Posts made in August 2021

Headphones illustration by Alex Bogdan for use by 360 Magazine

A Hip-Hop Master Class Featuring Black Thought

Bringing the culture to some of the world’s most hallowed halls, Black Thought will host “School of Thought: A Hip-Hop Master Class Featuring Black Thought” at Carnegie Hall’s Weill Music Institute (WMI) October 25-28, 2021. This will be the second installment of his free workshop series in partnership with the Hall. The program welcomes 10 finalist applicants aged 18-35 to participate in a multi-day master class led by the legendary MC for GRAMMY Award-winning platinum-certified hip-hop luminaries. The Roots as he dispenses invaluable knowledge when it comes to spitting bars and industry game.

Applications may be submitted now through September 7, 2021 at this link and you can find more info HERE.

In addition to including special guests such as iconic producer Sean C and more, Black Thought will headline a public showcase of the students under his tutelage on Thursday, October 28, 2021 at 6:30 p.m. in the Weill Music Room in Carnegie Hall’s Resnick Education Wing. Tickets, priced at $20, go on sale August 30, 2021. Following the showcase, Black Thought leads an intimate conversation with surprise guests on Friday, October 29 for young artists who participate in WMI NeonArts program, offering rare insight into his own incredible journey and sharing wisdom he’s picked up along the way.

In Spring 2022, he takes “School of Thought” all the way to Washington, D.C. Continuing the partnership with WMI and teaming up with The John F. Kennedy Center as part of The Roots’ own For the Culture Artist Residency, Black Thought will guide another 10 MCs in Our Nation’s Capital. He’ll offer sessions about lyricism, flow, style, and delivery in addition to studying the history of hip-hop and providing private coaching.

Dates and further details will be revealed soon for the free master class at The John F. Kennedy Center.

“School of Thought” launched at Carnegie Hall during 2019 as a different kind of master class driven by the vision of one of the game’s most dynamic rhyme architects.

The concept has grown and evolved with each iteration as it continues to uplift and unlock doors for a new vanguard of elite rappers.

School is about to be in session.

The confirmed and current schedule of the for the Culture Artist Residency program is enclosed below.

Culture Wars via Big Hassle Media for use by 360 Magazine

Culture Wars – teche

Austin, TX trio Culture Wars share the release of their debut EP, teche, along with their latest single “Lose Money” from the EP.  The band, Alex Dugan, David Grayson, and Dillion Randolph have amassed over 7 million streams independently, inciting a flurry of activity on TikTok charting a top 30 on Alternative radio.

The band shares about the track, “’Lose Money’ is one of those songs that could have easily not have happened. After I tracked a handful of vocal ideas at Sonic Ranch in El Paso, it took our producer Caleb and bandmate David to point out the chorus section, otherwise, I would have completely missed it. Thanks to them, and some insane prophet sounds from Dillon afterwards, Lose Money came to life. A testament to the strength of working as a team, this song stands out as one of my all time favorites.”

Earlier this year, Culture Wars released the single “Hunger,” a twist and turn of warbling bass, shimmering synths, and a hypnotic high register hook before dissolving into a cathartic drum and key freak-out punctuated by otherworldly guitar. “I was at a weird place in my life,” Alex Dugan admits. “For me, it was a release of energy. Retrospectively ‘Hunger’ could be about distancing yourself from emotion in a relationship where you’ve had to disassociate due to dysfunction.”

Inspired by seeing New Order live in Houston, the band recorded a series of demos in 2016. Those demos eventually morphed into Culture Wars‘ self-titled 2017 debut EP. The lead single “Lies” eclipsed 2.2 million Spotify streams followed by “Bones” peaking at #43 on Alternative radio. In 2019, they retreated to the famed Sonic Ranch Recording Studio in Tornillo, TX, which sits on a massive pecan farm thirty minutes outside of El Paso directly on the Mexican border. Over the course of “drunk summer camp, as Alex describes it, they brought teche to life with producer Caleb Contreras. The isolation, yet intimacy of the locale seeped into the push-and-pull of the music. They recruited ten-time GRAMMY Award winner Manny Marroquin [Kanye West, Imagine Dragons] for mixing and put the finishing touches on the EP just as the Global Pandemic set in. Throughout the next year, they teased out teche.  “Faith,” which Alex describes as “a rock song, an electronic song, and country song,hinted at the scope of the project. Meanwhile, “Leave Me Alone” quickly approached 1 million Spotify streams as it generated a flurry of activity on TikTok fueled by videos from mega-influencers such as Bella Poarch, Nessa Barrett, and Sienna Mae. Not to mention, it landed on the GRAMMY Award-nominated Bill & Ted Face The Music Original Motion Picture Soundtrack and ascended into the Top 30 at Alternative Radio.

The Happy Fits press Photo via Rahil Ahsruff for use by 360 Magazine

The Happy Fits – Another Try

Orchestral tinged indie-pop trio, The Happy Fits’ have partnered with SiriusXM’s Advanced Placement for the first look of their new single “Another Try.” Taken from their two-track bundle, which also includes the track “Cold Turkey,” “Another Try” represents the first new music since the release of their 2020 sophomore album, What Could Be Better, press HERE to listen and HERE to watch the “Another Try” visualizer, created by Alexis Kitchmire and Liza Farrell, which features bright and bold pop art images seen through a vintage View-Master. 

Reflecting how we often cope with reality in negative ways, the anthemic new single rides an emotionally-charged chorus that highlights the importance of accepting adversity as part of life’s journey and an opportunity to grow. Inspired by cabin fever and the fear of losing everything they’d worked towards, “Another Try” is intentional in its effort to feel like a light of inspiration rather than a dark moment in the band’s timeline. 

Despite signaling the start of a new era for The Happy Fits, “Another Try” continues the band’s steadfast mission statement of connecting with a world that’s sometimes distant. “For the past 3 years touring and recording was the only life that we knew, and I found myself repeating the same habits, day in and day out. For a time, I tried to do things that I thought would fill some void in me that needed to feel accomplished, but if anything, it just caused me to slip back into my vices,” Calvin shares. Moving to Brooklyn to record their new music, “Another Try” ignited the spark the band needed to continue creating vivid, lyrically-driven music. “The song, to me, feels like a goodbye to the negativity and hardships that we have all gone through in the past year,” adds Ross.

Their songs, which emphasize life-changing realizations, celebrate our collective ability to overcome the obstacles and hurdles as we level up morally and emotionally. The Happy Fits have cultivated an eager and engaged fanbase who have propelled consumption rates through the roof. The band saw rapid growth following the release of What Could Be Better as their monthly listeners grew to over 780,000 on Spotify and they surpassed 65 million global streams. The trio achieved their first Billboard chartings, landing at #4 on the Alternative New Artists list and #12 on the Top New Artists Albums list, while seeing the album’s focus track “Hold Me Down” hit #30 on the Alternative Airwaves chart. The Grammy Foundation, Alternative Press, DuJour, PopMatters, Ones To Watch, Atwood Magazine and more have all signed on to champion The Happy Fits’ unique, guitar-and-cello rock, with NPR asking “What Could Be Better? I honestly don’t know.”

The band will hit the road in October for a 50+ date headline tour to share their optimistic music with their fans, who have helped them sell out stops in New York, Los Angeles, Chicago, and DC. Full routing is below. For tickets and more details, visit The Happy Fits website.

In addition to their music, the band regularly connects with fans through their Twitch and YouTube Gaming channel, where they explore the worlds of Minecraft, Among Us, Stardew Valley, and Call of Duty (which they recently played with Ryan Key of Yellowcard). You can catch their weekly live series by adding their linktree to your bookmarks.

tech illustration by sara davidson for use by 360 Magazine

Speech AI Company Sonantic Gives Val Kilmer His Voice Back

Revolutionary advancements in AI voice technology give Kilmer the ability to perform again after suffering side effects from throat cancer.

Sonantic, a UK-based startup leading the charge on emotional text-to-speech technology, has created a voice model for actor Val Kilmer, who was diagnosed with throat cancer in 2015 and has since undergone a tracheotomy procedure. The award-winning actor, whose Hollywood career has spanned nearly four decades, has difficulty communicating in a voice that is easily recognized or understood by fans. The AI-generated voice model, which was developed by utilizing clips of Kilmer’s voice prior to his illness, can be heard in a demo video that was created in close collaboration with the actor.

“I’m grateful to the entire team at Sonantic who masterfully restored my voice in a way I’ve never imagined possible,” said Val Kilmer, adding, “As human beings, the ability to communicate is the core of our existence and the side effects from throat cancer have made it difficult for others to understand me. The chance to narrate my story, in a voice that feels authentic and familiar, is an incredibly special gift.”

Founded in 2018, Sonantic has built a cutting edge platform that creates hyper-realistic, emotionally expressive, and controllable artificial voices. Sonantic has mastered this with its proprietary Voice Engine, which captures the nuances of the human voice such as accents, emotions and delivery styles. This process typically requires actors to record various lines of dialogue in a studio, but only historical footage could be used to create Kilmer’s voice model. After cleaning up the audio samples, Sonantic was left with 10x less data than typically needed. This led to the creation of new algorithms, techniques and models that have since been incorporated back into the Voice Engine, strengthening its ability to handle difficult voice content. These breakthrough advancements in the technology — which allowed for the creation of 40 different options before finalizing Kilmer’s prototype — have further enhanced Sonantic’s capabilities and will benefit all future voice projects.

This announcement comes on the heels of Amazon Studios’ release of Kilmer’s autobiographical documentary, Val, which touches upon the actor’s cancer battle and the physical and emotional toll it has taken on him. During the development of the documentary, Sonantic was introduced to Kilmer’s team which ultimately led to the creation of his voice model. By turning the written word into lifelike audio, Kilmer will be able to use the model  in both his professional and personal life. On the work front, Kilmer can take part in TV or film productions that require voice overs or replacement dialogue that will be created by Sonantic’s easy-to-use computer app. In terms of day-to-day living, Kilmer’s voice model can serve as a personalized replacement to robotic speech generating devices.

Sonantic’s co-founders Zeena Qureshi, CEO and John Flynn, CTO said in a joint statement: “It was an honor to create a voice model for Val Kilmer, whose courage and creativity is truly inspiring. This was an emotional project that demonstrates how Sonantic’s AI generated voice models can have a positive impact on the acting community at large. We’re proud to help Val continue his craft in a way that wasn’t feasible before, and we look forward to seeing what he takes on next.”

This groundbreaking advancement in speech and sound production is revolutionizing the film and gaming industries. Sonantic’s immersive voice acting on-demand allows its top tier B2B clients — including Amazon Studios, XBox Game Studios’ Obsidian Entertainment and Remedy Games — to significantly expedite timelines, streamline processes and lower production costs. Actors play a critical role in crafting voice models, which are scalable assets that generate passive income and create new job opportunities without the commitment of time and travel. Considered the CGI of voice for the industry, actors have embraced this hybrid approach that enables them to take on both traditional, real-life acting jobs as well as innovative, AI voice model work.

image by Sara Davidson for use by 360 Magazine

Can’t Wait Live: A Concert For Jobs, Climate and Care

On Friday, August 13, 2021 DaBaby, Saweetie and Wyclef Jean will perform at Can’t Wait Live: A Concert for Jobs, Climate and Care with additional performances by Mavis Staples, Snow Tha Product and Beach Bunny in Philadelphia at the Mann.

 

The artists and organizers of the conference will call on Congress to pass a legislative package that makes meaningful investments in jobs, climate, care, housing, and immigration, and demand members of Congress stay in session until the package is passed.

 

Throughout the concert, artists, activists and other speakers will uplift a core message: Americans can’t wait for our communities to have a rightful path to recovery from the COVID-19 pandemic. Coming off a year of historic suffering, speakers will highlight the urgency of the intersecting crises Americans face, including climate disasters and unemployment, and remind Democrats in Congress that voters expect them to deliver on their commitments to bold, popular policies that will tackle decades of disinvestment and improve the post-pandemic lives of working people.

 

The concert will be livestreamed on via the Working Families YouTube and Facebook pages. DJ sets by Philly legend DJ Jazzy Jeff and Philly star DJ Diamond Kuts and appearances by political figures and activists.

 

The concert is organized and sponsored by the Working Families Party, MoveOn, National Domestic Workers Alliance (NDWA), Service Employees International Union (SEIU), Green New Deal Network, Patriotic Millionaires and more. The coalition includes local Philadelphia organizations such as PA Working Families Party, 215 People’s Alliance, Unite Here Local 274, Abolitionist Law Center & Straight Ahead, Union of Musicians and Allied Workers – Philadelphia Chapter.

Get tickets here:  VIA EVENTBRITE HERE

1970 Porsche 917K via Concours of Elegance for use by 360 Magazine

Concours of Elegance 1970s Period Race Cars

The Concours of Elegance–famed for gathering together the rarest cars ever created–will showcase some of the world’s finest examples of 1970s period race cars wearing the iconic Gulf and Martini racing liveries at Hampton Court Palace in this year’s ‘Main Concours’ display. Taking place from 3-5 September, the event is renowned as one of the top three concours d’elegance events in the world for the quality of cars it attracts; nowhere else in the UK can the public see such a high standard of rare historic vehicles.

The Gulf livery came about thanks to Grady Davis, vice-president of Gulf Oil, who in 1966 bought himself a Ford GT40, after which he formed a lasting friendship with preeminent automobile racing engineer and team manager John Wyer. From this friendship was spawned a commercial partnership and a very successful racing livery. The livery was immediately recognizable by its distinctive vivid orange and blue colours.

Martini racing was the race team sponsored by the Italian company Martini & Rossi, a distillery producing Martini vermouth in Turin. Martini’s race sponsorship program began in 1958. The livery is also easily recognizable by the distinctive dark blue, light blue and red stripes on white, red or silver cars.

The Martini cars start with one of the most famously liveried and important Porsche 911s of all time–the 1973 Targa Florio-winning Martini Racing Porsche 911 Carrera RSR prototype. This car is chassis #911 360 0588, otherwise known as R6 by the internal numbering system used within the Porsche Racing Department at Weissach–the car started life in Group 4 spec, and after having been modified to Group 5 spec for later seasons, was restored to its original 1973 Targa Florio-winning specification, in which it remains today.

Alongside it sits a later 1974 911 Carrera RSR Turbo–immediately recognizable due to its huge rear wing and flared rear arches. The RSR Turbo helped Porsche’s reinforce its reputation for turbocharging in motorsport, and became necessary due to new rules and in the early 1970s which limited engine displacement and required improved fuel economy. To use turbocharging in the 3-litre class Porsche had to have a 2.1-litre engine size. This was calculated by the World sportscar Championship’s governing body, the FIA, that calculated a coefficient of 1.5 for turbocharged cars to level the field against non-turbo cars, hence the 2.1-litre engine capacity. Chassis number R13, is the most successful of all the RSR 2.1s having finished second overall at the 1974 Le Mans 24 Hours.

Rounding up the Martini-liveried cars is the 1977 Le Mans winning Porsche 936. Constructed in 1976, the 936 was created to compete in Group 6 of the World Sportscar Championship. The new car had a hard task to continue the winning path of its predecessors, the 917 and 908, and was actually made of many elements of the 917 and 908 cars. The car won the 1977 Le Mans, after an impressive comeback, with a margin to the second-placed Renault of 11 laps thanks to the superlative driving of Jacky Ickx. This car is currently being restored back to its 1977 LM specification and Martini livery, and will make its ‘post-restoration’ debut at the 2021 Concours of Elegance.

The Gulf liveried cars begin with the legend that is the Porsche 917K – the car on display being the 1970 car most notably campaigned by Jo Siffert and Derek Bell at Sebring and Richard Attwood and Herbert Müller at Le Mans, where it finished second. The result of an FIA loophole, the 917 used a mammoth 5-litre flat-12 engine and boasted a coupé body, which was 15ft 6in in length for high speed stability.

Also in Gulf livery is the 917’s smaller sibling, a 1971 Porsche 308/3. This car worked in conjunction with the 917 during the 1971 season where the ultra-lightweight 908/3 was used for winding courses such as the Nürburgring and the Targa Florio while the 917 was used at power circuits such as Monza. The 908 chassis was little changed from the 907 but evolved rapidly over the next two years, while new rules for 1969 allowed open (Spyder) cars and removed the minimum weight limit, allowing Porsche to build a car which was a lighter version of the 908, the 908 Spyder. This car won Porsche’s first world championship.

The final Gulf car on display is a 1975 Gulf Mirage GR8. A much more aerodynamically efficient design than its predecessor the GR7, the GR8 featured the well-known Ford DFV V8 engine. This car marked Gulf’s best chance of victory since the 1971 Le Mans 24-hour race, and in 1975 the GR8s did not disappoint, with the GR8/801 of Derek Bell and Jacky Ickx further adding to the team’s existing tally of outright victories, and the GR8/802 of Vern Schuppan and Jean-Pierre Jaussaud following home in a fine third place. GR8/801 contested Le Mans a further three times afterwards, and was ultimately returned to its Gulf color scheme in which it remains.

Alongside the Gulf cars, also on display will be the original Mercedes-Benz transporter. This vehicle has lived as colorful a life as the cars, having at one time worn a Gulf livery and later a Martini livery. By far the largest liveried vehicle in the display, this transporter was the transporter for the Gulf-JW Automotive team in 1971–and was the vehicle that carried the Gulf-JWA Porsche 917s to Le Mans that year–including chassis ‘026’ which is also on display at the show. The transporter went on to be re-liveried in Martini, Essex and Rothmans colors and used right through to the 962 era. It has since been restored to its Gulf Livery–at which point the various color schemes were re-discovered under the layers of old paint. There will also be a period correct Martini-liveried Mercedes transporter present at the show.

Outside of the main display of vehicles, the Concours of Elegance will gather a total of around 1,000 cars in a number of special features and displays, including a display of unique or bespoke modern rarities in the Future Classics class and a line-up of the finest coachbuilt Rolls-Royces. New for 2021 is a collection of 95 British cars gathered to celebrate Her Majesty The Queen’s 95th birthday, and a 30UNDER30 Concours aimed at inspiring the next-generation of classic car enthusiasts.

Away from the automotive displays, Concours of Elegance remains an occasion of pure luxury, with champagne provided by Charles Heidsieck, picnics by Fortnum & Mason, live stage interviews with Chubb Insurance, hosted by Jodie Kidd, and a collection of art, jewellery and fashion displays. Presenting Partner, A. Lange & Söhne, recently confirmed to support the event for a further three years, will continue to showcase some of its most intricate timepieces.

Music Notes by Mina Tocalini for use by 360 Magazine

LILHUDDY × iann dior × Tyson Ritter × Travis Barker – Don’t Freak Out

Singer, songwriter, and Immersive/Geffen Records artist LILHUDDY (aka Chase Hudson) releases his brand-new single entitled “Don’t Freak Out” featuring iann dior, All-American Rejects’ front man Tyson Ritter and Travis Barker, along with the official music video. This is LILHUDDY’s fourth single and first collaboration. The genre-blending track combines pop, punk, and hip-hop, all of which heavily influence Chase as a musician. “Don’t Freak Out” Feat. iann dior, Tyson Ritter & Travis Barker is undeniably catchy, a true summertime jam, and is available now at all digital retail providers via Immersive/Geffen Records.

LILHUDDY says about the track, “I cannot explain how excited I am to put this song and video out into the world. I have been teasing the track and it is hands-down one of my proudest moments as an artist. iann, Tyson and Travis have been such inspirations to me, so being able to collaborate with them on ‘Don’t Freak Out’ was an absolute dream and I am so grateful for the opportunity.”

Click here to listen.

The music video for “Don’t Freak Out” was directed by Daniel Russell (Saweetie, Khalid, Missy Elliot, SZA, Justin Timberlake, Normani). Filmed at an abandoned factory, the video shows LILHUDDY being kidnapped by a mob of fans who strap him to the front of a monster truck cut with performance footage of LILHUDDY, iann dior, Tyson Ritter and Travis Barker.

Click here to watch.

In addition to the song and video, LILHUDDY announces his upcoming debut album Teenage Heartbreak. The album, which is set for release on September 17th, is available for pre-order now. Teenage Heartbreak will include Chase’s previously released singles “21st Century Vampire,” “The Eulogy Of You and Me,” and “America’s Sweetheart,” along with “Don’t Freak Out” Feat. iann dior, Tyson Ritter and Travis Barker, all of which will be available as instant-grat upon album pre-order.

Click HERE to pre-order.

LILHUDDY hit the ground running with the release of his first single “21st Century Vampire”, which has amassed over 32 million streams worldwide and over 9.6 million video views to date (Click HERE to watch). “21st Century Vampire” marked LILHUDDY’s musical introduction with a signature style cultivated by the raw and restless angst of post-internet era adolescence. His music is a perfect hybrid of pop, punk, and alternative with an underlying message encouraging authenticity and self-acceptance. His second single, “The Eulogy Of You and Me” (Click here to watch the music video) was co-written by Chase along with Nick Long, Jake Torrey, as well as Andrew Goldstein and Travis Barker who also produced the track. Most recently, Chase dropped his third single “America’s Sweetheart” along with the music video, which was directed by Sophie Muller and features Charli D’Amelio. On the day of its release, the video hit #1 on YouTube with more than 3 million views in the first 24 hours and over 5 million views in the first weekend (Click here to watch). Currently, the video has over 11 million views and 29 million streams worldwide.

To Buy or Stream “Don’t Freak Out” Feat. iann dior, Tyson Ritter & Travis Barker:

Retail

Amazon

Apple Music

Deezer

iTunes

Spotify

YouTube Music

To Pre-Order Teenage Heartbreak:

Retail

Amazon

Apple Music

Deezer

iTunes

Spotify

YouTube Music

Follow LILHUDDY:

Tiktok | Instagram | Youtube | Facebook

Machine Gun Kelly via Sam Cahill for use by 360 Magazine

Machine Gun Kelly – papercut

Fresh off his newly minted VMA nomination for “my ex’s best friend,” Machine Gun Kelly embarks on his new journey this week. After announcing his sixth album, born with horns, via a tattoo posted to his social media on Monday, Machine Gun Kelly tapped renowned director Cole Bennett to helm Bennett’s first-ever rock video “papercuts” and the results prove excellent. The video will make its online debut on Cole Bennett’s Lyrical Lemonade Channel. There’s a black and white clip at the start that finds a bald and tattoo-less MGK riding down Sunset Boulevard in a motorcycle with horns. As he continues his expedition as rock’s newest superstar, MGK candidly acknowledges his constant struggles with fame and more. The “papercuts” video made its broadcast premiere on MTV Live, MTVU and the ViacomCBS Times Square billboard.

Watch HERE

MGK’s upcoming album, born with horns, follows his 2020 platinum album, Tickets To My Downfall, which debuted at No. 1 on the Billboard 200 and received multiple awards, including an MTV VMA, Billboard Awards for “Top Rock Album” and “Top Rock Artist” and an iHeart Radio Award. Tickets To My Downfall has been called a “game changing record” by Nylon Magazine and W Magazine recently noted “the album’s outstanding commercial success has recalibrated the landscape of the music industry.”  Travis Barker will serve as the project’s executive producer for the second consecutive album.

Last week, MGK delivered a surprise performance at Chicago’s Lollapalooza Festival. There, he performed “my ex’s best friend,” “bloody valentine,” and a cover of Paramore’s “Misery Business” for his ravenous fans. This fall, he will kick off his sold-out Tickets To My Downfall Tour, beginning September 9 in Minneapolis, MN, and concluding December 18 in his hometown of Cleveland, Ohio. So far in 2021, Tickets To My Downfall is the biggest rock album, according to MRC Data.

About Machine Gun Kelly

Machine Gun Kelly is an American rapper, singer, and songwriter from Houston, Texas. He’s known for his blending of alternative and contemporary rock and hip hop. The rapper first came to prominence in 2012, with his breakout single: “Wild Boy.” He’s also an actor, who’s been in movies such as Bird Box and The Dirt.

ANTHONY HAMILTON NEW ALBUM – LOVE IS THE NEW BLACK.

After teasing more music for the past year and building anticipation among fans worldwide, GRAMMY Award-winning, multiplatinum singer, songwriter, producer, and actor, Anthony Hamilton returns with his anxiously awaited tenth full-length and first album in five years, Love Is The New Black., on September, 24th 2021. Billboard made the exclusive announcement. It notably will be the flagship release under his own label My Music Box in partnership with BMG. Pre-order Love Is The New Black. – Here.

The 14-track R&B opus boasts a bevy of A-list friends and collaborators such as Academy Award winner Jennifer Hudson on the powerhouse “Superstar,” rap powerhouse Rick Ross on “Real Love,” and crunk king himself Lil’ Jon on “I’m Ready.” Other standouts include the smooth “White Hennessy” where his vocals simply intoxicate, the confessional “Mercy,” and one of the most emotionally charged tunes in his storied catalog, the George Floyd-inspired finale “Mama Don’t Cry.”

Check out the full track listing below.

Hamilton literally poured blood, sweat, and tears into Love Is the New Black. After initially pursuing a more political-leaning direction, he shifted focus to speak to this hefty emotional need, while also covering the full spectrum of human emotions.

“Going through the Pandemic, we were faced with challenges, in general,” he states. “Then, we were attacked, slaughtered, and slain. In the beginning, the music was really for people who wanted to stand up in honor of Black Lives Matter. It was initially geared towards those souls, hearts, and the people we had lost. There were some really heavy and strong songs on there. As the world started to open, I wanted to lessen the heavy load and allow everyone to celebrate again. We still got a little bit of that, because it’s not going away, and we’ve gone through a lot. That side will be heard, but we’re taking from a bunch of experiences now, getting through it, and taking a turn. I feel like that’s what people need right now.”

He elaborates, “When creating this album, I wanted people to feel. I’m going into a new era and mindset expecting greatness, love, and peace. I wanted this album to feel like what was missing throughout the pandemic. This is the restoration. We’re making this thing called life, sexy, beautiful, and powerful again.”

His most recent single “You Made A Fool Of Me” has amassed more than one million streams to date. Rolling Stone called it a “pour-salt-in-the-wound ballad.” Soul Bounce called Hamilton “the modern king of churchy, soulful crooners,” and The House That Soul Built hailed the single as “crisp contemporary soul.” The Musical Hype wrote that Hamilton “can do no wrong,” adding that the track “is lushly produced, sounding idiomatic of both the neo-soul and adult contemporary vein of R&B.”

The accompanying video, directed by Terrence Crowley, premiered exclusively on BET Soul and brings back a familiar character with Charlene, reprising her role as the love interest.

It arrives on the heels of last year’s powerful and poignant “Mercy” [feat. Tamika D. Mallory], which Rated R&B praised as an “urgent soul track,” and his electrifying performance at the 2021 NBA All-Star Game.

Love Is The New Black. in 2021.

Track-listing:

  1. Love is the New Black.
  2. Threw It All Away
  3. Real Love feat. Rick Ross
  4. I’m Ready feat. Lil Jon
  5. White Hennessy
  6. Coming Home
  7. You Made a Fool of Me
  8. I Thought We Were in Love
  9. Superstar duet with Jennifer Hudson
  10. Pillows
  11. I’m Sorry
  12. Mercy
  13. Safe
  14. Mama Don’t Cry

KEEP UP WITH Anthony Hamilton!

Website | Facebook | Twitter | Instagram

About Anthony Hamilton:

With over 50 million albums globally and proclaimed a “national treasure” by the Los Angeles Times, Anthony Hamilton’s voice will resonate louder than ever in 2021 with more music and performances on the horizon.

GRAMMY Award winning singer, songwriter, producer, and actor Anthony Hamilton has achieved global sales of over 50 million albums. The North Carolina Music Hall of Fame inductee notably performed for former President Barack Obama and First Lady Michelle, cementing his place in the history books as the “narrator of love.” Introduced by way of the iconic 2003 smash “Charlene,” his raw, awe-inspiring performances garnered the attention of NPR where he starred in their Noteworthy documentary series. He made his film debut in the critically acclaimed American Gangster, and lent his vocals to the song “Freedom” from the Academy Award-nominated film Django Unchained. Hamilton now adds author and publisher to his list of accomplishments with the unveiling of his first self-published book, Cornbread, Fish ‘n Collard Greens, where he shares the inspiration for some of the iconic songs in his illustrious career and his love of southern food. Hamilton recently starred as Kyle Kirby in the feature film Carl Weber’s Influence, now streaming on BET+.

Image via The Thom Brand for 360 Magazine

Jacquees × Future – Not Jus Anybody

JACQUEES’ SINGLE NOT JUS ANYBODY FEATURING FUTURE #1 MOST ADDED RECORD AT URBAN RADIO

Available at All Digital Partners Now!

Returning to the top, rising superstar and multi-platinum singer Jacquees logs the #1 Most Added Record At Urban Radio this week with his new single Not Jus Anybody featuring Future. It went into regular rotation at 47 stations in key markets nationwide. Get it HERE.

The music video made its debut on MTV Live, MTVU, BET Jams, BET Soul, BET Hip Hop, YO! MTV, and VEVO last month. BET named it Jam of the Week this week, logging over 100 spins. Simultaneously, the video is in strong rotation on REVOLT and Music Choice. Additionally, Jacquees appeared as a guest on the FB Live Audio Room executive produced by Jesse Collins Entertainment and Facebook last week.

So far, Not Jus Anybody has already racked up 429K Spotify streams and 769k YouTube views on the music video. In addition, it received plugs from Complex, Rated R&B and HipHopDx.

Most importantly, it sets the stage for his anxiously awaited new album, coming soon.

About Cash Money Records

Since 1991, Brothers Bryan Birdman Williams aka Baby and Ronald Slim Williams have built Cash Money Records into a legendary force in the music industry. Through tireless devotion and an unparalleled work ethic, the duo founded the legendary label in the New Orleans housing projects and elevated it into a multi-million-dollar empire and cultural tastemaker. Not only is the company revered as an iconic and enduring global street brand, it’s become the most successful independent record label in America boasting a bevy of chart-dominating, multi-platinum artists and Grammy Award winners and cumulative sales over 100 million albums worldwide, the roster includes Jacquees, Blueface, Deemic, Juvenile and more. The label also houses Lil Wayne’s imprint Young Money Entertainment (Drake and Nicki Minaj) as well as a publishing arm Cash Money Content. Cash Money Records is distributed by Republic Records, a division of Universal Music Group, the world’s leading music company.