and a nonpareil in-house creative ecosystem. The group’s innovative structure hinges on the interplay of three units: hip-hop, vocal, and performance. Living up to the title of “K-pop Stage-breakers,” SEVENTEEN has unassumingly made history and become one of the biggest groups ever due to their world-class synchronization, jaw-dropping choreography, and tight teamwork. Moving at an unparalleled pace, the K-pop stage-breakers made their U.S. television debut on The Late Late Show with James Corden in January 2021 and followed it with unforgettable performances on The Kelly Clarkson Show, The Ellen DeGeneres Show, Jimmy Kimmel Live! and MTV’s Fresh Out Live. SEVENTEEN’s latest EP Attacca debuted at No. 1 on Billboard’s Top Album Sales chart and No. 13 on the Billboard 200. It sold over 1.3 million copies in the first week of release, earning the K-pop superstars the “quintuple million seller” title as it joins their last four consecutive releases—An Ode, Heng:garæ and ; [Semicolon], Your Choice—in selling over 1 million copies each. 

Follow SEVENTEEN:

Instagram | Twitter | Facebook | TikTok | YouTube | Spotify | Apple Music

McLaren x NYSE/ICE Conference via Vaughn Lowery for use by 360 Magazine

McLaren Press Conference

McLaren Racing and Intercontinental Exchange, Inc. (NYSE: ICE) team up as ICE was announced an Official Partner of the McLaren MX Extreme E Team. To debut their brand-new partnership, McLaren officials took part in a news conference at the Exchange, and the Number 58 McLaren Extreme E race car sat outside while the professionals talked all things McLaren x ICE.

360 Magazine’s very own Vaughn Lowery attended the conference and had the opportunity to speak with McLaren Racing Senior Principal Race Engineer Leena Gade and McLaren EX Extreme E Driver Tanner Foust. Listen to the official 360 Mag Podcast episode HERE.

Vaughn talked all things McLaren sustainability, diversity and female empowerment with Leena Gade, McLaren Racing’s Senior Principal Race Engineer.

Leena raved about the importance of McLaren and ICE sharing beliefs regarding approaching work in a green way while also encouraging diversification in the workplace. Working in the spaces of engineering and racing that are conventionally white male dominated, Leena stressed the importance of representation within the field.

As a daughter of immigrant parents, Leena’s family moved to the UK from India to build a new life for Leena and her sister. Driven to build a successful life full of opportunities for their children, Leena’s parents story resembles that of one that a surplus of Indian families goes through. Leena emphasized this, while placing emphasis on how they encouraged hard work and dedication to achieve their ambitions.

Anyone can do this,” she stated, and continued about how it’s important for everyone to have someone to look up to that looks like them. She remembered as a child how all the racers she looked up to were white men, creating conversations about range in the field. These factors are exactly why the partnership between McLaren and ICE is one that she got behind.

Preserving the Earth, too, is another associated value that the two corporations believe in. Leena spoke on how its vital that McLaren aligned themselves with another entity that took climate issues as seriously as they did. It’s vital that our society considers the significance of the modern climate, and that there’s no reason for the crisis to become so intense.

Vaughn also had the chance to sit down with Tanner Foust, one of McLaren’s EX Extreme E Drivers. They chatted about how Tanner delved into the field of racing from starting out as a bio major, how Extreme E driving differentiates from the norm of racing and the continuing inclusivity of McLaren.

With a 25-year career as a racer, it might shock you that Tanner had early dreams of becoming a doctor. Attending University of Colorado majoring in biology, Tanner was always interested in racing, but didn’t quite know how to get his start in the field. Taking on a job with an inventor that made amusement park rides, he found inspiration in his boss that went after his aspirations and lived life each day not feeling like he was “working.”

Deciding to get a job as a mechanic for a local Colorado racing team, Tanner found his start into the world of racing. He then worked his way up and learned how to turn this passion into a profitable job. This has to be his number one piece of advice for anyone aspiring to dive into their dream career; obtain a job that is close to the one that you want, and slowly work your way to that goal.

When asked the question of what his biggest accomplishment with racing had to be, Tanner recalled the first time that he was able to make a livable income from racing. Turning this passion into a fully fledged career was a massive achievement for Tanner, and he aims to give younger people guidance to also become a professional driver.

Now fully immersed in the field of racing, Tanner finds McLaren racing to be unlike any racing he’d previously taken part in. Extreme E approaches racing in a different light with fast sprints and difficult racing terrains. He accredits McLaren to challenging what he thought he was previously capable of and opening him up to a brand-new realm of racing.

Like Leena, Tanner spoke to the great advancements that McLaren has been making towards a more sustainable and inclusive approach. Motorsport is evolving to become more gender and carbon neutral, which is something that Tanner advocates for fully. The extraordinary team working behind the scenes day in and out continues to advance the space of motorsport.

Written by: McKinley Franklin

McLaren x NYSE/ICE Conference via Vaughn Lowery for use by 360 Magazine
McLaren x NYSE/ICE Conference via Vaughn Lowery for use by 360 Magazine
McLaren x NYSE/ICE Conference via Vaughn Lowery for use by 360 Magazine
Mclaren Racing Extreme E at NYSE in NYC via Vaughn Lowery and 360 MAGAZINE
McLaren x NYSE/ICE Conference via Vaughn Lowery for use by 360 Magazine
Photos courtesy of Vaughn Lowery
Chef Adrianne Calvo headshot image via Adrianne Calvo for use by 360 Magazine

Chef Adrianne Calvo

Highly acclaimed chef, author, television personality and YouTube host Adrianne Calvo embodies the essence of the American dream. Opening her very own restaurant at the age of 22, she has become a living legend and a source of inspiration for those wanting to follow in her footsteps.

Receiving smashing success with her first venture, Chef Adrianne has since branched out with an array of restaurants, has been named Miami New Times Best Chef, appeared on an array of Food Network shows and is the youngest professional to cook for the United Nations.

During April of 2007, Chef Adrianne opened her first restaurant, Chef Adrianne’s Vineyard Restaurant and Bar, also referred to as “Chef Adrianne’s.” Having graduated from Johnson and Wales University with a Bachelor of Arts in 2004, the new restaurant was a risky decision, but it sure did pay off. Swiftly, the restaurant grew and gained widespread notarization due to Chef Adrianne’s signature Maximum Flavor.

Guests and Critics alike fell in love with her cooking; and Chef Adrianne’s was awarded Best Restaurant by Miami New Times’ Readers’ Choice Awards in 2014 and 2017. Continuing to receive praise by being named one of the 17 Most Important Restaurants in Miami by Thrillist, Chef Adrianne was only just beginning her career.

Chef Adrianne has cooked for the United Nations and its ambassadors, competed on Chopped and Beat Bobby Flay via Food Network and has been acknowledged for her cooking in Bon Appétit, Better Homes & Gardens, USA Today and Saveur.

Her passion for the culinary world and spirit of adventure inspired her to launch Emmy Nominated YouTube series “Searching for Maximum Flavor,” which has been nominated for an Emmy Award. In the show, Chef Adrianne meets with creators while reviewing iconic dishes and adding in her namesake Maximum Flavor.

360 had the opportunity to chat with Chef Adrianne about her success thus far, what made her interested in becoming a chef, and what we can expect to come in the future.

Q: When did you start dabbling in cooking and when did you know you wanted to pursue a career in the field?

A: I have always loved food. I used to come home from school and watch Great Chefs of The World, followed by more cooking shows. But at that time, I thought I wanted to be a journalist. Watching cooking shows was just entertaining until my junior year of high school. I was placed in home ec by mistake, and I had to wait two weeks for schedule to change. During those two weeks, Johnson and Wales University came to do a demo and talk about how they’re the leading culinary school. It was what I call the lightning strike. From then on, I knew I wanted to be a chef.

Q: What was the most difficult part in opening your own restaurant at such a young age?

A: 22 is too young to open anything much less a restaurant. Restaurants are equally demanding as they are rewarding (if successful). I didn’t have normal 20’s. I didn’t have my first real drink till I was 25. I didn’t go on a vacation for 8 years and I spent every day working the line for 11 years straight. I had to stay focused and determined. Looking back at that exchange to where I am today, it was all worth it.

Q: What has it been like receiving so much praise from critics, social media all the way to your beloved customers?

It’s a beautiful thing. I thank God for it every day. I believe I don’t deserve it which is why I keep working harder and harder. This industry doesn’t stop. And want to feel like have earned their love.

Q: How did the pandemic affect your businesses?

A: Thank the good Lord, our loyal customers kept us afloat doing take out.

Q: Tell us a little bit more about your signature maximum flavor.

A: When I decided to go to culinary school, I entered culinary competitions to raise money for college. I started winning, a year later I kept winning. By this time, the judges were talking amongst themselves about how I was winning. The answer was – Flavor. One judge advised me to write a cookbook with all my winning recipes. I took his advice and thus was born my first cookbook, ‘MAXIMUM FLAVOR,’ making me the youngest cookbook author at the time. That lead me to be on the Montel Williams show. He held my cookbook in the air and told his audience and all of the country glued to their TV screens, that they had to buy my cookbook because the scallop recipe he tried from [the book] changed him. He spent all his life hating scallops until he had them Maximum Flavor Style. The book sold like crazy.

Q: Tell us about “Baked,” one of your newest concepts, and what more we can expect from this expansion.

A: Baked by Chef Adrianne started as a Bakehouse I acquired to make bread and desserts for all my restaurants- an internal operation. I’ve always been in love with everything from scratch. I think you can just tell when something is made by hand, or chemically doused. I could buy desserts from any vendor and just defrost, slice, and throw on a plate. But that’s not Maximum Flavor. I am currently working with GoldBelly on a national direct to consumer campaign.

Q: What can we expect next from Chef Adrianne?

A: God willing, I hope to expand my wine label “A Family Vineyards.” After the wild success of “A Cabernet,” I think a Rose’ or Sauvi B is next.  

Article by: McKinley Franklin

Fleur de Loire via Geoffrey Weill for use by 360 Magazine

Loire Valley

2022 is the perfect year to visit the Loire Valley, home to France’s iconic châteaux, incredible gardens and world-renowned wines. This year will include new hotel openings, anniversaries, exhibitions and more throughout the region.

Openings

  • Fleur de Loire: This new 5-star Relais & Châteaux hotel and gastronomic restaurant helmed by two-Michelin-starred Chef Christophe Hay is set to open its doors on June 13, 2022. A lifelong project for Hay, the new property aims to offer an oasis of tranquility that promotes the riches and heritage of the Loire region, while also promoting sustainable travel. Housed in a 17th-century building designed by the brother of King Louis XIII, Fleur de Loire will feature 44 rooms (including 11 suites), a gourmet restaurant, bistro, pastry kiosk, swimming pool and state-of-the-art Sisley spa. Hay’s restaurant will showcase the best of the region’s unique terroir, including produce from local farmers, wine from Cheverny and produce from the onsite garden. 
  • Le Bois des Chambres: This hotel, the first-ever at the Domaine de Chaumont-sur-Loire, is set to open this spring. Designed by architect Patrick Bouchain, the hotel will feature 39 uniquely designed rooms and suites, as well as a gourmet restaurant, and original artworks on display throughout the property. Rooms are divided between a restored farmhouse and a new build, each of which has a different theme dedicated to the natural surroundings of the hotel.
  • Villa Monin: This new exhibition space dedicated to Monin gourmet flavored syrups is set to open its doors this summer. Located in the medieval city of Bourges, the space will offer a cabinet of curiosities around flavors and aromas, an immersive tour of syrup production, cooking classes and workshops, as well as a syrup tasting bar. Local Bourges confectioner Daniel Mercier will also offer a chocolate-themed tour within the space.

Exhibitions

  • La Renaissance des Femmes at Château Royal de Blois: A favorite residence of seven kings and ten queens of France, the Chateau is hosting an exhibition dedicated to three of its famous former residents: Catherine de Medici, Diane de Poitiers and Marguerite de Valois. Titled La Renaissance des Femmes (The Renaissance of Women), this exhibition highlights the power—sometimes restrained, marginalized or even forgotten—of these three iconic Renaissance figures.
  • Agnès Sorel, L’influenceuse at The Royal City of Loches: This royal city is celebrating the 600th anniversary of the birth of Agnès Sorel, mistress of King Charles VII, who gave her the domain of Loches. To mark the occasion, this exhibition, Agnès Sorel, l’influenceuse (Agnès Sorel, the influencer), aims to offer a better understanding of the role and influence of this “Lady of Beauty” in the kingdom’s politics and society.

The Ideal Garden at Domaine de Chaumont-sur-Loire: The garden is celebrating the 30th anniversary of the International Garden Festival, which has been a major destination for contemporary creation and landscape design since 1992. This year’s theme is centered around the “ideal garden,” questioning our current relationship with nature due to global warming, urbanization and more. This year, designers were encouraged to showcase their innovative visions by using new materials, plants, techniques and more.

Marvel's Voices: Pride via Jen Bartel for Marvel Comics for use by 360 Magazine

Marvel’s Voices: Pride One

Marvel Comics is proud to celebrate Pride Month this year with another giant-sized one-shot showcasing some of comics’ most iconic LGBTQI+ heroes in an incredible range of stories by LGBTQI+ superstars and emerging talent! Fans can get their first look at a brand-new variant cover for 2022’s MARVEL’S VOICES: PRIDE, drawn by Eisner-winning artist Jen Bartel! The top-selling cover artist’s latest piece shows Black Cat putting away the claws and bringing out the charm as she’s caught between two lovers—Peter Parker and Thieves Guild Leader Odessa Drake!

Felicia’s romantic history and rivalry with Odessa Drake was explored by writer Jed MacKay in his back-to-back acclaimed runs on BLACK CAT! Now, MacKay will continue his defining work on BLACK CAT alongside artist Pere Pérez in IRON CAT. Also launching during Pride Month, the all-new limited series will see Black Cat teaming up with Iron Man to discover who is wielding the Iron Cat armor and what their plans for Felicia are. Find out the identity of IRON CAT in this exciting new chapter for one of Marvel’s leading heroines! Wait, do you think it’s ODESSA in that armor?

In the meantime, check out Bartel’s cover and stay tuned in the coming weeks for more announcements and cover reveals for “MARVEL’S VOICES: PRIDE #1!” For more information, click HERE.

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of more than 8,000 characters featured in a variety of media for over eighty years. Marvel utilizes its character franchises in entertainment, licensing, publishing, games, and digital media.

Mel Quagrainie for use by 360 Magazine

Is Miami the Center of Crypto?

Much thanks to Mayor Francis Suarez, Miami has become a hub for the crypto community according to Brock Pierce who credits it to Florida’s good weather and low taxes.

It’s no surprise that the city hosted the world’s largest bitcoin conference that attracted 30,000 to 50,000 visitors at the Miami Beach Convention Center this past week.

With almost 50k visitors, there was a lot of engagement at the convention on South Beach, so 360 spoke with the Head of Developer Relations at MobileCoin, Collin Lowenberg to get the inside scoop on what we missed.

Q: Collin, what was the most exciting thing to happen at the conference?

A: Peter Thiel said Bitcoin will go up 100x, the government will never be in control and banks are swiftly going bankrupt. Thiel even tossed a bunch of $100 bills into the crowd. Don’t forget he was a White House advisor and is the largest shareholder in Palantir.

Q: Do you agree with him? 

A: No, I think his anti-bank anti-traditional banking anarchist thing is off balance. Chill out bro.

Q: What else happened at the conference?

A: Everything that happened around the conference was more interesting than inside the conference. I didn’t really need a badge or ticket to attend the event, it just wasn’t worth it. All the major players had their own events. Ledger, SFOX, Monero, Crypto week was bigger than just Bitcoin Miami. There were several side conferences including Shitcoin conference, kadena conference.

Speaking of the other conferences, we spoke with Mack Rivkin, Co-Founder and CBDO of Flake DAO about Miami NFT and how he got into the space.

Q: How did you get into NFTs?

A: I got into NFTs for the first time this year when I was asked to collaborate with my comrade Mike Brooks with his business, Flake DAO, we have been working on that since the beginning of the year. Since then, I have been collecting a lot. And I’ve been running a company that is helping artists. Prior to that I’ve been in the web3 space as an investor since 2016.

Q: Prior to Web3, what is your background?

A: My day job is in the marketing field, more specifically growth and performance marketing working for pikeman and Cheesecake Factory, tech startups, freelance and consultation. My background, though, is in theater. I have been running a lot of underground events, like warehouse parties, popups, fundraisers and festivals. A lot the work transpired through my burning man crew, especially with the web3 space. I got into web3 events through [my friend] Shannon O’Donnell who needed help with her event at ETH Denver and we’ve pulled off some pretty cool activations since.

Q: You said you spoke on a panel at NFT Miami?

A: The panel was called Just DAO it. It was a panel of people of varying levels of perspectives and experience regarding DAOs. My partner Mike Brooks and I were on this panel with 3 others, not including the moderator. We were interviewed by a woman from Tron Network. We talked about who we are and our relationship to DAOs.

Q: Where are DAO’s heading?

A: I don’t know. DAO’s heading, in my opinion, are highly idealistic. It’s a system of governance, idealistic like true decentralization. It’s arguable as to whether or not if we’ll ever have a process that is truly decentralized, as long as humans are involved, because humans by nature are imperfect. We are not robots. But what we can do is leverage a lot of new technologies like Discord for bringing people together from all around the world. Organizing the space into rooms where people can have varied discussions by people or bots.

Speaking of bots, there are so many ways that bots can be used to automate these communities. Bots can be used to automate the DAOs and voting. When DAOs are first being formed it recovers a lot of oversight. Its highly centralized. The goal down the road is to build something highly decentralized. Movement DAO is one of the strongest corporations that I’ve seen in terms of how they run. They’ve got a lot of amazing systems in place, and they figured out a way to prioritize decentralization. But honestly, 99% of DAOs is so far off from the ideal and that includes ours. One think that is important to keep in mind is nothing is going to be perfect right away.

Q: Were you able to attend any exhibits?

A: I hit up every vendor booth I could. The conference hall wasn’t that large. In terms of panelists I saw Eric Lapoglia, he’s the one who put everything together, and Mark Cuban.

Q: Did Mark Cuban speak on anything specific?

A: I left midway through his talk because I was not impressed. He was one of the headliners. Web3 is a revolution. That’s my belief and why I’m so excited to be in the space. I believe so strongly in decentralization because our systems, our financial system specifically, is not working for us, I mean the majority of us. The wealth gap is widening every year and it’s sickening we are losing power everyday.

Regarding Mark Cuban, I didn’t know a ton about him outside of shark tank. I have a lot of respect for the guy, and I appreciate when public figures vouch so heavily for web3, it brings a lot of necessary momentum for web3. But, I think the reason he is involved is to make himself wealtheir. I got that impression because the topic he was giving wasn’t about providing value to the people, it was about promoting his new app. So, putting more money in his pocket. And there’s a reason he got to where he is. He’s a salesman. No judgment, but not my vibe. It’s not why I’m in the space.

It’s not just a criticism with him, but a lot of folks in the space. A lot of people are in crypto and in NFTs because they want to get rich. There’s nothing wrong with that, but a lot of times people don’t understand the importance of what’s happening here. We have the tools to revolutionize how we operate in terms of how we operate, like global trade, and politics and put more power in the hands of people like you and me. It’s not a get rich scheme. Outsiders feel like it’s a pyramid scheme. It’s because of the people who shout the loudest are doing that. But for me it is about community and redefining our place in the world.

Q: Are you hopeful that these tools will be used to revolutionize the system?

A: I have a very strong point of view. I have two options, I have a strong point of view and either A) I can try as hard as I can to be a part of the movement and educate people on my point of view and why I think this is so important to get involved in and find the people I am aligned with and gather that momentum and I could be part of that or B) I could sit idly by and let things ride its course. Right now, I am taking path A. I do have hope and see that things are moving in a positive direction.

Just in the past 5 years headlines regarding crypto and NFTs are gaining a lot of attention. The government is now talking about things like this, talking about bitcoins and Ethereum. We have a country, El Salvador, is building a city built entirely on bitcoin. We are heading in a direction. The world is not black or white. It’s not a bad direction, but it’s a direction. I have my beliefs, but they are my beliefs. I am a cis white American man and that impacts my experience in the space. Bridging gaps is always something I have been very passionate about. I’m trying to create systems that are accessible and equitable for everyone. My focus right now is artists. I’ve been focused on creating opportunities for artists for a long time.

After talking with both Collin and Mack, it seems as though there is a stark difference between the conference and those throwing their own surrounding events. Those who want to uphold the status quo and those who want to dismantle it with a crypto revolution. Which side are you on?

Article by: Bee Davies

TV2 illustration by Rita Azar for 360 Magazine

Tanisha Scott × Lizzo

World-renowned creative director/choreographer Tanisha Scott (Rihanna, Drake) makes a very special guest appearance on Amazon Prime’s anxiously awaited new series, LIzzo’s Watch Out for the Big Grrrls, set to premiere April 14th. She teams up with legend and host Lizzo in order to uncover the best and brightest new dancers for her upcoming tour. Lizzo’s Watch Out for the Big Grrrls is a new unscripted series following global superstar and icon Lizzo, who is on the hunt for confident, bad-ass women to join the elite ranks of the Big Grrrls and join her world tour. With 10 hopeful women moving into the Big Grrrls House, they must prove they have what it takes to make it to the end and join Lizzo in front of a global audience on the center stage. In this search for dynamic dancers, Lizzo leans on Scott as well as fellow legendary choreographers and O.G. Big Grrrls Chawnta’ Marie Van, Shirlene Quigley, and Grace Holden, as well as several special guests, including choreographer Charm La’Donna, body movement expert Rashida KhanBey Miller, and Grammy-nominated singer/songwriter SZA. In addition to appearing in the series, Lizzo will also serve as executive producer alongside Makiah Green, Kevin Beisler, Julie Pizzi, Farnaz Farjam, Myiea Coy, Kimberly Goodman and Glenda Cox. The series is directed by Nneka Onuorah and produced by Amazon Studios, Bunim-Murray Productions and Lizzo’s production company, Lizzo Bangers. Stay tuned for more and to also see how Scott expands her influence yet again in the upcoming season of the series Legendary on HBO Max.

About Tanisha Scott 

Like culture itself, Scott continues to evolve over time. She has remained not only relevant but at the forefront of the industry, with recent clients including, H.E.R., Bryson Tiller, SZA, Khalid, Daniel Caesar, Da Baby and Juice WRLD. She has been named by Billboard Magazine and Italian Vogue as one of the top 30 under 30 artists in the entertainment industry and has earned multiple MTV and Billboard Music awards and nominations. Scott’s work has been featured in various award-winning videos, including Rihanna’s “Found Love,” Cardi B’s “Money” and Lil Nas X’s “Old Town Road”—which won the 2012 MTV Video Music Award for Video of the Year, the 2019 VMA for “Best Hip Hop Video” and the 2020 Grammy award for “Best Music Video,” respectively. Tanisha Scott has evolved from a dancer and choreographer to an innovation-leading and industry-crossing creative director, movement coach, and artist developer. As for what’s next, Scott aspires to take her talents to Broadway. Like her idol, Debbie Allen, Scott aims to leave a legacy of innovation and storytelling through the universal language of movement and dance.

Music via 360 Magazine

FKA Twigs × DAB Motors × Burberry

The English singer-songwriter FKA twigs releases her latest single “Papi Bones” as part of her album, Caprisongs. In the unveiled video clip, in collaboration with Shygirl, she features her DAB Motors Concept-E RS Burberry Edition in an all-Burberry dressed decor.

The video clip, taking place in the UK, showcases a Midnight Blue Concept-E RS made in DAB Motors‘ Factory.

The Burberry x DAB Motors Concept-E RS collaboration came from a shared desire to think motorcycle as a true fashion item. DAB Motors, the French motorcycle manufacturer who’s on a mission to challenge traditions through intelligent disruption, aims to thrive well beyond the motorcycle world. All motorcycles are handmaid in France.

The very limited edition of 20 electric motorcycles features:

  • Brushless DC – 10kW nominal
  • Saddle upholstered with Burberry leather
  • Bodywork: Metallic Grey or Midnight Blue
  • Öhlins Suspensions
  • Beringer Brakes

The creative process that blends in the fashion design, music and motorcycle worlds seems to be at the forefront of the current trends. A new way of bringing together these industries has never before been seen.

Jaguar QK via Influence Associates for use by 360 Magazine

Thomas Kelham New European Range

Thornley Kelham has revealed the first entirely new project in its ‘European’ range of reimagined automotive legends: the Jaguar XK European, which builds on the success of their Lancia Aurelia Outlaw. Taking a derelict donor Jaguar XK as its base, the bespoke program allows customers to transform their car into ‘European’ specification, featuring an all-alloy lightweight body penned by McLaren P1 designer Paul Howse, and a full range of performance and comfort upgrades and enhancements.  

Most of the work is carried out in-house by Thornley Kelham, together with a small number of trusted and talented partners.  As well as its work in concours restoration, the in-house team of craftsmen is expert in race-winning classic motorsport engines, and numerous previous projects have involved bespoke enhancements from uprated suspension, steering and brakes, to conversion to fuel injection, and the design and execution of convenience features such as air-conditioning and high-end ICE. In the ‘European’ program, all that experience comes to bear to create the ultimate incarnation of a number of European sports cars of the golden era, including the Jaguar XK.

Howse’ vision celebrates the original beautifully aerodynamic lines in a way that remains true to the car’s original intentions, echoing the kind of work applied to the E-Type Lightweight. The first major task was to lower the roofline so that the proportions become more elegant and purposeful. The next was to add some curvature to the sides; all the body sections now have an acceleration to them which adds sculpture and muscle but also lightness. The arches are wider both at the front and more significantly at the rear with wider alloy wire wheels filling them out nicely, giving a ‘road racer ‘stance. The brightwork was also removed and instead a subtle crease was introduced down the bonnet which follows the split-screen into the roof and washes out over the roof, which is more smoothly integrated into the overall form, as are the rear arches. At the rear, the tail now sweeps up to create a more teardrop form. The rear lamps are nestled into the bodywork and the headlights have had the chrome bezels removed, cleaning up the appearance.

Inside, a completely redesigned dashboard and interior echo the original but with a dedication to modernizing and improving wherever possible. The dials are kept in a similar layout but are surrounded by a body color aluminum dashboard rather than a flat slab of walnut. This is enveloped in the finest leather hugging the dials, now positioned slightly higher. The seating position is a vast improvement over the original, dropping the H-point significantly so that you sit in the car rather than on it and ensuring that the lowered roof doesn’t affect the headroom. The seats themselves, whilst classic in design, offer more support than the original items. The door design is also more sophisticated and sporting in design, with a slim storage pocket and a completely new door release to not only improve the ergonomics but also the knee clearance for taller drivers.

Electric windows are added, as are electronic gauges and a discreet rollcage, while air-conditioning, power steering, Bluetooth connectivity and a number of in-car entertainment options ensure that every European will offer the thrill of a classic with the convenience and everyday drivability of a modern car. 

The Jaguar XK 3.8-litre straight-six engine—which produced around 160 -220 bhp in period—is thoroughly re-engineered, imbuing the ‘European’ specification with performance akin to a modern sports car. The all-alloy engine is equipped with direct injection, a bespoke camshaft and rebored cylinders for either 300hp or 340hp depending on specification.

To allow the new engine to perform more consistently at higher performance, there is an upgraded aluminum radiator with an oil cooler, as well as louvered bonnet and subtly redesigned vents and apertures. Power is delivered through a redesigned five-speed manual transmission. Each and every component has been carefully considered and thoughtfully designed for the best possible driving experience. 

The handling has been enhanced with reconfigured suspension all-round, employing double wishbones at the front, coilovers, tuned Bilstein shock absorbers and Eibach springs. It’s a far more modern package than the original car, which featured basic leaf springs on the rear axle. In fact, the rear axle set-up has been completely redesigned, and now incorporates a limited-slip differential. Four-piston vented disc brakes equip each wheel.  

From basket case Jaguar XK to European-specification Jaguar XK involves a process of over 5,000 hours, every stage driven by Thornley Kelham’s meticulous (and award-winning) attention to detail and applied across the entirety of the car from metalwork, paintwork (800 hours) to engineering, fine Connolly leather trimming and chassis set-up.  

For almost 15 years, the Thornley Kelham team have been masters of both authentic award-winning restoration work and bespoke, upgraded collector cars. From its 32,000sq/ft facility in the Cotswolds, UK, a talented team of over 30 has produced the Restoration of the Year-winning Bizzarrini 5300GT Strada, the London Concours ‘Best in Show’ Frazer-Nash BMW 328 and the Concorso d’Eleganza class-winning Lancia Astura Torpedo by Viotti.  

When customers require additional performance, they can turn to Thornley Kelham’s expert in-house engineering and engine-building team, who can imbue existing historic engines with incredible levels of performance. At the 2018 Le Mans Classic, for example, three cars—two Invicta S Types and a Lagonda—used engines prepared by Thornley Kelham engineers. One S Type produced double the output of the original engine, and the other the overall fastest nighttime speed of the race.   

To qualify as a member of the ‘European’ program, a project must bring together this world-class engine-building and chassis experience with decades of top-tier Concours-standard restoration expertise and a dedication to ultimate perfection.

In short, it must fulfill three key criteria: design, details and drive.  

Simon Thornley, co-founder of Thornley Kelham, said: “With our concours-winning restoration heritage and our years of experience in perfecting our bespoke Lancia Aurelia ‘Outlaw’ project, we have developed a team perfectly placed to design and engineer a car that reimagines automotive icons authentically, in intricate detail and with a fastidious attention to quality. The Jaguar XK European is, to our eyes, the most beautiful car yet in the restomod sector, backed up with expertise and experience in developing cars that aren’t just perfect in their finish, but thrilling to own and drive.

“The 1950s marked the start of a golden era in European car design. As the world emerged from the dark years of WW2, there was a quest—and a need—for light and joy; a passion to create and rebuild. In Europe, this resonated in the car industry. A new era began, driving exports, harnessing and refocussing the continent’s talents, and a new generation of sports cars emerged—in Britain the Jaguar XK120, Austin Healey 100, MGA and AC Ace, in Italy the Lancia Aurelia, Alfa Romeo 1900, models by Fiat, Ferrari and Maserati. German engineers developed the wonderful Porsche 356 followed by the majestic Mercedes 300SL. At Thornley Kelham, over a decade of working with, driving, and restoring these models to Concours-level standards, has honed our appreciation for these wonderful automobiles. Our deep experience of their beauty, engineering—and foibles—has also led to an evolution in our approach to them. And so, we have launched our ‘European’ division, our mission being to both pay tribute to their heritage, and to develop them to meet the demands of the 21st Century driver.” 

Development of the first Jaguar XK built to ‘European’ specification is already underway, with the first commission secured. Numbers will be strictly limited, with prices from £550,000 plus donor car depending on specification.